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1

Durov's pig: Clowns, politics, and theatre. Theatre Communications Group, 1985.

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2

Bogad, L. M. Electoral guerrilla theatre: Radical ridicule and social movements. Routledge, 2005.

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3

Fielding's burlesque drama: Its place in the tradition. Edinburgh University Press, for the University of Durham, 1987.

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4

Spyropoulos, Ēlias S. Aristophanēs: Satira, theatro, poiēsē. Paratērētēs, 1988.

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5

Juvenals Irrtum: Über die Antinomie der Satire und des politischen Kabaretts. Lang, 1985.

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6

Divadlo plné paradoxů: Příběh divadla satiry, 1944-1949 a nejen jeho. Panorama, 1990.

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7

Machejko, Wiesław. Z ikrą i pod prąd, czyli, W krainie Pstrąga: Piosenki, skecze, monologi, żarty, anegdoty, wiersze, wspomnienia, recenzje, paszkwile, donosy, laurki, anonimy, parodie, fotografie, karykatury, obrazy, rysunki, raptularz, epitafia : Studencki Teatr Satyry Pstrąg od frontu i od kulis na tle Łodzi akademickiej 1945-1967. Dom Wydawniczy Elipsa, 2005.

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8

Klötzer, Sylvia. Satire und Macht: Film, Zeitung, Kabarett in der DDR. Böhlau, 2006.

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9

Puchner, Walter. Mythologikes kai philosophikes satires sto Hellēniko proepanastatiko theatro: Arches 19ou aiōna. Akadēmia Athēnōn, 2004.

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10

Sri Lankan theater in a time of terror: Political satire in a permitted space. Sage Publications, 1999.

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11

Gobbi, dritti e la satira molesta: Copioni di voci, immagini di scena, 1951-1967. ETS, 2007.

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12

Ben Jonson, John Marston and early modern drama: Satire and the audience. Palgrave Macmillan, 2016.

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13

Poumet, Jacques. La satire en R.D.A.: Cabarets et presse satirique. Presses universitaires de Lyon, 1990.

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14

Schechter, Joel. The Congress of Clowns and other Russian circus acts. Kropotkin Club of San Francisco, 1998.

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15

Schechter, Joel. The Congress of Clowns and other Russian circus acts. Kropotkin Club of San Francisco, 1998.

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16

Donaldson, William. Great disasters of the stage. Arrow Books, 1985.

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17

Disciplining satire: The censorship of satiric comedy on the eighteenth-century London stage. Bucknell University Press, 2002.

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18

Il Teatro dei Satiri: Una famiglia patrizia e il suo teatro. Sabinae, 2009.

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19

Ane Satyre of the Thrie Estaites: An Edinburgh International Festival Production with the collaboration of Scottish Theatre Company. Polygon Books, 1985.

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20

Vogel, Benedikt. Fiktionskulisse: Poetik und Geschichte des Kabaretts. F. Schöningh, 1993.

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21

Till Eulenspiegel: Revolutionär, Aufklärer, Aussenseiter ; zur Eulenspiegel-Rezeption in der DDR. Lang, 2004.

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22

Teatr Satyryków STS: 1954-1975. Rytm, 1994.

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23

Siniscalchi, Adelheid Matter. La satira politica nel cabaret tedesco del secondo dopoguerra. Edizioni scientifiche italiane, 1990.

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24

Lachen im Keller: Kabarett und Kleinkunst in Wien 1900 bis 1945. Österreichisches Kabarettarchiv, 2013.

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25

Bronner, Gerhard. Die goldene Zeit des Wiener Cabarets. Hannibal, 1995.

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26

Lachen im Keller: Von den Budapestern zum Wiener Werkel : Kabarett und Kleinkunst in Wien. Löcker, 1986.

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27

Jelavich, Peter. Berlin cabaret. Harvard University Press, 1993.

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28

Satie the bohemian: From cabaret to concert hall. Oxford University Press, 1999.

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29

Patrignani, Ivaldo. Il bruscello, una gloria dei Rozzi. Nuova immagine editrice, 1993.

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30

Kwiatkowska, Halina. Boyowym szlakiem, czyli, a to ci kabaret: Jama Michalika : kabaret satyryczno-literacki, 1960-1990. Oficyna Wydawnicza Kwadrat, 2004.

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31

The wild stage: Literary cabarets of the Weimar Republic. Camden House, 1995.

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32

Kabarett!: Satira, politica e cultura tedesca in scena dal 1901 al 1967. Elliot, 2014.

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33

Pepper, Hugo. Lachen auf eigene Gefahr: Das Kabarett "Der Rote Hund" 1946-1951. Europaverlag, 1987.

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34

Panayotakis, Costas. Theatrum Arbitri: Theatrical elements in the Satyrica of Petronius. E.J. Brill, 1995.

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35

Lareau, Alan. The wild stage: Literary cabarets of the Weimar Republic. Camden House, 1995.

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36

1881-1973, Picasso Pablo, Cocteau Jean 1889-1963, and Drawing Center (New York, N.Y.), eds. Picasso's parade: From street to stage : ballet by Jean Cocteau ; score by Erik Satie ; choreography by Léonide Massine. Sotheby's Publications in association with the Drawing Center, New York, 1991.

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37

Nube, Tommy. Der Geist des Narren: Kabarett und Weltwirtschaft. Klemm & Oelschläger, 2001.

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38

Khaĭder, Teti︠a︡na. Polʹsʹke literaturno-mystet︠s︡ʹke kabare: Nat︠s︡ionalʹnyĭ fenomen satyrychnoho dyskursu : monohrafii︠a︡. Vydavnychyĭ t︠s︡entr KNLU, 2012.

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39

Silvestru, Valentin. Umorul în literatură și arta: Glose istorice și teoretice. Editura Meridiane, 1988.

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40

Wole, Soyinka. Soyinka: Blackout, Blowout & beyond : Wole Soyinka's satirical revue sketches. Edited by Banham Martin, Mike Chuck, and Greenwood Judith. James Currey, 2005.

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41

Silvestru, Valentin. Umorul în literatură și arta: Glose istorice și teoretice. Editura Meridiane, 1988.

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42

1954-, Görl Wolfgang, ed. Donner und Blitz auf dem Nockherberg: Eine Starkbier-Biografie. LangenMüller, 2011.

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43

Stępień, Tomasz. Zabawa, poetyka, polityka. Śląsk, 2002.

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44

Koopmans, Jelle. Sermon joyeux et truanderie: Villon, Nemo, Ulespiègle. Rodopi, 1987.

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45

Un théâtre de la marge: Aspects figuratifs et configurationnels du drame satyrique dans l'Athènes classique. Levante editori, 2001.

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46

Jak obaliłem komunę. Wydawn. LTW, 2010.

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47

Radical comedy in early modern England: Contexts, cultures, performances. Ashgate, 2008.

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48

Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire. Temple University Press, 2008.

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49

(Editor), Martin Banham, Chuck Mike (Editor), and Judith Greenwood (Editor), eds. African Theatre: Soyinka Blackout, Blowout and Beyond (African Theatre). James Currey Publishers, 2004.

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50

Bogad, L. M. Electoral Guerilla Theatre: Speaking Mirth to Power. Routledge, 2005.

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