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Books on the topic 'Sarah Orne Jewett'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

L, Gale Robert. A Sarah Orne Jewett companion. Westport, Conn: Greenwood Press, 1999.

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2

Sarah Orne Jewett: Reconstructing gender. Tuscaloosa: University of Alabama Press, 1992.

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3

Roman, Margaret. Sarah Orne Jewett: Reconstructing gender. Tuscaloosa: University of Alabama Press, 1992.

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4

Jewett, Sarah Orne. Best stories of Sarah Orne Jewett. Augusta, Me: L. Tapley, 1988.

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5

Sarah Orne Jewett, an American Persephone. Hanover: Published for University of New Hampshire by University Press of New England, 1989.

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6

Silverthorne, Elizabeth. Sarah Orne Jewett: A writer's life. Woodstock, N.Y: Overlook Press, 1993.

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7

Jewett, Sarah Orne. The complete poems of Sarah Orne Jewett. Forest Hills, NY: Ironweed Press, 1999.

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8

Jewett, Sarah Orne. The Irish stories of Sarah Orne Jewett. Carbondale, Ill: Southern Illinois University Press, 1996.

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9

Sarah Orne Jewett: Her world and her work. Reading, Mass: Addison-Wesley Pub. Co., 1994.

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10

Blanchard, Paula. Sarah Orne Jewett: Her world and her work. Reading, Mass: Addison-Wesley Pub. Co., 1995.

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11

Frater, Graham Robert. The mediated past in the work of Sarah Orne Jewett: Aspects of theme and form. [s.l.]: typescript, 1997.

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12

Naturethik und Neuengland-Regionalliteratur: Harriet Beecher Stowe, Rose Terry Cooke, Sarah Orne Jewett, Mary E. Wilkins Freeman. Heidelberg: Winter, 2004.

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13

Mobley, Marilyn Sanders. Folk roots and mythic wings in Sarah Orne Jewett and Toni Morrison: The cultural function of narrative. Baton Rouge: Louisiana State University Press, 1991.

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14

1947-1987, Morrison Jane, ed. Master smart woman: A portrait of Sarah Orne Jewett : based on the film by Jane Morrison in collaboration with Peter Namuth. Unity, Me: North Country Press, 1988.

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15

Hausmann, Jessica. The use of spatial imagery by three nineteenth-century New England authors -- Mary E. Wilkins Freeman, Sarah Orne Jewett, and Rose Terry Cooke: A method for analyzing regional texts. Lewiston: The Edwin Mellen Press, 2014.

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16

(1849-1909), Sarah Orne Jewett. A Country Doctor: A Novel. New York, USA: A Meridian Classic Printing, New American Library (1st Meridian Classic Printing), 1986.

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17

Hansen, Gabriele. Das reduzierte Leben: Leid und Leidbewältigung im Werk Sarah Orne Jewetts. Tübingen: G. Narr, 1998.

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18

Morgan, Jeff. Sarah Orne Jewett's feminine pastoral vision: The country of the pointed firs. Lewiston, N.Y: Edwin Mellen Press, 2002.

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19

Jewett, Sarah Orne. An edited edition of Sarah Orne Jewett's The country of the pointed firs. Lewiston, N.Y: E. Mellen Press, 2003.

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20

Donovan, Josephine. Sarah Orne Jewett. Cybereditions, 2002.

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21

Sarah Orne Jewett. Reprint Services Corp, 1992.

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22

Roman, Margaret. Sarah Orne Jewett: Reconstructing Gender. University Alabama Press, 2017.

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23

Jewett, Sarah Orne. Best Stories of Sarah Orne Jewett. Peter Smith Publisher, 1985.

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24

Sherman, Sarah Way. Sarah Orne Jewett, an American Persephone. University of New Hampshire Press, 2000.

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25

Buchanan, C. D. Sarah Orne Jewett: Great American Short Stories I. Bt Bound, 2001.

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26

Jewett, Sarah Orne. Tales of New England (The Sarah Orne Jewett Text Project). Coe Review Press, 1997.

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27

Sarah Orne Jewett: Her World and Her Work (Radcliffe Biography Series). Da Capo, 2002.

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28

Blanchard, Paula. Sarah Orne Jewett: Her World and Her Work (Radcliffe Biography Series). Perseus Books, 1995.

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29

Jewett, Sarah Orne. The king of Folly Island and other people (The Sarah Orne Jewett Text Project). Coe Review Press, 1998.

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30

1849-1909, Jewett Sarah Orne, Freeman, Mary Eleanor Wilkins, 1852-1930., and Solomon Barbara H, eds. Short fiction of Sarah Orne Jewett and Mary Wilkins Freeman: Including The country of the pointed firs. New York, N.Y: Penguin Group, 1994.

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31

Mobley, Marilyn Sanders. Folk Roots and Mythic Wings in Sarah Orne Jewett and Toni Morrison: The Cultural Function of Narrative. Louisiana State University Press, 1994.

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32

Wolff, Cynthia Griffin, various, Sarah Higginson Begley, and Monica L. Kearney. Four Stories by American Women: Rebecca Harding Davis, Charlotte Perkins Gilman, Sarah Orne Jewett, Edith Wharton (Penguin Classics). Penguin Classics, 1990.

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33

June, Howard, ed. New essays on The country of the pointed firs. Cambridge [England]: Cambridge University Press, 1994.

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34

Jewett and Her Contemporaries: Reshaping the Canon. University Press of Florida, 1999.

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35

Little, Jean, and Charles Waugh. The Best Maine Stories: A Century of Short Fiction, by Sarah Orne Jewett, Ben Ames Williams, Carolyn Chute, and Others. Down East Books, 1986.

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36

Jewett, Sarah Orne. Sarah Orne Jewett: Novels & Stories : Deephaven a Country Doctor; The Country of the Pointed Firs; Stories & Sketches (Library of America College Editions). Library of America, 1996.

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37

Kilcup, Karen L. Jewett and Her Contemporaries: Reshaping the Canon. [Jewett, Sarah Orne] Kilcup, Karen L. and Thomas S. Edwards (eds). Jewett and Her Contemporaries: Reshaping the Canon. University Press of Florida, 1999. Hardcover. 294pp. Fine / Fine dj., 1999.

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38

(Editor), Karen L. Kilcup, and Thomas S. Edwards (Editor), eds. Jewett and Her Contemporaries: Reshaping the Canon. University Press of Florida, 1999.

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39

L, Kilcup Karen, and Edwards Thomas S, eds. Jewett and her contemporaries: Reshaping the Canon. Gainesville: University Press of Florida, 1999.

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40

Jewett, Sarah Orne. Sarah Orne Jewett's Best Short Stories (Classic Books on Cassettes Collection). Audio Book Contractors, 1994.

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41

Jewett, Sarah Orne. Sarah Orne Jewett's Best Short Stories (Classic Books on CD Collection) [UNABRIDGED] (Classic Books on CD). Audio Book Contractors, Inc., 2007.

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42

Jewett, Sarah Orne. An Edited Edition of Sarah Orne Jewett's the Country of the Pointed Firs (Studies in American Literature). Edwin Mellen Press, 2004.

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43

Smith, Jennifer J. Locating the Short Story Cycle. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0002.

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Abstract:

This chapter corrects the long-held assumption that the form began with modernist blockbusters and instead suggests that modernist writers revised a vibrant regionalist tradition to their own uses. It trace the development of the cycle from a regionalist tradition often marked by an attention to the experiences of women and those living on the fringes of America. Nineteenth-century village sketch narratives, such as Caroline Kirkland’s A New Home, Who'll Follow? or, Glimpses of Western Life (1839), served to incorporate towns, distanced from cultural centers, into the national imaginary. These cycles depend upon the construction of a restricted geographic terrain to contain and ground the narratives; in other words, they stake out “limited locality” to encompass the stories. Sarah Orne Jewett’s The Country of the Pointed Firs (1896) and Sherwood Anderson’s Winesburg, Ohio (1919) continue to question the extent to which geographic proximity produces communal affiliation, which is often imagined as an antidote to the poisons of industrialization.

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