Relevant bibliographies by topics / Satire short story

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Satire short story'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Satire short story"

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Maulida, Lailatul. "Reformasi Gagal Total, Kawan!: A Stylistics Study of Political Satire in Eka Kurniawan’s Corat-coret di Toilet." Aphorisme: Journal of Arabic Language, Literature, and Education 1, no. 1 (2020): 54–64. http://dx.doi.org/10.37680/aphorisme.v1i1.321.

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This paper aims to discuss and analyze political satire in Eka Kurniawan's short story titled Corat-coret di Toilet. By applying descriptive qualitative research as well as stylistics approach, researcher then reading the whole text of the short story, analyzing the political satire, and taking notes the sentence related to political satire inside. Found that there are nine sentences of satire in the short story that refer to political satire that was written by some students on the campus toilet's walls against the situation of the government in the year of 1990s where the freedom of conveyin
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Gowers, Emily. "Horace, Satires 1.5 an inconsequential journey." Proceedings of the Cambridge Philological Society 39 (1994): 48–66. http://dx.doi.org/10.1017/s0068673500001723.

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‘If I were to waste your time with a long conversation (si longo sermone morer tua tempora), I would be damaging the public interest.’ So Horace begins his Epistle to Augustus, typically selling himself short. He does not pause for breath for 270 lines. Equivocations like this about the sound of his own voice had been a particular characteristic of Horace's earlier books of ‘Conversations’, the Satires or Sermones, a teasing mixture of seemingly directionless rambling and forceful short cuts. Nowhere is this mixture more evident than in the fifth satire of the first book, a short story which a
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Kong, Xueying. "Exploring the Satire in Literature: Taking the Luncheon as a Case Study." Communications in Humanities Research 6, no. 1 (2023): 196–201. http://dx.doi.org/10.54254/2753-7064/6/20230240.

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William Somerset Maugham is a renowned English writer, known for his plays, novels, and short stories. One of his famous short stories, The Luncheon, tells the tale of a forty-year-old lady who admires the author's works and wins his favor by expressing her desire to meet him for lunch at a high-class eatery. Maugham ironically reveals the gluttony of the middle-class people and their hypocrisy. Based on textual analysis, the paper intends to explore the significance of the employment of satire and its application. In this paper, the author mainly focuses on two ways of satire, including irony
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Dr.Reyaz Towheedi Kashmiri. "Ghazanfar's Short Story ‘‘Saand’’: A Critical Review." Dareecha-e-Tahqeeq 1, no. 1 (2022): 15–20. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i1.2.

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Professor Ghazanfar is a well known fiction writer. Most of his stories, through their creative imagination as well as their visual style, provide excellent evidence of the masterpiece in the plot. In this category, his short story "Saand" has a special place. But the intellectual satire and the bullying of the politicians under the shadow of this system is a symbolic protest against the looting and the insidious approach of turning the black thief into white and the black into black. The texture, the style, the thematic presentation, the symbolic behavior, the characterization and the underst
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Siregar, Namira Az Zahra, and Moh Zawawi. "Artificial Intelligence in Translating Literary : An Accuracy and Satirical Representation of the Arabic Short Story." International Journal of Arabic Language Teaching 7, no. 01 (2024): 126–44. https://doi.org/10.32332/ijalt.v7i01.10704.

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The advancement of artificial intelligence (AI) technology has revolutionized translation practices, including the translation of literary texts rich in cultural nuances and stylistic features. This research examines the accuracy and representation of satire in the machine translation of the Arabic short story Juha and the Wooden Donkey by Shaqi Hasan using ChatGPT. The objectives of the research are first, to assess translation accuracy based on Nababan’s evaluation theory and second, to identify the types of satire (Horatian, Juvenalian, and Menippean) in the source text and their preservati
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Hassan, Hazha S., and Chinar K. Tayib. "Irony in Kate Chopin’s Selected Short Stories." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 137–44. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp137-144.

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Many authors often employ irony as a powerful literary device since it makes the language of their literary works more suggestive and more emphatic. They usually use irony as a kind of satire, thereby to emphasize faults in their characters or in society in general. Among the American writers who use irony in their short stories is Kate Chopin. This study aims to discuss the nature of irony in Kate Chopin’s three short stories, “The Story of an Hour”, “The Storm”, and “Desiree’s Baby”. The study tries to analyze the presence of three main types of irony, their functions, their relation to the
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Ginn, Stephen. "The Quantity Theory of Insanity by Will Self." Advances in Psychiatric Treatment 19, no. 2 (2013): 132–34. http://dx.doi.org/10.1192/apt.bp.112.010413.

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SummaryThe Quantity Theory of Insanity is a short story by the English novelist and journalist Will Self. It is one of six stories in a collection of the same name. Its central conceit is that there is ‘only a fixed proportion of sanity available to any given society at any given time’. The story is a broad satire of academia, social science and our treatment and understanding of mental disorder.
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Bezhan, Olena. "THE IMAGE OF “AN ORDINARY AMERICAN” IN J. UPDIKE’S SHORT STORIES." Scientific Journal of Polonia University 56, no. 1 (2023): 21–26. http://dx.doi.org/10.23856/5603.

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The article is devoted to the study of the short story genre in the context of the second half of the twentieth century American literature, an attempt is made to show the way of the genre from the form of standard story to so called “psychological sketch”. The short story manifested the national originality of American prose, the peculiarities of the national character and local color earlier and more fully than other forms. It developed the traditions of folk stories, folk humor, and satire. The object of analysis is J. Updike’s short story "Pigeon Feathers", that is concentrated on the midd
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Lukinić, Nevena. "Interpretive possibilities of the short story "Kraljević Marko for the second times among Serbsˮ by Radoje Domanović in teaching circumstances". Obrazovanje i vaspitanje 18, № 19 (2023): 83–100. http://dx.doi.org/10.5937/obrvas2319083l.

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Summary: The paper examines the interpretative possibilities of the short story "Kraljević Marko for the second time among the Serbsˮ by Radoje Domanović in teaching process. Since the mentioned work is not included in the contents of the current teaching programs, the intention of this paper is to offer a methodological template that would indicate the distinct correlative power of this short story and its useful value, and thus use the teaching potential of this literary work. The research is thereby placed in the teaching field of study, the basic theoretical-methodological starting point i
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Baktybayeva, A. T., and A. A. Bizhanova. "Specificity of Comedy in Contemporary Kazakh Prose (E. Tursunov’s Short Story Cycle)." Nauchnyi dialog 12, no. 5 (2023): 250–68. http://dx.doi.org/10.24224/2227-1295-2023-12-5-250-268.

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The relevance of this article lies in the need to construct a comprehensive history of the development of comedy in contemporary Kazakhstani literature, of which the works of Ermek Tursunov are an integral part. The author explores various approaches to the study of irony, satire, and humor, including philosophical (G. Hegel, F. Schlegel), cultural (A. Bergson, B. Dzemidok, M. M. Bakhtin, D. S. Likhachev, Y. Borev, A. M. Panchenko, N. V. Ponyrko, V. Ya. Karasev), and philological (V. Tyupa, V. Propp, M. Yu. Asanina, I. A. Obukhova, S. A. Dubrovskaya). The scientific novelty lies in the fact th
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Dissertations / Theses on the topic "Satire short story"

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Knoepfelmacher, Juliana Rosenthal. "A questão da mulher e a ordem social: o humor em Dorothy Parker." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-16092009-170337/.

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Essa dissertação tem como objetivo analisar os contos da escritora Dorothy Parker em diálogo com seus poemas, tendo em vista a modernidade com a qual construiu suas histórias e o papel do humor em sua criação. Ao analisar as obras dessa autora de grande destaque nos Estados Unidos da América do Norte, nos anos 1930, veremos como o humor se transforma numa importante ferramenta que se relaciona com a construção do feminino e com a questão social da mulher, a fim de desestabilizar e transformar o status quo. O estudo, com o apoio teórico de Vladimir Propp e de Henri Bergson, intenciona demonstra
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Pereira, Mariella Augusta. "Machado de Assis: uma poética de contrastes - contos do trágico e do riso." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-09122009-161320/.

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A literatura machadiana apresenta uma dualidade entre a tragicidade e a comicidade que esta dissertação pretende explorar e entender. A apuração de tais aspectos foi dividida em duas partes: a primeira trata da obra machadiana como um todo, sem atentar para qualquer texto em especial; e a segunda aponta, através da análise de três contos, a convivência dessas duas características contrastantes. Como Machado adota uma miscelânea nos gêneros literários, será preciso analisar o teatro e a sátira menipéia dos quais se serviu para a confecção de tais contos, disso decorreu nossa preocupação em aval
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Silva, Ana Maria Zanoni da. "Humor e sátira : a outra face de Edgar Allan Poe /." Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/102397.

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Orientador: Maria Clara Benotti Paro<br>Banca: Carlos Daghlian<br>Banca: Maria Lúcia Milléo Martins<br>Banca: Sylvia Helena Telarolli de Almeida Leite<br>Banca: Luiz Gonzaga Marchezan<br>Resumo: Esta tese tem por objetivo o estudo de seis contos - A esfinge, Uma estória de Jerusalém, O diabo no campanário, Mistificação, Os óculos e Pequena conversa com uma múmia - do ficcionista, poeta e crítico norte-americano Edgar Allan Poe (1809-1849), mundialmente conhecido como o pai do conto moderno, a fim de analisar o modo como o autor constrói o humor e a sátira e em que medida eles constituem uma sá
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Silva, Ana Maria Zanoni da [UNESP]. "Humor e sátira: a outra face de Edgar Allan Poe." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/102397.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-01-18Bitstream added on 2014-06-13T19:21:20Z : No. of bitstreams: 1 silva_amz_dr_arafcl.pdf: 1437284 bytes, checksum: a57768f1083ee10b765a92dde5c797f1 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Esta tese tem por objetivo o estudo de seis contos - A esfinge, Uma estória de Jerusalém, O diabo no campanário, Mistificação, Os óculos e Pequena conversa com uma múmia - do ficcionista, poeta e crítico norte-americano Edgar Allan Poe (1809-1849), mundialmente co
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McDermott, James. "More Stores About Disappointment And TV." 2017. http://scholarworks.gsu.edu/english_theses/217.

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This MFA thesis, More Stories About Disappointment and TV, is a collection of short stories. I see them as being interconnected, if only in the loosest possible sense. I have certain ideas and themes that recur throughout my work, which I hope gives the stories a sense of cohesion without making the collection feel too monochromatic. The stories vary in narrative approach and point of view. My stories are character-driven literary fiction, to put it broadly, though they often incorporate characteristics of genre fiction. Some of them are more realistic than others, but they almost always have
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Thobakgale, Raphehli Michael. "Tsheka Tsheko ya Dikanegelokopana ka S.N. Nkadimeng (Sepedi)." Diss., 1997. http://hdl.handle.net/2263/29124.

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In this dissertation, the art of the short story as practised by S.N. Nkadimeng (Mmantshaotlogele) is investigated in accordance with the narratological descriptive model. According to this approach the literary work is divided into three levels, namely, content level, plot level and style level. The level of style, however, is not discussed in detail in this dissertation. In this study, Nkadimeng's art is placed within the framework of a brief discussion of the Northem Sotho short story as an art form. Furthermore, the aim of this investigation is formulated. Thereafter the relevant concepts
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Books on the topic "Satire short story"

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Freeman, Garth, ed. Torilore: A Complex Tale. Self Published, 2014.

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Orwell, George. Animal farm: A fairy story. Penguin in association with Martin Secker & Warburg Ltd., 1987.

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Orwell, George. Animal farm: A fairy story. Signet Classic, 1996.

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Orwell, George. Animal farm: A fairy story. Signet Classic, 1996.

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Orwell, George. Animal farm: A fairy story. Secker & Warburg, 1987.

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Orwell, George. Animal Farm: A fairy story. Penguin, 1989.

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Orwell, George. Animal farm: A fairy story. Longman, 1991.

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Orwell, George. Animal farm: A fairy story. Penguin, 1989.

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Orwell, George. Animal farm: A fairy story. Signet Classic, 1990.

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Orwell, George. Animal farm: A fairy story. Golden Classics, 2015.

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Book chapters on the topic "Satire short story"

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Antor, Heinz. "2: Tory Humanism, Ironic Humor, and Satire: Stephen Leacock, “The Marine Excursion of the Knights of Pythias” (1912)." In The Canadian Short Story. Boydell and Brewer, 2007. http://dx.doi.org/10.1515/9781571136886-004.

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Young, Dannagal Goldthwaite. "Playing against Type." In Irony and Outrage. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913083.003.0010.

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Chapter 10 considers what it looks like when liberals and conservatives play against type—when liberals attempt to create outrage programming and conservatives attempt to create satire. It summarizes the story of the liberal “outrage” radio network Air America and the short-lived Fox News satire show The 1/2 Hour News Hour, illustrating the ways in which each failed to deliver on some of the central defining features of the genre it was intended to fit. The chapter argues that these failings stem from unique psychologies of the left and the right that make it challenging for the left to create
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Thorniley, Tessa. "John Lehmann’s War Effort: The Penguin New Writing (1940–1950)." In The Modern Short Story and Magazine Culture, 1880-1950. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461085.003.0013.

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John Lehmann’s The Penguin New Writing (1940-1950) is considered one of the finest literary periodicals of World War Two. The journal was committed to publishing writing about all aspects of wartime life, from the front lines to daily civilian struggles, by writers from around the world. It had an engaged readership and a high circulation. This chapter specifically considers Lehmann’s contribution to the wartime heyday for the short story form, through the example of The Penguin New Writing. By examining Lehmann’s editorial approach this chapter reveals the ways he actively engaged with his co
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Lunde, Ingunn. "Confronting Linguistic Legacies." In Language on Display. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474421560.003.0008.

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This chapter sets out to investigate how the implications and broader dimensions of the Soviet linguistic legacy is represented in two post-Soviet prose texts, Evgenii Popov’s novel Podlinnaia istoriia ‘zelenykh muzykantov’ (The True Story of the ‘Green Musicians’, 1998) and Vladimir Sorokin’s short-story ‘Monoklon’ (2010). Popov’s ‘novel in footnotes’ comments on a text from the 1970s (reproduced in the novel), using humour and satire to expose the emptiness of clichés and make links to the present-day language debates. Sorokin, in turn, invokes the historical memory of Soviet speak through f
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Collins, Cornelius. "‘A funny thing laughter, what’s it for?’: Humour and Form in Lessing’s Fiction." In Doris Lessing and the Forming of History. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414432.003.0008.

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The notion of Lessing, as Joan Didion once wrote, as a ‘didactic’ writer implies that her writing cannot be funny. But if the radical otherness of her outlook as a former colonial subject prevents some readers from laughing, Lessing’s use of humour, as a dialogic modality, brings awareness to problems otherwise denied or unrecognized. In her early fiction, humour takes on a conventional, social-realist function, drawing on the novel’s historical connections to the genre of satire. The limits of novelistic satire become apparent in The Golden Notebook (1962), however, and, from this impasse, Le
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Abramson, Glenda. "Levin, Hanoch (1943–1999)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1980-1.

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Levin, Hanoch is an Israeli playwright and short story writer. Born in the southern quarters of Tel Aviv to lower middle-class Polish immigrants Levin’s background has provided the inspiration for many of his plays and stories. Until the advent of Levin’s unique voice Israeli drama had been devoted almost entirely to the reality of life in the country. Levin’s work scorned all the accepted social dogma and resisted all ideology, while still referring to the Jewish diaspora past and life in present-day Israel. His plays can be divided loosely into three categories: satire, usually in the form o
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Singley, Carol J. "Introduction." In A Historical Guide to Edith Wharton. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195135909.003.0001.

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Abstract Edith Wharton is by critical and popular acclaim one of the United States’ finest novelists and short story writers. A consummate stylist and astute critic of late nineteenth- and early twentieth-century American social life, Wharton often ridiculed the upper-class New York society of which she herself was a member. She also turned her sharp eye to New England and Europe, creating incisive portraits of characters deeply affected by their social and physical environments. Wharton’s ability to combine such cutting satire and irony with compassion for human suffering results in a unique
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Snyder, Michael. "On Glory’s Course." In James Purdy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197609729.003.0018.

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Abstract The 1980s started strong. Purdy signed to Viking and Mourners Below was praised in the New York Times. He wrote short plays that were performed in small venues in New York, often involving his friend John Uecker. In 1982 Purdy traveled to Israel, Finland, and Germany, sponsored by the United States Information Agency. In 1983 he joined Edward Albee in Texas to oversee a student production of Albee’s Malcolm, but he lost his good friend, Tennessee Williams. His next novel On Glory’s Course divided critics but found fans among women. Purdy placed pieces in the “gay New Yorker,” Christop
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Marin, Reva. "Don Asher’s Fictional-Real Jazz World." In Outside and Inside. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496829979.003.0005.

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This chapter examines the life and writings of Don Asher, who studied with pianist Jaki Byard before embarking on a career as a New England society band and honkytonk pianist and later as a nightclub pianist in San Francisco, including a long stint at the famed hungry i. Asher was also a novelist, short-story writer, essayist, and collaborator, and analysis of selected works of his fiction and nonfiction uncovers his enduring and sometimes transgressive fascination with African American music and culture. While Asher’s work appears to illustrate “the problem with white hipness” (Ingrid Monson)
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Mourant, Chris. "Rhythm: Parody and (Post)Colonial Modernism." In Katherine Mansfield and Periodical Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439459.003.0003.

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Chapter 2 examines Mansfield’s contributions to the self-consciously ‘modernist’ little magazine Rhythm, edited by John Middleton Murry. Through an analysis of Mansfield’s ‘parodic translations’ and short story contributions to the magazine, the chapter examines the ways in which Mansfield used Rhythm as a performative space in which to develop multiple authorial identities and cultivate different national registers in her work, employing parody, satire and mimicry as modes of critique. Whilst Mansfield identified with the metropolitan modernism advanced by the magazine, it is argued, she also
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Conference papers on the topic "Satire short story"

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Kočevski, Ivana. "U klubu čeških Pikvika – Hašekove parodije i političke mistifikacije." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-15.

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One hundred years after the death and one hundred and forty years after the birth of the famous Czech writer Jaroslav Hašek (1883–1923), his work still attracts the undivided attention and curiosity of readers. His widely known literary work about the immortal soldier Josef Švejk, which has been translated into many languages, has acquired the dimension of omnipresence and timelessness – precisely in the sense that it can be read in any country and at any time. However, the majority of the writer's prose work consists of short stories, adventures and tales, often published first in newspapers
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