Journal articles: 'Satirical literature'

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Babayeva, Gulbaniz. ""Molla Nasraddin" and uzbek satirical literature." Azerbaijan Journal of Educational Studies 1, no. 1 (2020): 189–98. http://dx.doi.org/10.29228/edu.150.

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Ahmad, Vugar. "Literature issues in the satirical magazine “Zanbur”." Philology and Art Studies, no. 01 (2023): 150. http://dx.doi.org/10.59849/2663-4368.2023.1.150.

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OGDEN, JAMES. "DRYDEN'S SATIRICAL TENDENCY." Forum for Modern Language Studies XXXI, no. 3 (1995): 215–22. http://dx.doi.org/10.1093/fmls/xxxi.3.215.

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Nasibova, V. "On the Satirical Poetry School." Bulletin of Science and Practice 6, no. 6 (June 15, 2020): 323–30. http://dx.doi.org/10.33619/2414-2948/55/43.

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The article is devoted to the views of Great Azerbaijan writer Mirza Ibragimov on satirical poetry in Azerbaijani Literature. The academician gave an extensive analysis of the satirical poetry of Mirza Alekper Sabir.

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Semenova, Valentina Grigorevna, and Aiaal Innokent'evich Molokotin. "The origin of satire in Yakut literature." Филология: научные исследования, no. 12 (December 2020): 146–55. http://dx.doi.org/10.7256/2454-0749.2020.12.34418.

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This article is dedicated to examination of the process of conception of satire in Yakut literature. The object of this research is the origin and evolution of satire in Yakut poetry. The subject is the satirical compositions of the founders of Yakut literature A. E. Kulakovsky and P. A. Oyunsky. The goal consists in determination of the role of the first writers in conception and development of satire. Yakut literary studies feature research dedicated to particular authors and works, rather than satire as a whole. Therefore, the relevance of this article lies in the holistic review of satire. The theoretical-methodological framework is comprised of the cultural-historical method, within the framework of which the conception of satire is considered a product of social life and cultural-historical conditions of Yakutia of the early XX century. The work also employs the specific-historical and comparative-typological methods of research. The scientific novelty is defined by the fact that the Yakut literary studies currently do not have a comprehensive and systemic research of satirical genre in national poetry. It is established that the pioneer satire in Yakut literature is the founder of Yakut literature A. E. Kulakovsky, who devoted his works to harsh criticism of the conservative traditions of patriarchal-feudal society, rapacity and inhumanity of the new capitalist relations. Kulakovsky was first to create gallery of the satirical portraits of social nature, such as socially classified images of stingy wealthy man, drunken bourgeois, etc. In the 1920s, the pioneer of Yakut Soviet literature P. A. Oyunsky composed works that of socially charged nature. The poet introduced the following new genres into Yakut literature: fable, pamphlet, and parody. Their works surged public thought and marked the birth of satirical genres in Yakut poetry.

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Tian, Dandan, Muhammad Alif Redzuan Bin Abdullah, and Ling Yann Wong. "Translating metaphors in Chinese satirical literature: A foreignization approach." Forum for Linguistic Studies 6, no. 2 (April 22, 2024): 1187. http://dx.doi.org/10.59400/fls.v6i2.1187.

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The paper delves into the complexities of translating metaphors in Chinese satirical literature, emphasizing the cultural and linguistic nuances involved. It highlights the importance of metaphors in expressing satire and the challenges posed by cultural differences between Chinese and English. The paper advocates for a foreignization translation approach to preserve the original’s cultural essence and satirical tone, balancing it with explanations to aid understanding in the target language. This method ensures the retention of literary value while facilitating cross-cultural dialogue and appreciation of the source culture’s literary aesthetics.

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Belyaeva, Tatyana Nikolaevna. "The Role of Folklore in the Formation of the Genre of the Satirical Novel (based on the Material of the Mari Literature of the First Third of the XX Century)." Litera, no. 12 (December 2022): 66–74. http://dx.doi.org/10.25136/2409-8698.2022.12.39402.

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This article examines the problem of folklore and literature based on the material of the Mari national literature of the first third of the twentieth century. The subject of the study is the role of folklore traditions in the formation of the genre of the satirical novel. The influence of folklore images-characters, genres of oral folk art (fairy tale, proverb, saying, etc.), their poetics and stylistics on the process of formation of Mari national literature, on the birth of the first Mari satirical novel – N. V. Ignatiev's novel "Savik" is shown. In such a scientific and theoretical aspect, this work of Mari literature is being studied in regional and domestic literary studies for the first time. The research method is structural and semantic, which allows to see the comic component of a satirical novel at the level of both its genre content and its poetics. The article proves that it is the folklore genre and figurative intertext that contributes to the disclosure of the satirical problems of the novel "Savik"; the main satirical techniques and means in it are sarcasm, specific nomination of characters ("talking names"), "sounding" toponymy, parody, comic situation, exaggeration, specific speech techniques, etc., many of which they have a folklore basis. They play an essential role in the creation of a literary and artistic text, are integral components of its poetics and stylistics, are closely related to the author's ideas, the time and space depicted, the essence of the images created.

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Cameron, Allan. "Doni's satirical utopia." Renaissance Studies 10, no. 4 (December 1996): 462–73. http://dx.doi.org/10.1111/j.1477-4658.1996.tb00366.x.

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Cameron, A. "Doni's satirical utopia." Renaissance Studies 10, no. 4 (December 1996): 462–73. http://dx.doi.org/10.1111/1477-4658.00220.

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Ievleva, A. Yu, and D. S. Khramchenko. "Stretching Reality: the Function & Translation of Hyperbole in Anglophone Satirical Science Fiction Literature." Professional Discourse & Communication 5, no. 2 (June 2, 2023): 70–80. http://dx.doi.org/10.24833/2687-0126-2023-5-2-70-80.

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This study investigates the use of hyperbole as a satirical device in English-language science fiction, examining its stylistic conveyance and translation into Russian. Employing linguo-stylistic analysis, translation analysis, and functional-linguistic component examination, various definitions of hyperbole are explored. The results indicate that hyperbole serves as an artistic tool for deliberate exaggeration, capturing the reader’s attention and emphasizing the author’s stance. Focusing on Harry Harrison’s science fiction novel “Bill, the Galactic Hero” and its two translations by V. P. Kovalevsky, the research scrutinizes hyperbole’s contribution to satirical effects and identifies two types of hyperbolic exaggerations: contextual and hidden. Hidden hyperbole is further expressed through stylistic contrast and enumeration. In the Russian translations, the satirical effect is largely preserved, albeit with some losses. The study underscores the significance of hyperbole in engaging readers’ critical thinking and directing their focus towards real-world issues within the science fiction narrative. For professional translators, recognizing and conveying hyperbole is crucial in accurately representing the author’s intended meaning.

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Kozlov, I. V. "Ural satirical magazines of the First Russian revolution (“Gnom”, “Rubin”, “Magnit”)." Neophilology 10, no. 2 (May 31, 2024): 397–408. http://dx.doi.org/10.20310/2587-6953-2024-10-2-397-408.

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INTRODUCTION. We analyze a special type of newspaper literature from the beginning 20th century, it is provincial satirical magazines from the time of the First Russian revolution. The purpose of the study is to analyze the editorial activities of Yekaterinburg satirical magazines 1906– 1907.MATERIALS AND METHODS. Based on the comparative historical method, an attempt was made to identify the specifics of provincial satirical magazines in comparison with capital magazines, to understand the specifics of the work of the editor of such a magazine, and the publishing behavior of the authors.RESULT AND DISCUSSION. Provincial magazines more boldly outlined the main themes of satirical magazine poetry and prose of this time. At the same time, they managed to exist for a longer time. Such magazines represent a qualitatively new printing, publishing, and poetry product. They turned out to be in demand by the provincial reader of that time (1906–1907).CONCLUSION. The study of the genre-thematic unity of the satirical magazine can be applied to the study of other Ural satirical magazines.

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Mahler, Andreas. "Der satirische Kontrakt." Zeitschrift für französische Sprache und Literatur 127, no. 3 (2017): 253–77. http://dx.doi.org/10.25162/zfsl-2017-0007.

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Semkiv, Rostyslav. "Is the History of Ukrainian Satirical Literature Possible / Advisable?" Pitannâ lìteraturoznavstva 91 (November 28, 2015): 81–87. http://dx.doi.org/10.31861/pytlit2015.91.081.

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Driver, Sam, Alexander Pushkin, and Cynthia Whittaker. "Epigrams and Satirical Verse." Slavic and East European Journal 30, no. 2 (1986): 280. http://dx.doi.org/10.2307/307604.

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Аллахверди Маммадли. "ШКОЛА «МОЛЛА НАСРЕДДИН» В КОНТЕКСТЕ ПРИНЦИПОВ ЛИТЕРАТУРНОЙ ШКОЛЫ." World Science 2, no. 10(50) (October 31, 2019): 52–55. http://dx.doi.org/10.31435/rsglobal_ws/31102019/6731.

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The article deals with the literary school “Molla Nasreddin” that is considered on the basis of the concrete facts and examples in the context of the principles of the literary school. The main principles of the literary school are highlighted: unity of opinions, clouseness of aesthetic ideals and novelty. The activities of the Azerbaijani satirical journal “Molla Nasreddin”, the first Azerbaijani newspaper “Ekinchi”, (“A ploughman”), the journal “Fuyuzat” (“Admonition”) are traced and appreciated. It is emphasized that the beginning of the XX century is one of the most important stages in the history of Azerbaijani literature. The special attention is given to Jalil Mammadguluzadeh’s activity as a creator of the satirical school “Molla Nasreddin” and founder of critical realism in Azerbaijan. The literary school “Molla Nasreddin” created by him is considered to be a top of satirical literature in Azerbaijan.

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Golubkov, Sergey A. "Provincial town as a spatial model in the satirical and humorous literature." Semiotic studies 3, no. 1 (April 25, 2023): 32–40. http://dx.doi.org/10.18287/2782-2966-2023-3-1-32-40.

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The article deals with the artistic functions of local spatial models in the Russian satirical and humorous prose of the 20th century. It gives an idea of the typology of comic evaluation objects (character, situation, event, space). Particular attention is paid to the city as a multidimensional cultural text, as a universal metaphor for the state world order. The work reveals a contradiction between the real scale of the county town and the ridiculously grandiose ambitions of its inhabitants. The article discusses the semantics of the province objective world in the satirical and humorous prose, the semantic content of distinguishing between one's own and another's. In this respect, the satirists and comedians development of the humorous specific technique is essential (the motives of rumor, the introduction of imaginary figures, playing with scales, elements of mystification).

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Marcenaro, Simone. "«Filologia e cultura epica: il caso dei trobadores»." Revista de Literatura Medieval 30 (December 31, 2018): 13–28. http://dx.doi.org/10.37536/rpm.2018.30.0.74043.

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Resumen: Alcune cantigas de escarnio e maldizer del trovatore galego-portoghese Fernan Soarez de Quinhones alludono, in forma parodica e burlesca, alla letteratura epica, sia attraverso l’uso di forme e stilemi propri del genere, sia attraverso una rete di rimandi intertestuali. L’analisi e lo studio dei possibili intertesti utilizzati dal trovatore per le sue canzoni satiriche possono dirci qualcosa di più in merito alla cultura letteraria del circolo di autori che si riunirono alla corte del futuro Alfonso X, ancora infante, nel quarto decennio del xiii secolo; allo stesso tempo, sarà possibile fornire dati utili sull’influsso dell’epica antico-francese nell’Iberia medievale.Parole-chiave: Trovatori galego-portoghesi, cantigas de escarnio e maldizer, Chanson de geste, Alfonso X di Castiglia.Abstract: Some cantigas de escarnio e maldizer by the Galician-Portu- guese Troubadour Fernan Soarez de Quinhones hint at epic Literature in a parodic and satirical manner, through the use of forms and style of the epic genre but also thanks to a deep network of intertextual relationships. The study and analysis of the possible sources used by the author in his satirical poems can tell us something more about the literary culture of the Trouba- dours gathered at the court of the infante Alfonso, in the fourth decade of the 13th century; at the same time, it will be possible to provide useful data on the influence of Old French epic poetry in medieval Iberia.Keywords: Galician-Portuguese Troubadours, cantigas de escarnio e maldizer, Chanson de geste, Alfonso X of Castile.

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Budge, Katy. ": Assault on Society: Satirical Literature to Film . Donald W. McCaffrey." Film Quarterly 46, no. 4 (July 1993): 27–28. http://dx.doi.org/10.1525/fq.1993.46.4.04a00050.

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Kavanagh, R. J., and Kathy Brzovic. "Bonaventura's 'Nachtwachen': A Satirical Novel." Modern Language Review 87, no. 1 (January 1992): 255. http://dx.doi.org/10.2307/3732409.

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Zakharova, Olga. "“Iskra” Versus “Vremya”: Controversy Over “Soil”." Неизвестный Достоевский 10, no. 3 (October 2023): 89–109. http://dx.doi.org/10.15393/j10.art.2023.6802.

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“Soil” (“pochva”) as a metaphorical name for the political and literary direction of the “Vremya” (“Time”) and “Epokha” (“Epoch”) journals was the subject of newspaper and journal polemics in many periodicals in the 1860s, including the satirical and humorous press. One of the implacable opponents of the Dostoevsky brothers' magazines was the weekly “Iskra“ (“Spark”) (1859–1873), whose publications are considered in this study. In the fight against opponents, the authors of “Iskra” used the possibilities offered by satirical genres: they published caricatures, cartoons, parodies, satires, pamphlets, feuilletons, jokes on literary topics, fantastic scenes and dramatic fantasies. A feature of the controversy was the sharp criticism of the political and literary program of the Dostoevsky brothers’ magazines and their direction. The periodicals' hostility was mutual. F. M. Dostoevsky called Iskra “Firebrand” on two occasions and created a negative image of an employee of the satirical magazine in the story “A Bad Joke.” In response to criticism, the Dostoevsky brothers calmly explained the “soil” ideas, notions and concepts of their journals.

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Ormonova, Sabira. "FORMATION OF THE SATIRE GENRE IN THE WORLD LITERATURE." Alatoo Academic Studies 2020, no. 3 (September 30, 2020): 262–68. http://dx.doi.org/10.17015/aas.2020.203.31.

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In this article, the author provides an overview of the origin of the genre of satire and humor in literature. Satire as a lyric-epic genre which was originated in the literature of Ancient Rome. In ancient Greek literature, the origin of satire dates back to the II- millennium BC. The development of satire in the Middle Ages continued in the literature of the countries of the East and Europe. In the literature of Western Europe during the Middle Ages, satirical elements can be found in the songs of the Vagant folk poets. 16-17th centuries satirical elements acquire a prosaic and open poetic journalistic nature and are widely disseminated in the writings of writers, working in the directions of romanticism, realism and modernism. In 17-18 centuries in England confrontation between two political parties - Tories and Whigs contributed to the development of the satire genre. 19th century magazine satire tends to feuilleton and contributes to the widespread use of satire in novels and dramas. XX century in the development of Russian satire, the release of magazines plays an important role "Satyricon" (1908-1914), "New Satyricon" (1913-1918).

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Alekseeva, Elizaveta M. "«Кисть художника из взбаламученной грязи…»: о карикатурных романах А. М. Волкова." Studies in Theory of Literary Plot and Narratology 3 (2023): 38–71. http://dx.doi.org/10.25205/2713-3133-2023-3-38-71.

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The article deals with A. M. Volkov’s satirical and polemical reception of the plots of I. S. Turgenev’s novels “Fathers and Children” and “Smoke”. The caricature cycles of the weekly Iskra demonstrate the process of decanonisation of literature and the development of alternative paths in the literature of the second half of the 19th century (as A. Vasilenko and A. Koslov wrote about this process). Volkov’s parodies not only discredit antinihilistic prose, but also discover anecdotal potential in the source texts. The appendix includes the caricature cycle “Fathers and Children” and “Smoke. Intermezzo”, which together provide an insight into the reputation of Turgenev, his prose and cultural phenomenon as an antinihilistic novel in democratic circles of satirical journalism.

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MUZYCHENKO, A. S. "British satirical tradition in P.H. Johnson's novel “The Unspeakable Skipton”: continuity and individuality." Culture and Safety 2 (2023): 53–61. http://dx.doi.org/10.25257/kb.2023.2.53-61.

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This article is devoted to the question of the continuity of the satirical tradition of British prose writers of the 19th and 20th centuries. A comparative analysis of samples of satirical novels by individual classics of British literature (Samuel Butler, George Meredith, and Aldous Huxley) is given. A parallel is drawn between the works of Aldous Huxley and Pamela Hansford Johnson, similarities are noted in the formulation of the problem (the relationship between the artist and society), in the images of the main characters. The key point is the analysis of the features of satire by P.H. Johnson on the example of the novel "The Unspeakable Skipton". An assessment of the writer's contribution to English literature is given.

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Ritter, Richard de. "The Feast of the Fishes: Satire, Slavery and Romantic-Period Children’s Literature." Romanticism 28, no. 3 (October 2022): 256–66. http://dx.doi.org/10.3366/rom.2022.0566.

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The pseudonymously authored The Feast of the Fishes (1808) is one of several ‘papillonades’ published for children in the early nineteenth century. Like other papillonades, this short poem depicts anthropomorphic animals in order to offer a satirical perspective on the conventions of polite society. The poem’s playful mock-heroic tone is, however, undermined by its depiction of a shark in pursuit of a slave ship. The image of sharks following slave ships was a potent symbol in abolitionist discourse, but its appearance within this comedic context makes its intended impact difficult to discern. In what spirit is this disturbing image offered? How are readers to make sense of the scarcely veiled horror of what is being depicted both verbally and visually? Addressing these questions, this article reassesses the generic identity of children’s literature and its relationship to the satirical and political discourse of the Romantic period.

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Yazdani, Saeed, and Mohammadreza Shahbazi. "LITERATURE OF PROTEST: JACK LONDON’S THE IRON HEEL, A SATIRICAL PERSPECTIVE." IJASOS- International E-journal of Advances in Social Sciences 1, no. 3 (2015): 353. http://dx.doi.org/10.18769/ijasos.44251.

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Nugraha, Danang Satria. "ON SATIRICAL COMMENTS: POLITICAL HUMOR OF INDONESIANS DEPICTED IN INSTAGRAM POSTS." International Journal of Humanity Studies (IJHS) 7, no. 2 (March 25, 2024): 215–29. http://dx.doi.org/10.24071/ijhs.v7i2.6776.

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This study explores the phenomenon of political humor within Indonesian society, focusing specifically on the expression of satirical comments through Instagram posts. Employing critical discourse analysis as the methodological framework, the study examines how Indonesian users utilize humor to comment on political events, figures, and ideologies in the digital realm. By analyzing a selected sample of Instagram posts, the study aims to shed light on the linguistic and discursive strategies employed by users to construct satirical commentary and investigate the underlying socio-political implications of such discourse. The study findings highlight the significance of satirical comments in shaping public opinion and fostering political dialogue within Indonesian society. It uncovers Instagram users' diverse strategies to express their discontent, promote alternative perspectives, and foster critical thinking through humor. The study identifies recurring themes, targets, and stylistic patterns in satirical comments, offering valuable insights into contemporary Indonesia's political discourse and collective sentiment. This study contributes to the existing literature on critical discourse analysis. It provides an in-depth analysis of the unique ways Indonesians engage in political satire through Instagram, elucidating the intricate relationship between language, humor, and political critique.

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Dowling, Tessa. "Satirical strategies in Xhosa under apartheid." South African Journal of African Languages 17, no. 2 (January 1997): 35–49. http://dx.doi.org/10.1080/02572117.1997.10587160.

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Tootalian, Jacob. "“To Corrupt a Man in the Midst of a Verse”: Ben Jonson and the Prose of the World." Ben Jonson Journal 24, no. 1 (May 2017): 46–72. http://dx.doi.org/10.3366/bjj.2017.0179.

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Ben Jonson's early plays show a marked interest in prose as a counterpoint to the blank verse norm of the Renaissance stage. This essay presents a digital analysis of Jonson's early mixed-mode plays and his two later full-prose comedies. It examines this selection of the Jonsonian corpus using DocuScope, a piece of software that catalogs sentence-level features of texts according to a series of rhetorical categories, highlighting the distinctive linguistic patterns associated with Jonson's verse and prose. Verse tends to employ abstract, morally and emotionally charged language, while prose is more often characterized by expressions that are socially explicit, interrogative, and interactive. In the satirical economy of these plays, Jonson's characters usually adopt verse when they articulate censorious judgements, descending into prose when they wade into the intractable banter of the vicious world. Surprisingly, the prosaic signature that Jonson fashioned in his earlier drama persisted in the two later full-prose comedies. The essay presents readings of Every Man Out of his Humour and Bartholomew Fair, illustrating how the tension between verse and prose that motivated the satirical dynamics of the mixed-mode plays was released in the full-prose comedies. Jonson's final experiments with theatrical prose dramatize the exhaustion of the satirical impulse by submerging his characters almost entirely in the prosaic world of interactive engagement.

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DEHQAN, MUSTAFA. "Zîn-ə Hördemîr: A Lekî Satirical Verse from Lekistan." Journal of the Royal Asiatic Society 18, no. 3 (July 2008): 295–309. http://dx.doi.org/10.1017/s1356186308008523.

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With the exception of a minor mention, which Sharaf Khān (b.1543) made in theSharafnāma, the first information about the most southern group of Kurdish tribes in Iranian Kurdistan, the Lek, first became available to modern readers inBustān al-Sīyāḥa, a geographical and historical Persian text by Shīrwānī (1773–1832). These hitherto unknown Lek communities, were probably settled in north-western and northern Luristan, known as Lekistan, by order of Shāh ‘Abbās, who wished in this way to create some support for Ḥusayn Khān, thewālīof Luristan. Many of the centres of Lekî intellectual life in the late Afshārīd and early Zand period, which is also of much importance in that the Zand dynasty arose from it, are located in this geographical area. One has only to call to mind the names of such places as Alishtar (Silsila), Kūhdasht, Khāwa, Nūr Ābād, Uthmānwand and Jalālwand in the most southern districts of Kirmānshāh, and also the Lek tribes of eastern Īlām. The very mention of these cities and villages already sets in motion in one's imagination the parade of Twelver Shiites, Ahl-i Haqq heretics, and non-religious oral literary councils which constitutes the history of Lekî new era. But unfortunately little of this is known in the West and Lekî literature remains one of the neglected subjects of literary and linguistic Kurdish studies. This important oral literature and also some written manuscripts are unpublished and untranslated into western languages. The subject of this article is the translation ofZîn-ə Hördemîr, as an example of a genre of Lekî written literature which also provides linguistic data for the Lekî dialect of southern Kurdish.

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Dean, Sharon L., and Jonathan A. Cook. "Satirical Apocalypse: An Anatomy of Melville's "The Confidence-Man."." American Literature 69, no. 1 (March 1997): 216. http://dx.doi.org/10.2307/2928181.

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Ormonova, Sabira. "THE HISTORY OF THE DEVELOPMENT OF THE GENRE OF SATIRE IN KYRGYZ LITERATURE." Alatoo Academic Studies 20, no. 4 (December 30, 2020): 270–77. http://dx.doi.org/10.17015/aas.2020.204.32.

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This article examines the history of the origin of Kyrgyz satire, the beginning and the emergence of satire in oral folk art, and development trends of Kyrgyz satire during the Soviet period. The origins of the history of the birth of Kyrgyz satire lie in the inexhaustible folk oral creativity. Due to the fact that satire by its nature is closely related to mentality, everyday life of the people and focuses on the character, behavior of a person, its examples can be considered in the proverbs, fables, stories of Apendi, Zhaerenche Chechen, Akyl Karachach, stories of the people's humorists and many others. Also, in the trilogy "Manas" and in such small epics as "Er Toshtuk", "Zhanyl Myrza" and in a lot of satirical ridicule. Satirical elements at the end of XIX-th at the beginning of the XX-th centuries developed in the work of akyns-improvisers, in professional literature - in the works of M. Elebaev, A. Tokombaev, K. Malikov, J. Bokonbaeva, later R. Shukurbekov, M. Alybaeva, B. Sarnoeva, E. Ibraeva, J. Ryspaeva and others. In general, Kyrgyz satire, like world satire, has recently been developing into traditional and new format, innovative in nature.

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Budge, Katy. "Review: Assault on Society: Satirical Literature to Film by Donald W. McCaffrey." Film Quarterly 46, no. 4 (1993): 27–28. http://dx.doi.org/10.2307/1213144.

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Tiapkina, N., and M. Sarapii. "САТИРИЧНО-ГУМОРИСТИЧНІ ТЕКСТИ УКРАЇНСЬКОЇ БЛОГОСФЕРИ ЯК ІНСТРУМЕНТ ВІДТВОРЕННЯ ДІЙСНОСТІ." State and Regions. Series: Social Communications, no. 4(48) (February 2, 2022): 62. http://dx.doi.org/10.32840/cpu2219-8741/2021.4(48).9.

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The purpose of the study is to characterize satirical and humorous texts of the Ukrainian blogosphere as a tool for representation of reality and manifestation of citizen journalism.Research methodology. To study the blogosphere a set of methods was used: method of analysis and synthesis, systematization of data and data interpretation. A revision of the literature on the creation of satirical and humorous effect in the blogosphere was made, it was considered scientific publications about blogs, their place in the public information space and their usage as a tool for representation reality. Content on YouTube was used for the analysis, in particular, channels that present satirical and humorous texts of the national segment on the analyzed platform. An online poll was conducted in order to identify popular blogs. The interpretative method demonstrated the dependence of satirical and humorous texts about social issues on the current political situation in the country and the author’s subjective assessment of the occurring events.Results. Based on the analysis of the scientific literature, the characteristics of the blog as an image of reality and a means of reality representation are highlighted. Popular satirical and humorous blogs are outlined, their functions and ways of creating a comic effect are characterized and justificated. The blogosphere in the media system is a powerful element of communication and an instrument of conveying information. Through the wide involvement of recipients blogosphere creates stereotypes, instructions, prejudices in society, as well as reduces or increases social tension. Satirical and humorous texts are important channel for transferring information from the author to the audience and at the same time a means of communication between the recipients themselves. Bloggers are able to involve the audience in communication, as well as to make informational, emotional impact through their texts. Therefore, it is necessary to understand the crucial importance of the blogosphere for consumers of content, including satirical and humorous. The study identified the dominant functions of popular satirical and humorous blogs by Alexei Durnev, BAMPER TV, Michael Schur Toronto Television on YouTube video hosting and outlined the actual component of the analyzed texts.Practical significance. The results of the study can be used in the process of working on courses in «Journalism» in the study of applied social and communication technologies; formation of competencies related to the creation of effective texts in social media, as well as media practices for understanding the tools of reality representation in the modern information space.Key words: blog, blogosphere, satirical and humorous text, reality, citizen journalism.

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Borbuchalova, Baktygul. "THE MAIN ELEMENTS OF FOLK SATIRE IN ORAL CREATIVITY." Alatoo Academic Studies 23, no. 3 (September 30, 2023): 236–48. http://dx.doi.org/10.17015/aas.2023.233.25.

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Having a separate place in the public consciousness (according to the critical point of view), satirical or humorous artistic thinking, which manages to approach literary creativity from a different angle, acquires a specific form as a work of art, and the personal creativity of a poet or writer is of great importance. Of course, when a creative person expresses his attitude to funny events, he does not intend to write in only one genre, but at the same time he is engaged in a wide genre range in order to make the thought satirical or humorous, and tries to place his own content from it. Typing genres, based on a known research problem, should generalize and draw a conclusion. Since 1957, satirical magazines have become more active, which, along with operational reviews, began to publish purposefully readable small satirical works, accompanied by funny words. Since it was impossible to raise the prestige of a magazine that was limited to criticism in all cases, poets and writers who turned to this genre were obliged to write original works that would cheer up the people using various genres of satire and humor. The fact that the authors, who began to gain fame in their chosen direction, found their place in Kyrgyz literature and began to be discussed in different conditions, also revealed the need to study this issue in literary science.

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Kochetkova, N. D. "N. I. Novikov’s Literary Priorities." Russkaya literatura 2 (2020): 19–24. http://dx.doi.org/10.31860/0131-6095-2020-2-19-24.

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The article examines N. I. Novikov’s testimonials regarding the most prominent Russian writers of his time. In his satirical journals of 1769–1773, he spoke with particular praise about the works of A. P. Sumarokov, giving him obvious preference over M. V. Lomonosov. V. P. Petrov, proclaimed «the second Lomonosov», would often become the subject of his satirical attacks. Later, the critic condemned certain «depraved opinions» by Sumarokov, yet continued to hold in high esteem his literary talent. At the same time, Novikov conducted a continuous polemics with Catherine II’s magazine Vsiakaia Vsiachina, where V. K. Trediakovsky, whose merits Novikov greatly appreciated, was often ridiculed. His historical studies helped him to grasp the general course of development of Russian culture, and in the journal St. Petersburg Scientifi c Gazette for 1777, he paid tribute to each of the writers.

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Chalmers, Christina. "Free as A Bird: Nature as Freedom and Interval in Karl Marx’s Capital." Diacritics 50, no. 3 (2022): 82–119. http://dx.doi.org/10.1353/dia.2022.a908409.

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Abstract: Marx’s concept of bird-freedom or Vogelfreiheit— drawn from German legal history in which it meant “outlaw status” — describes the situation of free labor as “doubly free”: not enslaved as well as landless. The metaphorical valences of his satirical emphasis on the cynicism of the idea of “free labor” returns in many of Marx’s other satirical reworkings of concepts which refer to the state of nature. This essay looks at two such concepts engaged in explaining the process of “primitive accumulation” in Capital , Volume 1: the notion of the idyll (“idyllic relations” or “idyllic proceedings”) and the notion of outlawry as “bird-freedom.” The essay exemplifies the ways in which both moments constitute “natural-historical images,” in Theodor Adorno’s terms: a concept of hybridity, historical texture, and transition that might add to the scholarship on Marx’s philosophy of nature.

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Mkonto, B. B. "Some satirical narrative devices in Sinxo's works." South African Journal of African Languages 10, no. 1 (January 1990): 18–21. http://dx.doi.org/10.1080/02572117.1990.10586828.

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Bredar, Hannah. "Witty Shrews and Shrewish Wits." Explorations in Renaissance Culture 48, no. 1 (April 11, 2022): 61–89. http://dx.doi.org/10.1163/23526963-04801003.

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Abstract This essay analyzes the devices and methods of satirical discourse as they are presented by Much Ado About Nothing’s Beatrice and The Taming of the Shrew’s Katherine. By exploring shared points of contact in the “flyting” scenes between Katherine, Beatrice, and their respective suitors, I discuss how ironic, critical speech comes to be elevated as satirical wit in one play, even as it is reduced to shrewish complaint in the other. Both readings complicate conventional understandings of these plays as comedy, especially insofar as they undercut the institution associated with the genre’s successful resolution: marriage. Ado’s and Shrew’s engagement in discourses of satire, complaint, and invective offers an opportunity to recognize how these plays figure women and marriage as vehicles for a satirical critique of the period’s comedic and romantic conventions.

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Woll, Josephine, Serhii Bukovsky, Oleksander Koval, Yuri Tereshchenko, and Yuri Tereshchenko. "Vol. 3: Satirical Sketches: Snake Brothers." Russian Review 54, no. 4 (October 1995): 602. http://dx.doi.org/10.2307/131613.

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Debreczeny, Paul, and Cynthia Whittaker. "Alexander Pushkin: Epigrams and Satirical Verse." Russian Review 46, no. 4 (October 1987): 463. http://dx.doi.org/10.2307/130317.

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Diala, Isidore. "Paranoid Messiahs: The Military in Wole Soyinka’s Later Satirical Drama." Études anglaises Vol. 75, no. 2 (July 4, 2022): 226–42. http://dx.doi.org/10.3917/etan.752.0226.

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Zaytseva, T. I., and N. P. Yamaeva. "The comic in Udmurt folklore and artistic literature of the late XIX – early XX centuries." Bulletin of Ugric studies 10, no. 4 (2020): 652–61. http://dx.doi.org/10.30624/2220-4156-2020-10-4-652-661.

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Introduction: the сomic is one of the ways of artistic reflection of reality. It shows the peculiarities of the national worldview at the certain period of history. To generalize the stages of evolution of the comic in literature, to establish causeand- effect relationships of development of genres and forms of the comic, it is necessary to identify its origins. The article development. Objective: to identify the origins and features of formation of comic genres in Udmurt literature in the aspect of continuity of traditions of oral folk art. Research materials: satirical and humorous works of Udmurt folklore and the initial stage of development of national literature. Results and novelty of the research: prerequisites of the comic in Udmurt literature are contained in laughing culture of the people, in rituals and rites that perform a magical function. An important source of the origin of literary comic genres was the genres of oral folk art with a dominant social function. A significant role was also played by the translation and cultural activities of the enlighteners, as well as the influence of older literatures. Based on the genres of oral and poetic creativity (comic, satirical, dance and game songs, fairy tales, fables, madyos, takmak) and taking into account, first of all, the experience of Russian literature, comic works of various genres are created in the Udmurt language. For the first time the article considers poorly studied works of Udmurt comic literature of the late XIX – early XX centuries. These are works of different genres of folklore origins: verses, poems, plays, essays, stories, novellas, feuilletons, parables, fables, madyos, new takmak, pamphlets, «light tales», etc. The educational theme of the first works gradually acquires a social and socio-political meaning complicating the poetics of the comic. Key words: the comic, genre, Udmurt folklore, Udmurt literature, laughter, satire, humor.

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Tałuć, Katarzyna. "Prasa polska okresu dwudziestolecia międzywojennego o turystyce masowej." Góry, Literatura, Kultura 14 (August 18, 2021): 223–38. http://dx.doi.org/10.19195/2084-4107.14.16.

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The author of the article seeks to examine accounts published in selected tourist and satirical magazines in the Second Polish Republic in 1918–1939 and addressed to a wide readership. She has selected titles published in big cities — Warsaw and Kraków — because their big-city nature implied the way in which the subject matter in question was presented. The analysed periodicals are: the Warsaw Turysta (1927–1928) and Wiadomości Turystyczne (1931–1939); the Warsaw-Kraków Turysta w Polsce (1934, 1935–1938) and the satirical magazine Wróble na Dachu published in Kraków and Warsaw in 1930–1939. The author has carried out a qualitative analysis, using the tools of literature and press studies, and has identified journalistic strategies employed to popularise mass tourism in the mountains.

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Haslett, Moyra. "BLUESTOCKING FEMINISM REVISITED: THE SATIRICAL FIGURE OF THE BLUESTOCKING." Women's Writing 17, no. 3 (November 9, 2010): 432–51. http://dx.doi.org/10.1080/09699082.2010.508927.

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Brougher, Valentina G. "Vsevolod Ivanov’s Satirical Novel Y and the Rooster Metaphor." Slavic Review 53, no. 1 (1994): 159–72. http://dx.doi.org/10.2307/2500330.

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It may come as a surprise that the author of the Soviet classic Bronepoezd14-69 (Armored Train 14-69) produced an experimental novel in 1929- 1931, entitled Y, whose satiric spirit, rich texture and philosophical depth suggest a close kinship with such writers as Mikhail Bulgakov and Andrei Platonov. In western criticism, Vsevolod Ivanov has been largely remembered as one of the Serapion Brothers, whose Partizanskie povesti (partisan tales) and short stories (“Dite” [“The Child“] being the best known example) about the civil war in Siberia and central Asia were written in a highly individualistic ornamental style and responded to the call for immediacy and relevance in literature.

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Irwin, Catherine. "Dispossession and the 1970s Trans-Genre: A Reading of Judy Grahn’s “The Psychoanalysis of Edward the Dyke”." Contemporary Women's Writing 13, no. 1 (March 2019): 70–88. http://dx.doi.org/10.1093/cww/vpz010.

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Abstract While Judy Grahn’s 1978 prose poem “The Psychoanalysis of Edward the Dyke” has been examined through a cisgendered lesbian feminist lens, this essay argues that Grahn’s poem is more productively interpreted as a satirical trans-genre that critiques not just the clinical treatment of lesbians, but the clinical treatment of trans persons as well. Through a close reading, this essay analyzes the various social and medical encounters in “Edward the Dyke” to address how transphobic and homophobic discourses of this historical period are parodied and used as satirical elements to critique the clinical establishment. A reading of Grahn’s work as trans-genre contributes to a body of work that illustrates the dispossession of both gender variant lesbians and trans subjectivities and the historical intersections of non-normative genders and sexualities in literature.

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MAHFOUZ, SAFI MAHMOUD. "Carnivalesque Homoeroticism in Medieval Decadent Cairo: Ibn Dāniyāl'sThe Love-Stricken One and the Lost One Who Inspires Passion." Theatre Research International 40, no. 2 (June 2, 2015): 186–200. http://dx.doi.org/10.1017/s030788331500005x.

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This study explores the theme of carnivalesque homoeroticism in medieval decadent Cairo as portrayed by oculist andlittérateurIbn Dāniyāl in his third shadow playThe Love-Stricken One and the Lost One Who Inspires Passion. The playwright's satirical response to Sultan Baybars's campaign against vice in Egypt in the thirteenth century falls within the irreverent burlesque tradition. The article analyses the playwright's carnivalesque and satirical shadow play in light of Bakhtin's theory of carnival. He related the carnivalesque – a burlesque dramatic genre aiming to secretively challenge and sabotage the social and political hierarchy of an autocratic regime through satirical obscenity and rhetoric – to the medieval carnivals and feasts of fools throughout Europe. Bawdy burlesque comedies were intended to provoke hilarious laughter by mockingly satirizing the despotic government's absurd subjugation of its citizens. The study shows how carnivalesque dialogic, long thought to be limited to medieval literature in Europe, found fertile soil in medieval Cairo. Ibn Dāniyāl's trilogyṬayf al-Khayāl, which consists ofThe Shadow Spirit,The Amazing Preacher and the Stranger, andThe Love-Stricken One and the Lost One Who Inspires Passion, can unquestionably be studied in the context of Bakhtin's plebeian popular culture of laughter and the carnivalesque tradition.

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Simons, Patricia, and Monique Kornell. "Annibal Caro's After-Dinner Speech (1536) and the Question of Titian as Vesalius's Illustrator*." Renaissance Quarterly 61, no. 4 (2008): 1069–97. http://dx.doi.org/10.1353/ren.0.0297.

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Putative textual proof for Titian's central involvement in producing illustrations for Vesalius's anatomy book De fabrica (1543) requires reexamination. On the basis of orthographic, literary, and historical evidence, a phrase in Annibal Caro's after-dinner speech, here dated to 1536, is shown instead to refer ironically to a surgeon's notorious execution in 1517. Anatomia was a word in the satirical as well as the medical lexicon. It is important to understand the satirical tone of Caro's speech about a priapic statuette. Delivered during Carnival to the Roman Academy of Virtue, the speech respects neither antiquities nor artists like Michelangelo in its obscene humor.

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Mohammed Alhaj, Ali Albashir, and Majda Babiker Ahmed Abdelkarim. "Pragmalinguistic Problems Encountered in Rendering some Qur’ānic Satirical Expressions into English, with Special Reference to Surrat Al-Masad: A Comparative Study." International Journal of Applied Linguistics and English Literature 11, no. 1 (January 31, 2022): 71–77. http://dx.doi.org/10.7575/aiac.ijalel.v.11n.1p.71.

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The present study aims at investigating pragmalinguistic problems encountered in rendering Qur’ānic satirical expressions into English, with special reference to Surrat Al-Masad, that is in English translations of Abdel-Haleem, Khan, and Mohammed Taj Al-Din Al-Hilai and Pickthall. Also, the study aims at exploring how the three translators deal with these problems and constraints in their renderings. The three renditions of Qur’ānic satirical expressions from Surrat Al-Masad were purposively selected and analyzed. Various pragmalinguistic problems and pragmatics losses in the three translations explored by the two researchers were found. The study reveals that there are some pragmalinguistic problems in the translation of the meaning of Qur’ānic satirical expressions into English in Surrat Al-Masad rendered by Abdel-Haleem, Khan and Mohammed Taj Al-Din Al-Hilai and Pickthall. Moreover, the types of pragmalinguistic and pragmatics losses problems are attributed to lack of knowledge of contexts for example context of situation by some translators such as Pickthall. The study also aims at identifying the translation strategies adopted by the three translators in rendering Qur’ānic satirical expressions into English, in Surrat Al-Masad. The study also recommends that translators of the Holy Quran must adopt footnotes, transliteration, and other translation strategies to avoid a probable pragmatic loss and semantic loss of the intended meaning of the Holy Quran in general and rhetorical tropes such as satire in particular.

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Semina, A. I. "Satirical Qit’as in Turkish Medieval Literature (With Reference to 15th–18th Centuries Divans)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 18, no. 3 (154) (2016): 170–78. http://dx.doi.org/10.15826/izv2.2016.18.3.051.

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Journal articles on the topic 'Satirical literature'

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