Relevant bibliographies by topics / Sashes (Clothing)

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Academic literature on the topic 'Sashes (Clothing)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Sashes (Clothing)"

1

KOZAKEVYCH, Olena. "SPRANG SASHES IN TRADITIONAL CLOTHING OF UKRAINIANS AND LITHUANIANS: MAKING TECHNIQUES, TRADITIONS, RECONSTRUCTION." Humanities science current issues 2, no. 55 (2022): 39–45. http://dx.doi.org/10.24919/2308-4863/55-2-6.

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2

VanPool, Christine S., Todd L. VanPool, and Lauren W. Downs. "DRESSING THE PERSON: CLOTHING AND IDENTITY IN THE CASAS GRANDES WORLD." American Antiquity 82, no. 2 (April 2017): 262–87. http://dx.doi.org/10.1017/aaq.2017.4.

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Casas Grandes Medio–period (A.D. 1200–1450) human effigies are unique in the North American Southwest in that they depict primary and secondary sexual traits, making determination of sex and gender roles possible. Here, we build on previous discussions by considering the importance of depictions of clothing (e.g., belts and sashes), personal adornments (e.g., necklaces and bracelets), facial decorations, and other aspects of dress. We find that Medio-period symbolism for males and females was based on gender complementary that combined the productive, reproductive, and ritual activities of men and women within a single symbolic and ritual system. Some clothing styles are found on both males and females (e.g., arm bands), but there are also sex-based differences. Women wear low horizontal belts across their hips, whereas men primarily wear sandals and elaborate headbands. Aspects of dress also appear to be continued from previous cultures such as the Classic Mimbres (A.D. 1000–1150) and continued into historic northern Mexican and southwestern groups (e.g., headgear and some sandal types). Ultimately, we find that males have more elaborate dress and are associated with a specific set of ritually important symbols. Females are associated with cloud/fertility symbolism, sternal decorations, and birds.
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Books on the topic "Sashes (Clothing)"

1

Tamošaitis, Anastasia. Lithuanian sashes. Toronto, Ont., Canada: Lithuanian Folk Art Institute, 1988.

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2

Połujan, Katarzyna. Pasy kontuszowe: Katalog zbiorów = Kontusz sashes : collection catalogue. Warszawa: Arx Regia Wydawnictwo Zamku Królewskiego w Warszawie - Muzeum, 2019.

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3

Centre de Documentació i Museu Textil (Tarrasa, Spain), ed. Faixes de kontusz. Terrassa: Consorci del Centre de Documentació i Museu Tèxtil, 1995.

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Astel, Eevi. Eesti vööd. Tartu: Ilmamaa, 1998.

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5

Association des artisans de ceinture fléchée de Lanaudière., ed. Histoire et origines de la ceinture fléchée traditionnelle dite de l'Assomption. Sillery, Québec: Septentrion, 1994.

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6

author, Chystsi͡akoŭ S. U., Damni͡ankova L. U. author, Karpenka A. U. author, Piskun I͡U A. author, Prakaptsoŭ U. I. author, and Zhuk, V. I. (Valeriĭ Ivanovich), author, eds. Slutskii︠a︡ pai︠a︡sy: Mastatstva, asoby, ėpokha. Minsk: Belarusʹ, 2015.

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7

muziejus, Alytaus Kraštotyros. Dzūkiškos juostos Alytaus Kraštotyros muziejuje. [Alytus]: Alytaus Kraštotyros muziejus, 2004.

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Vʹgrdi︠e︡ slut︠s︡ki︠e︡. Minsk: Asobny, 2006.

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9

muziejus, Marijampolės kraštotyros. Marijampolės krašto juostos: Katalogas. Marijampolė: Marijampolės kraštotyros muziejus, 2005.

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Jurkuvienė, Teresė. Lietuvių liaudies juostos. Vilnius: Gervelė, 2001.

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Book chapters on the topic "Sashes (Clothing)"

1

Vogelsang-Eastwood, Gillian. "Sashes and Straps." In Pharaonic Egyptian Clothing, 72–87. BRILL, 1993. http://dx.doi.org/10.1163/9789004645202_012.

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2

Minturn, Leigh. "Domestic Economy: Chores, Chuulas, Cash, and Clothing." In Sita’s Daughters: Coming Out of Purdah, 133–60. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195080353.003.0006.

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Abstract Bughars are women’s workplaces as well as women’s quarters. Much of the grain is processed in the bughars. Traditionally sasus assigned work to bahus and exercised control over stored grain, unallocated dowry goods, money bahus brought from home, and income from spinning and loans. The control of bahus over the money and clothing they bring from home has increased in recent years, and some bahus have more autonomy over their work selection than was the case in former times. The increase in literate bahus in bughars with illiterate sasus has enhanced the financial autonomy of bahus, who buy products not previously available. Educated bahus may think they are more capable of handling financial matters than their illiterate sasus, and some sasus agree. As might be expected, these changes are a cause for concern for some sasus, but they are adjusting to them as they are adjusting to the other innovations sweeping the country.
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Reports on the topic "Sashes (Clothing)"

1

A Legacy of Gods: Textiles and Woodcarvings. Inter-American Development Bank, October 1998. http://dx.doi.org/10.18235/0006397.

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Fifty-six 20th century Mayan objects in fabric and wood from private collections and the permanent collection of the IDB, including photo enlargements of watercolors of indigenous costume by Carmen de Lind Pettersen on permanent exhibition at the Ixchel Museum of Indigenous Clothing in Guatemala City. Textiles included huipiles for daily and ceremonial use, sashes and wraps. Woodcarvings by anonymous artists included masks, toys and religious figurines.
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