Academic literature on the topic 'Sartre, Jean Paul, Gaze in literature'

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Journal articles on the topic "Sartre, Jean Paul, Gaze in literature"

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Ahashan, Mohammad, and Dr Sapna Tiwari. "Nihilism and Nothingness in The Play Entitled The Birthday Party (1957) With Special Reference To The Existential Philosophy." SMART MOVES JOURNAL IJELLH 6, no. 2 (2018): 9. http://dx.doi.org/10.24113/ijellh.v6i2.3580.

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The two world-wars and its massive destruction and horror had a great impact on human mind. Inevitably complete cynicism , pessimism , alienation , nothingness , existentialism reflected in the literature of that time. Pinter's play The Birthday Party (1957) is based on the philosophy of existentialism which later on became the source for the " Theatre of the Absurd ". Albert Camus and Jean-Paul Sartre gave the philosophy of existentialism according to which the universe and man's experience in it are meaningless. All attempts by human mind to understand the world are futile . All philosophica
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Keefe, Terry, and Philip Thody. "Jean-Paul Sartre." Modern Language Review 89, no. 4 (1994): 1020. http://dx.doi.org/10.2307/3733960.

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Fell, A. S. "Jean-Paul Sartre." French Studies 61, no. 3 (2007): 401–2. http://dx.doi.org/10.1093/fs/knm096.

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Baldwin, Thomas. "Jean-Paul Sartre." Royal Institute of Philosophy Lecture Series 20 (March 1986): 285. http://dx.doi.org/10.1017/s0957042x00004193.

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Jean-Paul Sartre (1905–1980), nephew of the Alsatian theologian, Albert Schweitzer, was born in Paris, passed his agrégation at the Ecole Normale Superieure in 1929, and was a lycée teacher between 1931 and 1945. He was called up to the French Army in 1939, captured by the Germans in 1940 and released after the armistice. In 1938 he published a novel, La Nausée, translated by Robert Baldick as Nausea (Harmondsworth: Penguin, 1965), and in 1940, L'Imaginaire: Psychologie phénoménologique de l'imagination, translated by Bernard Frechtman as The Psychology of Imagination (London: Methuen, 1972).
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Amatulli, Margareth. "Jean-Paul Sartre, Typhus." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 701. http://dx.doi.org/10.4000/studifrancesi.8724.

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Thody, Philip, and Philip R. Wood. "Understanding Jean-Paul Sartre." Modern Language Review 88, no. 2 (1993): 484. http://dx.doi.org/10.2307/3733845.

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Louette, Jean-François. "Jean-Paul Sartre en classe." Revue d'histoire littéraire de la France 102, no. 3 (2002): 417. http://dx.doi.org/10.3917/rhlf.023.0417.

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Frechtman, Bernard. "Extract from What is Literature?: Jean-Paul Sartre." Journal of Contemporary Painting 3, no. 1 (2017): 13–20. http://dx.doi.org/10.1386/jcp.3.1-2.13_7.

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Wardman, H. W., and W. D. Redfern. "Jean-Paul Sartre: 'Les Mains sales'." Modern Language Review 82, no. 4 (1987): 982. http://dx.doi.org/10.2307/3729115.

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Pranowo, Yogie. "Karya Seni dalam Pandangan Jean-Paul Sartre." MELINTAS 34, no. 2 (2019): 193–211. http://dx.doi.org/10.26593/mel.v34i2.3391.193-211.

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Jean-Paul Sartre offers a different way of looking at artworks. He offers psychological as well as phenomenological perspectives. The artworks referred to by Sartre include music, painting, literature, and theater. In his thoughts related to works of art, Sartre offers a notion of analogon, that has a key role to explain his concept of imagination. With this notion, he goes further to explain the concept of irreality in artworks, of which analogon is a medium or a material vehicle. When enjoying an artwork, one is enjoying the analogon. Music can be seen as an excess of reality, literature fin
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Dissertations / Theses on the topic "Sartre, Jean Paul, Gaze in literature"

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Brunner, Kathleen Marie. "The hermeneutic of the look and the face of the other in the philosophy and literature of Jean-Pal Sartre /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6618.

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Dayan, Mhd Bachar. "Absence et présence du corps dans l'oeuvre de Jean-Paul Sartre." Thesis, Mulhouse, 2011. http://www.theses.fr/2011MULH5074.

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Mon sujet de thèse est une tentative d’éclairage de l’énigme du corps absent/ présent, obscur, fictif et extraordinaire chez les personnages romanesques et philosophiques d’un grand auteur français du XXe siècle : Jean-Paul Sartre. L’énigme de ce corps obscur traduit dans les œuvres de Sartre une réalité ontologique, charnelle. Or, la description du corps (absent ou présent) chez Sartre est avant tout imaginaire et il y a un nombre infini d’énigmes corporelles dans son œuvre. Elles se cherchent encore des significations. Le savoir encyclopédique de Sartre mérite, et sans limite, une multitude
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Abrahão, Thiago Henrique de Camargo. "A teoria literária de Jean-Paul Sartre em sua produção romanesca /." São José do Rio Preto, 2015. http://hdl.handle.net/11449/127771.

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Orientador: Arnaldo Franco Junior<br>Banca: Márcio Scheel<br>Banca: Márcio Roberto do Prado<br>Resumo: Jean-Paul Sartre, filósofo e escritor francês do século XX, embasou seus romances nos ditames de seu pensamento existencialista e em suas ideias a respeito da literatura, considerando a escrita romanesca, cuja tarefa seria a de apresentar-se como meio para possíveis soluções simbólicas dos conflitos existenciais do homem de seu tempo, uma possível via de desvelamento do mundo e de afirmação da liberdade humana. A partir de uma relação dialética entre autor e leitor, Sartre aponta que essas du
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Bakcan, Ahmed. "Camus et Sartre deux intellectuels en politique /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 2000. http://books.google.com/books?id=HY9cAAAAMAAJ.

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Gonçalves, Taís de Lacerda. "Subjetividade em situação: a narrativa literária como possibilidade de compreensão da existência em Jean-Paul Sartre." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4985.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A articulação entre as obras filosóficas e literárias de Jean-Paul Sartre nos permite acompanhar o processo de elaboração da compreensão de subjetividade do autor. A partir do método comparativo e do método progressivo-regressivo, Jean-Paul Sartre desenvolve uma compreensão de subjetividade que tem por base a relação dialética do homem com a história, através da qual ocorre a constituição dos valores que orientam a ação humana. Buscando analisar de queforma a narrativa literária pode auxiliar o pesquisador a compreender este proces
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Negi, Akihide. "La « Poésie de l’Échec » : la littérature et la morale chez Jean-Paul Sartre." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040129.

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Il existe un domaine où Jean-Paul Sartre paraît n’avoir laissé, malgré sa polygraphie, presque aucune trace : la poésie. Mais était-elle dès lors étrangère à sa pensée ? Loin de là selon nous. L’acception de ce mot ne se limite pas chez lui au sens ordinaire d’un genre littéraire, mais elle désigne aussi un mode d’être-dans-le-monde propre au poète-écrivain, qui se résume en choix de l’« échec » ou de « l’impossible ». Même si larvée dans ses écrits, la réflexion de Sartre autour de cette idée nous semble former une systématicité qu’on pourrait appeler un « deuxième Qu’est-ce que la littératur
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Donovan, Josephine. "Gnosticism in modern literature : a study of the selected works of Camus, Sartre, Hesse, and Kafka /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb355205194.

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Calderón, Jorge. "Configurations aporétiques, fiction de l'histoire et historicité de la fiction : Simone de Beauvoir, Albert Camus et Jean-Paul Sartre." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85134.

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In this dissertation I explain the transition from modernism to postmodernism through the study of the French existentialist novel. I follow theories that demonstrate that the latter owes its success to historiographic metafiction. By setting off the aporias that deeply penetrate modern novels, I demonstrate the obsolescence of the prototype of the realist novel and I explain the impasses towards which the project of a committed literature lead, inscribed in the line of realism and aimed at an almost direct relation with society and history through the mediation of art between 1945 and
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Abrahão, Thiago Henrique de Camargo. "Liberdade e literatura : percursos que se cruzam em Les chemins de la liberté, de Jean-Paul Sartre /." São José do Rio Preto, 2019. http://hdl.handle.net/11449/180954.

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Orientador: Arnaldo Franco Junior<br>Banca: Márcio Scheel<br>Banca: Pablo Simpson Kilzer Amorim<br>Banca: Márcio Roberto do Prado<br>Banca: Edison Bariani Junior<br>Resumo: Ao longo da primeira metade do século XX, a humanidade assistiu à derrocada traumática da razão. Muitas das utopias modernas, pautadas nos ideais de progresso técnico e tecnológico, resultaram em reais distopias com a ascensão, na Europa e em outros continentes, de regimes ideológicos totalitários. Aos poucos, o desvanecimento dos últimos resquícios de uma belle époque deu espaço a uma crise moral que perturbou as fronteira
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NUNES, Emanuel Ricardo Germano. "Filosofia e literatura no jovem Sartre: uma sustentação recíproca." reponame:Repositório Institucional da UFC, 2013. http://www.repositorio.ufc.br/handle/riufc/20107.

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FARIAS, Pedro Nogueira. Filosofia e literatura no jovem Sartre: uma sustentação recíproca. 2013. 135f. - Dissertação (Mestrado) - Universidade Federal do Ceará, Programa de Pós-Graduação em Filosofia, Fortaleza (CE), 2013.<br>Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2016-10-10T13:39:25Z No. of bitstreams: 1 2013_dis_pnfarias.pdf: 1416621 bytes, checksum: 8d096c66214bf87d2a33c9d8f3cecf36 (MD5)<br>Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-10-11T16:09:19Z (GMT) No. of bitstreams: 1 2013_dis_pnfarias.pdf: 1416621 bytes, checksum: 8d096
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Books on the topic "Sartre, Jean Paul, Gaze in literature"

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Daigle, Christine. Jean-Paul Sartre. Routledge, 2009.

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Jean-Paul Sartre: Freedom and Commitment. P. Lang, 1992.

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Lamouchi, Noureddine. Jean-Paul Sartre et le Tiers Monde: Rhétorique d'un discours anticolonialiste. L'Harmattan, 1996.

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Suhl, Benjamin. Jean-Paul Sartre: The philosopher as a literary critic. toExcel, 1999.

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Victor Hugo, Jean-Paul Sartre, and the liability of liberty. Legenda, 2011.

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Reading Sartre. Cambridge University Press, 2010.

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Catalano, Joseph S. Reading Sartre. Cambridge University Press, 2010.

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Bildung als Ereignis des Fremden: Freiheit und Geschlechtlichkeit bei Jean-Paul Sartre. Tectum Verlag, 2001.

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Jean-Paul Sartre, Simone de Beauvoir: Une expérience commune, deux écritures. Libr. Nizet, 1986.

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Howells, Christina. Sartre: The necessity of freedom. Cambridge University Press, 1988.

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Book chapters on the topic "Sartre, Jean Paul, Gaze in literature"

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Koch, Gertrud. "Humans Becoming Animals." In The Moving Eye. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.003.0010.

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This chapter attempts to explain the fascination that animals have long exerted upon the motion picture medium. It explores some of the differences among the human gaze, the animal gaze, and the cinematic gaze. Utilizing examples ranging from the philosophies of Ludwig Wittgenstein and Jean-Paul Sartre to films by Edward Dmytryk, Jacques Tourneur, and Paul Schrader, the author explicates affect, identification, and the status of the face in cinematic representations of nonhuman species.
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Jefferson, Ann. "Cultural Critique and the End of Genius." In Genius in France. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691160658.003.0017.

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This chapter describes the gradual discrediting of the notion of genius. In France in the 1950s, contemporaneously with the Minou Drouet affair, it became the object of a powerful cultural critique under the aegis of literary theory, when Jean-Paul Sartre and Roland Barthes—more or less simultaneously—portrayed it as an anachronistic legacy from the previous century, and denounced it as a one of the myths that lay at the heart of bourgeois ideology. Two of Barthes's texts in Mythologies (1957) specifically target genius—one devoted to Einstein's brain, and the other to Minou Drouet. Much the same goes for Sartre, whose autobiography, Les Mots, begun in 1953 (and finally published in 1964), targets genius and the child prodigy as central components of his farewell to literature.
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