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1

Arbiter, Petronius. The Satyricon of Petronius Arbiter. New York: Dorset Press, 1992.

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2

Sullivan, J. P. Petronius: The Satyricon and Seneca: The Apocolocyntosis. England: Penguin Books, 1986.

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3

Conte, Gian Biagio. The hidden author: An interpretation of Petronius' Satyricon. Berkeley: University of California Press, 1996.

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4

Petronius the poet: Verse and literary tradition in the Satyricon. Cambridge: New York, 1998.

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5

The recollections of Encolpius: The Satyrica of Petronius as Milesian fiction. Groningen: Barkhuis, 2006.

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6

Petronius Arbiter und Federico Fellini: Ein strukturanalytischer Vergleich. Frankfurt am Main: P. Lang, 1996.

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7

Arbiter, Petronius, ed. Petronii Arbitri Satyricon 100-115: Edizione critica e commento. Berlin: De Gruyter, 2010.

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8

Gagliardi, Donato. Petronio e il romanzo moderno: La fortuna del Satyricon attraverso i secoli. Scandicci, Firenze: Nuova Italia, 1993.

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9

Petronii Satyricon concordantia. New York: Olms-Weidmann, 2013.

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10

Arbiter, Petronius. Petronii Arbitri satyricon reliquiae. Stuttgart: Teubneri, 1995.

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11

Arbiter, Petronius. Petronii Arbitri Satyricon reliquiae. 4th ed. Stutgardiae: B.G. Teubner, 1995.

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12

Arbiter, Petronius. Petronii Arbitri Satyricon reliquiae. Monachii: K.G. Saur, 2003.

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13

I grecismi nel Satyricon di Petronio. Bologna: Pàtron, 2001.

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14

Canali, Luca. Satyricon: Se Petronio l'avesse scritto oggi. Casale Monferrato (Alessandria): Piemme, 1999.

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15

Arbiter, Petronius. Petronius, Satyrica, 1-15: Texte, Übersetzung, Kommentar. Berlin: Walter de Gruyter, 2009.

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16

Aldo, Setaioli, ed. A commentary on the Satyrica of Petronius. Oxford: Oxford University Press, 2011.

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17

Aragosti, Andrea. Petronio: L'episodio di Quartilla (Satyricon 16-26.6). Bologna: Pitagora Editrice, 1988.

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18

Petronius, Satyrica 79-141: Ein philologisch-literarischer Kommentar. Berlin: De Gruyter, 2006.

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19

Callari, Licia Adalgisa. La cena come spettacolo nel "Satyricon" di Petronio. Palermo: ILA Palma, 1995.

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20

Arbiter, Petronius, and Petronius Arbiter, eds. La cena di Trimalchione: Dal Satyricon di Petronio. Acireale]: Bonanno editore, 2013.

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21

Panayotakis, Costas. Theatrum Arbitri: Theatrical elements in the Satyrica of Petronius. Leiden: E.J. Brill, 1995.

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22

Laughter and derision in Petronius' Satyrica: A literary study. Stockholm: Almqvist & Wiksell, 2000.

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23

McMahon, John M. Paralysin cave: Impotence, perception, and text in the Satyrica of Petronius. Leiden: Brill, 1998.

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24

Gamba, Giuseppe Giovanni. Petronio Arbitro e i cristiani: Ipotesi per una lettura contestuale del Satyricon. Roma: LAS, 1998.

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25

Cicu, Luciano. Donne petroniane: Personaggi femminili e tecniche di racconto nel Satyricon di Petronio. Sassari, Italia: C. Delfino editore, 1992.

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26

Stolz, Walter. Petrons Satyricon und François Nodot, (ca. 1650-ca. 1710): Ein Beitrag zur Geschichte literarischer Fälschungen. Mainz: Akademie der Wissenschaften und der Literatur, 1987.

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27

Firebaugh, W. C. Satyricon Of Petronius Arbiter. Kessinger Publishing, 2004.

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28

Arbiter, Petronius. The Satyricon Of Petronius Arbiter. Kessinger Publishing, 2004.

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29

Arbiter, Petronius. The Satyricon of Petronius Arbiter. Hard Press, 2006.

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30

Arbiter, Petronius. The Satyricon OF PETRONIUS ARBITER. BiblioBazaar, 2006.

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31

Arbiter, Petronius. The Satyricon of Petronius Arbiter. Kessinger Publishing, LLC, 2004.

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32

Petronius: Selections from the Satyricon. 3rd ed. Bolchazy-Carducci Publishers, 1995.

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33

Arbiter], Petronius [Gaius Petronius. Oxford World's Classics: Petronius: The Satyricon. Edited by Peter G. Walsh. Oxford University Press, 2009. http://dx.doi.org/10.1093/actrade/9780199539215.book.1.

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34

Arbiter, Petronius. The Satyricon OF PETRONIUS ARBITER (Large Print Edition). BiblioBazaar, 2006.

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35

Teixeira, Cláudia, Paulo Sérgio Margarido Ferreira, Leão Delfim Ferreira, and Martin Earl. The Satyricon of Petronius: genre, wandering and style. Centro de Estudos Clássicos e Humanísticos, 2008. http://dx.doi.org/10.14195/978-989-721-060-0.

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36

Petronius the Poet: Verse and Literary Tradition in the Satyricon. Cambridge University Press, 2007.

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37

Rankin, H. D. Petronius the Artist: Essays on the Satyricon and its Author. Springer, 2011.

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38

Petronius the Artist: Essays on the Satyricon and its Author. Springer, 2011.

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39

Conte, Gian Biagio. Hidden Author: An Interpretation of Petronius's Satyricon. University of California Press, 1997.

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40

The Hidden Author: An Interpretation of Petronius's Satyricon (Sather Classical Lectures). University of California Press, 1997.

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41

Kelly, Walter K. Erotica: The Elegies of Propertius, the Satyricon of Petronius Arbiter, the Kisses of Johannes Secundus, and the Love Epistles of Aristnetus. Fredonia Books (NL), 2003.

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42

Endres, Nikolai. From Eros to Romosexuality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0015.

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In his famous courtroom definition of ‘the love that dare not speak its name’, Wilde pays tribute to Plato and ‘that deep, spiritual affection that is as pure as it is perfect’. But how does Wilde translate Platonic love into his works, especially The Picture of Dorian Gray, where erotic purity and perfection seem hard to find? Plato is a crucial influence, but this chapter suggests we should also turn to Roman sexual models, for two pivotal texts that Dorian reads are Petronius’ Satyricon and Suetonius’ Lives of the Caesars. What emerges is an idea of love and sex that destabilizes the categories of erastes and eromenos, that stresses erotic reciprocity rather than paiderastia, and that appropriates Roman models to a much greater degree than Wilde acknowledges in his speech.
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43

Müller, Konrad, ed. Petronii Arbitri Satyricon reliquiae. B. G. Teubner, 1995. http://dx.doi.org/10.1515/9783110966176.

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44

Nagore, Josefina. Satyricon - Petronio - Una Introduccion Critica. Santiago Arcos Editor, 2006.

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45

Satyrica of Petronius: An Intermediate Reader with Commentary and Guided Review. University of Oklahoma Press, 2014.

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46

Ogden, Daniel. The Werewolf in the Ancient World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854319.001.0001.

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The ancient world already cherished a rich folklore of werewolfism that broadly resembled the one copiously attested for the central medieval period in Europe. Our best access to the sort of narrative that underpinned such folklore comes in the well-known werewolf tale of the Neronian Petronius’ Satyricon, which shares some striking motifs with the equally famous AD 1160-78 Anglo-Norman tale of Bisclavret by Marie de France. It was, accordingly, folklore that determined the ancients’ conception of what a werewolf actually was. Almost all the evidence for werewolfism in antiquity should be regarded either as folkloric in nature or as secondary to and refractive of a folkloric core. The ancients re-deployed, finessed and parlayed this focal conception in distinct ways in diverse cultural contexts. Notions, themes and images were borrowed from this folkloric home and transferred, in as it were a metaphorical fashion, to other realms of human experience and endeavour, be this: aetiological myth, in the case of the material bearing upon Lykaon; rites of passage or of maturation, in the case of the material bearing upon the Lykaia rite; or medicine, in the case of the medical writers’ identification of the disease of ‘lycanthropy.’ It is this that accounts for what initially appears to be the incoherent, chaotic and centrifugal nature of the evidence-field for werewolves that the ancients have bequeathed to us.
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47

Arbiter], Petronius [Gaius Petronius. A Commentary on The Satyrica of Petronius. Edited by Gareth Schmeling. Oxford University Press, 2011. http://dx.doi.org/10.1093/actrade/9780199567713.book.1.

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48

Arbitri Nugae: Petronius' Short Poems in the Satyrica. Lang Publishing, Incorporated, Peter, 2012.

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49

The Recollections of Encolpius (The Satyrica of Petronius as Milesian Fiction). Barkhuis Publishing, 2004.

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50

The Recollections of Encolpius: The Satyrica of Petronius as Milesian Fiction. Groningen Library and Barkhuis Publishing, 2004.

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