Relevant bibliographies by topics / Satyricon (Petronius Arbiter)

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  2. Dissertations / Theses
  3. Books
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Academic literature on the topic 'Satyricon (Petronius Arbiter)'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 March 2023

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Journal articles on the topic "Satyricon (Petronius Arbiter)"

1

Martin, René. "Petronius Arbiter et le Satyricon : où en est la recherche ?" Bulletin de l'Association Guillaume Budé 1, no. 1 (2009): 143–68. http://dx.doi.org/10.3406/bude.2009.2324.

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Oosthuizen, M., and W. Lüdemann. "Arnold van Wyk (1916-1983) se Carmine Petronii - Carmine Petronii by Arnold van Wyk (1916-1983)." Tydskrif vir Geesteswetenskappe 62, no. 3 (September 2022): 568–87. http://dx.doi.org/10.17159/2224-7912/2022/v62n3a7.

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Die beeld van Arnold van Wyk as liedkomponis berus op sy liedsiklusse Vier weemoedige liedjies en Van liefde en verlatenheid, asook enkele losstaande liedere. Die beeld behoort uitgebrei te word deur kennis te neem van die ongepubliseerde Petronius-liedere, waarvan die komposisiesketse en outograwe bewaar word in die Arnold van Wyk-versameling by die Universiteit Stellenbosch. Die Petronius-liedere is 'n liedsiklus vir bariton en klein instrumentale ensemble (fluit, altviool, tjello, Franse horing, perkussie, harp en klavier) op vyf Latynse tekste uit die Satyricon van Petronius Arbiter (c. 27-66 GE). Die komposisieproses, begin gedurende 1957-1959, is toe onderbreek en is eers in 1964 voltooi. Die onderskeie liedere toon Van Wyk se vermoe om gedigte verbeeldingryk te toonset en om 'n oortuigende vormeenheid te gee aan elke lied en die siklus as geheel. Hy ontgin die instrumente se klankkarakter in die ensemble op vindingryke wyse en gebruik die begeleiding tegelyk as middel tot klankskildering en vormgewing. Saambindende elemente in die siklus is die eensoortige sentiment van die tekste, die klavier se deurlopende teenwoordigheid, die wisselnootmotief, en die gebruik van die tritonus in verskillende toonsoorte, asook pedaalpunte. Akkoordsamestellings lees dikwels moeilik weens die dubbele spelling van note. Nadat elke lied individueel bespreek word, word gewys op die moontlike invloed van Benjamin Britten se werk op die Petronius-liedere.
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Freivert, Liudmila. "Interrelations between people and space-thing environment – erotism and buttle – in Petronius Arbiter’s “Satyricon”." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (December 10, 2020): 92–100. http://dx.doi.org/10.36340/2071-6818-2020-16-4-92-100.

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This article is the investigation of interrelations between people and things in Petronius’s “Satyricon”. There is erotic component, “libido”, not only for people, but in interaction between people and things – furniture, utensil and other. Petronius interests only mobile things and drama, events with their participation. Many things in Petronius’s text are dedicated to manipulations. People and things exist in cramped living space, when it happened traumas and breakages. Many details are elements characterizing biography and psychology of persons. Numerous pages of the novel are devoted important themes of Ancient Rom culture: a body and its surface, truth and lie, appearance and essence. The thoughts by Russian thinker Vyacheslav Ivanov about mask and “drama of transfigurations” are truthful not for only Hellas, but for Ancient Rom and Petronius’s text too. The novel is the authentic source about “space-things environment” in Ancient Rom of Nero’s epoch. It is full of postmodernist anticipations with erotism and irony. Body of person feels different sensations. This material Eros is not accompaniment, but it is the major, important part of this text and its structure. So, Rom literature is more earthbound. Mythological frame is manifested less clearly, then in Hellas, but Dionysian is its important component, and Petronius is the shining example. This unique situation in Ancient epoch shall not be repeated later.
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Holoka, James P., and Costas Panayotakis. "Theatrum Arbitri: Theatrical Elements in the "Satyrica" of Petronius." Classical World 92, no. 1 (1998): 64. http://dx.doi.org/10.2307/4352200.

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Konstan, David. "Arbitri Nugae: Petronius' Short Poems in the Satyrica (review)." American Journal of Philology 133, no. 1 (2012): 168–70. http://dx.doi.org/10.1353/ajp.2012.0002.

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Courtney, Edward. "Arbitri Nugae: Petronius' Short Poems in the Satyrica- By Aldo Setaioli." Religious Studies Review 38, no. 2 (June 2012): 92. http://dx.doi.org/10.1111/j.1748-0922.2012.01600_7.x.

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Morton Braund, S. "Review. Theatrum arbitri: theatrical elements in the Satyrica of Petronius. C Panayotakis." Classical Review 47, no. 1 (January 1, 1997): 55–57. http://dx.doi.org/10.1093/cr/47.1.55.

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Holzberg, Niklas. "Petronii Arbitri Satyricon 100-115: Edizione critica e commento (review)." Classical World 105, no. 2 (2012): 278–79. http://dx.doi.org/10.1353/clw.2012.0008.

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Dissertations / Theses on the topic "Satyricon (Petronius Arbiter)"

1

Tupman, B. W. "A commentary on magic and the supernatural in Petronius' Satyrica." Thesis, The University of Sydney, 2000. https://hdl.handle.net/2123/27744.

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Petronius, like many of his contemporaries, had a deep interest in magic. Although magic rituals and tales with a supernatural theme make up a considerable part of the fragments that remain of his novel the Satyrica, little attention has been paid to Petronius’ account of magic. It is a commonplace of Petronian scholarship that the author is a realist, in his predilection for the seamier side of life, in his reproduction of popular speech, in his satirising of contemporary social issues, in his frank treatment of sexuality and in his expropriation of the popular mime, a genre defined by its attention to realism. This thesis, however, will argue that Petronius is a realist in a dimension which has not hitherto been explored in detail: his treatment of res magicae, which, as the commentary will show, is grounded in a bedrock of popular belief as recorded in documentary, as well as literary, texts. The commentary provides, therefore. a detailed examination of a selection of passages from Petronius’ novel Satyrica which have bearing on this aim. These passages include the rituals of Quartilla (16.1-26.6), Proselenos (131.1-131.7) and Oenothea (134.8-138.4) as well as the supernatural anecdotes recounted in the Gene Trimalchionis: the tales of Niceros (61.6-62.14) and Trimalchio (63.1-64.2). it is the contention of this thesis that these passages have real value for the study of ancient magic in that they provide rare insight into contemporary beliefs and realistically describe in detail actual magical rites as they would have been practised by members of Petronius’ society. The commentary provides numerous parallels for the magical procedures described by Petronius as well as discussion, and where these procedures are part of a greater scheme (for example, the three rituals mentioned above) particular attention has been paid to the role these individual procedures play in the ritual as a whole.
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Halvonik, Brent N. "The rhetoric of picaresque irony : a study of the Satyricon and Lazarillo de Tormes /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974637.

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Breitenstein, Natalie Petronius. "Petronius, "Satyrica" 1-15 : Text, Übersetzung, Kommentar /." Berlin [u.a.] : de Gruyter, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3360222&prov=M&dokv̲ar=1&doke̲xt=htm.

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Panayotakis, Costas. "Theatrum arbitri : theatrical elements in the "Satyrica" of Petronius /." Leiden ; New York ; Köln : E.J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb37018577f.

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Sibley, Matthew John. "Explaining the success of Roman freedmen : a pseudo-Darwinian approach." Thesis, 2014. http://hdl.handle.net/2152/25787.

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In Roman society, freed slaves were elevated to a citizen-like status, yet they never had the full rights of their free-born counterparts. Despite the inequality of the system, many freedmen appear to have found great success in the realm of business. This report endeavors to reveal why it was that this group prospered within the Roman economy using a pseudo-Darwinian perspective. Scholarship has, for the most part, tended to avoid Darwinian lines of thought in sociological studies but this report shows the power of this type of thinking. The first chapter clarifies the nature of slavery in the Roman world and the wide variety of experiences that slaves could have. Chapter two considers the different ways that slaves could be manumitted and how a freedman’s status could differ depending on the formality of his release from servitude. The third chapter examines the literary representations of freedmen in the genre of comedy and Petronius’ Satyricon. Chapter four turns to the archaeological evidence and provides a sense of how freedmen represented themselves to the wider community. Lastly, the fifth chapter, using a pseudo-Darwinian model, will show that the image of the successful freedman is not an anomaly of the archaeological record or a trope of Latin literature but an inevitable outcome of the intense selection that slaves underwent.
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Books on the topic "Satyricon (Petronius Arbiter)"

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Arbiter, Petronius. The Satyricon of Petronius Arbiter. New York: Dorset Press, 1992.

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2

Petronius, Satyrica 79-141: Ein philologisch-literarischer Kommentar. Berlin: De Gruyter, 2006.

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3

Petronius Arbiter und Federico Fellini: Ein strukturanalytischer Vergleich. Frankfurt am Main: P. Lang, 1996.

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Conte, Gian Biagio. The hidden author: An interpretation of Petronius' Satyricon. Berkeley: University of California Press, 1996.

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Petronius the poet: Verse and literary tradition in the Satyricon. Cambridge: New York, 1998.

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Arbiter, Petronius, ed. Petronii Arbitri Satyricon 100-115: Edizione critica e commento. Berlin: De Gruyter, 2010.

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Gagliardi, Donato. Petronio e il romanzo moderno: La fortuna del Satyricon attraverso i secoli. Scandicci, Firenze: Nuova Italia, 1993.

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Arbiter, Petronius. Petronii Arbitri Satyricon reliquiae. 4th ed. Stutgardiae: B.G. Teubner, 1995.

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Arbiter, Petronius. Petronii Arbitri satyricon reliquiae. Stuttgart: Teubneri, 1995.

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Arbiter, Petronius. Petronii Arbitri Satyricon reliquiae. Monachii: K.G. Saur, 2003.

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Book chapters on the topic "Satyricon (Petronius Arbiter)"

1

Branham, R. Bracht. "Introduction." In Inventing the Novel, 1–38. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841265.003.0001.

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Who was Petronius Arbiter? The twentieth century’s most famous ancient novelist is one good answer. Of all the works of ancient prose fiction—by Apuleius, Xenophon, Chariton, Achilles Tatius, Longus, Heliodorus—only Petronius’s Satyrica resonated with the twentieth century, providing Eliot with the epigraph for The Waste Land and Fitzgerald with the ur-text for Gatsby—originally entitled “Trimalchio at West Egg”—and Fellini with his film. The fascination of the arbiter elegantiae—as Nero’s court called Petronius—on twentieth-century avant-gardists is quite puzzling. What sets this fragmented text apart from kindred others? Is the answer precisely that it is one of a kind? Why did Petronius’s scabrous text become modern experimentalists’ favorite ancient analogue? That Auerbach’s Mimesis identified Petronius as one of three authors who exemplify classical representation could also be adduced as evidence of Petronius’s newfound status in the modernist century.
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"PETRONII ARBITRI SATYRICON." In Petronii Arbitri Satyricon reliquiae, 1–175. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.1.

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"PETRONII ARBITRI SATYRICON." In Petronii Arbitri "Satyricon" 100-115, 67–90. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110240924.2.67.

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"FRAGMENTA SPARSIM TRADITA." In Petronii Arbitri Satyricon reliquiae, 176–90. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.176.

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"CARMINA IN CODICE LEIDENSI VOSSIANO LAT. F. III (=Y) SERVATA." In Petronii Arbitri Satyricon reliquiae, 191–92. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.191.

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"CARMINA EX CODICE BELLOVACENSI (= X) EDITA." In Petronii Arbitri Satyricon reliquiae, 192–95. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.192.

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"Backmatter." In Petronii Arbitri Satyricon reliquiae, 196–98. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.bm.

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"Frontmatter." In Petronii Arbitri Satyricon reliquiae, I—II. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.fm.

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"PRAEFATIO." In Petronii Arbitri Satyricon reliquiae, III—XXVIII. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.iii.

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"TESTIMONIIS ADDENDUM." In Petronii Arbitri Satyricon reliquiae, XLIX—L. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.xlix.

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