Relevant bibliographies by topics / Santeria religion

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Santeria religion'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Santeria religion"

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Platonova, O. A. "Salsa and Santeria: to the Problem of Desacralization of a Ritual." Observatory of Culture, no. 3 (June 28, 2015): 52–58. http://dx.doi.org/10.25281/2072-3156-2015-0-3-52-58.

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Salsa and Santeria: to the Problem of Desacralization of a Ritual (by Olesia Platonova) is dedicated to the dialogue between a popular genre (salsa) and a religion (Santeria) in the context of desacralization of a ritual. Comparing salsa and other genres, like gospel, spiritual, Christian rock, the author notes a profound connection between a song and a personal spiritual experience of the musician, analyses some examples of the genre: subject symbolism, color symbolism, bilingualism of texts (the Spanish and Yoruba languages), music quotations of Santeria’s hymns.
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Canizares, Raul Jose. "Santeria: From Afro-Caribbean Cult to World Religion." Caribbean Quarterly 40, no. 1 (March 1994): 59–63. http://dx.doi.org/10.1080/00086495.1994.11671807.

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Otero, Solimar, and David H. Brown. "Santeria Enthroned: Art, Ritual, and Innovation in Afro-Cuban Religion." International Journal of African Historical Studies 37, no. 2 (2004): 385. http://dx.doi.org/10.2307/4129031.

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Carrasquillo, Rosa E. "Santeria: The Beliefs and Rituals of a Growing Religion in America." Journal of Popular Culture 38, no. 5 (August 2005): 960–61. http://dx.doi.org/10.1111/j.0022-3840.2005.00152.x.

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Palmié, Stephan. "Making sense of Santería: three books on Afro-Cuban religion." New West Indian Guide / Nieuwe West-Indische Gids 70, no. 3-4 (January 1, 1996): 291–300. http://dx.doi.org/10.1163/13822373-90002624.

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[First paragraph]Santeria from Africa to the New World: The Dead Sell Memories. GEORGE BRANDON. Bloomington: Indiana University Press, 1993. x + 206 pp. (Cloth US$31.50) Working the Spirit: Ceremonies of the African Diaspora. JOSEPH M. MURPHY. Boston: Beacon, 1994. xiii + 263 pp. (Cloth US$ 25.00)Walking with the Night: The Afro-Cuban World of Santeria. RAUL CANIZARES. Rochester VT: Destiny Books, 1993. xii + 148 pp. (Paper US$ 12.95)Since 1959, the steady exodus from revolutionary Cuba has led to the gradual emergence of an Afro-Cuban religious diaspora in the United States. While this phenomenon has attracted scholarly attention for some time, the literature has grown particularly rapidly in recent years. It is, perhaps, not entirely fortuitous that a spate of current academic publications on the subject coincided with a scramble by the popular media to exploit its exotic potential in the context of the 1993 U.S. Supreme Court case on animal sacrifice. Clearly, what has come to be called an Afro-Cuban "cultic renaissance" in exile holds promise both for sensationalist journalism and certain kinds of theoretical projects. Partly articulating with older, but politically reinvigorated debates about the relations between African and African-American cultures, partly addressing fundamental questions about conventional models of cultural boundedness and coherence, and, finally, calling into question both popular and academic notions of "modernity" (and its inevitable counterpart "tradition"), the 292 New West Indian Guide/Nieuwe West-Indische Gids vol. 70 no. 3 &4 (1996)problems posed by the emergence of an Afro-Cuban religious diaspora in the United States present a timely challenge.
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Brandon, George. "The Uses of Plants in Healing in an Afro-Cuban Religion, Santeria." Journal of Black Studies 22, no. 1 (September 1991): 55–76. http://dx.doi.org/10.1177/002193479102200106.

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Pickens, George F. "Book Review: Santeria: The Beliefs and Rituals of a Growing Religion in America." Missiology: An International Review 34, no. 2 (April 2006): 260. http://dx.doi.org/10.1177/009182960603400227.

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CHIREAU, YVONNE. "SANTERIA: CORRECTING THE MYTHS AND UNCOVERING THE REALITIES OF A GROWING RELIGION. By Mary Ann Clark." Journal for the Scientific Study of Religion 46, no. 4 (December 7, 2007): 613–14. http://dx.doi.org/10.1111/j.1468-5906.2007.00381_6.x.

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Soto, Edixsandro de Jesús Morán. "La santería cubana en Venezuela, nuevo campo de acción para la pastoral." Albertus Magnus 6, no. 1 (January 17, 2015): 199. http://dx.doi.org/10.15332/s2011-9771.2015.0001.08.

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<p>Este artículo muestra de manera general la práctica de la santería en Venezuela, que hunde sus raíces en su anterior vida en África, que se extiende en sus ramas hasta Cuba con la llegada de los esclavos a esta tierra, y que en la última década hace nido en tierras venezolanas. Su influencia se deja ver sobre todo en gran parte de la población de los fieles católicos, quienes no logran distinguir prácticas de devoción popular con los ritos de santería; de los simpatizantes del gobierno chavista, quienes la han popularizado como la “religión de pueblo bolivariano”, en sintonía con las ideologías nacionalista del actual gobierno de Venezuela y, por supuesto, de las nuevas generaciones de los nacidos en el seno de estas comunidades santeras.</p><p>Aquí señalamos también el fenómeno del auge de la santería en Venezuela en esta última década, con la llegada de médicos, profesores e ingenieros cubanos traídos a colaborar en la República Bolivariana en sus respectivas áreas, cargando consigo sus tradiciones y costumbres. Se introduce a nociones básicas de esta corriente como son: la Regla de Ocha, santería, los elementos del culto santero, sus ministros, sus divinidades “orichas”, sus principales festividades, para terminar con la presentación de lo que la Iglesia católica define como religiosidad popular, que es expresión de fe de un pueblo.</p>
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Canales, Arthur D. "Santeria: the Beliefs and Rituals of a Growing Religion in America - By Miguel A. De La Torre." Religious Studies Review 32, no. 1 (January 2006): 57–58. http://dx.doi.org/10.1111/j.1748-0922.2006.00044_14.x.

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Dissertations / Theses on the topic "Santeria religion"

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Afure, Erhomarhua. "Santeria Ritual Sacrificial Practices in Miami." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3787.

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The practice of Santeria ritual sacrificial practices among devotees in Miami was investigated, using an ethnographic method with an interview of devotees. Pierre Bourdieu Habitus, James Scott’s weapon of the weak, Richard Schechner and Victor Turner Performance theory were used for this study. These theories helped in the analysis of the data collected. The research explores the significance of sacrifice in the religious tradition of Santeria in Miami. The study critically examined the goals for animal sacrifices and experiences of devotees in Miami. The study explored how the socio-cultural, economic and political space of Miami has hindered the sacrificial practice of Santeria and how it has equally sustained its survival. The spiritual effectiveness of sacrifice, its meaningfulness and how devotees understand the sacrifices to orishas in Santeria religious tradition are properly examined in this research. The research concludes that the offering of sacrifices to orishas enhances solution to devotee’s problems, it guarantees their spiritual security, better future and sustains their physical and spiritual well-being. Devotees in Miami attested to these benefits as the motivation for their offering of sacrifices to the orisha in the religious practice of Santeria.
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Lopez, Eva Archangel. "Afro-caribbean religion and rituals: Dugu, Voodoo, Santeria, and Brazilian religions/cults." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2319.

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This thesis will explore and discuss the religion and rituals (ancestral cult) of Afro-Caribbean societies, people of African and indigenous heritage. This thesis will also seek to answer the question of extent to which Americans have become tolerant of other people's culture and what influence, if any, have transmitted from the Afro-Caribbean people to other North American societies. The religion and rituals of four Afro-Caribbean groups will be discussed in this study.
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Gaye, Fall Ndèye Anna. "La Regla de Osha à Cuba : à la recherche du centre." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30042.

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Küpper, Stefan. "Santeria – von afrikanischen Orishas über kubanische Heilige zur amerikanischen „Lifestyle-Kultur“." Master's thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2009/3920/.

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Diese Arbeit beschäftigt sich mit dem Entwicklungsprozess der Santeria im Rahmen der Afrikanischen Diaspora. Dabei werden die pluralen Formen der Orisha-Religion der Yoruba in Afrika im Hinblick auf ihre Funktion als religiöses Fundament der Santeria untersucht. Im Folgenden wird die Entstehung der Santeria auf Kuba, bedingt durch die Einfuhr einer Vielzahl von Yoruba Sklaven, analysiert. Dabei spielt die Vermischung des kubanischen Volkskatholizismus mit den Orishas der Yoruba, die in einer neuen synkretischen Religion - die Santeria - mündet, eine hervorgehobene Rolle. Auch der Einfluss von anderen Glaubenssystemen (Spiritismus) wird an dieser Stelle deutlich gemacht. Im Mittelteil der Arbeit stehen die Emigrationen zahlreicher Kubanern nach der Revolution von 1959, welche somit die Santeria in die USA exportierten. Inwiefern sich die Santeria im Kontext der USA weiterentwickelte bzw. welche neuen Religionsvarianten entstanden sind, wird an dieser Stelle untersucht. Auch die zunehmende Kommerzialisierung der Santeria-Varianten wird kritisch analysiert, besonders im Hinblick auf die wachsende Bedeutung von Botanicas. Der letzte Teil der Arbeit beschäftigt sich mit den gegenwärtigen Entwicklungstendenzen der Santeria zur Lifestyle-Kultur im Rahmen des spirituellen Shoppings und geht auf die öffentliche Wahrnehmung in den USA ein. Dabei wird auch die ‚breite Massentauglichkeit’ der Santeria im Vergleich zu anderen Immigrantenreligionen herausgestellt und ihr Potential als kulturell-religiöse Identifikationsmöglichkeit für diverse Migrantengemeiden in einer zunehmend globalisierten Welt untersucht.
This paper deals with the development of Santeria within the framework of the African Diaspora – rooting in Africa, emerging in Cuba, advancing in the USA. At first, the plural variants of the Yoruba Orisha religion in Africa are explored with regard to their function as religious basis of Santeria. In the following, the genesis of Santeria in Cuba, caused by the import of many Yoruba slaves, is analysed. In this process the blending of Cuban popular Catholicism with the Orishas of the Yoruba, which led to the emergence of Santeria as a syncretic religion, plays a major role. The influence of differing belief systems, such as Spiritism, on Santeria is highlighted as well. In the middle section of this paper the mass emigrations of Cubans, who brought Santeria to American shores, especially after Castro’s revolution in 1959, are examined in detail. The issues of how Santeria advanced within the American context and what kind of new religious variants emerged out of it are broached at this point. With particular regard to the growing importance of botanicas, the increasing character of commercialisation among different forms of Santeria is critically scrutinised. The final part of this paper deals with contemporary trends in the USA, where Santeria develops from an earlier religious character to a lifestyle-culture, clearly influenced by the process of spiritual shopping. At this point the broad attraction of Santeria, which appeals to multiple social groups in contrast to other immigrant religions, is emphasised. Due to her potential as cultural and religious opportunity for identification among several immigrant communities, Santeria advances to a source of identity among diasporic communities all over an increasingly globalised world.
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Labañino, Yumei de Isabel Morales. "Objetos sagrados: a Santería cubana através de sua cultura material." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-23062017-135515/.

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Tradicionalmente as religiões afro-americanas são estudadas principalmente por meio de suas cerimônias, mitologia, hierarquia, organização ritual e conceitos éticos-filosóficos. Nesta tese se realiza uma aproximação da Santería1 cubana, religião de origem africana, por meio de sua cultura material. Com esta ideia se observou a presença desta religião na sociedade cubana contemporânea, inserida em um processo de transformações sócioeconômicas, em que ela, considerada uma prática subalterna assume um papel protogonista. Os objetos criados e/ou transformados para uso religioso funcionam na pesquisa como fio condutor para analisar os modos pelos quais a Santería é percebida dentro e fora da comunidade religiosa. Com esse intuito se realizou o exercício de examinar a apreensão de objetos para uso religioso em espaços públicos: museus e mercado, assim como privados: casas-templo. Questões como agência desses objetos, as redes de sociabilidade em que estão inseridos e seus processos de sacralização foram estudados com o auxílio de alguns pressupostos teóricos dos estudos sobre o consumo de cultura material. A etnografia foi decisiva para a construção da narrativa deste trabalho que confirmou a ideia de que a Santería se mantem intimamente vinculada às transformações atuais em Cuba.
Traditionally, African-American religions are mainly studied through their ceremonies, mythology, hierarchy, ritual organization and ethic-philosophical concepts. In the present thesis, one approaches the Cuban Santería, a religion of African origin, through its material culture. Bearing this in mind, we observed the presence of this religion in the Cuban contemporary society, inserted in a process of socio-economic transformations where it assumes an important role, although once it had been considered a marginal practice. The objects which are created and or transformed for the religious use are the connecting thread in the research to analyze how Santería is seen in and out of the religious community. In order to do so, we exanimated how religious objects are placed in public and private spaces for religious use: museums and markets and also the house-temples. Inquiries about the agency of those objects, the sociability networks in which they are inserted and their sacralization processes were studied with the assistance of some theoretical assumptions of the studies about the consumption of material culture. Ethnography was decisive to frame the narrative of this work, which confirmed the idea that Santería is still intimately affected and bound to the current transformations in Cuba.
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Gauck, Megan. "Killed a Bird Today: The Emergence and Functionality of the Santeria Trickster, Eleggua." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/461.

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Recognizable by their cunning exploits and gray morality, tricksters can be found in mythology, folklore, and religions throughout the world. Two tricksters were familiar to the Yoruba people in West Africa, Ajapa and Eshu, and their stories and abilities provide insight to the functions fulfilled by trickster characters. Upon the introduction of Regla de Ocha (or Santeria) to Cuba following the transatlantic slave trade, a new figure emerges, known for his tricks and adaptability. Due to the West African influence in Santeria religious practices, the original roles and traits of Eshu and Ajapa are analyzed for comparison, but Eleggua, the Santeria trickster, has become his own entity. Through ethnographic observations, personal conversations, and a collection of various sources and manuals, this project explores Eleggua and the trickster presence in Cuba. Although his role as a trickster has changed throughout the past few centuries, Eleggua and the trickster identity persists in modern Cuba, visible in religious practices and secular exchanges.
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Beliso-De, Jesú́́́s Aisha Mahina. "Becoming Santeria : a transnational study of cultural politics, media and religion in Cuba and the United States /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Testa, Silvina. "La conquête de l’est : reconfigurations régionales de la santería cubaine (La Havane – Sagua la Grande)." Paris 10, 2006. http://www.theses.fr/2006PA100163.

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En s’appuyant sur le cas d’une ville de la région centrale de Cuba, Sagua la Grande, bastion ancien de la santería, cette thèse s’attache à étudier une forme de religions afro-cubaines basée sur un modèle différent de celui, déjà bien connu, qui structure les cultes similaires à La Havane. La capitale est devenue, au fil du temps, la ville emblématique des cultes afro-cubains, étant érigée en quelque sorte en référence religieuse, voire en «orthodoxie» en la matière. Notre approche comparative entre les cultes afro-cubains de la Havane et de Sagua la Grande permet de relativiser le caractère général de ce modèle cultuel. L’analyse des figures d’autorités dans l’un et l’autre cas relativise la prédominance de la figure du babalao au sein de la prêtrise. Cette charge liturgique, à laquelle n’accèdent que les hommes, est au sommet d’une hiérarchie cultuelle qui est, entre autres, déterminée par des critères du genre. Un autre aspect important est que la ville de province commence lentement à s’inscrire dans la dimension transnationale des pratiques afro-cubaines, occupant par ce biais une place d’importance qu’elle n’avait pas autrefois. Une analyse comparative des formes de cultes présents à la Havane et à Sagua la Grande montrera qu’il ne s’agit finalement pas tant de deux modèles opposés que d’une multiplicité de variantes du culte
A case study of a town in the central region of Cuba, Sagua la Grande, the former stronghold of Santeria, this thesis attaches great importance to the study of a form of afro-cuban religion based on a model different to that already well-known, which has a cult structure similar to Havana. Over time, the capital has become the emblematic town for afro-cuban cults, having been fixed for some as a religious reference point, in so far as an “orthodoxy” is possible in this area. A comparison between afro-cuban cults in Havana and Sagua la Grande permits us to make relative the general character of this cultural model. The analysis of authority figures in both cases makes clear the predominance of the babalao figure in the priesthood. This liturgical role, into which only men are allowed entry, is at the apex of a cultural hierarchy which is determined, in part, by criteria of race. Another important aspect is that the provincial towns are slowly beginning to enlist in the transnational dialogue of afro-cuban practices, indirectly achieving a previously unrecognised prominence. A comparative analysis of cult forms present in Havana and Sagua la Grande will show that it is not a case of two opposing models but rather a multiplicity of cult variations
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Cribeiro, Marisol. "The Efficacy of San Lazaro and His Manifestations: Divine Mediators of Health Within Miami's Cuban-American Santeria Community." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1641.

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This study explored the origins, evolution and influence of the tradition of San Lázaro as it currently pertains to the Cuban-American Santeria community in Miami. The main argument of the study is that in the context of the contemporary religious culture of Santeria in Miami, San Lázaro is a hybrid spirit. Many manifestations of healing entities have come to merge in the person of this spirit. Though practitioners identify with specific manifestations of this spirit, the processes of transmigration have blurred the lines of deep-rooted faiths and created a fusion of meanings from disparate traditions, making San Lázaro an ambivalent personality. San Lázaro’s ambivalence is the very quality that makes him such an important Orisha. As a deity whose personalities demonstrates the combination of a diversity of qualities, including those that contradict each other, San Lázaro is deployed in a very broad range of healing context, making him a versatile Orisha. This study clarified the contrasting qualities this deity embodies and traces the socio-historical context in which the deity acquires the layers of meanings it is currently associated with. Drawing on interviews with Lázaranian worshipers [Lázarenos] in Miami and engaging in Bourdieu’s concept of Habitus, the study provided a window into the nature of the tradition of San Lázaro and how its usage is linked with the African heritage of the worshipers.
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Lakpassa, Komlan Daholega. "Gods, Have Merced! A Documentary Film." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9763/.

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Gods, Have Merced! chronicles the struggle of Jose Merced, a Santeria priest, with the city of Euless, Texas, where he has been residing for 17 years in an effort to overrule an ordinance that bans the most critical element of his faith: animal sacrifice. As the city officials justify the ban on the basis of public health, Merced thinks he is merely a victim of selective code enforcement aimed a restricting his freedom of religion. Local and national media covered the lawsuit he filed against the City of Euless, and Merced seems ready to take the fight over animal sacrifice to the United States Supreme Court. He wants American justice to give his African-originated religion recognized in a city where people seem uneasy about a practice that brings back the historic fears of Voodoo and its popularly assumed malefic practices. The film explores the complex structure of Santeria, its African roots, its renaissance in the Americas and the very controversial issue of animal sacrifice in the US.
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Books on the topic "Santeria religion"

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Santeria: The beliefs and rituals of a growing religion in America. Grand Rapids, MI: W.B. Eerdmans Pub. Co., 2004.

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González-Wippler, Migene. Santería: The Religion. 2nd ed. St. Paul, Minn., U.S.A: Llewellyn Publications, 1994.

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González-Wippler, Migene. Santería: The Religion. New York: Harmony, 1989.

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Mouial, Gérald. La santería: Religión popular cubana = La santería : Cuban popular religion. La Habana: Ediciones Unión, 2002.

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Making the gods in New York: The Yoruba religion in the African American community. New York: Garland Pub., 1997.

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Murphy, Joseph M. Santería: An African religion in America. Boston: Beacon Press, 1988.

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Santería: An African religion in America. New York: Original Publications, 1989.

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Living Santeria: Rituals and experiences in an Afro-Cuban religion. Washington [D.C.]: Smithsonian Institution Press, 2002.

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Clark, Mary Ann. Santería: Correcting the myths and uncovering the realities of a growing religion. Westport, Conn: Praeger Publishers, 2007.

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Eloy, Herrera Hernández, ed. El camino de Osha. Caracas: Editorial Panapo, 1995.

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Book chapters on the topic "Santeria religion"

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Farrés, Yasser, Alberto Matarán, and Yulier Avello. "Deterritorialization in Havana: Is There an Alternative Based on Santeria?" In The Changing World Religion Map, 1795–811. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9376-6_95.

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Loue, Sana. "Santería." In Encyclopedia of Psychology and Religion, 1603–6. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_832.

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Cyrous, Sam, Carol L. Schnabl Schweitzer, Stacey Enslow, Paul Larson, Rod Blackhirst, Morgan Stebbins, Erel Shalit, et al. "Santería." In Encyclopedia of Psychology and Religion, 819–22. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_832.

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Loue, Sana. "Santería." In Encyclopedia of Psychology and Religion, 2115–18. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_832.

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Panagiotopoulos, Anastasios. "Santería." In Encyclopedia of Latin American Religions, 1415–19. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_529.

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Panagiotopoulos, Anastasios. "Santería." In Encyclopedia of Latin American Religions, 1–5. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-08956-0_529-1.

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Rodríguez-Mangual, Edna M. "Santería and the Quest for a Postcolonial Identity in Post-Revolutionary Cuban Cinema." In Representing Religion in World Cinema, 219–37. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-10034-4_12.

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Owusu, Robert Y. "Socioreligious Agencies of Santería Religion in the United States of America." In Contemporary Perspectives on Religions in Africa and the African Diaspora, 199–215. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498052_16.

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Castañeda, Angela N. "The African Diaspora in Mexico: Santería, Tourism, and Representations of the State." In The African Diaspora and the Study of Religion, 131–50. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609938_8.

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Patel, Umesh. "Finding Home in a Foreign Land: Initiation and Possession in Santería, Candomblé, and Voudou." In Contemporary Perspectives on Religions in Africa and the African Diaspora, 165–77. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498052_14.

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