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Journal articles on the topic 'Satyo'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

De Paula, Ronaldo Rodrigues. "Stative Morpheme In Shimakonde, An Anticausative Morpheme?" Revista Diadorim 19 (October 30, 2017): 343–76. http://dx.doi.org/10.35520/diadorim.2017.v19n0a13610.

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Tis paper aims to describe the syntax of the constructions that present the verbal extensions {-ik-} and {-uk-} and their allomorphs in Shimakonde, a Bantu language classifed as P23 in the Guthrie classifcation (GUTHRIE 1967-71). Tis language is spoken in the northern regions of Mozambique and Tanzania. Tese verbal extensions are reported in literature under the labels of stative, impositive, pseudo-passive, neuter, and quasi-passive (DOKE, 1947; SATYO, 1985; MCHOMBO, 1993; DUBINSKY SIMANGO, 1996; BENTLEY KULEMEKA, 2001; LIPHOLA, 2001; NGUNGA, 2004; KHUMALO, 2009; LEACH, 2010; LANGA, 2013). Te

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2

Sato, Gordon. "A Divergent View on the Significance of Tissue Culture — A Speculative Essay." BioProcessing Journal 5, no. 1 (2006): 15–16. http://dx.doi.org/10.12665/j51.sato.

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3

Ruffell, Ian. "SATYR PLAYS." Classical Review 53, no. 2 (2003): 288–90. http://dx.doi.org/10.1093/cr/53.2.288.

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4

Wright, J. C. "Ṛgvedic satyá". Bulletin of the School of Oriental and African Studies 61, № 3 (1998): 519–26. http://dx.doi.org/10.1017/s0041977x00019327.

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That Sanskrit satyá (Avestan haiθiia) derives from sánt is by no means so certain as Georges-Jean Pinault has recently claimed, and as the standard etymological dictionary (both KEWA, III, and EWA, I) maintains. The picture has altered since (as noted already in KEWA) Elmar Seebold finally disposed of the existence of a Germanic *sun∂jaz, which had seemed to correspond in form as well as meaning with Sanskrit satyá ‘true’. Gothic sunja ‘truth’ (>*sun∂ī: Seebold, art. cit., 25, 36) offers no support for the notion of a -ya derivative from the participle. At the same time, Karl Hoffmann had s

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5

Petrides, Antonis K. "Satyr Drama." Classical Review 55, no. 1 (2005): 38–41. http://dx.doi.org/10.1093/clrevj/bni024.

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6

Zhang, Dan, Madelon Hulsebos, Yoshihiko Suhara, Çağatay Demiralp, Jinfeng Li, and Wang-Chiew Tan. "Sato." Proceedings of the VLDB Endowment 13, no. 12 (2020): 1835–48. http://dx.doi.org/10.14778/3407790.3407793.

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7

KERNAN. "The Kindly Satyr." Princeton University Library Chronicle 47, no. 2 (1986): 152. http://dx.doi.org/10.2307/26404272.

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8

Collard, Christopher. "Euripides’ Satyr Plays." Classical Review 55, no. 2 (2005): 416–17. http://dx.doi.org/10.1093/clrevj/bni231.

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9

Davies, E. W. Geoffrey. "Satya Bhushan Kapur." BMJ 336, no. 7655 (2008): 1255.3–1255. http://dx.doi.org/10.1136/bmj.a148.

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10

Raimondi, Anthony J. "Osamu Sato." Child's Nervous System 6, no. 5 (1990): 239–40. http://dx.doi.org/10.1007/bf00307655.

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11

Reynolds, Noel B. "Features of Greek Satyr Play as a Guide to Interpretation for Plato’s Republic." Polis: The Journal for Ancient Greek Political Thought 29, no. 2 (2012): 234–58. http://dx.doi.org/10.1163/20512996-90000205.

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The paper borrows from recent work by classicists on satyr play and demonstrates significant parallels between Plato’s Republic and the structure, theme and stereotypical contents that characterize this newly studied genre of ancient Greek drama. Like satyr play, the Republic includes repeated passages where metatheatricality can reverse the meaning. The frequent occurrence of all the stereotypical elements of satyr play in Plato’s Republic also suggests to readers that they should be responding to Socrates’ narration as they would to a satyr play, again reversing meaning by communicating a se

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12

Loundo, Dilip. "Considerações sobre a “Doutrina das Duas Verdades” (Saṃvṛti-Satya E Paramārtha-Satya) em Nāgārjuna". Revista de Estudos da Religião (REVER). ISSN 1677-1222 14, № 1 (2014): 94. http://dx.doi.org/10.21724/rever.v14i1.20269.

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Com base em uma leitura exegética e hermenêutica do Mūlamādhyamaka-Kārikā, de Nāgārjuna, o artigo sustenta que os todos os ensinamentos do Buda possuem como característica única o fato de combinar e articular, de forma sui generis, saṃvṛti-satya (verdade convencional) e paramārtha-satya (verdade suprema). Em outras palavras, os ensinamentos do Buda constituem – e, só por isso, se definem enquanto tal - uma reorientação, uma ressignificação, uma “subversão”, uma expansão do sentido originário de saṃvṛti-satya a partir das determinações do nível meta-conceptual de paramārtha-satya. Tal reorienta

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13

Hemamalini, Kadek. "Nilai-Nilai Pendidikan Kesetiaan Devī Sāvitrī Dalam Vāna Parva." Jurnal PASUPATI 5, no. 1 (2018): 28. http://dx.doi.org/10.37428/pspt.v5i1.82.

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This study discusses about the value of teaching the loyalty of Devi Savitri in Vana Parwa. This theme was created based on the phenomenon of the declining value of faithfulness between husband and wife in married life, as they appear in the mass media and real life which are affairs and divorce in marriage. Related to that phenomenon, writer invites people began to improve itself by studying Hindu literature. Which one of them is Devi Savitri's story in the Vana Parva, which can be used as guidance in run a married life. This study tried to explore the value of teaching the loyalty of Devi Sa

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14

Banaszak, Grzegorz, and Kiran Kedlaya. "An algebraic Sato-Tate group and Sato-Tate conjecture." Indiana University Mathematics Journal 64, no. 1 (2015): 245–74. http://dx.doi.org/10.1512/iumj.2015.64.5438.

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15

Castro, Jetur Lima de, and Alessandra Nunes de Oliveira. "A música como fonte representativa de informação: o caso da Fonoteca Satyro de Mello no Centur/ Fcptn." Informação@Profissões 5, no. 1 (2016): 160. http://dx.doi.org/10.5433/2317-4390.2016v5n1p160.

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Introdução: Ao se considerar a música como fonte interpretativa de informação. Objetivo: Discute a importância da música como aspecto representativo na Fonoteca Satyro de Mello e como processo social e informacional. Metodologia: Trata-se de uma pesquisa exploratória de base bibliográfica e documental. Resultados: Apresenta a Fonoteca Satyro de Mello como instrumento de representação cultural e a música como fonte informativa no contexto social do bibliotecário. Conclusões: Finaliza relatando a experiência que o bibliotecário precisa ter para desempenhar seu papel de mediador e agente cultural

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16

Almohanna, Mohammad. "Tragedy and Satyr Play." أوراق کلاسیکیة 11, no. 1 (2012): 1–16. http://dx.doi.org/10.21608/acl.2012.89436.

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17

MAGUCHI, Miyoko. "Satya in the Mundakopanisad." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 53, no. 2 (2005): 929–27. http://dx.doi.org/10.4259/ibk.53.929.

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18

Salter, Mary. "SATRO interactive video project." Electronic Systems News 1989, no. 1 (1989): 39. http://dx.doi.org/10.1049/esn.1989.0019.

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19

Glanville, Mark. "SONG OF A SATYR." Jewish Quarterly 51, no. 4 (2004): 68–69. http://dx.doi.org/10.1080/0449010x.2004.10706885.

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20

Parr, Anthony. "Time and the Satyr." Huntington Library Quarterly 68, no. 3 (2005): 429–65. http://dx.doi.org/10.1525/hlq.2005.68.3.429.

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21

IKEDA, Akiko. "Rai Sanyo and Sake." JOURNAL OF THE BREWING SOCIETY OF JAPAN 108, no. 1 (2013): 32–36. http://dx.doi.org/10.6013/jbrewsocjapan.108.32.

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22

TOUYZ, PAUL. "THE ANCIENT RECEPTION OF AESCHYLEAN SATYR PLAY." Bulletin of the Institute of Classical Studies 62, no. 2 (2019): 97–117. http://dx.doi.org/10.1111/2041-5370.12109.

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Abstract In this article, I first discuss the reception of Aeschylus’ satyr plays in classical drama, the evidence for their reperformance, and their place in ancient criticism and scholarship. In the final section, I analyze the factors that contributed to the positive reputation of Aeschylean satyr play. Although the evidence is often very limited, I attempt to establish a framework for understanding this ancient reception. Here I propose that the importance placed on satyr play in Aeschylus’ reception in antiquity can be viewed as an extension of his image as the father of tragedy, through

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23

COO, LYNDSAY. "SATYRIC NOSTALGIA IN THE AESCHYLEAN TETRALOGY." Bulletin of the Institute of Classical Studies 62, no. 2 (2019): 11–28. http://dx.doi.org/10.1111/2041-5370.12104.

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Abstract This article examines the role of the satyr play in what appears to have been the distinctly Aeschylean form of the thematically connected tetralogy. In all known cases, Aeschylus’ satyr plays move backwards in time, dramatizing episodes that occur either before or within the time frame of their accompanying tragedies. I argue that this chronological dislocation means that the ‘happy endings’ of satyr play must be understood in the light of the events of the preceding trilogy, and can usually be seen as brief interludes of joy within a wider tragic arc. As a result, the satyr play, in

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24

SAGA, Kenji. "Dr. Kenzo Sato." Nishi Nihon Hifuka 62, no. 4 (2000): 549–50. http://dx.doi.org/10.2336/nishinihonhifu.62.549.

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25

Kenjiro, Suzuki. "Professor Takashi Sato." International Journal of Heat and Mass Transfer 30, no. 2 (1987): ii. http://dx.doi.org/10.1016/0017-9310(87)90106-2.

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26

AHMED, E., A. S. HEGAZI, and A. S. ELGAZZAR. "SATO–CRUTCHFIELD FORMULATION FOR SOME EVOLUTIONARY GAMES." International Journal of Modern Physics C 14, no. 07 (2003): 963–71. http://dx.doi.org/10.1142/s0129183103005091.

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The Sato–Crutchfield equations are analytically and numerically studied. The Sato–Crutchfield formulation corresponds to losing memory. Then the Sato–Crutchfield formulation is applied for some different types of games including hawk–dove, prisoner's dilemma and the battle of the sexes games. The Sato–Crutchfield formulation is found not to affect the evolutionarily stable strategy of the ordinary games. But choosing a strategy becomes purely random, independent of the previous experiences, initial conditions, and the rules of the game itself. The Sato–Crutchfield formulation for the prisoner'

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27

Kencana, Putri Nilam, Iis Noviyanti, Baliyah Munadjat, Windy Gustia Wardani, and Uswatun Chasanah. "PELATIHAN MANAJEMEN PENINGKATAN PRODUKTIVITAS REMAJA DI MASA PANDEMI COVID 19 PADA PKBM INSAN SATYA GUNA (PKBM INTAN)." Jurnal Abdimas Tri Dharma Manajemen 2, no. 1 (2021): 112. http://dx.doi.org/10.32493/abmas.v2i1.p112-119.y2021.

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Pengabdian ini berjudul Pelatihan Manajemen Peningkatan Produktivitas Remajadi Masa Pandemi Covid 19 pada PKBM Insan Satya Guna (PKBM INTAN)”Tujuan pengabdian ini adalah Memberikan pengarahan kepada warga belajarPKBM Insan Satya Guna agar dapat meningkatkan kemampuan dan produktivitasnyadalam berwirausaha terutama di masa pandemi Covid 19Agar warga belajar PKBM InsanSatya Guna dapat meningkatkan produktivitasnya di masa pandemi Covid 19 melaluipenyuluhan yang di berikan oleh Dosen-dosen Universitas Pamulang.Metode pelaksanaan pengabdian ini adalah memberikan penyuluhan serta diskusidalam konte

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28

Aun, Ana Luiza Gontijo. "Diktyoulkoí – um drama satírico de Ésquilo." Nuntius Antiquus 4 (December 31, 2009): 82–91. http://dx.doi.org/10.17851/1983-3636.4..82-91.

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The satyr play was a small, comic play that closed a Greek tragic trilogy, placing the characters of the tragedy on a different setting where they meet satyrs and are mocked by them. The tragic tetralogy was common during the 5th and 4th centuries b.C., and all major tragedians such as Aeschylus, Sophocles and Euripides wrote satyr plays, being Aeschylus considered the best of them in this genre. Unfortunately, there are only fragments of his satyr plays and the Diktyoulkoi is the one with the largest numbers of verses preserved. The fragments were discovered separately and put together later.

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29

Anggraini, Nora, and Nursyirwan Nursyirwan. "KREATIVITAS SENIMAN SALAREH AIA (AGAM) DALAM PENGEMBANGAN MUSIK RONGGEANG RANTAK SAIYO." Ekspresi Seni 16, no. 2 (2014): 270. http://dx.doi.org/10.26887/ekse.v16i2.79.

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Kajian ini membahas tentang kreativitas seniman Salareh Aia (Agam) dalammengembangkan musik Ronggeang Rantak Saiyo pada acara pesta perkawinanbaralek gadang. Kajian ini dibahas dari sudut keilmuan musikologi denganmenggunakan metode penelitian kualitatif dan kuantitatif serta pendekatanmultidisiplin, dengan perspektif disiplin ilmu musikologi, etnomusikologi,sosiologi,antropologi dan cabang ilmu lain yang dapat memperkuat tulisan.Ronggeang pada dasarnya bukanlah kesenian yang lahir dari tradisi masyarakatSalareh Aia, namun kesenian ini dapat diterima secara baik dan dikembangkansecara kreatif

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30

Ediset, Ediset, Jaswandi Jaswandi, Rusmana Rusmana, Amrizal Anas, and Edwin Heriyanto. "PERBAIKAN USAHA PETERNAKAN MELALUI INTRODUKSI INOVASI DAN PENINGKATAN MOTIVASI DI KELOMPOK TARUKO SAIYO, KECAMATAN PAUH PADANG." LOGISTA - Jurnal Ilmiah Pengabdian kepada Masyarakat 5, no. 1 (2021): 205. http://dx.doi.org/10.25077/logista.5.1.81-87.2021.

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Kegiatan pengabdian pada masyarakat ini dilakukan pada usaha peternakan sapi potong di kelompok Taruko Saiyo, Kelurahan Cupak Tangah, Kecamatan Pauh Kota Padang. Permasalahan dikelompok sasaran adalah adopsi inovasi oleh peternakan rendah karena kurang mendapat penyuluhan dan motivasi usaha anggota kelompok menurun. Tujuan dari kegiatan ini adalah 1) Introduksi inovasi peternakan dan 2) Meningkatkan motivasi angota kelompok Taruko Saiyo dalam menjalankan usaha peternakan sapi Potong. Transfer pengetahuan pada kelompok sasaran di lakukan dengan menggunakan metode penyuluhan melalui pendekatan c

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31

Aun, Ana Luiza Gontijo. "Diktyoulkoí – um drama satírico de Ésquilo." Nuntius Antiquus 4 (December 31, 2009): 82. http://dx.doi.org/10.17851/1983-3636.4.0.82-91.

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<p>The satyr play was a small, comic play that closed a Greek tragic trilogy, placing the characters of the tragedy on a different setting where they meet satyrs and are mocked by them. The tragic tetralogy was common during the 5th and 4th centuries b.C., and all major tragedians such as Aeschylus, Sophocles and Euripides wrote satyr plays, being Aeschylus considered the best of them in this genre. Unfortunately, there are only fragments of his satyr plays and the <em>Diktyoulkoi </em>is the one with the largest numbers of verses preserved. The fragments were discovered sepa

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32

Thoiban, Halalan, and Didin Tohidin. "PENGARUH LATIHAN SINGLE LEG TUCK JUMP DAN JUMP TO BOX TERHADAP KEMAMPUAN DAYA LEDAK OTOT TUNGKAI ATLET SEPAKBOLA SENI OLAHRAGA SAIYO KOTO BARU (SOSKA) FOOTBALL CLUB (FC)." JURNAL STAMINA 2, no. 8 (2019): 118–31. http://dx.doi.org/10.24036/jst.v2i8.426.

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Masalah dalam penelitian ini yaitu berawal dari belum maksimalnya daya ledak otot tungkai atlet sepakbola Seni Olahraga Saiyo Koto Baru (Soska) Football Club (FC) Kecamatan IV Nagari Kabupaten Sijunjung. Tujuan penelitian ini adalah untuk mengetahui pengaruh latihan single leg tuck ump dan jump to box terhadap kemampuan daya ledak otot tungkai atlet sepakbola Seni Olahraga Saiyo Koto Baru (Soska) Football Club (FC) Kecamatan IV Nagari Kabupaten Sijunjung. Jenis penelitian adalah eksperimen semu.Populasi dalam penelitian ini adalah seluruh atlet sepakbola Seni Olahraga Saiyo Koto Baru (So

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33

Jahan, Afrose, and F. Ahmed. "Effect of Drought Stress on Growth and Yield of Wheat Genotypes." Bangladesh Agronomy Journal 20, no. 2 (2018): 97–105. http://dx.doi.org/10.3329/baj.v20i2.37093.

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A pot experiment on screening of wheat genotypes against drought stress was conducted at the research field of Sher-e-Bangla Agricultural University in earthen pots during rabi season of 2013-2014. Fifteen (15) wheat genotypes were evaluated under drought (stress was imposed by withdrawing irrigation after emergence) and well irrigated (control) condition. Exposure of plants to drought led to remarkable reduction in yield contributing characters which ultimate caused in reduced yield in all the genotypes. However, genotypes showed remarkable variability in yield reduction due to drought. The h

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34

WANG, YINGNAN. "THE QUANTITATIVE DISTRIBUTION OF HECKE EIGENVALUES." Bulletin of the Australian Mathematical Society 90, no. 1 (2014): 28–36. http://dx.doi.org/10.1017/s0004972714000070.

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AbstractIn this paper, we prove that the Sato–Tate conjecture for primitive Maass forms holds on average. We also investigate the rate of convergence in the Sato–Tate conjecture and establish some estimates of the discrepancy with respect to the Sato–Tate measure on the average of primitive Maass forms.

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35

Yusanda, Awallina, Rini Darmastuti, and George Nicholas Huwae. "STRATEGI PERSONAL BRANDING MELALUI MEDIA SOSIAL INSTAGRAM (Analisis Isi pada Media Sosial MahasiswaUniversitas Kristen Satya Wacana)." Scriptura 11, no. 1 (2021): 41–52. http://dx.doi.org/10.9744/scriptura.11.1.41-52.

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Personal branding menjadi urgensi bagi setiap individu pada saat ini. Pada era digital ini, media massa dan media baru (termasuk Instagram) mempunyai peran sangat besar dalam membentuk personal branding seseorang, termasuk mahasiswa yang ada di Universitas Kristen Satya Wacana (UKSW). Berdasarkan latar belakang ini, maka tujuan dari tulisan ini adalah untuk mendiskripsikan strategi personal branding yang dilakukan oleh mahasiswa UKSW melalui instagram. Tulisan ini didasarkan dari hasil penelitian yang dilakukan dengan pendekatan kualitatif dan desain penelitian analisis isi. Hasil dari penelit

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36

KUO, WENTANG. "A GENERALIZATION OF THE SATO–TATE CONJECTURE." International Journal of Number Theory 05, no. 01 (2009): 173–84. http://dx.doi.org/10.1142/s179304210900202x.

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The original Sato–Tate Conjecture concerns the angle distribution of the eigenvalues arisen from non-CM elliptic curves. In this paper, we formulate an analogue of the Sato–Tate Conjecture on automorphic forms of ( GL n) and, under a holomorphic assumption, prove that the distribution is either uniform or the generalized Sato–Tate measure.

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37

ITO, Chikako. "Duhkha-Satya in the Jatakas." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 56, no. 1 (2007): 229–33. http://dx.doi.org/10.4259/ibk.56.1_229.

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38

POU, Saveros. "Satya,śapathaetsākṣīdans la culture khmère". Journal Asiatique 297, № 2 (2009): 399–421. http://dx.doi.org/10.2143/ja.297.2.2046908.

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39

Nandan, Satya N. "Remarks by Satya N. Nandan." Proceedings of the ASIL Annual Meeting 106 (2012): 400–402. http://dx.doi.org/10.5305/procannmeetasil.106.0400.

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40

Usher, Mark David. "Satyr Play in Plato's Symposium." American Journal of Philology 123, no. 2 (2002): 205–28. http://dx.doi.org/10.1353/ajp.2002.0030.

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41

LÄMMLE, REBECCA. "PRECARIOUS CHOREIA IN SATYR PLAY." Bulletin of the Institute of Classical Studies 62, no. 2 (2019): 29–48. http://dx.doi.org/10.1111/2041-5370.12105.

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Abstract Satyr drama is defined by the dominating presence of its eponymous chorus; yet its choreia always appears precarious and problematic. The satyrs sing and dance and are scolded for doing so, or they do not sing and dance and are scolded for not doing so. Even when they are singing and dancing, the satyrs themselves question their own choreia as they lament the impossibility of singing and dancing under current circumstances, share memories of better songs and past dances, or imagine them happening in the future. This paper considers the persistent problematization of choreia in satyr p

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42

Sutton, Dana Ferrin. "Named Choreuts in Satyr Plays." American Journal of Philology 106, no. 1 (1985): 107. http://dx.doi.org/10.2307/295054.

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43

Yasri, Sora, and Viroj Wiwanitkit. "Sadyo Vamana for dental abscess." Ancient Science of Life 32, no. 3 (2013): 178. http://dx.doi.org/10.4103/0257-7941.123003.

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44

Dobrov, Gregory W. "Comedy and the Satyr-Chorus." Classical World 100, no. 3 (2007): 251–65. http://dx.doi.org/10.1353/clw.2007.0025.

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45

Verma, K. D., and Amritjit Singh. "Satya Sheel Pachori In Remembrance." South Asian Review 28, no. 4 (2007): 79–81. http://dx.doi.org/10.1080/02759527.2007.11932572.

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46

Rao, C. N. R. "Dr N. S. Satya Murthy." Bulletin of Materials Science 7, no. 3-4 (1985): 152–53. http://dx.doi.org/10.1007/bf02747571.

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47

Tiasih, Dian Mei, and Michael Bezaleel Wenas. "Perancangan Media Sosialisasi Sistem Informasi Akademik Satya Wacana Berbasis Video Infografis." International Journal of Natural Science and Engineering 4, no. 2 (2020): 60. http://dx.doi.org/10.23887/ijnse.v4i2.14024.

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Kurangnya media sosialisasi yang komunikatif dan dinamis, yang dapat digunakan untuk menyampaikan informasi akademik satya wacana (SIASAT), sehingga mahasiswa kesulitan dalam mendapatkan informasi dengan cepat. Tujuan penelitian ini adalah untuk mengembangkan media sosialisasi sistem informasi akademik satya wacana berbasis video infografis. Penelitian ini menggunakan metode deskriptif kualitatif. Tahapan penelitian ini menggunakan strategi linear yang meliputi empat tahapan yaitu pengumpulan data, analisis data, perancangan media, dan pengujian. Pengumpulan data dilakukan menggunakan metode o

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48

Sitorus, Destri Sambara. "ANALISIS TINGKAT LITERASI KEUANGAN SISWA SMA KRISTEN SATYA WACANA." ECOBISMA (JURNAL EKONOMI, BISNIS DAN MANAJEMEN) 8, no. 2 (2021): 27–34. http://dx.doi.org/10.36987/ecobi.v8i2.2106.

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Good financial literacy is very important for everyone to have because it will help manage finances and create prosperity. This study aims to determine the level of financial literacy of Satya Wacana Christian High School students. The aspect of financial literacy studied is knowledge of personal finances, savings and savings, and investment. This research is a descriptive study and data were collected using a questionnaire. The population in this study were all Satya Wacana Christian High School students. The research sample of 90 students was carried out by using random sampling technique. T

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Leatomu, Lowisye, and Bambang Ismanto. "PENGEMBANGAN MODEL STRATEGI BERSAING BERBASIS THE NEW 7-S's SEKOLAH MENENGAH ATAS SWASTA DI KOTA SALATIGA." Kelola: Jurnal Manajemen Pendidikan 3, no. 1 (2016): 80. http://dx.doi.org/10.24246/j.jk.2016.v3.i1.p80-97.

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<p>This study aimed to develop a competitive strategy development model based on the new 7S's in Satya Wacana Christian High School (SMA Lab) Salatiga. Tthis study is research and development, where the study was performed only at the fifth stage, the potential and problems, data collection, product design, design validation, and revision of the design. This research was conducted in Satya Wacana Christian High School (SMA Lab) Salatiga. Interviews were conducted with principal, vice principals curriculum, student section, public relations, teachers, administration of the employees, stud

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Takamori, A. "Sato, Theology of Salvation." THEOLOGICAL STUDIES IN JAPAN, no. 27 (1988): 121–26. http://dx.doi.org/10.5873/nihonnoshingaku.1988.121.

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