Relevant bibliographies by topics / Satyavatī (Character)

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Academic literature on the topic 'Satyavatī (Character)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Satyavatī (Character)"

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T, Akshaya, and S. Ramya Niranjani. "Kavita Kané’s The Fisher Queen’s Dynasty Through the Lens of Victor E Frankl’s Logotherapy." Theory and Practice in Language Studies 15, no. 5 (2025): 1667–71. https://doi.org/10.17507/tpls.1505.31.

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The quest to unravel the purpose of existence has been captivating human minds for centuries now. Philosophical, scientific, religious, and metaphysical conjectures have all been abundant in the historical discourse on the purpose of life. As for the solution to these questions, various people and cultures have different ideas. The neurologist and psychiatrist Victor Frankl developed a theory that deals with existentialism titled, "Logotherapy", which focuses on the meaning of human existence and man's search for such a meaning. Kavita Kané is an Indian author known for her novels that survey
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Aishwarya, S. "Denial of Selfhood in Kavita Kane’s select novels." INTERNATIONAL JOURNAL OF EARLY CHILDHOOD SPECIAL EDUCATION 16, no. 1 (2024): 151–55. http://dx.doi.org/10.48047/intjecse/v16i1.17.

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This paper throws light on the denial of one’s own right based on patriarchal impositions levied on women of all ages. Even epic heroines have been voiceless because of the social conventions set by the male dominated society. The prolific writer Kavita Kane has skillfully portrayed the intricate details of the Indian Epics The Ramayana and The Mahabharata by retelling the story from perspectives of unvoiced characters like Urmila, Menaka, Surpanaka and Satyavati.
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Kumari, Shail, and Zeeshan Ali. "The Journey of Emotional Resilience: A Sociopsychological Perspective on Satyavathi in Utkarsh Patel's Novel." International Journal of Religion 5, no. 11 (2024): 5818–26. http://dx.doi.org/10.61707/bs2qtb66.

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Emotions play a profound role in shaping human experiences, influencing personal growth, and fostering resilience in challenging circumstances. This research explores into Utkarsh Patel's novel "Satyavathi," focusing on the central character, Satyavathi, and her transformative journey of emotional resilience. By adopting a socio-psychological lens, the study aims to unravel the complex interplay between social factors and individual psychological processes in Satyavathi's life. The research explores Satyavathi's emotional struggles as she navigates through life, uncovering the sources of resil
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S, Abhirami, and Smrutisikta Mishra. "(Re)Visiting the Traumatised Indian Matriarch Through Contemporary Retellings: A Psycho-Cultural Exploration." IAFOR Journal of Arts & Humanities 10, no. 1 (2023): 157–69. http://dx.doi.org/10.22492/ijah.10.1.12.

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The Mahabharata (composed in Sanskrit sometime between 400 BC and 400 AD), is one of the two major Sanskrit epics of ancient India. It has been used as a source of inspiration for various literary, artistic, and cultural expressions, and its themes and characters have been reinterpreted to reflect contemporary political and social concerns. This has led to the creation of new interpretations and revisions of the epic, which have challenged traditional narratives and added new perspectives to the epic’s cultural significance. Focusing on Kavita Kané ‘s The Fisher Queen’s Dynasty, the paper sugg
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Khangai, Ravi. "Patriarchy and Virginity Myth in the Mahābhārata." Indian Historical Review 48, no. 2 (2021): 233–50. http://dx.doi.org/10.1177/03769836211052099.

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Scriptures are often used to make patriarchal control sacrosanct over women’s bodies. A stereotypical monogamous woman is generally idealised by patriarchy; Polyandrous Draupadī in the Mahābhārata, however, stands sharply in contrast and the epic struggles to legitimise it by different myths to soothe the moral discomfort. Principal women characters of the epic like Draupadī, Kuntī and Satyavatī having more than one man in their life suggest that during the early stages of development of the epic, the values that governed man–women relations were not as rigid as they became later. During the g
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Anila A. Pillai. "Framing the Inner Stature of the (S)heroes: Madhvi, Satyavati, Kunti." Creative Saplings 2, no. 05 (2023): 21–36. http://dx.doi.org/10.56062/gtrs.2023.2.05.360.

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The essence of the modernistic awareness is located amply in the literature of the Indian universal mythical theme. Erudition of ancient texts like Ramayana and Mahabharata, not only is a source of popular culture but also detects concerns related to individuality and authority that have taken over subaltern probing. Patriarchic misogyny claims are elated while the paper attempts to look forward as Lisa Tuttle in her book The Encyclopedia of Feminism urges to look into “new questions for old texts,” prods over the role of women who are commonly considered as the weaker sex and submissive ones.
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Rathod, Jasvant V. "Examining Caste Consciousness in Kavita Kane’s Karna’s Wife and Fisher Queen’s Dynasty." Shanlax International Journal of English 11, no. 1 (2022): 68–73. http://dx.doi.org/10.34293/english.v11i1.5314.

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Use of mythological tales for creating revisionist literature is contemporary approach of the modern Indian writers. Some famous works of literature, based on mythology are written by writers like Devdutt Pattanaik, Amish Tripathi, Chitra Banerjee Divakaruni, Volga, Kevin Missal, SarathKomarraju and Krishna Udayashankar. These writers try to reinterpret mythological characters like Shiva, Rama, Draupadi, Amba, Krishna etc. Kavita Kane is one of the popular woman writers of India who renders Indian mythological texts and writes novels. Her ficitons are known for portrayals of the mythical chara
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8

Gohil, Namrata. "‘Research Prospects in the peripheral view of Kartika Nair’s epic Retelling ‘Until the Lions’- Echoes from the Mahabharata’." Vidhyayana 9, si1 (2023): 38–48. http://dx.doi.org/10.58213/vidhyayana.v9isi1.1579.

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Indian culture is based on two epics; The Ramayana and The Mahabharata. Every Hindu knows about these two epics, other religion people too. There is not any Hindu house which does not know and follow the rituals which are discussed in these two epics. The present generation takes interest to read Retellings of Indian myths which are written by the contemporary Indian English Writers. Indian women like to read Retellings of myths which are written by Indian women writers. Its reason is that it gives voice to marginalized women of the Indian myths. Females compare their unspeakable voice with th
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Kumari, Shail, and Zeeshan Ali. "Reimagining Mythology Through “Feminist Lenses”: A Critical Analysis of Utkarsh Patel's Narrative Techniques." Journal of Posthumanism 5, no. 4 (2025). https://doi.org/10.63332/joph.v5i4.1188.

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While mythology is a set of folk tales steeped in man-made perceptions that have always identified it as male-dominated throughout time, ancient mythologies did stand upon patriarchal frameworks and celebrated masculinity by relegating their female leads to passivism, submission, or plain victimhood. The reason is that old stories have constructed the genre as a completely male-occupied world in the realm of mythology; their more modern remakes began upending convention and a story, at long last, going beyond its archetypal vision of men only as perpetrators or saviours. Instead, they represen
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Brodbeck, Simon. "Holst’s Savitri Libretto." Religions of South Asia 16, no. 2-3 (2022). http://dx.doi.org/10.1558/rosa.24408.

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This article focuses on the libretto (the words) of Gustav Holst’s one-act opera Savitri (opus 25, 1908), which is based on a story told in the Mahabharata. The article introduces Holst’s Savitri project biographically in the context of his love of India. It explores the question of what sources Holst used in preparing his libretto. It discusses Holst’s main departures from his source text(s): his removal of the framing story, his featuring of the character Satyavan, and his introduction of the topic of maya. Historical reasons for Holst’s interest in maya are briefly explored. Finally, the ar
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Books on the topic "Satyavatī (Character)"

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Girls of the Mahabharata 1: The One Who Swam with the Fish. HarperCollins, 2017.

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Book chapters on the topic "Satyavatī (Character)"

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Ghosh, Jayatri. "Satyavatī The Matriarch of the Mahābhāratian." In Faces of the Feminine in Ancient, Medieval, and Modern India. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195122299.003.0003.

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Abstract The Mahābhāratian is, in a sense, a poetic narration of India’s history or, as mythography, perhaps something greater; as the noted nineteenth century scholar Ramendra Sundar Trivedi said, “The history narrated in the Mahābhāratian is the history of humankind,” a judgment repeated by Vyasa in Peter Brook’s The Mahābhāratian. That this most universal of epics describes, analyzes, ponders, and judges every imaginable human experience, both private and public, is a commonplace of Indian cultural history. Less common is the perception that, in pursuing its central moral enquiry into the n
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