Log in

Relevant bibliographies by topics / Satirical and political cartoons

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Satirical and political cartoons'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Satirical and political cartoons.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Satirical and political cartoons"

1

Marston, John. "Em Sokha and Cambodian Satirical Cartoons." Asian Journal of Social Science 25, no. 1 (1997): 59–77. http://dx.doi.org/10.1163/030382497x00040.

Full text

Abstract:

AbstractThe article examines the work of one Cambodian satirical cartoonist, Em Sokha, in the context of the historical background of cartooning in Cambodia and the developments in Cambodian print media since 1979. In particular, it looks at how Em Sokha's work has evolved in relation to alternating periods of freedom and control over the press during times of dramatic political change. It explores the implications of Em Sokha's use of distortion and the grotesque to express the violence of relations of power.

APA, Harvard, Vancouver, ISO, and other styles

2

Saito, Hayato, and Wen-yu Chiang. "Political cartoons portraying the Musha Uprising in Taiwan under Japanese rule." Metaphor and the Social World 10, no. 1 (May 1, 2020): 76–99. http://dx.doi.org/10.1075/msw.19009.sai.

Full text

Abstract:

Abstract This study analyzes five political cartoons published in the Taiwan Nichinichi Shinpo (Taiwan Daily Newspaper) depicting the Musha Uprising, an indigenous rebellion against Japanese colonial rule that occurred in Taiwan in 1930. The study has produced two important findings and theoretical implications. First, two of the political cartoons deployed The Great Chain of Being multimodal metaphor, and the artist’s conceptual blending of Japanese kabuki stories with the Musha Uprising dramatically portrayed the colonizers as humans and the colonized as animals. We analyze the social and historical context to explain why these cartoons used the boar as a metaphor representing the indigenous people. Second, our results reveal paradoxical and ambivalent perspectives in the cartoons. On one hand, the metaphor of Human vs. Animal reproduced the unequal hierarchical relations between the colonizers and the colonized. On the other hand, the cartoonist also portrayed the rulers in a critical and satirical way. Finally, the research relates the content of this analysis with the post-colonial theorizing of Edward Said. In sum, the study makes a contribution to interdisciplinary research by applying metaphor theory to the analysis of political cartoons and colonial discourse, as well as revealing the hierarchical colonial thinking and racial prejudice lurking behind the metaphors.

APA, Harvard, Vancouver, ISO, and other styles

3

Pozdnyakova, E. M., and O. A. Blinova. "Covid-19 Pandemic in Political Cartoons of the American Press: An Experience of Multimodal Analysis." Nauchnyi dialog, no. 1 (January 27, 2021): 48–62. http://dx.doi.org/10.24224/2227-1295-2021-1-48-62.

Full text

Abstract:

An attempt is made to analyze the place of political cartoons in the current socio-political media discourse in the United States. The material was the cartoons published in the spring of 2020 from USA Today and Philadelphia Inquirer, the informational occasion for the creation of which was the Covid-19 pandemic. The definitions of political cartoons as a multimodal text with a complex coding system is considered in the article. It is noted that in this type of text, phenomenological cognitive structures are actualized both through linguistic projection and through visual-spatial images. Attention is paid to intertextuality as the basis of political cartoon: the authors proceed from the position that the decoding of meaning by the recipient depends on whether he and the author have common background knowledge. It is shown that the Covid-19 pandemic is thematically embedded in the broader socio-political agenda, whereby a successful interpretation requires the recipient to have background knowledge of the current socio-political challenges facing the United States, namely the domestic political agenda. It is stated that the studied cartoons are distinguished by their reliance on precedent, and the actualization of background knowledge occurs through a combination of the visual and verbal components of the text. It is concluded that among the linguistic means of creating a satirical effect, a play on words is distinguished based on the literal and figurative meaning of individual lexical units.

APA, Harvard, Vancouver, ISO, and other styles

4

Lydin, N. N., and P. V. Ulyanov. "The Evolution of the Image of the Ottoman Empire on the Cartoons of the British Magazine «Punch» of the First World War Period." Izvestiya of Altai State University, no. 3(113) (July 6, 2020): 69–75. http://dx.doi.org/10.14258/izvasu(2020)3-11.

Full text

Abstract:

This article discusses the development in the British society of the image of the Ottoman Empire, perceived as a ’’German ally“ during the First World War. English cartoons from the satirical magazine “Punch” were taken as historical sources. The peculiarity of this magazine was that during the period under study it was popular among representatives of the elite, intelligentsia, workers and some of the farmers due to the publication of various drawings and cartoons in it. The main goal of the authors of the article is to consider the development of the image of the Ottoman Empire, presented on graphic materials as an “ally of Germany”, using political caricatures as an example, and to reveal its features in British propaganda. The study allows us to conclude that the image of the Ottoman Empire was presented in satirical form, as it was aimed at discrediting the ”ally of Germany“. British artists sought to convey to the mass audience that the Ottoman Porta was embroiled in armed conflict and was used by Germany as a "puppet". On the example of the most striking English cartoons of the satirical magazine “Punch”, it can be noted that many stories about the “ally of Germany” reflected in their content the military-political dependence of the Ottoman Empire on the German one.

APA, Harvard, Vancouver, ISO, and other styles

5

Etty, John. "The Legacy of 1917 in Graphic Satire." Slavic Review 76, no. 3 (2017): 664–74. http://dx.doi.org/10.1017/slr.2017.174.

Full text

Abstract:

This essay explores political cartoons published in various journals in 1917, and investigates the legacy of that year's graphic satire. As many previous works have noted, the revolutions of 1917 brought struggles for the meaning of signs, and in political cartoons there were marked changes in subject matter and visual vocabulary. While previous studies have interpreted these developments as illustrations of political revolution, this essay, which is based on original research, will argue that the fundamental shift that began in 1917 was towards a kind of visual satirical discourse that possessed performative power. Proposing a new conceptual framework for analysis based on theories of performativity, the theoretical contribution of this essay will be to show how graphic satire reveals the performative force of cartoons, by arguing that Soviet graphic satire's aesthetic invites readers’ critical engagement with contemporary discourses, a vision that derives from the political cartoons of 1917.

APA, Harvard, Vancouver, ISO, and other styles

6

Virág, Ágnes. "Multimodal conceptual patterns of Hungary in political cartoons." Cognitive Linguistic Studies 7, no. 1 (August 19, 2020): 222–53. http://dx.doi.org/10.1075/cogls.00055.vir.

Full text

Abstract:

Abstract Conventionalized positive images of Hungary have been overemphasized in political caricatures ever since the nineteenth century (Tamás 2012, 2014). The present article explores the multimodal representations of hungary in cartoons in the period between 1989 and 1990, during which negative images of Hungary became prominent due to the weak financial situation of the country and the political system change. The corpus involves seventy-five cartoons from the satirical magazine Ludas Matyi. Two major claims are justified by adopting Paula Pérez-Sobrino’s (2017) multimodal identification procedure: (1) the interpretation of verbal elements (e.g., labels, verbal texts, and verbal symbols) in political cartoons influences the identification of multimodal conceptual patterns; (2) the dominant patterns that structure the representation of hungary in political cartoons are metonymy-based visual and multimodal metaphors, and both of them occur in metaphorical scenarios. The corpus analysis indicates that the two main target frames, financial crisis and political changes, appear through the sources of human body and object in metaphorical scenarios, such as ordinary scenes, motion, hospital, sport, tale, love, feast, stunt, begging, and church scenes. Apart from identifying the representations of Hungary, visual metonymies as well as textual cues need to be revealed in order to understand what metaphtonymy scenarios are intended in the cartoons.

APA, Harvard, Vancouver, ISO, and other styles

7

Glazier, Rebecca A. "Satire and Efficacy in the Political Science Classroom." PS: Political Science & Politics 47, no. 04 (October 2014): 867–72. http://dx.doi.org/10.1017/s104909651400119x.

Full text

Abstract:

ABSTRACTPolitical satire has become increasingly prominent in recent years, leading some political science instructors to use satire in their courses. Yet, recent work suggests that political satire may encourage cynicism and decrease political efficacy. In this article, the author develops and tests an approach to teaching effectively with satire. Frequent use, source diversity, and critical evaluation engage students while allaying satire’s potential detrimental effects. The author evaluates this pedagogical approach through a classroom experiment using both in-person and online classes (student N = 163). Qualitative and quantitative data offer suggestive evidence that refutes the warning that satire fundamentally depresses political efficacy and indicates that students enjoy satire and endorse its use. By deliberately using diverse satirical sources, instructors can maximize the benefits of satire while minimizing potential drawbacks. For interested instructors, the author’s website contains a searchable catalog of satirical articles, video clips, and cartoons that can be used to teach specific political science concepts.

APA, Harvard, Vancouver, ISO, and other styles

8

Portnoy, Edward. "Mocking the Masters and Creating a Nation: The Yiddish Satirical Press in Late Imperial Russia." Experiment 19, no. 1 (2013): 117–48. http://dx.doi.org/10.1163/2211730x-12341244.

Full text

Abstract:

Abstract This article considers the growth and development of Yiddish satire journals as a publishing phenomenon in the wake of the 1905 revolution, particularly in consideration of the unusual nature of the legal, political, and social positions of Jews in the Empire. Also considered is the proliferation of cartoons and their visual critiques of Jewish life.

APA, Harvard, Vancouver, ISO, and other styles

9

Polli, Chiara, and Carlo Berti. "Framing right-wing populist satire: The case-study of Ghisberto’s cartoons in Italy." Punctum. International Journal of Semiotics 06, no. 02 (March 1, 2021): 29–55. http://dx.doi.org/10.18680/hss.2020.0020.

Full text

Abstract:

Abstract Over the last few years, right-wing populism has increased its popularity and political weight, successfully merging with Euro-scepticism, nationalism, xenophobia, religious symbolism, and aggressive forms of conservatism (e.g., anti-feminism, homophobia, and, in general, patriarchal politics). Several studies have focused on the communication strategies of contemporary populism, examining the latter’s use of traditional and new media. So far, however, little attention has been paid to the role and language of right-wing populist satire. Our study draws on the ideational approach to populism to explore how right-wing populism is expressed in satirical cartoons. This approach perceives populism as a thin-centered ideology, based on a Manichean division between ‘good people’ and ‘evil elites,’ which regularly combines with other ideological components (e.g., nationalism, Euroscepticism, xenophobia). Our analysis focuses on the Italian cartoonist Ghisberto, known for his provocative and frequently controversial work. We examine a sample of Ghisberto’s vignettes using multimodal analysis tools and Greimas’s notion of isotopy. The aim is to investigate how right-wing populist satire constructs its different targets (the EU, left-wingers, migrants, NGOs, women, etc.) and how populist ideology exploits cartoons’ communicative resources and power.

APA, Harvard, Vancouver, ISO, and other styles

10

Olesen, Thomas. "Contentious Cartoons: Elite and Media-Driven Mobilization." Mobilization: An International Quarterly 12, no. 1 (February 1, 2007): 37–52. http://dx.doi.org/10.17813/maiq.12.1.k10w8k727g445gx1.

Full text

Abstract:

This article analyzes the so-called Muhammad cartoons conflict that started on September 30, 2005, when a Danish newspaper, Jyllands-Posten, published twelve satirical cartoons of the prophet Muhammad. I examine how the conflict moved from the national level of Denmark to become a full-blown instance of transnational contention. The guiding argument of the article is that institutional elites and media were the prime movers in the transnational escalation of the conflict. Institutional actors, mainly the Egyptian government and the Organization of Islamic Conferences, were active from the beginning as brokers. These actors spent months preparing the ground before the conflict escalated in late January and early February 2005. Their efforts were partly supported by certification from key international institutions. The evidence also suggests that transnational news channels in the Arab and Muslim world, Al-Jazeera and Al-Arabiya, and to a lesser degree, national media, played a significant part as diffusers and brokers in the escalation.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Satirical and political cartoons"

1

Tomé, Cristina Maria de Sousa 1963. "Entre o burlesco e o sublime-a sátira gráfica de William Hogarth e James Gillray." Master's thesis, Instituições portuguesas -- -Universidade do Minho -- -Instituto Letras e Ciências Humanas, 2000. http://dited.bn.pt:80/29407.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

McGlade, Rhiannon. "Seriously funny : towards an interpretative framework for an analysis of Catalan satirical cartoons in the twentieth century." Thesis, University of Sheffield, 2013. http://etheses.whiterose.ac.uk/3725/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Gordon, Jon Clair. "International political cartoons as rhetoric : a content analysis /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487676847116104.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bush, Lawrence Ray. "More than Words: Rhetorical Devices in American Political Cartoons." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3924.

Full text

Abstract:

This thesis argues that literary theory applied to political cartoons shows that cartoons are reasoned arguments. The rhetorical devices used in the cartoons mimic verbal devices used by essayists. These devices, in turn, make cartoons influential in that they have the power to persuade readers while making them laugh or smile. It also gives examples of literary theorists whose works can be applied to political cartooning, including Frederick Saussure, Mikhail Bakhtin, and Wolfgang Iser. Not only do those theorists' arguments apply to text, they also apply to pictorial representations. This thesis also discusses changes in the cartoon art form over the 250 years that American political cartoons have existed. Changes have occurred in both the way text and pictorial depictions have been presented by artists. This thesis makes some attempt to explain why the changes occurred and whether they have been for the better.

APA, Harvard, Vancouver, ISO, and other styles

5

Heinrich, Brittany Nicole. "Satirical imagery of the grotesque body of Louis XIV : pushing the corporeal limits of France." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98929.

Full text

Abstract:

The establishment of the French Absolutism under King Louis XIV depended in part on pictorial representation generated by the French Academy. As a vehicle and institute of the state, the Academy created a canon of imagery, which was known throughout Europe. This enabled Louis XIV's image to be reversed by the creators of the satirical images. The makers of the reverse image appropriated the institutionalized styles and genres of royal portraiture to create innovative satirical images of the monarch using the very canon Louis XIV sanctioned. In its analysis of a small body of satirical imagery, the thesis draws on various theories about the body of the king proposed by Jean-Marie Apostolides, Ernst Kantorowicz and Louis Marin. A comparison of satirical images with official images of the king demonstrates the successful strategies of satirical imagery and the collective need for these kinds images in the seventeenth century.

APA, Harvard, Vancouver, ISO, and other styles

6

Arroues, Ben Selma Ophélie. "Yaʿqûb Ṣannûʿ, du théâtre au journalisme : L’écriture théâtrale dans Abû Naẓẓâra." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF022.

Full text

Abstract:

Yaʿqûb Ṣannûʿ(1839-1912), auteur polémique de la Nahḍa, est un des pionniers du théâtre et dujournalisme arabes. La thèse se propose d’analyser, à partir des premières années de son journal AbûNaẓẓâra (1878-1910), la relation entre écriture théâtrale et écriture journalistique, l’une servant de relaisvers la seconde qui s’invente entre le patrimoine littéraire arabe et la presse européenne du XIXème siècle.Ṣannûʿ s’inspire de formes théâtrales arabes anciennes pour créer des pièces « théatro-journalistiques »qui s’emparent de l’actualité. Par ailleurs, dans Abû Naẓẓâra, le dialogue s’affirme comme genre autonomeet mode principal de traitement de l’actualité. Dès lors, on doit considérer que l’ensemble du journal seconstruit sur le modèle du texte théâtral. L’écriture dramatique est mise au service du projetjournalistique : le théâtre participe de la dynamique satirique tandis que le dialogue a une visée didactiqueen direction du lecteur de la presse. Abû Naẓẓâra prétend se faire le porte-parole du peuple égyptien. Lepolitique y est approché à travers le prisme de la métaphore théâtrale et présenté comme une grandecomédie. La pièce de théâtre, conçue pour être lue collectivement et jouée, fait du lecteur un acteur de lascène politique
Yaʿqûb Ṣannûʿ (1839-1912) is a controversial author of the Nahḍa and one of the pioneers of Arabic theatreand journalism. This thesis, based on the first years of Ṣannûʿ's magazine, Abû Naẓẓâra (1878-1910),intends to analyze that interplay between dramatic writing and journalistic writing. The first has a bridgingfunction leading to the second that emerges from the interactions between the Arabic literary heritage andthe 19 th century European press. Ṣannuʿ draws inspiration from the ancient Arabic theatrical forms inorder to write "dramatic journalistic" stage plays that capture the news. Furthermore, in Abû Naẓẓâra, thedialogue becomes an autonomous genre in itself as well as the main news-making means. Therefore, onemust consider that the whole magazine builds up on the model of the play. Dramatic writing serves thejournalistic purpose: theater takes part in the dynamics of satire while the dialogue takes on a didactic rolefor the press readers. Abû Naẓẓâra claims to be the voice of the Egyptians. Politics is perceived throughtheatrical metaphor and depicted as a farce. The play, initially intended to be read and performedcollectively, turns the reader into an actor of the political stage

APA, Harvard, Vancouver, ISO, and other styles

7

Orihuela-Gruber, Daniella. "Political cartoons and graphic novels a study of political and social commentary in comics /." Click here to view, 2009. http://digitalcommons.calpoly.edu/joursp/7/.

Full text

Abstract:

Thesis (B.S.)--California Polytechnic State University, 2009.
Project advisor: Patrick Munroe. Title from PDF title page; viewed on Apr. 19, 2010. Includes bibliographical references. Also available on microfiche.

APA, Harvard, Vancouver, ISO, and other styles

8

Baires-Varguez, Ricardo. "Another mask of Mexico and its people through Jorge Ibarguengoitia's Satirical prose /." Click for abstract, 1997. http://library.ctstateu.edu/ccsu%5Ftheses/1480.html.

Full text

Abstract:

Thesis (M.A.)--Central Connecticut State University, 1997.
Thesis advisor: Dr. Lilián Uribe. " ... in partial fulfillment of the requirements for the degree of Master of Arts in Modern Language (Spanish)." Includes bibliographical references (leaves 152-156).

APA, Harvard, Vancouver, ISO, and other styles

9

Chiu, Sau Wan Anne Terry. "An analysis of the humor in political comic strips in Hong Kong newspapers." HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/643.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Luce, Russell Ralph. "President George W. Bush a portrayal of the Iraq War through cartoons /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1134156853.

Full text

Abstract:

Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2005.
Title from first page of PDF document, author statement from p. [i]. Document formatted into pages; contains [1], iv, 40 p. : ill. Includes bibliographical references (p. 35-37).

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Satirical and political cartoons"

1

Brandozzi, Gianni. La cartografia satirica: L'Europa alla vigilia della Grande Guerra = Satirical cartography : Europe prior to WWI. Italy]: publisher not identified, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Spence, Wayman. The satirical world of José Perez. Waco, Tex: WRS Pub., 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Donald, Diana. The age of caricature: Satirical prints in the reign of George III. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

collaborator, Pinheiro Maria Tereza, and Galhardo Caco illustrator, eds. Diário da Dilma: A seção da revista Piauí que satiriza a agenda da presidente. São Paulo, SP: Companhia das Letras, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Segni dei tempi: Storia d'Italia nella stampa satirica dal fascismo alla seconda Repubblica, 1919-1999. Montelupone: Centro studi Gabriele Galantara, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Sales, Dan. Royal ambition: A satirical, political parody. Charleston, WV: Messenger Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Burlesconi: Vignette satiriche. Bari: Dedalo, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

L·K·Y: Political cartoons. Singapore: Epigram Books, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Turnbloom, Dean P. Prizewinning political cartoons. 2nd ed. Gretna: Pelican Pub. Co., 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Prizewinning political cartoons. 2nd ed. Gretna, La: Pelican Pub., 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Satirical and political cartoons"

1

Moloney, Gail. "Social Representations and the Politically Satirical Cartoon." In Social Representations and Identity, 61–84. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609181_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tilley, Elizabeth. "Irish Political Cartoons and the New Journalism." In Ireland and the New Journalism, 81–98. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137428714_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Marín-Arrese, Juana I. "Chapter 7. Metaphorical creativity in political cartoons." In Performing Metaphoric Creativity across Modes and Contexts, 153–73. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/ftl.7.07mar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lennon, Henry W., and Laura Kilby. "A Multimodal Discourse Analysis of ‘Brexit’: Flagging the Nation in Political Cartoons." In Political Communication, 115–46. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60223-9_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wu, I.-Wei. "Illustrating Humor: Political Cartoons on Late Qing Constitutionalism." In The Humanities in Asia, 15–37. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4960-6_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Vanaik, Anish, Dwaine Jengelley, and Rolfe Peterson. "Political Cartoons and the Black Lives Matter Movement." In Race/Gender/Class/Media, 119–21. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-26.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Feteris, Eveline T., Leo Groarke, and H. José Plug. "Strategic maneuvering with visual arguments in political cartoons." In Keeping in touch with Pragma-Dialectics, 59–74. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/z.163.05fet.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Tzankova, Veronika, and Thecla Schiphorst. "Constructing Meaning: Verbalizing the Unspeakable in Turkish Political Cartoons." In Linguistics and the Study of Comics, 119–41. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137004109_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Bal, Anjali, Leyland Pitt, and Pierre Berthon. "Caricatures, Cartoons, Spoofs and Satires: Political Brands as Butts." In Proceedings of the 2009 Academy of Marketing Science (AMS) Annual Conference, 63. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10864-3_39.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Golubev, Nikita, and Alina V. Vladimirova. "Drawing Networks of Political Leaders: Global Affairs in The Economist’s KAL’s Cartoons." In Complex Networks and Their Applications VIII, 673–81. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-36687-2_56.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Satirical and political cartoons"

1

Wu, Yejun. "Searching Digital Political Cartoons." In 2010 IEEE International Conference on Granular Computing (GrC-2010). IEEE, 2010. http://dx.doi.org/10.1109/grc.2010.158.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rykova, Olga V. "Multimodal Metaphor In American Political Cartoons." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.97.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Chen, Xiaojin. "Analysis on the Interpersonal Meaning of Western Political Cartoons in the Perspective of New Visual Grammar." In 2020 Conference on Education, Language and Inter-cultural Communication (ELIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201127.141.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Poulios, A., A. Iliadis, and M. Seiragakis. "Satirical song in the Greek theater of the 20th century: aspects of political and social criticism - identity issues - stylistics." In VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Москва: Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_213.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Satirical and political cartoons"

1

Castañeda Zumeta, A., and P. Pineda-Martínez. The promotion of democracy in political cartoons. The themes of cartoons in the Basque newspaper Egin (1977). Revista Latina de Comunicación Social, March 2016. http://dx.doi.org/10.4185/rlcs-2016-1093en.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!