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Relevant bibliographies by topics / Sargent, John Singer

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Academic literature on the topic 'Sargent, John Singer'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Sargent, John Singer"

1

arensman, emily. "John Singer Sargent's “Devils”." Gastronomica 11, no. 3 (2011): 8–11. http://dx.doi.org/10.1525/gfc.2011.11.3.8.

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Around 1875, John Singer Sargent painted a small oil picture of two octopuses on the deck of a fishing boat near Brittany. This canvas, now titled Two Octopi, is one of the very earliest oil paintings in the artist's oeuvre and shows Sargent's youthful proficiency in the medium. Even more remarkable is Sargent's peculiar choice of subject, particularly for an artist who would become famous for his portraits of high society. This essay examines the different evidence one can mine from Two Octopi: Sargent's early travels, academic training, and visual and tactile imagination. It also draws on cu

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Reynolds, Anna. "John Singer Sargent Painting Fashion." Metropolitan Museum Journal 54 (December 2019): 106–24. http://dx.doi.org/10.1086/707575.

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Volk, Mary Crawford, Richard Ormond, and Elaine Kilmurray. "John Singer Sargent: The Early Portraits." New England Quarterly 73, no. 2 (2000): 340. http://dx.doi.org/10.2307/366818.

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Coles, William A., Stanley Olson, and Patricia Hills. "New Perspectives on John Singer Sargent." New England Quarterly 61, no. 1 (1988): 122. http://dx.doi.org/10.2307/365224.

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Fairbrother, Trevor. ""Man Screaming" by John Singer Sargent." American Art 15, no. 1 (2001): 84–89. http://dx.doi.org/10.1086/444634.

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Geraint James, D. "John Singer Sargent and The Four Doctors." Journal of Medical Biography 15, suppl 1 (2007): 5. http://dx.doi.org/10.1258/j.jmb.2007.s-1-07-01.

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Fisher, Paul. "John Singer Sargent’s Portraits of Henry James as Windows into a Suppressed Queer Friendship." Henry James Review 45, no. 3 (2024): 274–83. http://dx.doi.org/10.1353/hjr.2024.a941314.

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Abstract: With virtually all the thirty-four-year correspondence between Henry James and John Singer Sargent lost, Sargent’s four portraits of James yield intriguing clues to the interiority of these men’s relation. The three extant portraits hint that this suppressed queer friendship was both more and less than a monolithic professional alliance. All three exhibit both affinity and unease. The early portraits hint at James’s heavy influence and Sargent’s complex resistance to it. The two later portraits, especially the celebrated oil portrait of 1913, show a mature alliance that sheltered bot

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Weinberg, H. Barbara, and Stephanie L. Herdrich. "John Singer Sargent: In the Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 57, no. 4 (2000): 1. http://dx.doi.org/10.2307/3269083.

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최영순. "John Singer Sargent: The Politics of Fashion/Taste/Class." English & American Cultural Studies 13, no. 2 (2013): 103–20. http://dx.doi.org/10.15839/eacs.13.2.201308.103.

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James, D. Geraint. "John Singer Sargent (1856–1925) and his medical legacy." Journal of Medical Biography 17, no. 3 (2009): 176. http://dx.doi.org/10.1258/jmb.2009.009041.

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Dissertations / Theses on the topic "Sargent, John Singer"

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Fairbrother, Trevor J. "John Singer Sargent and America." New York : Garland Pub, 1986. http://catalog.hathitrust.org/api/volumes/oclc/14131401.html.

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Ongaro, Francesca <1973&gt. "John Singer Sargent at Broadway." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5406.

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Nella tesi parlerò del pittore cosmopolita John Singer Sargent, nato a Firenze nel 1856 da genitori americani e vissuto in Europa spostandosi in maniera itinerante di paese in paese. Dopo aver eletto Parigi come città di formazione artistica, scossa negli anni ’80 dalla rivoluzione dell’Impressionismo, il pittore si unisce durante le estati dal 1885 al 1889 ad un gruppo di amici, artisti americani, nei villaggi di Broadway, Calcot e Fladbury nel Worcestershire, in Inghilterra. La tesi si occuperà più approfonditamente di questo soggiorno, che fu per Sargent il periodo di maggior sviluppo della

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Miyabe, Kyoko. "Reading Henry James through John Singer Sargent." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613256.

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Blount, Jennifer Lynn. "The black male nude a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture /." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/blount.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2009.<br>Title from PDF title page (viewed Sept. 2, 2009). Degree earned with the cooperation of additional faculty from the University of Alabama. Includes bibliographical references (p. 88-91).

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Kowalczyk, Stephanie W. "Beyond the Painted Diary: Love, Loss, and Modernity in the Landscapes of John Singer Sargent." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470007149.

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Baldaque, Lourença Agustina Bessa-Luís Alves. "Da colecção privada ao museu público: o empreendedorismo cultural de Isabella Stewart Gardner e Gertrude Vanderbilt Whitney." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2013. http://hdl.handle.net/10362/11962.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Estudos Norte-Americanos<br>Este trabalho pretende dar a conhecer a conjuntura na qual o empreendedorismo cultural das coleccionadoras de arte, Isabella Stewart Gardner e Gertrude Vanderbilt Whitney, teve lugar. Para tal temos em conta as particularidades que compõem os dois casos que contribuíram para o enriquecimento do panorama cultural estadunidense. Por outro lado, propomos perceber de que modo a atuação de ambas refletia os cânones do coleccionismo e estéticos contemporâneos. Mais ai

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Gunderson, Maryann S. "Dismissed yet Disarming: The Portrait Miniature Revival, 1890-1930." Ohio University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1080666457.

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Chun, Sara Myung-Su. "The Sun Through My Hair: A Response to (Un)Romantic Imaginations of Asian/American Women." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/268.

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Women of color are still trapped in the colonialist trajectory of Delacroix’s sexualized Women of Algiers (1834) and alienated from the world of Sargent’s Daughters of Edward Darley Boit (1882) in contemporary media images that serve to exocitize, fetishize, and commodify non-white female bodies. These historical and contemporary images form a psychological weight both imposed on women of color by outside perceptions and by now-cemented internal perceptions. While women do not passively absorb media images, it cannot be ignored that the hypersexual Asian/American woman in representation “haunt

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Renes, Elizabeth. "'Curiouser and curiouser' : John Singer Sargent's cosmopolitan aesthetics." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/8817/.

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In the introduction to her For Maurice: Five Unlikely Stories (1927), Vernon Lee recounts her childhood wonderings in Italy with a young John Singer Sargent, remarking: ‘…mysterious, uncanny, a wizard, serpent, sphinx; strange, weird, curious. Such, at all events, were the adjectives, the comparisons, with which we capped each other, my friend John and I… .’ Curious is, indeed, a curious term. This word and its associates - bizarre, strange, and exotic - appear habitually in the literature surrounding Sargent, including in critical reviews and personal letters. In the wider scope of the late n

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Stitt, Amber C. "American Images of Childhood in an Age of Educational and Social Reform, 1870-1915." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1364908854.

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Books on the topic "Sargent, John Singer"

1

Elaine, Kilmurray, Ormond Richard, Volk Mary Crawford, Tate Gallery, National Gallery of Art (U.S.), and Museum of Fine Arts, Boston., eds. John Singer Sargent. Princeton University Press, 1998.

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Hedström, Per. John Singer Sargent. Edited by Sargent John Singer 1856-1925 and Nationalmuseum (Sweden). Nationalmuseum, 2018.

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Society, Illinois State Museum. John Singer Sargent. Illinois State Museum Society, 1987.

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1856-1925, Sargent John Singer, ed. John Singer Sargent. Artabras, 1990.

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1947-, Ayres Linda, Whitney Museum of American Art., and Art Institute of Chicago, eds. John Singer Sargent. Whitney Museum of American Art in association with H.N. Abrams, 1986.

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1856-1925, Sargent John Singer, ed. John Singer Sargent. Knickerbocker Press, 1998.

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National Museum of American Art (U.S.), ed. John Singer Sargent. Abrams, 1994.

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8

Edward, Lucie-Smith. The private John Singer Sargent. CV Publications, 2015.

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9

Elaine, Kilmurray, Sargent John Singer 1856-1925, and Paul Mellon Centre for Studies in British Art., eds. John Singer Sargent: Complete paintings. Yale University Press, 2003.

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Elaine, Kilmurray, and Sargent John Singer 1856-1925, eds. John Singer Sargent: Complete paintings. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1998.

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Book chapters on the topic "Sargent, John Singer"

1

Murphy, Michael J. "Sargent, John Singer." In Who's Who in Gay and Lesbian History, 2nd ed. Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-405.

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Bullen, J. B. "John Singer Sargent, ‘Post-Impressionism’." In Post-Impressionists in England. Routledge, 2024. http://dx.doi.org/10.4324/9781032699707-32.

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Schwab, Andreas. "John Singer Sargent." In Zeit der Aussteiger. Verlag C.H.BECK oHG, 2021. http://dx.doi.org/10.17104/9783406775260-197.

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Gabrielle, Anna, and William Cane. "20 John Singer Sargent." In Every Picture Hides a Story. Rowman & Littlefield Publishers, 2022. http://dx.doi.org/10.5771/9781538161371-227.

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Rosenthal, Donald A. "7. John Singer Sargent, Wagnerite." In Richard Wagner and the Art of the Avant-Garde, 1860-1910. Rowman & Littlefield Publishers, 2023. http://dx.doi.org/10.5771/9781538180006-89.

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Bird, John. "‘Poor put-upon Percy’." In Percy Grainger. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166528.003.0012.

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Abstract For a short period in 1907 Grainger and his mother lived at 26 Coulson Street, in a quiet row of small Georgian houses running parallel to the King’s Road near Sloane Square. The following year he heard for the first time a chamber work of the French composer Gabriel Faure and in March, when the Frenchman was staying in London; his host John Singer Sargent arranged a meeting with Grainger.

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"History and Memory in the Great War Paintings of John Singer Sargent." In Beautiful War. University of Alabama Press, 2016. https://doi.org/10.2307/jj.30297382.12.

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"5. Performing Bizet’s Carmen: John Singer Sargent, El Jaleo, and the Cigarreras of Seville." In Vistas de España: American Views of Art and Life in Spain, 1860–1914. Yale University Press, 2007. http://dx.doi.org/10.37862/aaeportal.00172.008.

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"Sargent’s Contributions to Music (1927)." In Grainger on Music, edited by Malcolm Gillies, Bruce Clunies Ross, Bronwen Arthur, and David Pear. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166658.003.0022.

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Abstract John Singer Sargent was one of the most outstanding musicians I have ever met; for although his musical technic was not as developed as his painting technic, he had that rarest of all esthetic gifts-individualistic, balanced, critical judgement. His musical judgements, sympathies and activities welled up instinctively out of his rich musical inner nature, and were not (as are the musical doings of many a gifted amateur musician) influenced by the opinions of professional musicians, or indeed by any ascertainable outside factors whatever. To hear Sargent play the piano was indeed a tre

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Dağoğlu, Özlem Gülin. "Rasim, Mihri (1885–1954)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2086-1.

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Mihri Rasim was an Ottoman-Turkish portrait painter and educator. Born in 1885 in Istanbul under the Ottoman Empire, she came from the Ottoman imperial elite. Rasim led an avant-garde life and was a feminist pioneer. In 1914 Rasim used her connections with the leaders of the Young Turk movement to found the first Ottoman-Turkish school of fine art for women (Inas Sanayi-i Nefise Mektebi). As head of the women’s academy she introduced life classes that used nude female models. Rasim was part of an exclusive circle gathered around the progressive journal Servet-i Fünun [The Merit of the Science

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Conference papers on the topic "Sargent, John Singer"

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Li, Yueling. "Diego Velázquez and John Singer Sargent: The Hidden Social Expectations in Female Portraits." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.005.

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Arslan, Canan. "BİR DİJİTAL MÜZE ORTAMI OLARAK INSTAGRAM." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.017.

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İlk insanların mağara duvarlarına yaptıkları resimlerden günümüzde dijital ortamlarda oluşturulan ve sunulan sanat işlerine sanat, tarihi boyunca insanların duygularını, düşüncelerini, endişelerini, korkularını yansıtan, içinde oluştuğu çağların gerçekliklerini gözler önüne seren bir İletişim aracı olma görevini sürdürmüştür. Sanatın tarihi aynı zamanda insanlığın tarihini belgeler. Geçmişte yaşanan savaşlar ve pandemiler gibi trajik olayların insanlar üzerindeki etkilerini o dönemlerde yaşayan sanatçıların eserlerinden hatırlamak ve anlamak olasıdır. Örneğin Edvard Munch ve John Singer Sargen

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