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Journal articles on the topic 'Savièse (Switzerland) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Meier, Nikolaus. "Art and museum libraries in Switzerland." Art Libraries Journal 21, no. 4 (1996): 23–26. http://dx.doi.org/10.1017/s0307472200010075.

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Die Situation der Kunstbibliotheken in der Schweiz ist durch verschiedene historische Faktoren geprägt. Die Kulturhoheit der verschiedenen Kantonsrepubliken und die vier Landessprachen haben in der Vergangenheit die Entwicklung einer einheitlichen Bibliothekslandschaft erschwert. Ebenso wenig mündete die von großen Persönlichkeiten geprägte Entwicklung der Kunstwissenschaft und des Museumswesens in eine vielfältige Landschaft von Kunstbibliotheken. Die drei Zentren für Kunstbibliotheken sind Basel, Zürich und Genf. Eine Kunstbibliothek für die italienischsprachige Schweiz, wie u.a. in einem kü

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Reyes, Darwin R. "The art in science of MicroTAS: 10 years of miniaturized art." Lab on a Chip 18, no. 8 (2018): 1149–50. http://dx.doi.org/10.1039/c8lc90028k.

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Maria Cristina Letizia (center) from EPFL, Switzerland, was the winner of the 2017 MicroTAS Art in Science competition. She received the award certificate from Maria Southall (right) from Lab on a Chip and Darwin Reyes (left) from NIST.

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Трефилов, Александр, and Aleksandr Trefilov. "MILITARY CRIMINAL PROCEEDINGS IN SWITZERLAND: JUDICIAL PROCEEDINGS." Journal of Foreign Legislation and Comparative Law 4, no. 4 (2018): 1. http://dx.doi.org/10.12737/art.2018.4.16.

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Трефилов, Александр, and Aleksandr Trefilov. "INFORMATIZATION OF THE CRIMINAL PROCESS OF SWITZERLAND." Journal of Foreign Legislation and Comparative Law 5, no. 2 (2019): 1. http://dx.doi.org/10.12737/art.2019.2.11.

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Schmidt, Yvonne, Sarah Marinucci, Sara Bocchini, Demis Quadri, and Anton Rey. "DisAbility on Stage: Exploring the Physical in Dance and Performer Training." Synnyt/Origins: Finnish Studies in Art Education, no. 2 (January 1, 2018): 74–87. https://doi.org/10.5281/zenodo.4498335.

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This paper addresses the accessibility of dance and performer training for people with disabilities, focussing on two case studies at Swiss art universities in the context of the research project DisAbility on Stage. Two stage labs, at the Accademia Teatro Dimitri in the Italian-speaking part of Switzerland and at the Zurich University of the Arts in the German-speaking part of Switzerland, aimed to develop skills at the intersection of educational practices, theatre, and dance, productions by and with artists with disabilities, and practice-based research at art universities.

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Braun, Ingmar. "The Swiss Magdalenian portable art and supra-regional parallels." Camera Praehistorica 5, no. 2 (2020): 42–57. http://dx.doi.org/10.31250/2658-3828-2020-2-42-57.

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There are about fifty Magdalenian sites known in Switzerland. Most of these sites were discovered and excavated at the end of the 19th and in the first half of the 20th century. Consequently, it is not always possible today to establish clear research contexts and dating is often based on typo-chronological statements. The Swiss Magdalenian portable art can be divided into two main groups: engravings and figurative sculptures. Engravings mostly appear on reindeer antlers, bones, and rarely on stone or jet. They are more common than figurative sculptures. The majority of engravings are on every

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Geering, F. "Ozone Applications The State-of-the-Art in Switzerland." Ozone: Science & Engineering 21, no. 2 (1999): 187–200. http://dx.doi.org/10.1080/01919519908547252.

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Трефилов, Александр, and Aleksandr Trefilov. "MILITARY CRIMINAL PROCEEDINGS IN SWITZERLAND: SOURCES, PRINCIPLES, SUBJECTS." Journal of Foreign Legislation and Comparative Law 4, no. 1 (2018): 1. http://dx.doi.org/10.12737/art.2018.1.17.

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Thomsen, Hans Bjarne. "Japanese Bronze Bells in Switzerland." Global Europe – Basel Papers on Europe in a Global Perspective, no. 120 (August 3, 2021): 13–36. http://dx.doi.org/10.24437/globaleurope.i120.454.

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Western museums hold numerous Japanese objects, typically gathered by collectors during travels in Japan and then donated to local institutions. This simple scenario is by no means always the case, as can be seen with the numerous Japanese bronze bells in Swiss museum collections. The story of how the bells changed from holding significant functions within Japanese monastic and secular communities to being sold for their materiality and sheer weight as they travel across the globe tells a complex story of how objects change in meaning as they travel. As the bells were eventually relegated to m

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Berchtold, Christian, Jean-Pascal Bourgeois, Verena Christen, et al. "Analytical Platforms at Swiss Universities of Applied Sciences." CHIMIA International Journal for Chemistry 74, no. 7 (2020): 618–28. http://dx.doi.org/10.2533/chimia.2020.618.

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Numerous projects and industrial and academic collaborations benefit from state-of-the-art facilities and expertise in analytical chemistry available at the Swiss Universities of Applied Sciences. This review summarizes areas of expertise in analytical sciences at the University of Applied Sciences and Arts Northwestern Switzerland (FHNW), the University of Applied Sciences and Arts Western Switzerland (HES-SO), and the Zurich University of Applied Sciences (ZHAW). We briefly discuss selected projects in different fields of analytical sciences

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Natale, Enrico. "Le Digital Humanities in Svizzera: uno sguardo d'insieme." MEMORIA E RICERCA, no. 40 (September 2012): 183–94. http://dx.doi.org/10.3280/mer2012-040011.

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In the last few months, several universities and research agencies in Switzerland disclosed their plans to open new programs in the Digital Humanities. Starting from this observation, this article aims to outline the state of the art of the Digital Humanities in Switzerland. A first part deals with the institutional framework of the Swiss research landscape and mentions recent developments that led to a cross-disciplinary and widespread interest for the Digital Humanities in Switzerland. This first part includes also a short historical overview of the uses of digital technologies in the humani

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Engelhardt, Sophie. "First Heidelberg Day of Art Law (Heidelberg, Germany, September 8, 2007)." International Journal of Cultural Property 15, no. 4 (2008): 421–24. http://dx.doi.org/10.1017/s0940739108080363.

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On September 8, 2007, the Heidelberg Institut für Kunst und Recht (IFKUR, Institute of Art and Law) hosted guests interested in art and law from all over Germany, Switzerland, and Austria. More than 100 participants attended the institute's First Heidelberg Day of Art Law on “The Artist's Law—The Art of Law (Des Künstlers Rechte—Die Kunst des Rechts).” The conference was held in the Heidelberg Town Hall's ballroom. The first part of the day was dedicated to various legal aspects of the freedom of art, and the second part was devoted to legal challenges concerning the exploitation of artistic w

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Kahn, Douglas. "Christian Marclay's Early Years: An Interview." Leonardo Music Journal 13 (December 2003): 17–21. http://dx.doi.org/10.1162/096112104322750737.

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The artist discusses with the author his early career and influences. Marclay explains his upbringing in Switzerland and his lack of familiarity with American mass culture, to which he credits his early experiments in art, music and performance using records. Marclay describes the evolution of his use of records and discusses other influences, such as art school and the New York club scene of the 1970s.

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Obergfell, Eva Inés. "9th International Seminar “Art & Law” for Doctorate Candidates (Basel, Switzerland, July 6–9, 2007)." International Journal of Cultural Property 15, no. 4 (2008): 413–15. http://dx.doi.org/10.1017/s094073910808034x.

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Under the auspices of Kurt Siehr (Hamburg, Zürich) the 9th International Seminar on “Art & Law” took place from July 6–9, 2007, in Basel, Switzerland. Originally conceived as a platform for doctorate candidates in Europe and over the last years enlarged to a platform for comprehensive discussions between lawyers as well as art historians, academics as well as practitioners, this year's seminar in Basel focused on three main issues: protection of cultural property, problems of stolen works of art (both including their international and European legal frame), and copyright protection.

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Page, Julie, Kim Roos, Andreas Bänziger, et al. "Formulating goals in occupational therapy: State of the art in Switzerland." Scandinavian Journal of Occupational Therapy 22, no. 6 (2015): 403–15. http://dx.doi.org/10.3109/11038128.2015.1049548.

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hudgins, sharon. "Edible Art: Springerle Cookies." Gastronomica 4, no. 4 (2004): 66–71. http://dx.doi.org/10.1525/gfc.2004.4.4.66.

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Edible Arte: Springerle Cookies Springerle are white, anise-flavored cookies with a picture or design imprinted on the tops by specially carved rolling pins or flat molds. Sometimes the raised designs are also painted to enhance their appearance. A regional specialty of German Schwabia, Springerle are also baked in Alsace, Switzerland, Bavaria, and Bohemia. With roots in the pre-Christian era, Springerle are among several kinds of cookies shaped, molded, or decorated to depict animate or inanimate objects. The designs embossed on the tops of Springerle include religious figures, plants and ani

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Wenger, Werner. "Demnächst erweiterter Anwendungsbereich für das 12. Kapitel des IPRG." ASA Bulletin 27, Issue 2 (2009): 387–89. http://dx.doi.org/10.54648/asab2009036.

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In Switzerland, international arbitration is governed by the provisions of Chapter 12 of the Swiss Private International Law Act (“PILS”) whereas domestic arbitration is governed by the Concordat which will be replaced, as from 1 January 2011, by Part 3 of the Swiss Code on Civil Procedure (“CCP”). The distinctive criterion is whether, at the time when the arbitration agreement was entered into, at least one of the parties had his/her domicile or his/her habitual residence or - in the case of a corporate party - its seat outside Switzerland (art. 176.1 PILS). Accordingly, an arbitration agreem

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Neves, Pedro Soares. "Editorial." Street Art & Urban Creativity 5, no. 2 (2020): 1–5. https://doi.org/10.25765/sauc.v5i2.201.

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The SAUC V5 Issue 2, “Desire Lines: Metaphorical” is about: The Disappearance/Virtualisation of Graffiti and Street Art – From Urban to Institutional to Virtual Space; Whose Wall is it Anyway? Using street art to navigate the private and the public in a community; Polysemiotic Communication vs. Multimodality: a conceptual and terminological distinction applied in street art; The Past in Public Space “Der Jahrhundertschritt”: A Lieu de Memoire As An Urban Intervention of Memory (2018); Zero Tolerance = 100 New Techniques Swedish / Nordic Street Art; Contextualizing graffiti and street art in su

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Siehr, Kurt. "Two Years Federal Act on the International Transfer of Cultural Property in Switzerland (Bern, Switzerland, May 31, 2007)." International Journal of Cultural Property 15, no. 4 (2008): 409. http://dx.doi.org/10.1017/s0940739108080326.

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On June 1, 2005, the Swiss Cultural Property Transfer Act (CPTA) of 2003 entered into force. This statute implements for Switzerland the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. According to article 7 of the CPTA—along the line followed by the United States in their implementation statute—bilateral agreements must be stipulated with contracting states of the convention so these states will be protected in Switzerland with respect to the items mentioned in these agreements. Yves Fischer and Benno

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Lewy, Matthias, and Helena Simonett. "Captured Birdscapes: Artistic Research, Research Art, and Living Cultural Heritage." Schweizer Jahrbuch für Musikwissenschaft 41 (December 17, 2024): 75–94. https://doi.org/10.36950/sjm.41.6.

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This article centres on the Birdscapes exhibition held in 2022 at the Nature Museum in Lucerne, Switzerland. The exhibition’s primary objective was to convey the research processes and findings of a project that explored human-nature connections, with a particular emphasis on the auditory, sonic, and musical dimensions of people’s interactions with their physical environment. The paper underscores the potential for expanding similar initiatives beyond academic boundaries and highlights the importance of integrating sound installations and objects within museum spaces while also fostering criti

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Berger, Bernhard. "Kritische Gedanken zur Revision von Art. 7 IPRG im Lichte eines praktischen Beispiels." ASA Bulletin 29, Issue 1 (2011): 33–44. http://dx.doi.org/10.54648/asab2011005.

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Since 20 March 2008, a Parliamentary Initiative is pending before the Swiss Parliament which aims at amending Article 7 of the PILS in the sense that Switzerland would accede to the theory of the so-called "negative effect" of competence-competence. In the ASA Bulletin vol. 3/2010 at pp. 478-485, Pierre-Yves Tschanz recently presented his views on the advisability to vote in favor of the proposed amendment ('De l'opportunité de modifier l'art. 7 LDIP'). The author of the present article considers that a recent case decided by the Swiss Federal Supreme Court (BGer 4A_279/2010) gives rise to som

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Брестер, Александр, Aleksandr Brester, Анна Быковская, and Anna Bykovskaya. "THE PRINCIPLES OF SIMPLIFICATION OF CRIMINAL PROCEDURE BY THE EXAMPLE OF SWITZERLAND AND GERMANY." Journal of Foreign Legislation and Comparative Law 4, no. 2 (2018): 1. http://dx.doi.org/10.12737/art.2018.2.15.

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Lurk, Tabea. "From the community, for the community: Online access to documents and collections of performance art." International Journal of Visual and Performing Arts 4, no. 2 (2022): 111–26. http://dx.doi.org/10.31763/viperarts.v4i2.811.

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The article looks at the challenges and opportunities of collecting and disseminating performance art from an art library’s perspective. Based on the collecting experience of the Mediathek at the Academy of Art and Design FHNW Basel (Switzerland), the text contextualizes its own digital collections within the Swiss performance art context. What is special about Mediathek’s collection is; (1) the fact that a remarkable number of documents of performance art are accessible for free via the internet, without login, in a structured, searchable and sustainable way. Because the policy permits, upon

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Grandjean, Joan, and Mirl Redmann. "Etel Adnan — in Close Encounters with Paul Klee." Manazir Journal 1 (October 1, 2019): 83–93. http://dx.doi.org/10.36950/manazir.2019.1.1.6.

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Review of the symposium "The Arab Apocalypse. Art, Abstraction & Activism in the Middle East" (27—28 September 2018) organized by Silvia Naef & Nadia Radwan, and the exhibition "Etel Adnan" (15 June—7 October 2018) by Americano-Lebanese artist Etel Adnan, curated by Sébastien Delot & Fabienne Eggelhöfer, both of which took place at the Zentrum Paul Klee, Bern, Switzerland.

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Albury, WR, and GM Weisz. "Paul Klee (1879–1940) as a tragic figure: What the artist learned from his illness." Journal of Medical Biography 25, no. 1 (2016): 42–52. http://dx.doi.org/10.1177/0967772015575886.

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Paul Klee was a major contributor to the development of modern European art. An ethnic German (although born in Switzerland) and a German citizen, he was persecuted by the Nazi government on political rather than racial grounds because of his allegedly “degenerate” artistic style. Dismissed from his teaching position, he emigrated to Switzerland in 1933; shortly afterward he became ill with systemic sclerosis and struggled with this condition for the remaining years of his life. Many publications have examined the effect of social rejection and illness on his art, but the present study conside

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Crettaz von Roten, Fabienne, and Olivier Moeschler. "Is art a "good" mediator in a Science Festival?" Journal of Science Communication 06, no. 03 (2007): A02. http://dx.doi.org/10.22323/2.06030202.

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This paper relates to a special case of science-society mediation set up during the Science et Cité festival 2005. This national event took place in about twenty cities in Switzerland to promote a closer cooperation between science and society via art (theatre, music, dance, exhibitions, cinema, etc.), in order to reach the population at large. Results on the profile of the public, the role played by the cultural institutions involved, the motives of the visitors and the role of art in the science-society dialogue show that the goals aimed at by the festival's organisers were only partially re

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Chirilă, Monica-Emilia. "The Journey of Learning and the Healing Power of Art – A Discussion with Dr. Berardino De Bari." Journal of Medical and Radiation Oncology 2, no. 1 (2022): 74–77. http://dx.doi.org/10.53011/jmro.2022.01.10.

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Dr. Berardino De Bari is an Italian Radiation On-cologist based in Switzerland, recognized as one of the European experts on prostate cancer. Apart from his clinical activity, he is also involved in edu-cational activities of ESTRO, IAEA and ESO. He is also a musician - composer and singer.

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Zea Escamilla, Edwin, Guillaume Habert, and Luis Felipe Lopez Muñoz. "Environmental Savings Potential from the Use of Bahareque (Mortar Cement Plastered Bamboo) in Switzerland." Key Engineering Materials 600 (March 2014): 21–33. http://dx.doi.org/10.4028/www.scientific.net/kem.600.21.

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The urgency for energy and material efficiency in the building sector increases every day. In the case of Switzerland, a buildings main energy demand occurs during its use/operation phase and is mainly related to heating demands during the winter season. As a means of reducing these demands, current building practice in Switzerland is to insulate with 30cm of foam and to mechanically control indoor environments. Recent research has shown, however, that alternatives to current practice are readily available. With these alternative techniques, natural materials with low embodied energy are used

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Welter-Enderlin, Rosmarie. "The State of the Art of Training in Systemic Family Therapy in Switzerland." Family Process 44, no. 3 (2005): 303–20. http://dx.doi.org/10.1111/j.1545-5300.2005.00061.x.

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Leeners, Brigitte, Bruno Imthurn, Antje Hugi, Mechthild Neises, and Noemi Delex-Zaiontz. "Gyneco-psychosomatic counseling in Germany and Switzerland—aims and state of the art." Journal of Psychosomatic Research 61, no. 1 (2006): 91–94. http://dx.doi.org/10.1016/j.jpsychores.2005.11.007.

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Ess, S., M. Joerger, H. Frick, et al. "Predictors of state-of-the-art management of early breast cancer in Switzerland." Annals of Oncology 22, no. 3 (2011): 618–24. http://dx.doi.org/10.1093/annonc/mdq404.

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Vuilleumier, Louis. "The Fine Art of Camouflage: Migrant-Drug Distributors Negotiating Police Interactions in Switzerland." ANNALS of the American Academy of Political and Social Science 709, no. 1 (2023): 165–83. http://dx.doi.org/10.1177/00027162241248998.

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Bogged down in exploitative jobs or unemployment, some migrants mitigate their precarious condition and forced idleness through involvement in petty crime, including low-level drug distribution. This article explores the daily lives of migrants who navigate asymmetrical interactions and relationships with police in ways that avoid detection of their illicit activities. Drawing from extensive ethnographic fieldwork and 18 biographical interviews with sub-Saharan male migrants active in low-level drug retail, I scrutinize how migrants negotiate the rules that are supposed to govern them. I am pa

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Cerrato, Enrico, Umberto Barbero, Jorge A. Gil Romero, et al. "Magmaris™ resorbable magnesium scaffold: state-of-art review." Future Cardiology 15, no. 4 (2019): 267–79. http://dx.doi.org/10.2217/fca-2018-0081.

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Bioresorbable scaffolds (BRS) have been advocated as the ‘fourth revolution’ in interventional cardiology because they could provide temporary scaffolding and then ‘disappear’ (resorb) potentially significantly improving coronary artery disease treatment. BRS technology has gradually matured, and there are many devices available worldwide, which are currently undergoing preclinical or clinical testing. Due to the concerns related to polylactide scaffolds, magnesium alloy is now one of the most promising resorbable technologies despite available evidences on its performances in vivo are limited

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Pantyulin, Andrey M., and Ilya F. Vilkovysky. "Osseointegration during total hip replacement in dogs by the Russian V@art system." Veterinariya, Zootekhniya i Biotekhnologiya 5, no. 137 (2025): 57–66. https://doi.org/10.36871/vet.zoo.bio.202505105.

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Total hip replacement in dogs is a surgical procedure in which the joint surfaces are completely replaced, namely the acetabulum component, as well as the head and neck of the thigh. Endoprosthesis can relieve the animal of pain and restore the normal function of the limb. During the period from 01.01.2022 to 31.12.2024, 227 dogs were operated on by the Russian V@art endoprosthesis system. To reduce the complications associated with aseptic instability, the optimal femoral component fixation algorithm was determined to ensure primary osseointegration. The result of this article reflects the ad

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Milovidov, Stanislav V. "ARTISTIC FEATURES OF COMPUTER ARTWORKS CREATING WITH MACHINE LEARNING TECHNOLOGY." Articult, no. 4 (2022): 36–48. http://dx.doi.org/10.28995/2227-6165-2022-4-36-48.

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This article has analyzed the artworks, the general creative principles, and approaches connected with machine learning and neural networks. The idea that the computer can replace humans for deciding routine, algorithmic, and even analytical tasks, has raised the question about the uses of machines for creative jobs. This process forms new possibilities, non-obvious images, themes, and expressions, which require the addition and refinement of the classification of computer art. As a result, artists have found another system for describing reality represented in the artworks. From 2018-2021 man

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Alick, Roderick, and Boyun Wen. "Preface: 2nd International Conference on Electronic Business Management and Education Engineering (EBMEE 2022)." Highlights in Business, Economics and Management 4 (December 12, 2022): I. http://dx.doi.org/10.54097/hbem.v4i.3094.

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2022 2nd International Conference on Electronic Business Management and Education Engineering (EBMEE 2022) was scheduled to be held during 15-16 October 2022 in Zurich, Switzerland. Due to the continuing effect of Covid-19 epidemic, the conference was held online. This conference intends to invite worldwide famous scientists, experts, scholars, and researchers for academic presentations. EBMEE 2022 is an important forum for researchers and industry practitioners to exchange information regarding advancements in the state of art and practice of e-business, economic management, educational engin

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Post, Erik, and Filipe Calvão. "Mythical Islands of Value: Free Ports, Offshore Capitalism, and Art Capital." Arts 9, no. 4 (2020): 100. http://dx.doi.org/10.3390/arts9040100.

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The Geneva Free Port in Switzerland has paved the way for a new generation of art and luxury free ports. These are critical spatial pivots for the management of art assets, including storage and transactions of artworks, and serve as proxy to examine mechanisms for the capture and generation of value, integral but also outside the global art market. Drawing from the trajectory of the Geneva Free Port and an interdisciplinary body of scholarship on “offshore” and other special zones of production, and value circulation in human geography, anthropology, history, and sociology, this article frame

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Holden, Gerard. "The state of the art in German IR." Review of International Studies 30, no. 3 (2004): 451–58. http://dx.doi.org/10.1017/s0260210504006163.

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Gunther Hellmann, Klaus Dieter Wolf, and Michael Zürn (eds.), Die neuen Internationalen Beziehungen. Forschungsstand und Perspektiven in Deutschland (Baden-Baden: Nomos Verlagsgesellschaft, 2003), pp. 614.The intensification in recent years of interest in the history and sociology of IR (as a discipline) has been manifested in a growing number of publications dealing with aspects of different IR communities. The appearance of a weighty and semi-official volume summarising the state of the art in German IR is therefore a noteworthy development, and one that merits attention beyond the German-sp

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Bieri, Sandra de Vito. "The application of EU law by arbitral tribunals seated in Switzerland." ASA Bulletin 35, Issue 1 (2017): 55–66. http://dx.doi.org/10.54648/asab2017005.

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Arbitral tribunals with seat in Switzerland are required to apply EU law under various conditions: It seems fairly clear that the arbitral tribunal needs to apply EU law, if the parties have chosen the law of an EU member state as lex causae, as EU law forms in this case part of the chosen law. The same applies when the parties have forgone to make a choice of law and the closest connection test results in the application of the law of an EU member state. In case the parties have chosen a third state’s law as lex causae, the arbitral tribunal needs to consider EU law, if a party invokes its ap

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Viret, O., J. L. Spring, V. Zufferey, et al. "Past and future of sustainable viticulture in Switzerland." BIO Web of Conferences 15 (2019): 01013. http://dx.doi.org/10.1051/bioconf/20191501013.

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Switzerland is a pioneer country in the development of integrated production (IP) and integrated pest management (IPM). The overall goal is sustainability at the ecological, economic and social level to produce high quality grapes. In 1993, the IP-IPM head-organisation VITISWISS was created. The starting points were the improvement of pest management by the biocontrol of spider mites and the control of grape berry moths by mating disruption and an optimal soil management, followed over the years by state-of-the-art sprayer calibration, development of disease forecasting models (AgroMeteo, Viti

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Twerenbold, C., A. Gratwohl, K. Eichler, S. Hostettler, and U. Brügger. "State of The Art of Medical Registers In Switzerland 2015: More Questions Than Answers." Value in Health 18, no. 7 (2015): A568. http://dx.doi.org/10.1016/j.jval.2015.09.1866.

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Herren, Madeleine. "“Very old Chinese bells, a large number of which were melted down”." Global Europe – Basel Papers on Europe in a Global Perspective, no. 120 (August 3, 2021): 37–54. http://dx.doi.org/10.24437/globaleurope.i120.455.

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In the second half of the 19th century, Buddhist bells from Japan began to arrive in Switzerland. The fact that these were objects listed in the so-called ethnographic collections is not surprising and the history of collecting has been a subject of postcolonial research. However, remarkably, the travel route of these bells, some of which weighed over a ton, could not be documented. Until now, the way how the bells were imported into Switzerland as unknown, and the problem of their provenance unsolved. This article argues that a global history approach provides new insights in two respects: Th

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Gerber, Marlène, Hans-Peter Schaub, and Sean Mueller. "O sister, where art thou? Theory and evidence on female participation at citizen assemblies." European Journal of Politics and Gender 2, no. 2 (2019): 173–95. http://dx.doi.org/10.1332/251510819x15471289106095.

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This article investigates gender differences in participation at the citizen assembly of Glarus, Switzerland. We use original survey data collected among 800 citizens. We find significant gender gaps both for attending and holding a speech at the assembly. Lower female attendance is particularly pronounced among older cohorts and can largely be explained by gender differences in political interest, knowledge and efficacy. In contrast, the gender gap in speaking is substantial regardless of age and cannot be reduced to factors that typically shape participation. Hence, gender differences are di

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Demitere, Maija, and Jan Georg Glöckner. "Two Perspectives on Ecological Art." Scriptus Manet: humanitāro un mākslas zinātņu žurnāls = Scriptus Manet: Journal of Humanities and Arts, no. 13 (November 8, 2021): 33–43. http://dx.doi.org/10.37384/sm.2021.13.033.

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In the paper “Two perspectives on ecological art”, we will compare two perspectives on sustainability and the practicality of an ecological artwork. One perspective is from Latvian media artist Maija Demitere, researching slow media art, deep sustainability, and food production. Demitere uses micro-gardening prototypes as an instrument to inform the public on the problems of food production (local food, biodiversity, pesticides, herbicides, pollution caused by agriculture). Demitere uses gardening in combination with DIY (Do it Yourself) technologies to talk about slow living, ecology of the m

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Buclin, Hadrien. "Swiss Intellectuals and the Cold War: Anti-Communist Policies in a Neutral Country." Journal of Cold War Studies 19, no. 4 (2017): 137–67. http://dx.doi.org/10.1162/jcws_a_00767.

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Political and cultural life in Switzerland in the 1950s was characterized by a particularly fervent anti-Communism. This position was sustained by Swiss authorities as they promoted “spiritual national defense,” a policy that consisted—in the struggle against Soviet influence—of subsidies for patriotic works of art or essays and the covert prosecution of citizens (in particular, intellectuals and artists) suspected of having Communist sympathies. This article examines the rise of Swiss anti-Communism, including the reestablishment of political censure at the beginning of the Cold War, which le

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Sabău, Nicolae. "American and Jewish Art Historians in Correspondence With Prof. C. Petranu (1893-1945)." Studia Universitatis Babeș-Bolyai Historia Artium 66, no. 1 (2021): 69–114. http://dx.doi.org/10.24193/subbhistart.2021.04.

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"American and Jewish Art Historians in Correspondence with Prof. C. Petranu (1893-1945). This article is part of the correspondence Prof. C. Petranu, founder of the education and scientific research in the field of art history in Transylvania and at King Ferdinand University of Cluj, conducted with prestigious American fellow specialists, professors, researchers, museographers, directors of publishing houses and magazines in this field. Among Prof. Petranu’s most frequent correspondents we can mention fellow specialists and researchers residing in the United States of America, as well as in ma

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Carlin, Jane. "Heralding the future: the art publisher in Great Britain from the 1920s through the post-war era." Art Libraries Journal 17, no. 3 (1992): 18–26. http://dx.doi.org/10.1017/s0307472200007914.

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Major contributions to the publication of art books in the 20th century have been made by publishing houses in Great Britain. These include The Studio magazine and its associated publications, founded by Charles Holme late in the 19th century, a widely influential enterprise which was eventually to become the publishing house Studio Vista. Three other ventures resulted from initiatives by European émigrés. Anton Zwemmer arrived in England and commenced his activities as bookseller and publisher in the 1920s. Bela Horovitz’s Phaidon Press, founded in Vienna in 1923, was safeguarded from the Naz

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Oltrogge, Doris. "Writing on Pigments in Natural History and Art Technology in Sixteenth-Century Germany and Switzerland." Early Science and Medicine 20, no. 4-6 (2015): 335–57. http://dx.doi.org/10.1163/15733823-02046p03.

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Renaissance painters used a number of inorganic color materials. The development of mineralogy as a discipline opened a new discourse on mineral pigments. Agricola and other naturalists were familiar with the contemporary writings on art technology, but their focus was different. Therefore, the exchange of knowledge between these two color worlds remained selective. One possible meeting point was the Kunstkammer where the study of natural objects and materials was combined with an interest in the manual execution of a painting.

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Siegenthaler, Fiona, and Marie-laure Allain Bonilla. "Introduction: Decolonial Processes in Swiss Academia and Cultural Institutions." TSANTSA – Journal of the Swiss Anthropological Association 24 (May 1, 2019): 4–13. http://dx.doi.org/10.36950/tsantsa.2019.24.6833.

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This introduction discusses aspects of decolonial processes and their relevance with regard to Swiss cultural institutions and higher education by presenting key concepts of decolonial thinking such as coloniality, modernity and de-linking. Boaventura de Sousa Santos’s suggestions for decolonising Western universities are juxtaposed with actual decolonial processes taking place in different academic, (art) education and museum settings in Switzerland and abroad, and their political dimensions are scrutinised. The introduction concludes by presenting current debates, research projects and sugge

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Staehelin, Daniel. "Freezing of Assets in Swiss Banks." International Journal of Procedural Law 7, no. 2 (2017): 276–87. http://dx.doi.org/10.1163/30504856-00702006.

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As the Regulation (EU) No. 655/2014 establishing a European account preservation order is not applicable in Switzerland, this article shows how assets held in a Swiss bank can be frozen. The main grounds for a freezing order are either an executable judgment or the debtor being domiciled outside of Switzerland. The court grants a freezing order without hearing the debtor. The competent court is the court where the assets of the debtor are situated or the court of the debtor’s domicile in Switzerland. The freezing order will be executed by the debt enforcement office. Afterwards the debtor may

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