Relevant bibliographies by topics / Sarala Mahabharat

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Academic literature on the topic 'Sarala Mahabharat'

Author: Grafiati
Published: 7 June 2025
Last updated: 16 July 2025

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Journal articles on the topic "Sarala Mahabharat"

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Dr., Bikash Kumar Maharana. "From Myth to Medicine: Sāralā Dās's Integration of Āyurveda in Māhābhārat." Partners Universal International Innovation Journal (PUIIJ) 02, no. 05 (2024): 47–58. https://doi.org/10.5281/zenodo.13995301.

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After countless years of Vyasa&rsquo;s Mahabharat, Sarala Das&rsquo;s Mahabharat in Odia language composed in 15th century, by the direct grace of Goddess Sarala (Devi Saraswati) is an immortal contribution to the myth narratives in Indian Literature. Contemporary research in Sarala Literature reveals a lot of secrecies to cure physical ailments &ndash; both psychic and physical, through common beliefs like quack treatment or the so-called <em>&lsquo;Jadibuti Chikitsha&rsquo;</em> in colloquial language. Till the beginning of 15th century Sarala Das both a poet and social reformer, a seasoned
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Rajata. "Sarala mahabharata: A synthesis of literature, history and geography." International Journal of History 4, no. 2 (2022): 66–72. https://doi.org/10.5281/zenodo.7104203.

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In the history of mankind many great men have come and left their imprints in the sands of time but as a pioneer of Odia literature, story writer, social reformer Sarala Das was unique. Sarala Das has created literature based on a rich linguistic tradition, which is evident from the reading of the Mahabharata. So, there is no doubt that Sarala Das&rsquo;s literature is based on a solid foundation. By the time Sarala Das composed the Mahabharata, the Odia language had become well known. Writers and researchers in the history of Odia literature have stated that Sarala Das&rsquo;s Mahabharata is
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3

Devi, Dr Rachena, and Dr Shubha Vats. "The Palace of Illusions: A Feminist Reimagining of the Mahabharata in Contemporary Literature." South Asian Research Journal of Arts, Language and Literature 7, no. 03 (2025): 75–79. https://doi.org/10.36346/sarjall.2025.v07i03.003.

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Chitra Banerjee Divakaruni’s The Palace of Illusions (2008) reinterprets the Mahabharata from Draupadi’s perspective, challenging the epic’s patriarchal framework and reclaiming female agency. This paper examines how Divakaruni employs feminist narratology and postcolonial discourse to subvert traditional gender roles in mythological literature. Drawing on feminist theory (Showalter, Chakravarti), mythological studies (Doniger, Hiltebeitel), and postcolonial critiques (Spivak, Alexander), the study argues that The Palace of Illusions transforms Draupadi from a silenced victim into a politicall
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4

Dash, Bijayalaxmi. "Literary critic: Pandit Gopinatha Nandasharma." Indian Journal of Multilingual Research and Development 1, no. 1 (2020): 1–6. http://dx.doi.org/10.34256/ijmrd2011.

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Pandit Gopinath Nandasharma, is a well-known Odia linguist, lexicographer, translator, poet, writer and scholar. Pandit Nanda Sharma is the first Odia dictionary writer who had completed the work for this dictionary in 1903, which was published in 1916. He is known as the Panini of Odia Sahitya. In this paper I emphasized the critical outlook of Pandit Gopinath Nanda Sharma regarding “Sarala Mahabharata written by “sudra muni” Sarala Das, who belongs to the 15th century, is known as the first major poet (the aadi kavi) of Odia literature.
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5

Kharisma, Yohannes Bramanda Ryan, and Indra Tanureja. "The Influence of External Elements on The Human Decision-Making Process." Societas Dei: Jurnal Agama dan Masyarakat 11, no. 2 (2024): 155–72. https://doi.org/10.33550/sd.v11i2.480.

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This paper is a critical analysis of two important texts in two cultural traditions, namely the story of “The Fall” in Genesis chapter 3 in the Judeo-Christian tradition and “Sang Durjodana Arsa Ngasoraké Pandawa sarana Prang Dadu” in the Mahabharata epic in the Javanese tradition, Sadjarah Pandawa Korawa, by Raden Tanojo. The analysis process of juxtaposing the two texts will use the characterization method that focuses on the speech and actions performed by the serpent and Sengkuni as a representation of external elements that are capable of influencing human actions. Both are portrayed as i
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6

Dash, Bijayalaxmi. "Scribal copies of pre-modern texts and the digital environment: A case study of the Odia Sarala Mahabharata." International Journal of Scientific and Research Publications (IJSRP) 10, no. 1 (2020): p97102. http://dx.doi.org/10.29322/ijsrp.10.01.2020.p97102.

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7

Jaksana, Harpen Dwi, Sunardi Sunardi, and Ahmad Arif Musadad. "STUDI PSIKOLOGI SASTRA TOKOH BIMA." Jantra. 14, no. 1 (2019): 83–94. http://dx.doi.org/10.52829/jantra.v14i1.86.

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Karya sastra merupakan sarana penyambung pesan yang berwujud dalam simbol psikologis. Bima merupakan bagian dari khasanah karya sastra Nusantara yang mengandung seribu makna. Sisi yang jarang dilihat adalah di mana Bima memiliki simbol psikologis yang sangat erat kaitannya dengan budaya agraris. Bima selalu dilihat sebagai kesatria di dalam wiracarita Mahabharata. Artikel ini mengkaji sosok Bima dari sudut pandang yang berbeda. Menggunakan pendekatan tekstual dalam psikologi sastra, artikel ini menampilkan substansi keterkaitan sosok Bima dalam budaya agraris. Ulasan tentang substansi tersebut
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8

Toto Margiyono and Dewi Ayu Wisnu Wardani. "KORELASI NILAI PENDIDIKAN AGAMA HINDU DENGAN LAKON SEMAR MBANGUN KAHYANGAN." Widya Aksara : Jurnal Agama Hindu 27, no. 1 (2022): 30–43. http://dx.doi.org/10.54714/widyaaksara.v27i1.175.

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Eksistensi Wayang Kulit tetap bertahan meskipun masyarakat kita telah berada dalam masa globalisasi. Hal ini terbukti dengan dipentaskannya wayang kulit dalam berbagai jenis acara. Cerita yang ditampilkan secara garis besar berasal dari epos Ramayana dan Mahabharata. Cerita Carangan merupakan cerita yang digali dari tempat dimana wayang itu dipentaskan. Lakon Semar Mbangun Kahyangan salah satu cerita carangan yang berkembang dan masih dipentaskan oleh dalang – dalang di Jawa. Lakon ini mengisahkan Ki Lurah Semar akan membangun kahyangan dengan sarana Jimat Kalimasada. Maksud Ki Lurah Semar mem
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9

Duija, I. Nengah. "Prasi : Karya Kreatif Estetik Unggulan Bali (Sebuah Studi Teo-Antropologi)." Mudra Jurnal Seni Budaya 34, no. 1 (2019): 19–29. http://dx.doi.org/10.31091/mudra.v34i1.631.

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Kebertahanan dan pertumbuhan serta perkembangan seni di Bali secara tidak langsung disebabkan oleh kuatnya sistem keagamaan Hindu yang dianut oleh orang Bali. Keterkaitan seni dan agama tersebut adalah saling mengisi dan saling menguatkan, sehingga kesenian di Bali digolongkan menjadi menjadi seni wali, bebali, dan Balih-balihan. Berdasarkan klasifikasi tersebut, tentu memiliki ragam yang bervariasi pada masing-masing kelompok tersebut. Salah satu ragam seni lukis yang luput dari pengamatan selama ini adalah seni lukis prasi, yaitu seni lukis di atas daun rontal yang digurat dengan pisau khusu
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10

Bedamatta, Urmishree. "Sarala Mahabharata in the colonial Odia public sphere." South Asian History and Culture, February 20, 2023, 1–18. http://dx.doi.org/10.1080/19472498.2023.2178070.

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Books on the topic "Sarala Mahabharat"

1

Patnaik, B. N. Retelling as interpretation, an essay on Sarala Mahabharata. Department of Comparative Literature, Jadavpur University, 2013.

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2

Division, India Ministry of Information and Broadcasting Publications. Ramayana, Mahabharata and Bhagavata writers: Kamban, Pampa, Nannaya-Tikkana, Madhava Kandali Ekanath, Krittivasa, Sarala Dasa, Potana, Tunchattu Eluttacchan, Tulasi Das, Premananda, Bopadeva. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 2013.

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Book chapters on the topic "Sarala Mahabharat"

1

Bedamatta, Urmishree. "Sarala Mahabharata in the colonial Odia public sphere." In Between History and Literature. Routledge, 2025. https://doi.org/10.4324/9781003586890-2.

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2

Patnaik, B. N. "Observations on an Instance of Negative Interaction in Sarala Mahabharata." In The English Paradigm in India. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_20.

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3

Patnaik, B. N. "Engaging with a Classical Text from a Linguistic Perspective: A Study of “Bad Language” in Sarala Mahabharata." In Language Studies in India. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-5276-0_15.

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