Relevant bibliographies by topics / Sarah Orne Jewett

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Sarah Orne Jewett'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Sarah Orne Jewett"

1

Pizer, Donald, and Margaret Roman. "Sarah Orne Jewett: Reconstructing Gender." American Literature 64, no. 4 (1992): 830. http://dx.doi.org/10.2307/2927659.

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Pryse, Marjorie, Margaret Roman, and Elizabeth Silverthorne. "Sarah Orne Jewett: Reconstructing Gender." New England Quarterly 66, no. 4 (1993): 672. http://dx.doi.org/10.2307/366050.

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Hobbs, Glenda, and Sarah Way Sherman. "Sarah Orne Jewett: An American Persephone." New England Quarterly 65, no. 1 (1992): 157. http://dx.doi.org/10.2307/365993.

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Berkson, Dorothy, and Sarah Way Sherman. "Sarah Orne Jewett: An American Persephone." American Literature 62, no. 2 (1990): 335. http://dx.doi.org/10.2307/2926931.

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Melissa Homestead. "Willa Cather Editing Sarah Orne Jewett." American Literary Realism 49, no. 1 (2016): 63. http://dx.doi.org/10.5406/amerlitereal.49.1.0063.

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Pryse, Marjorie. ""Outgrown Friends," by Sarah Orne Jewett." New England Quarterly 69, no. 3 (1996): 461. http://dx.doi.org/10.2307/366784.

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Johansen, Kristin, Jack Morgan, and Louis Renza. "The Irish Stories of Sarah Orne Jewett." MELUS 24, no. 3 (1999): 202. http://dx.doi.org/10.2307/468058.

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Tucker, Edward L. "A New Letter by Sarah Orne Jewett." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 15, no. 4 (2002): 39–41. http://dx.doi.org/10.1080/08957690209600084.

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SOLOMON, MELISSA. ""The Queen's Twin": Sarah Orne Jewett and Lesbian Symmetry." Nineteenth-Century Literature 60, no. 3 (2005): 355–74. http://dx.doi.org/10.1525/ncl.2005.60.3.355.

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Do some ideas "survive all changes of time and national vicissitude"? The question belongs to Sarah Orne Jewett (1849-1909), the South Berwick, Maine author whose fictions are spun from communities of widowed women living along the Maine seacoast after the death of the shipping industry in Maine. A regional author ever mindful of differences between individuals, regions, and nations, whose fictional sea-captains know "a hundred ports . . . and could see outside the battle for town clerk here in Dunnet,"Jewett nevertheless invents female characters who share uncanny, sexualized, exactly symmetr
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Evans, Deborah M., and Paula Blanchard. "Sarah Orne Jewett: Her World and Her Work." New England Quarterly 68, no. 4 (1995): 676. http://dx.doi.org/10.2307/365887.

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Dissertations / Theses on the topic "Sarah Orne Jewett"

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Clasen, Kelly. "Reconsidering Regionalism: The Environmental Ethics of Sarah Orne Jewett, Kate Chopin, and Willa Cather." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84189/.

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This study identifies environmentalist themes in the fiction and nonfiction of Sarah Orne Jewett, Kate Chopin, and Willa Cather and argues that these ideals are interdependent upon the authors’ humanistic objectives. Focusing on these three authors’ overlapping interest in topics such as women’s rights, environmental health, and Native American history, this dissertation calls attention to the presence of a frequently unexplored but distinct, traceable feminist environmental ethic in American women’s regional writing. This set of beliefs involves a critique of the threats posed by a patriarc
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Callaghan, Jennefer. "Spectral realism the ghost stories of William Dean Howells, Henry James, and Sarah Orne Jewett /." Restricted access (UM), 2009. http://libraries.maine.edu/gateway/oroauth.asp?file=orono/etheses/37803141.pdf.

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Thesis (Ph. D.)--Emory University, 2008.<br>Title from PDF title page (viewed on May 25, 2010) Available through UMI ProQuest Digital Dissertations. Includes bibliographical references (leaves 236-269). Also issued in print.
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Frater, Graham Robert. "The mediated past in the work of Sarah Orne Jewett : aspects of theme and form." Thesis, University of Warwick, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389720.

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Gonzalez, Angela. "Private Voices Teaching Public Values in the Fiction of Harriet Beecher Stowe, Mary Wilkins Freeman, and Sarah Orne Jewett." TopSCHOLAR®, 1998. http://digitalcommons.wku.edu/theses/308.

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This thesis re-examines the purpose and value of New England women's local color fiction, asserting that local color functions as the groundwork on which the standards and practices of literary realism are based and as the way that nineteenth-century women writers could promote their domestic ministry. Furthermore, the thesis maintains that Stowe, Freeman, and Jewett utilized literary realism to publicize alternative theologies and progressive communities.
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Finn, Margaret Louise. "Immanent Nature: Environment, Women, and Sacrifice in the Nature Writing of Nathaniel Hawthorne, Catharine Maria Sedgwick, and Sarah Orne Jewett." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/60456.

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English<br>Ph.D.<br>There remains in Hawthorne criticism today, despite critical rediscovery of his texts in terms of the public sphere, an echo of denunciation that he did not do the cultural work that his contemporaries did, that he "distrusted" and "punished" women, and that his work is irrelevant to today's young readers. He has been largely neglected, as well, by contemporary environmental critics who have found nature in his texts to be insufficiently mimetic. This ecocritical reading of Hawthorne in conjunction with that of Catharine Maria Sedgwick and Sarah Orne Jewett resolves these c
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Feusahrens, Ellen Teresa. "Exercising influence, hoping for change: Sarah Orne Jewett, Charlotte Perkins Gilman, and Zitkala-Sa negotiate feminism at the turn of the century." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/feusahrens/FeusahrensE0507.pdf.

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By the mid 1800s, American feminism began gaining momentum. Politicians, scientists, and clergymen all responded to the evolving call for reforms. More and more people adopted the view that women were oppressed by a male-centered society, and most women were isolated within the home. Women writers belonged to a small group of women whose voices had cultural weight and they had to negotiate between the demands of their writing and audience and their involvement and interest in the women's movement. At the turn of the century, Sarah Orne Jewett, Zitkala-S&Igrave;Œa, and Charlotte Perkins Gilman
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Buck-Perry, Cheri. "Authorizing the Reader: Narrative Construction in Sarah Orne Jewett's The Country of the Pointed Firs and Willa Cather's My Antonia." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4872.

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Although Willa Cather's My Antonia and Sarah Orne Jewett's The Country of the Pointed Firs have been highly regarded by numerous literary critics, neither text conforms to conventional expectations for narrative content or structure. Episodic in construction, the novels lack such traditional narrative ingredients as conflict, action, drama, and romance. Furthermore, explicit connections between episodes and stories related within the narratives are not drawn for the reader. Formalist and structuralist critics have approached the problem of structure in Cather and Jewett's works by employing co
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Powers, Misty D. "Connecting to the Feminine and to the Inner Self in Sarah Orne Jewett's The Country of the Pointed Firs." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0820102-124844/unrestricted/PowersM082302a.pdf.

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Roudeau, Cécile. "Pays, pages, paysages : écriture du lieu : la Nouvelle-Angleterre de Sarah Orne Jewet, Mary E. Wilkins Freemen, Alice Brown et Rose Terry Cooke." Paris 4, 2007. http://www.theses.fr/2007PA040225.

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Cette thèse se propose d’étudier comment, des années 1870 au tournant du XXe siècle, les récits des écrivains-femmes de Nouvelle-Angleterre, ceux de Sarah Orne Jewett notamment, vont choisir de récrire le lieu Nouvelle-Angleterre – territoire et locus littéraire –, à l’heure où, de centre symbolique de la nation, la Nouvelle-Angleterre devient région, non plus site d’une certaine généralité américaine, mais couleur locale. En optant pour un genre et un objet désormais considérés comme mineurs, ces écrivains-femmes vont faire de la place que leur désignent la nation et les lettres un « lieu » c
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Kirkland, Graham. "From Rivers to Gardens: The Ambivalent Role of Nature in My Ántonia, O Pioneers!, and Death Comes to the Archbishop." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/78.

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Though her early writing owes much to nineteenth-century American Realism, Willa Cather experiments with male and female literary traditions while finding her own modern literary voice. In the process Cather gives nature an ambivalent role in My Ántonia, O Pioneers!, and Death Comes to the Archbishop. She produces a tension between rivers and gardens, places where nature and culture converge. Like Mary Austin and Sarah Orne Jewett, Willa Cather confronts the boundaries between humans and nature.
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Books on the topic "Sarah Orne Jewett"

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L, Gale Robert. A Sarah Orne Jewett companion. Greenwood Press, 1999.

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2

Sarah Orne Jewett: Reconstructing gender. University of Alabama Press, 1992.

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Roman, Margaret. Sarah Orne Jewett: Reconstructing gender. University of Alabama Press, 1992.

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Jewett, Sarah Orne. Best stories of Sarah Orne Jewett. L. Tapley, 1988.

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Sarah Orne Jewett, an American Persephone. Published for University of New Hampshire by University Press of New England, 1989.

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Silverthorne, Elizabeth. Sarah Orne Jewett: A writer's life. Overlook Press, 1993.

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Jewett, Sarah Orne. The complete poems of Sarah Orne Jewett. Ironweed Press, 1999.

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Jewett, Sarah Orne. The Irish stories of Sarah Orne Jewett. Southern Illinois University Press, 1996.

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Sarah Orne Jewett: Her world and her work. Addison-Wesley Pub. Co., 1994.

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Blanchard, Paula. Sarah Orne Jewett: Her world and her work. Addison-Wesley Pub. Co., 1995.

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Book chapters on the topic "Sarah Orne Jewett"

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Kelleter, Frank. "Jewett, Sarah Orne." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5579-1.

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Zipes, Jack D., and Frank Kelleter. "Jewett, Sarah Orne: The Country of the Pointed Firs." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5580-1.

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Mrozowski, Daniel. "Hallowed Ground: The Gothic New England of Sarah Orne Jewett and Mary Wilkins Freeman." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55552-8_6.

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Roudeau, Cécile. "Sarah Orne Jewett’s New England Gothic and the Uncanny Durability of Imperial History." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55552-8_4.

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Perry, Lauren. "The Animal Survives: Sarah Orne Jewett’s A White Heron Intervenes as Survivor of the Industrialized World." In Second Language Learning and Teaching. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76159-2_12.

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"Jewett, Sarah Orne." In Who's Who in Lesbian and Gay Writing. Routledge, 2003. http://dx.doi.org/10.4324/9780203402214-50.

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Maik, Thomas A. "Sarah Orne Jewett (1849-1909)." In Fiction by Nineteenth Century Women Writers. Routledge, 2020. http://dx.doi.org/10.4324/9781315861074-6.

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Howard, June. "The Unexpected Jewett." In The Center of the World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821397.003.0003.

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The third chapter of The Center of the World: Regional Writing and the Puzzles of Place-Time is titled “The Unexpected Jewett.” It analyzes Sarah Orne Jewett’s regionalist project, and argues for seeing religion as central to her work. Her beliefs offer a way of coordinating time and space, and inform her vision of transfiguring friendship. The chapter offers an assessment of the history and current state of Jewett criticism, a reading of the early story “A Late Supper,” and discussion of her writing for children. In terms of the concerns of the book as a whole, the center of Jewett’s world is the New England village, reimagined as a woman-centered, radically Christian democracy.
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Seitler, Dana. "Small Collectivity and the Low Arts." In Reading Sideways. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282623.003.0003.

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This chapter analyzes the short stories of Sarah Orne Jewett and Mary Wilkins Freeman and their emphasis on home craft (including sewing, quilting, and frame making) in their relation to an aesthetics of small collectivity.
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Howard, June. "Introduction: Sarah Orne Jewett and the Traffic in Words." In New Essays on The Country of the Pointed Firs. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511620447.002.

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Reports on the topic "Sarah Orne Jewett"

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Buck-Perry, Cheri. Authorizing the Reader: Narrative Construction in Sarah Orne Jewett's The Country of the Pointed Firs and Willa Cather's My Antonia. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6748.

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