Relevant bibliographies by topics / Sara Ahmed

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Sara Ahmed'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Sara Ahmed"

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Bora, Aksu. "Oyunbozan Feminist: Sara Ahmed." Moment Journal 4, no. 1 (2017): 271–78. http://dx.doi.org/10.17572/mj2017.1.271278.

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Willmington, Lizzy. "Sara Ahmed: Willful Subjects." Feminist Legal Studies 23, no. 2 (2015): 235–39. http://dx.doi.org/10.1007/s10691-015-9290-8.

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Simpson, Hannah. "Willful Subjects by Sara Ahmed." College Literature 43, no. 4 (2016): 749–52. http://dx.doi.org/10.1353/lit.2016.0043.

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Quesenberry, Krista. "Willful subjects, by Sara Ahmed." Critical Policy Studies 9, no. 3 (2015): 385–88. http://dx.doi.org/10.1080/19460171.2015.1075748.

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Førde, Kristin Engh. "Sara Ahmed: Living a feminist life." Tidsskrift for kjønnsforskning 43, no. 02 (2019): 128–31. http://dx.doi.org/10.18261/issn.1891-1781-2019-02-05.

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Brigagão, Jacqueline I. Machado. "Living a feminist life Sara Ahmed." Feminism & Psychology 30, no. 1 (2019): 121–24. http://dx.doi.org/10.1177/0959353519862304.

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Croft, Clare. "Living a feminist life Sara Ahmed." Feminist Theory 19, no. 2 (2018): 241–42. http://dx.doi.org/10.1177/1464700118766968.

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Martín Peláez, Paula. "Vivir una vida feminista de Sara Ahmed." Investigaciones Feministas 10, no. 1 (2019): 189–90. http://dx.doi.org/10.5209/infe.62668.

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Tuori, Salla, and Salla Peltonen. "Feminist Politics: An Interview with Sara Ahmed." NORA - Nordic Journal of Feminist and Gender Research 15, no. 4 (2007): 257–64. http://dx.doi.org/10.1080/08038740701691941.

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Lloyd, Moya. "Sara Ahmed, The Promise of Happiness." Redescriptions: Political Thought, Conceptual History and Feminist Theory 16, no. 1 (2013): 200. http://dx.doi.org/10.7227/r.16.1.12.

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Dissertations / Theses on the topic "Sara Ahmed"

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Meijer, Klara. "Kender du overhovedet Azorno : En paranoid och skamfylld läsning av Inger Christensens Azorno." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-22757.

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A paranoid and shameful reading of Inger Christensens novel Azorno.The contagious feelings of paranoia and shame played a vital part in my first reading of the novel Azorno, written by the Danish poet Inger Christensen. In this essay, I’m letting those emotions direct the ‘understanding’ and analysis of the novel. In earlier research the focus has been to comprehend what the novel ‘really is about’, and even though it has been mentioned that the form probably is a way to make the reader a visible constructer of  the novel’s ‘meaning’ the understanding has never been created by the affects that occurs during the reading. In doing so, I mean, a new and more subversive ‘understanding’  of Azorno is possible. Azornos is a quite peculiar novel which form builds upon an ambivalence, where the reader never can distinguish true from false, fiction from reality. This ambivalence is caused through the change of narrator that takes place in each chapter. The Chapters are first shaped as letters, where four women discuss who is the one that really knows Azorno, and then as notes, that seem to come from a diary and concerns the writing of a novel. The uncertainty increases when the earlier narrator is accused by the next one of being a liar, something that happens in every letter. In the notes the first narrator is told to be the pseudonym of the next one and so it continues. Thus the reader get the feeling of not knowing who the true narrator is – or if there is one. The accusations of lying and the paranoid attitude are contagious to the reader who gets the feeling that the text and its narrators are not to be trusted. Another affect shaping the text is shame, caused by the text’s seductiveness. The reader is held in the violence of the text by constantly searching for the truth but also repeatedly being deprived the delightful taste of it. At the same time, the reader is also starting to shamefully enjoy the feeling of being fooled by the text. In the article, I will use the theory of paranoia offered by Eve Kosofsky Sedgwick. Sedgwick understands paranoia as nothing different from knowledge per se and as a feeling that, when it’s shared, can be a useful in theories aiming to understand and deconstruct power. The positive consequences of acknowledging paranoia while reading is according to Sedgwick understood as something that, if it is taken seriously,  also can be a way to move towards possibilities and reparation. By embracing the strong and negative feeling of paranoia, the reader, I argue, has the opportunity to, together with the text, construct another narrative about the seducer Azorno – which is the name of the main character of the novel– and, the perhaps five, women who might be his mistresses.  When adding the acknowledgment of shame and using the theory of shame as a emotional power of keeping ’things in it’s ”right” place’, but also a feeling that – if it is shared – can work in opposite direction, since shame seen as a important experience also can make normative ideas visible. By admitting and sharing the shame sensed during the reading of Azorno, normative ideas regarding the relationship between the reader and the text, as well as standard ideas about mistresses and seducers, becomes visible and therefore also brought to a possible change. Thus, in the ending of the novel a new affect – more exultant – is achieved in the relationship between the reader and Azorno.
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Gotby, Alva. "För mycket lycka : om lyckan och det politiska hos Simone de Beauvoir och Sara Ahmed." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19160.

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Happiness is often considered our ultimate goal in life. This essay explores the political im- plications of this view, through the critique of happiness found in the works of Simone de Beauvoir and Sara Ahmed. Ahmed and Beauvoir consider happiness to be harmful as a po- litical goal, since it tends to diminish dimensions of power and conflict in favor of harmony, and is not compatible with a political philosophy based on freedom or liberation. Happiness is often confused with the ethical Good, but this essay argues that happiness does not ne- cessarily entail good things. Indeed, happiness can be used to justify oppression and unjust political systems.
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Abouzeid, Sara Ahmed Abdalla Verfasser], and Dirk [Akademischer Betreuer] [Selmar. "Modulation of indole alkaloid composition in Vinca minor / Sara Ahmed Abdalla Abouzeid ; Betreuer: Dirk Selmar." Braunschweig : Technische Universität Braunschweig, 2018. http://d-nb.info/1175814970/34.

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Sandström, Emelie. ""För tungt för tankar och ord" : En affektteoretisk läsning av Sara Lidmans Regnspiran." Thesis, Linköpings universitet, Institutionen för kultur och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-167342.

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Olsson, Nyhammar Carlo. ""Verkligheten, som obarmhärtigt bröt ned hans konstruktioner” : En studie av Henry Parlands roman Sönder." Thesis, Södertörns högskola, Litteraturvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34827.

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In this thesis the aim is to examine how objects matter with regards to orientation in the work To Pieces written by the Finnish author Henry Parland. The question posed by Sara Ahmed in Queer Phenomenology becomes the starting point of this work. The aim of returning to this question is to accentuate the role of objects in the process of orientation. More specifically how the things themselves make up the life-world, which can be described as a “coherency of things”. When the lifeworld and the subject is aligned the world is familiar and open. It becomes a world that lets the subject in question extend itself and act as it intends. When the orientation fails, the subject becomes disorientated, the world falls apart. The things are used as tools to extend the subject in its world. But things are not mere tools for the subject to extend itself with. The things can be seen as having agency, something that is examined through the theory of agential realism by Karen Barad. Here the agency of matter is examined in such a way that the binary opposition of subject-object is questioned. Instead Barad suggest that we return to the matter itself and examine how it intra-acts in such a way that the boundaries and entities are formed within the so-called phenomena. Together these two theories are put to work in the novel To Pieces which becomes a place for them to join together by showing how orientation is formed reciprocally in the subject-object discourse. The novel is full of human intra-action with things, be it mirrors, photografies, cigarettes, hats, or other humans who are reduced to objects. From here the things themselves set in motion a kind of revolution, which questions the anthropocentric order.
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Thor, Erik. "Miljöpartiets känslomässiga positionering : En studie av Miljöpartiets retorik under valet 2010." Thesis, Uppsala universitet, Avdelningen för retorik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-216635.

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Rena, Baledi. "Den svenska queerhetens gränser - En studie av rasifierade homo- och bisexeulla personers erfarenheter i Sverige." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23505.

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In this thesis I interview three Swedish-born or raised racialized gay and bisexual individuals. The purpose is to examine the interviewees' experiences of being racialized and gay/bisexual in Sweden, and how they handle their experiences on an individual level. To do so I use queer theory and Sara Ahmed's phenomenology.I find that whiteness plays a crucial role in the interviewees' lives. Due to a homonationalistic logic, the interviewees are often assumed to be heterosexual. At the same time, a homonationalistic logic leads them closer to whiteness and sometimes enables them to pass as white when “coming out” as gay or bisexual. Furthermore, I find that dating white can serve both as a protection against racism and generate benefits, while it also comes with a risk in form of racism, fear of racism or lack of support when exposed to racism. These experiences have led some of the interviewees to date mainly racialized people as a form of resistance. The thesis also shows that the interviewees often feel excluded in LGBTQ gatherings and places due to being racialized, but at the same time feel safe in relation to their sexuality. All interviewees raise antiracist organization as a way of handling the feeling of being out of place in white LGBTQ-contexts.
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Horvath, Jennifer. "Resistance, Resurrection, Liberation: Beyond the Existing Readings of Marc Chagall's Crucifixion Paintings." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980680.

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Ahmed, Sara Mahmoud Hegy [Verfasser], and Sylvia [Akademischer Betreuer] Erhardt. "Inter-organ control of gut sexual dimorphism by steroid hormone signaling in Drosophila / Sara Mahmoud Hegy Ahmed ; Betreuer: Sylvia Erhardt." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/1217328211/34.

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Ahmed, Sara [Verfasser], and Sylvia [Akademischer Betreuer] Erhardt. "Inter-organ control of gut sexual dimorphism by steroid hormone signaling in Drosophila / Sara Mahmoud Hegy Ahmed ; Betreuer: Sylvia Erhardt." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-287772.

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Books on the topic "Sara Ahmed"

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Shāh, Bullhe. Bulleh Shah's devotionals and Faiz Ahmed Faiz's Dast-e-saba. National Book Foundation, 1992.

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Benamara, Khelifa. La saga des Boubekria: Ancêtres des Ouled Sidi Cheikh et de Bouamama : de S. Maâmar Abou l'Âlia aux enfants de S. Slimane ben Bousmaha, S. Mohammed, Lalla Sfia, S. Ahmed El Mejdhoub : histoire et hagiographie du sud-ouest algérien (1), 14e, 15e et 16e siècles. Librairie Djoudi Messaoud, 2002.

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Benamara, Khelifa. La saga des Boubekria (1): Ancêtres des Ouled Sidi Cheikh et de Bouamama : de S. Maâmar Abou l'Âlia aux enfants de S. Slimane ben Bousmaha, S. Mohammed, Lalla Sfia, S. Ahmed El Mejdhoub : histoire et hagiographie du sud-ouest algérien (1), 14e, 15e et 16e siècles. Librairie Djoudi Messaoud, 2002.

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Benamara, Khelifa. La saga des Boubekria (1): Ancêtres des Ouled Sidi Cheikh et de Bouamama : de S. Maâmar Abou l'Âlia aux enfants de S. Slimane ben Bousmaha, S. Mohammed, Lalla Sfia, S. Ahmed El Mejdhoub : histoire et hagiographie du sud-ouest algérien (1), 14e, 15e et 16e siècles. Librairie Djoudi Messaoud, 2002.

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Ahmed, Sara. Complaint! Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022336.

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In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
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Sharma, Sarah, and Rianka Singh, eds. Re-Understanding Media. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022497.

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The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes. Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans
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Ty, Eleanor. Que(e)rying the American Dream in Films of the Early Twenty-First Century. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0003.

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This chapter looks at a selection of post-2000 Asian American films that feature Asian American protagonists who are 1.5 or second-generation immigrants. The Debut (dir. Gene Cajayon), Red Doors (dir. Georgia Lee), Saving Face (dir. Alice Wu), and Charlotte Sometimes (dir. Eric Byler) question the professional and financial ambitions that were hallmarks of the model minority ideal of the economically successful Asian American established in the 1960s. The films depict protagonists who find themselves unable to fulfill what Sara Ahmed calls the "happiness duty" and experience melancholia and depression. A number of these independent Asian American filmmakers explore non-heteronormative and non-conjugal ways of expressing love and passion, revealing the shifting values, transcultural affiliations and desires that are now part of the multiplicity of Asian North American identity.
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Ty, Eleanor. Precarity and the Pursuit of Unhappiness. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0002.

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This chapter examines three works by Japanese North American writers: Ruth Ozeki's A Tale for the Time Being,Mariko Tamaki's novella Cover Me, and her graphic novel Skim, illustrated by Jillian Tamaki. Though different in narrative style and technique, these three texts feature Japanese North American teens, who struggle with identity issues, family instability, self-esteem, and depression. The protagonists are unable to follow the kind of hard-working immigrant ethos of their parents; instead, they pursue what looks like a path to unhappiness, and suffer mental and physical consequences. Ozeki plays with the connectedness of geographical space, and uses postmodern devices to show global economic and social uncertainty; Mariko Tamaki uses the detached and ironic first-person point of view of a twenty-year old to critique our obsession with ownership and money. In Skim, verbal and visual techniques convey Skim's outsider status, her broken family, difficulties with her peers, and what Sara Ahmed calls the "happiness commandment."
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Greer, Stephen. Queer exceptions. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526113696.001.0001.

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This book is a study of solo performance in the UK and western Europe since the turn of millennium that explores the contentious relationship between identity, individuality and the demands of neoliberalism. With case studies drawn from across theatre, cabaret, comedy and live art – and featuring artists, playwrights and performers as varied as La Ribot, David Hoyle, Neil Bartlett, Bridget Christie and Tanja Ostojić – it provides an essential account of the diverse practices which characterize contemporary solo performance, and their significance to contemporary debates concerning subjectivity, equality and social participation. Beginning in a study of the arts festivals which characterize the economies in which solo performance is made, each chapter animates a different cultural trope – including the martyr, the killjoy, the misfit and the stranger – to explore the significance of ‘exceptional’ subjects whose uncertain social status challenges assumed notions of communal sociability. These figures invite us to re-examine theatre’s attachment to singular lives and experiences, as well as the evolving role of autobiographical performance and the explicit body in negotiating the relationship between the personal and the political. Informed by the work of scholars including Sara Ahmed, Zygmunt Bauman and Giorgio Agamben, this interdisciplinary text offers an incisive analysis of the cultural significance of solo performance for students and scholars across the fields of theatre and performance studies, sociology, gender studies and political philosophy.
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Cloud, Dana L., ed. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
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Book chapters on the topic "Sara Ahmed"

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Sian, Katy P. "Sara Ahmed." In Conversations in Postcolonial Thought. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137463562_2.

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Alber, Nicole. "1. Disziplin der Glückseligkeit: Pascal Bruckner, Sara Ahmed." In Image. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458181-006.

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Rozelle-Stone, A. Rebecca. "Simone Weil, Sara Ahmed, and a Politics of Hap." In Simone Weil, Beyond Ideology? Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48401-9_4.

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Dahl, Ulrika. "Nordic Academic Feminism and Whiteness as Epistemic Habit." In Feminisms in the Nordic Region. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53464-6_6.

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AbstractThis chapter is a contribution to ongoing discussions about Nordic academic feminism. It asks why and how this field continues to assume and reproduce whiteness as its naturalised point of departure and orientation and for forming a Nordic feminist “we.” It is largely conceptual, and I draw on a lived archive of 15 years of participant observation in ”Nordic” academic feminism as it has taken shape at conferences, in network and research meetings, and in classrooms and public debates. Building on the work of Sara Ahmed, Sirma Bilge, Lena Sawyer, Marta Cuesta and Diana Mulinari, I propose that whiteness can be understood as an epistemic habit of and within Nordic academic feminism. To that end, the chapter sketches a framework for understanding how whiteness is habitually and epistemically reproduced in broader logics of narration about the field, in forms of assembly and in responses to critiques of racism. Thus, whiteness is not simply a question of over-representation of white bodies, it is also about the orientations and comfort of white bodies, and about how some critiques and stories become understood as “ours” and others not.
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"Sara Ahmed." In Persuasive Acts. University of Pittsburgh Press, 2020. http://dx.doi.org/10.2307/j.ctvwrm691.32.

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"Sara Ahmed QUEER FEELINGS." In The Routledge Queer Studies Reader. Routledge, 2012. http://dx.doi.org/10.4324/9780203720776-35.

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"Sara Ahmed, “Multiculturalism and the Promise of Happiness”." In Feminist Theory Reader. Routledge, 2016. http://dx.doi.org/10.4324/9781315680675-80.

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"1. Disziplin der Glückseligkeit: Pascal Bruckner, Sara Ahmed." In Scheitern als Performance. transcript Verlag, 2021. http://dx.doi.org/10.1515/9783839458181-006.

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Schaefer, Donovan O. "The Animality of Affect: Religion, Emotion, and Power." In Religion, Emotion, Sensation. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823285679.003.0002.

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This essay argues that the immensely influential concept of affect as unstructured proto-sensation that is primarily associated with Gilles Deleuze and Brian Massumi is insufficient to understand the roles of affect in religion and other formations of power. The Deleuzian approach to affect fails to reckon adequately with the animality of the human body, with its evolutionarily particular bio-architecture that affords it a finitely multiple repertoire of affects. Moving to religion by way of Sylvan Tomkins, Eve Kosofsky Sedgwick, and Sara Ahmed, the essay argues that the felt bodily needs and consequent affective economy of which religion is the product hinge on shame and dignity, and it proceeds to illustrate its claim with reference to Saba Mahmood’s analysis of the women’s Mosque Movement in pre-revolutionary Egypt.
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Coates, Kimberly Engdahl. "Virginia Woolf’s Queer Time and Place: Wartime London and a World Aslant." In Queer Bloomsbury. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401692.003.0016.

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Coates employs queer phenomenology proposed by Judith Halberstam and Sara Ahmed to explore the ways Virginia Woolf’s modernist aesthetic queers events, characters, affects, and the phenomenological experience of time and space. Examining queer angles of vision in Jacob’s Room, Mrs. Dalloway, The Waves, and The Years, Woolf depicts a London irrevocably queered by war or its anticipation. Rendering familiar temporal and spatial frames suddenly askew, Woolf’s queer analysis of wartime London calls us to heed the destructive consequences of a militancy facilitated by patriarchy and heteronormativity, while simultaneously inviting us to inhabit a city capable of offering radically alternative modes of social gathering.
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Conference papers on the topic "Sara Ahmed"

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Kohl, Marie-Anne. "Die weinende Jury. »Geschlechtslose« Tränen bei globalen Musik-Castingshows?" In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.59.

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Tears are flowing. Whether Yvonne Catterfeld, Kazim as-Sahir, Unati Msenga-na, Liu Huan, Simon Cowell or Lira – they are all part of a jury of global music casting show formats such as The Voice, Idol or Got Talent and show their tears in front of the camera, seemingly ashamed and yet completely uninhibited. Their tears flow in reaction to ‘particularly soulful’ music titles or to the candidates’ tragic personal stories, paired with the ‘right’ song selection. The display of great emotions is an essential element of reality TV formats. With Sara Ahmed, they can be understood in the sense of an ‘affective economy’ as an effect of their circulation, their staging as a specific ‘emotional style’ of dealing with emotions (Eva Illouz). The circulation of affects in casting shows is a global one, since the formats, developed in Europe, have produced local versions in over 60 countries worldwide. Emotions play an important role in the successful localization of the formats and define a complex area of conflict between a sensitization to socio-cultural characteristics and the ‘reproduction of culturalistic concepts’ (Laura Sūna) or clichés. In European cultural history, tears have developed a special significance as guarantors of the authenticity of empathy (Sigrid Weigel), and are generally associated with femininity, however at the same time have been film-historically recoded as ‘gender-neutral’ (Renate Möhrmann). Keeping in mind that all these casting show formats have been exported from Europe, these observations are of special interest, especially since one can see men and women crying equally in the Arabic, German or South African versions of e. g. The Voice. This article questions the concurrence of musical performance, display of tears, gender performance and the translocal dramaturgy of music casting shows.
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Basid, Abdul, and Lu’lu’ Agustin. "The Psychological Conflict of Main Actor in The Suffragette Film by Sarah Gavron Based on Kurt Lewin’s Perspective." In Proceedings of the 2019 Ahmad Dahlan International Conference Series on Education & Learning, Social Science & Humanities (ADICS-ELSSH 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/adics-elssh-19.2019.26.

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