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Journal articles on the topic 'Sassanid Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Ahmadi, Jalal. "Design of Domes in Islamic-Iranian Architecture." Environment Conservation Journal 16, SE (2015): 591–600. http://dx.doi.org/10.36953/ecj.2015.se1669.

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The most important feature of architecture at Islamic age has been regarded as strengthening the human history from plurality and unity that such architecture from the artistic dimension and world structure goes beyond the time and place. Dome has been regarded as the major element in Islamic-Iranian architecture that there is no doubt on continuity and evolution of domical buildings since Sassanid age till current age. Mosques with Arabic or column design in Umayyad dynasty have been mentioned as the early styles in Islamic architecture. These mosques follow a square or rectangular map with w

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2

Gorbyk, Olena. "ARCHITECTURE OF ANCIENT PERSIA: SYNCRETISM OF THE ARCHETYPES OF THE OIKOUMENE." Current problems of architecture and urban planning, no. 62 (January 31, 2022): 29–39. http://dx.doi.org/10.32347/2077-3455.2022.62.29-39.

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The architecture of ancient Persia was an important component ecumenical development of culture and architecture of the ancient editerranean. Syncretism is confirmed in the forms of the order system and the porticos of Persia and Greco-Roman ancient architecture in the courtyards of Persian palaces and Roman court exedra in the form of a cross-domed temple of Persian Zoroastrianism and Byzantine Christianity. In the Achaemenid period of the history of ancient Persia, in the 6th century. B.C. in the Persian-occupied Anatolia and the Ionian Greeks took place an important event in ancient archite

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3

Moradi, Amin. "TRANSITION ZONE IN SELJUQ DOME CHAMBERS." Journal of Islamic Architecture 6, no. 1 (2020): 24–32. http://dx.doi.org/10.18860/jia.v6i1.7488.

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Architecturally, the Seljuqs' dominion makes a significant shift from the Pre-Islamic Sassanid squinches into a sophisticated transition mechanism employed to change the walls of a square chamber to an octagonal base to set a dome. It initiated a new construction methodology to hybridize the previous experiences of Sassanid domes with new architectural tendencies since the prior understanding of the transition zone was a makeshift in quality. It is not consistent enough for future architectural adventures in creating larger structures. Although a cursory investigation of transition zones of Se

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Allahverdiyeva, S. I. "Shabran Ancient Settlement: Architecture and Historical Significance of Azerbaijan." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 26, no. 4 (2024): 149–60. http://dx.doi.org/10.31675/1607-1859-2024-26-4-149-160.

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The article delves into the historical significance of modern Azerbaijan, particularly in terms of civilization formation. The author highlights the importance of architectural artifacts, fortified cities, and fortresses within the Shabran district. Special attention is given to defensive structures like the Shabran Hill Fort, which dates back to early Middle Ages. The article analyzes historical and archaeological data concerning the city emergence and development, outlines the military-strategic and economic significance of the territory alongside its water supply and trade features.Purpose:

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Habibi, Negar. "Introduction." Manazir Journal 5 (October 9, 2023): 1–9. http://dx.doi.org/10.36950/manazir.2023.5.1.

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Iranian kings, or those who reigned in lands under Persian linguistic and cultural domination, followed the idea of a Just Ruler: a pious king who looked after his subjects’ divinity and spirituality in parallel to their earthly lives and needs. The Just Ruler extended righteousness and peace among his people while patronizing the construction of palaces, gardens, and new towns. The idea of a Just Ruler may be found in Sassanid monumental rock reliefs and written texts and then enriched and elaborated upon in the Islamic era by philosophers, poets, authors, and artists.  This issue of Ma

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6

Masoud Ghiabi, Mohamad. "Investigation of the Dome-Like and Arched Structures with Sustainable Masonry in Sassanid Architecture (Case Study: Mushkan Fire Temple)." Landscape Architecture and Regional Planning 6, no. 3 (2021): 46. http://dx.doi.org/10.11648/j.larp.20210603.11.

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7

Vartanyan, Egnara Gaikovna. "Synthesis of Arab-Muslim Culture in Persia and Northern India: Historical Background." Islamovedenie 12, no. 3 (2021): 114–23. http://dx.doi.org/10.21779/2077-8155-2020-12-3-114-123.

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The article is devoted to the analysis of the process of the Persian language and culture de-velopment in the Middle Ages and the modern period, its continuity from the Sassanid era to the Samanid and Safavid eras and the synthesis of Arab-Muslim culture in Persia and India. The author turns to the origins of the New Persian language, examines the influence of Iranian culture on the cultural development of neighboring people and demonstrates that the Farsi language influenced the emergence in the Delhi Sultanate of a new Urdu language with a predominance of Persian-Arabic vocabulary. The synth

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8

Valaei, Zakarya. "Consideration on Sassanid architectural works and urban planning in ancient Persia." Indian Journal of Science and Technology 4, no. 10 (2011): 1384–90. http://dx.doi.org/10.17485/ijst/2011/v4i10.31.

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9

Ghasimi, Taher, Akam Ghasimi, and Soran Ghasimi. "Rock Art at the Karaftou Cave and its Surrounding Areas, North of Kurdistan." Journal of Pars Arian Territories 1, no. 1 (2024): 77–86. http://dx.doi.org/10.61186/jpat.2024.1.6.

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One of the most important obstacles in the study of rock arts in Iran is the lack of an established chronological framework. Some researchers consider these motifs to be related to late Pleistocene and early Holocene periods (Izad Panah, 1348). However, recent field studies show more recent dates for rock arts. One of these studies concerns the Karafto Cave in Kurdistan province which can serve as a chronological basis for the study of rock arts in the entire Kurdistan province. The Karafto Cave is a complex of natural caverns whose entrance and some of its natural passageways have been manipu

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10

TANABE, Katsumi. "Pierfrancesco Callieri, Architecture et représentations dans l’Iran sassanide. Paris: Association pour l’avancement des études iraniennes, 2014." Orient 51 (March 30, 2016): 165–71. http://dx.doi.org/10.5356/orient.51.165.

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11

Ahmadinya, Ehsan, and Habib Emadi. "Khūrigān: a Recently Discovered Post-Achaemanid Rock-Cut Tomb near Naqsh-e Rostam, Iran." Ancient Civilizations from Scythia to Siberia 30, no. 1 (2024): 113–36. http://dx.doi.org/10.1163/15700577-20232918.

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Abstract Near the northwestern-southeastern foothills of the Marvdasht plain in Fars province, lie a range of ancient necropoleis which date from the reign of Darius I, the Achaemenid king and until the first century after the Muslim conquest. The well-known necropoleis of Naqsh-e Rostam and Persepolis have the most complex tombs among them. However, there are other burials in this region, although smaller and simpler or even imitative, which have considerable archeological importance, since they provide information for the social and political understanding of their time of creation, often kn

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12

Carta, Luisa, Domenico Calcaterra, Piergiulio Cappelletti, Alessio Langella, and Maurizio de'Gennaro. "The stone materials in the historical architecture of the ancient center of Sassari: distribution and state of conservation." Journal of Cultural Heritage 6, no. 3 (2005): 277–86. http://dx.doi.org/10.1016/j.culher.2004.10.006.

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13

Arce, Ignacio. "UMAYYAD BUILDING TECHNIQUES AND THE MERGING OF ROMAN-BYZANTINE AND PARTHO-SASSANIAN TRADITIONS: CONTINUITY AND CHANGE." Late Antique Archaeology 4, no. 1 (2008): 491–537. http://dx.doi.org/10.1163/22134522-90000099.

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This paper analyses the introduction, merging and use of building materials and techniques, architectural typologies and urban patterns, during the Umayyad period in Bilad al-Sham (present day Syria, Palestine and Jordan), within the general framework of the cultural interchange that took place in that period between eastern and western traditions. For most of its history, and especially in Antiquity, this was a frontier area, or a buffer zone in modern terms, between the main regional powers: Egypt and the successive Mesopotamian empires; Persia and Greece; the Seleucid and Ptolemaic kingdoms

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14

Garofalo, Emanuela. "New Architectural Models and Building Tradition: A Dialogue in Early Modern Sardinia – The Jesuit Church in Sassari." International Journal of Architectural Heritage 9, no. 2 (2014): 143–56. http://dx.doi.org/10.1080/15583058.2014.951798.

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15

Ledda, Antonio, Andrea De Montis, Vittorio Serra, Ernesto Usai, and Giovanna Calia. "Integrating BIM Concepts in Academic Education: The Design of Rural Buildings and Landscapes." Buildings 15, no. 13 (2025): 2276. https://doi.org/10.3390/buildings15132276.

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Building Information Modeling (BIM) concepts are permeating the approach to the design of buildings and landscapes for the architectural, engineering, and construction sectors. Recent regulations require that even medium–small-size public works are managed through BIM-driven design. These circumstances have led to an increase in research on the topic. The expansion of the demand of BIM-skilled professionals urges higher education institutions to re-engineer their design programs. The aim of this paper is to evaluate this academic education transition in the Department of Agricultural Sciences

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16

Młynarczyk, Jolanta. "Beit Ras (Capitolias): the archaeological project (2014–2016)." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 473–504. http://dx.doi.org/10.5604/01.3001.0012.1802.

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Polish excavations at the site of Beit Ras (ancient Capitolias) in the governorate of Irbid, northern Jordan, investigated an area in the northern part of the ancient town, to the west of the Roman-age theater. Three seasons of fieldwork were conducted, starting in 2014 with a survey using the electric resistivity method to detect ancient structures. The presence of architectural features was noted, dated by surface finds spanning a period from the 1st–2nd through the 12th–13th centuries AD. In the next two seasons, in 2015 and 2016, excavation of three archaeological trenches led to the disco

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17

Koza, KURT KIRTAY. "The Tree of Life in Turkish Culture, Its Use in Tiles and Ceramics as a Motif." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 2 (2023): 129–43. https://doi.org/10.5281/zenodo.8025629.

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The tree, which is the most commonly used pattern in myths involving the creation of the world and the existence of humanity, primitive humanity attributed divine characteristics to it by reaching deep into the soil with its roots, reaching into the sky with its branches, surpassing other living beings in size, and having a long life span. Apart from the cosmic, divine beings who have always been watched in the sky, there has been a tree after animals and humans, which has grown from seed. Such respect, interest and fear felt towards the tree in various societies on Earth gradually led to the

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18

Ganadu, Maria Luisa, Francesco Demartin, Angelo Panzanelli, et al. "Gold Clusters: From the Dispute on a Gold Chair to the Golden Future of Nanostructures." Molecules 26, no. 16 (2021): 5014. http://dx.doi.org/10.3390/molecules26165014.

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The present work opens with an acknowledgement to the research activity performed by Luciana Naldini while affiliated at the Università degli Studi di Sassari (Italy), in particular towards gold complexes and clusters, as a tribute to her outstanding figure in a time and a society where being a woman in science was rather difficult, hoping her achievements could be of inspiration to young female chemists in pursuing their careers against the many hurdles they may encounter. Naldini’s findings will be a key to introduce the most recent results in this field, showing how the chemistry of gold co

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19

Hasanov, Elnur Latif oglu. "Research of Historic-Cultural Heritage of Medieval Ganja Based on Information about the Nizami Ganjavi Family." PRÁVNĚHISTORICKÉ STUDIE 54, no. 1 (2024): 19–29. http://dx.doi.org/10.14712/2464689x.2024.3.

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Historic-archaeological, also ethnographic studies and numerous historical sources and scientific data confirm that the city of Ganja has moved at least five times since its foundation. The original city of Ganja is considered to be the area near the village of Gadamish, five kilometers from the village of Zurnabad, on the left bank of Ganjachay, which is popularly called the “Fortress place”. As a result of the earthquake in 427 and the wars between the Huns and the Sassanids, the ancient city of Ganja was destroyed and the city was established for the second time 8–9 versts from Gizil Gaya,

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20

Khazaeimask, Somaye, and Moeine Sadat Hejazi. "Plant designs in Sassanid Period moldings." Bulletin de la Société Royale des Sciences de Liège, 2017, 696–710. http://dx.doi.org/10.25518/0037-9565.6971.

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Sassanid Dynasty art is considered as digest of all Iran ages art. The most characteristic of Sassanid art is its decorative designs and one appearance of the design is in the period moldings that has flourished in the period. Molding is more specific and more advanced from the application point and work model among different Sassanid arts. Sassanid molding designs explain the effects that the art has had later on works of Islam early ages, using of changes and transformations especially to Islamic art periods in most architecture, metal work and textiles production works. The project aimed to

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21

Nabaei, Soha, and Elham Alipanahi. "EXAMINING THE PARTHIAN ART AND ARCHITECTURE AND THE IMPACT OF GREEK ART AND ARCHITECTURE." Gênero & Direito 9, no. 2 (2020). http://dx.doi.org/10.22478/ufpb.2179-7137.2020v9n2.50803.

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In this article, a brief look at the history of ancient Iranian art before Islam, its characteristics during the Parthian rule, and the study of the monuments left over from that period, especially the palaces and the influence of ancient Greek architecture on them. Parthian period, due to the succession of the Seleucids, the Greek and Iranian domination over the Greek culture and architecture were widespread in Iran, one of the most important periods of the history of Iran. The Parthian era culture is a culture that tries to dominate the remains of Greek civilization and culture to bring Iran

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22

Karim, Shiraazi, OstadiAsl Zargham, Sheikhloie Vahid, Azami Ahadollah, and Hassanimehr Shahin. "Traditionally Sustainability Analyses of Hydraulic-Architectural Bridge Construction in Iran." July 21, 2012. https://doi.org/10.5281/zenodo.1081223.

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Bridge is an architectural symbol in Iran as Badgir (wind catcher); fire temples and arch are vaults are such. Therefore, from the very old ages, construction of bridges in Iran has mixed with architecture, social customs, alms and charity and holiness. Since long ago, from Mad, Achaemenid, Parthian and Sassanid times which construction of bridges got an inseparable relation with social dependency and architecture, based on those dependency bridges and dams got holy names; as Dokhtar castle and Dokhtar bridges were constructed. This method continued even after Islam and whenever Iranians got f

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23

"The Treasures of the Sassanid King Kisra Abruz (590-628 AD)." JOURNAL OF XI'AN UNIVERSITY OF ARCHITECTURE & TECHNOLOGY XII, no. III (2020). http://dx.doi.org/10.37896/jxat12.03/026.

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24

Shavand, Kazem, Seyed Ali Asghar Mir Fattah, and Mohammad Bahramzadeh. "The Development trend of castles in Andimeshk Zone during historical and Islamic periods." Bulletin de la Société Royale des Sciences de Liège, 2017, 281–93. http://dx.doi.org/10.25518/0037-9565.6716.

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Andimeshk is one of the cities with several archeological buildings and monuments and it represents quantitatively and qualitatively a type of local and regional architecture belonging to historical and Islamic period. The castles are some of these monuments so that it has been tried in this essay to define the position of their architectural structure with study on the castle during historic and Islamic periods. According to objectives in this investigation, initially some issues have been examined and studied including geographic and historic position, typology, and their architectural impor

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25

Boucharlat, Rémy. "Pierfrancesco Callieri. Architecture et représentations dans l’Iran sassanide." Abstracta Iranica, Volume 37-38-39 (March 10, 2018). http://dx.doi.org/10.4000/abstractairanica.46966.

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26

Karimian, Hassan, and Abbasali Ahmadi. "Uncovering the Islamic Governmental Citadel of Shahdezh in Isfahan, Iran." Journal of Islamic Archaeology 8, no. 1 (2021). http://dx.doi.org/10.1558/jia.21166.

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The magnificent architectural complex known as Shahdezh Citadel is a defensive compound with an area of over 15 ha, sitting atop Soffeh Mountain, close to the city of Isfahan, Iran. It is a unique historical complex due to its majesty, impregnability, and strategic significance, however, studies on the Citadel are limited to a few historical documents and reports on its visible relics. It is for this reason that the present authors began archaeological investigations at this site in the summer of 2004. The main aim of the research was to determine the distribution and function of the architect

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27

DELJAVAN, Nastaran, and Kerim ÇINAR. "SELÇUKLU DÖNEMİ ANADOLU VE İRAN KERVANSARAYLARININ KARŞILAŞTIRILMASI." Karatay Sosyal Araştırmalar Dergisi, August 3, 2023. http://dx.doi.org/10.54557/karataysad.1333320.

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According to history, the caravanserais were situated along the Silk Road, which linked the East and West and played a significant role in cultural exchange and trade between cities. Caravanserais were constructed to provide facility services and shelter for travellers. The construction of caravanserais in Iran is data back to the Sassanid period. The design of caravanserais alongside the road during the Seljuk Empire was a policy of the Seljuk Empire to connect cities located within the empire’s borders. Hence, different caravanserais with various designs were constructed in both Anatolia and

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28

Lobos, Jorge, and Eleonora Carrano. "PANDEMIA Y ARQUITECTURA." Arteoficio, August 2, 2021, 5–18. http://dx.doi.org/10.35588/arteoficio.v16i16.5075.

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A través de este texto, profesores y alumnos de diversas partes el mundo, pertenecientes al Máster Emergencia + Resiliencia del Instituto Universitario de Arquitectura de Venecia (IUAV, Italia), investigadores de la Universidad de Sassari (UNISS, Italia) y del estudio Architecture & Human Rights en Dinamarca y Chile, buscan elaborar hipótesis sobre la crisis de salud que atraviesa actualmente nuestro planeta. Históricamente la arquitectura y urbanismo no han tenido gran presencia en las emergencias conocidas como Pandemias, a diferencia de las otras categorías donde si tienen cierta capaci

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29

Boucharlat, Rémy. "Gačborī dar ārāye-hā va taz’īnāt-e me‘mārī dowrān aškānī va sāsānī / Decorative Architectural Stucco from the Parthian and Sassanid eras. Tehrān, Mūze-e mellī-ye Īrān, s.d. [2005] 78 p. en persan, 6 p. en anglais." Abstracta Iranica, Volume 29 (May 15, 2008). http://dx.doi.org/10.4000/abstractairanica.26602.

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