Academic literature on the topic 'Savyon (1948-....)'

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Journal articles on the topic "Savyon (1948-....)"

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Poškus, Kazys. "Lietuvos mokytojo socialinio aktyvumo raidos bruožai." Acta Paedagogica Vilnensia 1 (January 17, 2016): 12–21. http://dx.doi.org/10.15388/actpaed.0.01.9342.

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Socialinis mokytojo aktyvumas apibrėžiamas ir kaip asmeninė, ir kaip integrali visuomenės nario savybė, apimanti daugelį bruožų - idėjiškumą, pilietiškumą, humaniškumą, tautiškumą, kūrybiškumą ir t.t., ir realizuojama visuomeninėje, politinėje, kultūrinėje, profesinėje ir kitose sferose. Straipsnyje siekiama atskleisti mokytojų socialinio aktyvumo raišką įvairiomis istorinėmis aplinkybėmis. Aptariama mokytojų pasipriešinimas polonizacijai ir Rusijos caro represijoms XIX a. - XX a. pradžioje, aprašoma slaptųjų lietuviškų mokyklų mokytojų, vadinamųjų daraktorių, veikla. Vieni aktyviausių visuome
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Caffarena, Fabio. "La legge della memoria." Mnemosyne, no. 5 (October 15, 2018): 13. http://dx.doi.org/10.14428/mnemosyne.v0i5.13493.

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Tra il 1948 e il 1949 un lucidatore di mobili di Rieti, rinchiuso nelle carceri giudiziarie di Pordenone, scrive una particolare memoria autobiografica: un'autodifesa da presentare al locale Tribunale per respingere l'accusa di false generalità e appropriazione indebita. Reati – secondo il protagonista – indotti dalle circostanze che dopo l'8 settembre 1943 gli avevano consentito di evadere dalla Casa di lavoro di Finale Ligure, dove era rinchiuso per una lunga serie di furti. Catturato dai tedeschi dopo l'evasione e caricato su un treno diretto ai campi di concentramento, riuscirà a scappare,
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Volpera, Federica. "Per la fortuna critica di Ludovico Brea: una monografia inedita di Piero De Minerbi (1911-1912)." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 271–309. http://dx.doi.org/10.48294/s2020.015.

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The archive of the Pinacoteca Civica in Savona preserved an unpublished typescript about the painter Ludovico Brea (Nice, 1450 c.-1516/1525): this work was written between 1911 and 1912 by the art historian Piero Hierschel De Minerbi, who belonged to a noble family from Trieste. The study of the text, illustrated by seventy-seven black and white photos, and four tables featuring sketches by the author, enables not only to add a new element to the critical history of Ludovico Brea but also to reflect on the state of the history of art criticism in Italy at the beginning of the Twentieth century
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Monti, Ana María, Alfredo Caro, and Diana Farkas. "Dr Eduardo Savino (1945–1998)." Philosophical Magazine A 80, no. 6 (2000): 1297–98. http://dx.doi.org/10.1080/01418610008212119.

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Hamrin, Tina. "Dance as Aggressiveness." Scripta Instituti Donneriani Aboensis 16 (January 1, 1996): 175–92. http://dx.doi.org/10.30674/scripta.67228.

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The woman who founded Tenho-kötai-jingii-kyö, Kitamura Sayo (1900-1967), publicly announced in July 1945 that the world was coming to an end and that she had been chosen by the absolute deity Tensho Kotai Jingu to be the savior of the world. People began to gather to her banner, a religious organization was formed, and legal incorporation of the group as a religious juridical person took place in January 1947. Teaching that regret, desire, hatred, love and other emotional antipathies were the cause of all misfortune, the founder urged people to free themselves of such restraints by praying ear
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Ben Hadj Salah, Saloua. "Atteintes aux libertés de la femme dans le Droit nestorien médiéval d’après le Fiqh an-Nasraniya d’Ibn at-Taiyib." Chronos 33 (September 3, 2018): 79–94. http://dx.doi.org/10.31377/chr.v33i0.94.

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Cette étude s'intéresse aux atteintes successives aux libertés de la femme telle que discernées dans l'évolution de Droit nestorien entre le VIF et le XIe siècle. La question est abordée à partir de l'ouvrage Fiqh an-Nasraniya d'Ibn at- Taiyib qui en présente les textes de loi, suivant donc une approche juridique, celle en usage tout au moins au XIe siècle (Ibn at-Taiyib 1956). Jusque-là, dans I 'état actuel de nos connaissances, aucune autre œuvre ne s'était acquittée d' une telle tâche, malgré quelques tentatives, essentiellement celle du métropolitain Gabriel de Basra (IXC-xe siècle), auteu
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Penaloza Patzak, Brooke. "The Museum is Open: Towards a Transnational History of Museums 1750-1940 (Meyer and Savoy, eds.)." Museum Anthropology Review 9, no. 1-2 (2015): 176–78. http://dx.doi.org/10.14434/mar.v9i1-2.19529.

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Ograjenšek, Suzana. "Mednarodni simpozij Friderik Širca - Risto Savin (1859-1948): Osebnost, glasba in pomen." Musicological Annual 46, no. 1 (2010): 135–45. http://dx.doi.org/10.4312/mz.46.1.135-145.

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Petley, Julian. "Savoy scrapbook." Index on Censorship 25, no. 1 (1996): 162–66. http://dx.doi.org/10.1177/030642209602500143.

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A legal column dedicated to the memory of Bernie Simons (1941-1993), radical lawyer and defender of human rights In a liberal society, issues of civil liberties and free expression are generally fought out on the margins of public debate, as Savoy publishers discovered when their Lord Horror ran foul of the law
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SHARMA, PRASHANT P., ADRIANO B. KURY, and GONZALO GIRIBET. "Zalmoxidae (Arachnida: Opiliones: Laniatores) of the Paleotropics: a catalogue of Southeast Asian and Indo-Pacific species." Zootaxa 2972, no. 1 (2011): 37–58. http://dx.doi.org/10.11646/zootaxa.2972.1.3.

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A revised catalogue of the Paleotropical Zalmoxidae including images of selected available type specimens is presented. Distribution data are provided to the best of our knowledge. The genera Acrozalmoxis Roewer, 1915, Camanastus Roewer, 1949, Papuastus Roewer, 1949, Savoa Roewer, 1949, and Zalmoxomma Roewer, 1949 are newly synonymized with the type genus Zalmoxis Sørensen, 1886. The following new combinations are established: Zalmoxis australis, Zalmoxis bonka, Zalmoxis insularis, Zalmoxis maculosus, Zalmoxis occidentalis, and Zalmoxis ponapeus. Bogania Forster, 1955 and Bunofagea Lawrence, 1
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Dissertations / Theses on the topic "Savyon (1948-....)"

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Ben, Mbarek Hala. "Les figures féminines dans les littératures israélienne et palestinienne à travers les oeuvres de Savyon Liebrecht et de Sahar Khalifa." Paris, INALCO, 2007. http://www.theses.fr/2007INAL0016.

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Savyon Liebrecht et Sahar Khalifa privilégient la description d'un univers complexe à travers des personnages au moyen desquels elles explorent les recoins de l'identité féminine. Les thèmes développés dans les oeuvres sont: oppression, souffrance, solitude, difficulté à faire ses propres choix, s'opposent aux mythes et aux stéréotypes. Les oeuvres vivantes et réalistes de ces femmes dénoncent une situation oppressante et avancent des recettes simples pour redresser une condition qu'elles jugent stéréotypée<br>Savyon Liebrecht and Sahar Khalifa describe the intimate universe of the feminine id
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Topp, Marlen [Verfasser], Bénédicte [Akademischer Betreuer] Savoy, Bénédicte [Gutachter] Savoy, and Birgitt [Gutachter] Borkopp-Restle. "Im Auftrag des Staates - die französische Porzellanmanufaktur Sèvres zwischen politischer Weisung und künstlerischer Autonomie (1938 bis 1963) / Marlen Topp ; Gutachter: Bénédicte Savoy, Birgitt Borkopp-Restle ; Betreuer: Bénédicte Savoy." Berlin : Technische Universität Berlin, 2018. http://d-nb.info/1174990562/34.

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Abdoulaev, Alexandre. "Savoy: reassessing the role of the "World's Finest Ballroom" in music and culture, 1926-1958." Thesis, 2014. https://hdl.handle.net/2144/15146.

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From 1926 to 1958, the Savoy Ballroom in New York's Harlem neighborhood played a critical role in the development and showcasing of African-American popular culture. During its lifetime, the Savoy Ballroom significantly affected the concurrent development of jazz music and jazz dance, and laid important groundwork for racial integration. The Savoy Ballroom served as the home base for such jazz greats as William "Chick" Webb, Lucius Venable "Lucky" Millinder, and David "Panama" Francis, and launched the careers of John Birk "Dizzy" Gillespie, Charlie Parker, and Thelonious Monk. Beyond music,
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Books on the topic "Savyon (1948-....)"

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Monte San Savino in età repubblicana, 1944-1971. Zona, 2009.

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Martino, Antonio. Savona e provincia nel dopoguerra: Situazione politico-economica e ordine pubblico nelle relazioni dei prefetti (1945-1949). Grifl, 2008.

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Militello, Giuseppe. Un vescovo al Concilio: mons. G. B. Parodi: Vescovo di Savona-Noli, 1948-1974. Lateran university press, 2001.

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Lewis, Winston B. The battles of Savo Island, 9 August 1942 and the eastern Solomons, 23-25 August 1942. Naval Historical Center, Department of the Navy, 1994.

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Viaggio di nozze e di guerra: Da Savona a piazzale Loreto memorie di un giovane ufficiale della GNR. Lo scarabeo, 2007.

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1961-, Clarinard Raymond, ed. "Nous ne savions pas": Les Allemands et la Solution finale, 1933-1945 : essai. H. d'Ormesson, 2008.

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1951-, Coulthard-Clark C. D., ed. The shame of Savo: Anatomy of a naval disaster. Naval Institute Press, 1994.

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1951-, Coulthard-Clark C. D., ed. The shame of Savo: Anatomy of a naval disaster. Allen & Unwin, 1994.

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1951-, Coulthard-Clark C. D., ed. The shame of Savo: Anatomy of a naval disaster. Naval Institute Press, 1997.

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Tuiremo, Lea. Nainen ja sota: Tutkimus Pohjois-Savon Rintamanaiset r.y:n jäsenten työstä ja kokemuksista sotatoimialueella vuosina 1939-1945 ja niiden vaikutuksesta heidän sodanjälkeiseen elämäänsä. Snellman-instituutti, 1992.

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Book chapters on the topic "Savyon (1948-....)"

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Corbusier, Le, and Pierre Jeanneret. "Villa für Pierre Savoye 1928–1931." In Paris. Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-86033-0_39.

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Janzen, Rebecca. "A Mexican Savior Can’t Work Miracles: Reflections on Post-1968 Mexico." In The National Body in Mexican Literature. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543011_5.

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B. WEITZMAN, Jonathan. "L’émergence de la forme dans l’histoire de l’épigénétique." In L’explosion des formes de vie. ISTE Group, 2020. http://dx.doi.org/10.51926/iste.9005.ch5.

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Le mot « épigénétique » inventé en 1942 par Conrad Waddington était lié à la fois à « la génétique » et à « l’épigénèse », l’émergence de la forme. Aujourd’hui, nous en savons beaucoup sur les mécanismes épigénétiques par lesquels les signaux environnementaux et les caractéristiques génétiques contribuent à la formation de belles formes sous-jacentes au paysage épigénétique de Waddington.
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van Delden, Ate. "With Fred Elizalde in England, 1928." In Adrian Rollini. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0012.

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From Basque descent and growing up in the Philippines, Fred Elizalde was an advanced composer and orchestra leader. He had worked in the USA and was familiar with the quality of its dance music and jazz, which he wanted to bring to London and then develop further. He managed to get a contract with the Savoy Hotel, London's top hotel, and in order to fulfil his ambition he hired Americans including Rollini and Bobby Davis. Rollini was featured on most of Elizalde's records, both with the full orchestra and with a jazz band, sometimes using American arrangements. The public's reaction was generally positive, but the band's broadcasts were not always well received. Elizalde defendedhis approach to his management and with initial success. During a short trip home Rollini marries Dixie. His popularity among British music lovers grows further and Melody Maker, a major magazine, asks him to write articles about his music.
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Lekan, Thomas M. "A Zookeeper’s Ecology." In Our Gigantic Zoo. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199843671.003.0002.

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This chapter examines the early career of Bernhard Grzimek, who became the director of the Frankfurt Zoo in 1945 after serving as a veterinarian and agricultural minister for the Third Reich. Grzimek became famous for transforming the zoo from a bombed-out shell into one of Europe’s most successful zoological gardens by combining insights from ethology and ecology to help the animals thrive in captivity. Behind his carefully crafted public image as savior of animals, however, Grzimek revealed in memoirs and writings about animal behavior a much darker self, haunted by fears of extinction, eugenic decline, and wartime displacement that signaled an inability to come to terms with his and his country’s Nazi experience. Grzimek’s concern about the spread of Western “degeneracy” to Africa explains the urgency of his quest to save animals and their habitats there—and the indifference he often displayed toward local and indigenous peoples who stood in the way of his pursuit.
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Vignolo, Paolo. "A Holy Week Carnival, The Iberoamerican Theater Festival of Bogotá." In Focus on World Festivals. Goodfellow Publishers, 2016. http://dx.doi.org/10.23912/978-1-910158-55-5-3025.

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This chapter explores the entangled relations of a contemporary and post- traditional festival with a much older festive substrate associated with Holy Week and Carnival. In this sense it is not intended as a systematic study of the Iberoamerican Theater Festival of Bogotá (ITFB), much less as a summary of its more than two decade long history. My more modest goal is to read this festival as a material and rhetorical dispositif arising in response to a social crisis (Castro Gómez, 2011), closely related to what I have called elsewhere regimes of festive alteration (Vignolo, 2015: 138-159): 1 The fiesta-bonanza, distinguished by excess and associated with human, territorial, and resource exploitation on the frontier of capitalist expansion (Braudel, 2002; Taussig, 1980: xii). 2 the fiesta-revolution, dominated by the trope of inversion and aiming to undermine the status quo, disrupt the social order, and scramble established dichotomies (Bakhtin, 1984; Eco, 1984). 3 The fiesta-passion, where the ritual sacrifice of a savior figure provides the community with a chance to separate from the conflicts that threaten its unity, through the trope of transfiguration. (Girard 1977; Esposito, 2003). Intertwined, superimposed, and interarticulated, they encompass practically all the festive events of the last 30 years in Colombia, it would be possible to trace their genealogy back to colonial times (Vignolo, 2015: 139).
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Jarrett, Michael. "Cutting Sides." In Pressed for All Time. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469630588.003.0002.

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Production before the advent of magnetic tape—in the era of 78-RPM records—emphasized "pre-production." A&amp;R men (short for "artists and repertoire") chose artists to record, and they paired songs from the publishing firms of Tin Pan Alley with artists. The A&amp;R work of Milt Gabler (at Commodore and Decca Records) and John Hammond and George Avakian (at Columbia) is exemplary. Gabler organized a series of jam sessions, which he recorded. Avakian produced Chicago Jazz (1940), the first jazz "album" of original material. As part of their popular music divisions the major labels—Columbia, Decca, and RCA Victor—record and market jazz. A number of specialty labels emerge: Commodore, Prestige, Contemporary, Verve, Blue Note, Atlantic, Riverside, and Savoy. Though dependent on pressing plants owned by the majors, they reflect the production philosophies of the connoisseurs who founded and owned them.
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Hobson, Maurice J. "The Bravado of the Black Mecca and Blackness Abroad." In The Legend of the Black Mecca. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635354.003.0005.

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Chapter Four focuses on Atlanta’s rise as a global black city and the idea of black global citizenship through foreign and domestic policies as seen through U.S. Presidents, from John F. Kennedy to Jimmy Carter. When Andrew Young was elected as the city’s second black mayor during the 1980s, he inherited numerous social ills and a pernicious financial crisis. When President Ronald Reagan cut federal funding to American cities, Young found it necessary to fund and expand the city through foreign investments and neo-liberal forms of urban renewal and gentrification. Most of Atlanta’s black community saw a business-minded and globetrotting mayor promoting purported progress and the black Mecca image. Yet, Young had no plan to deal with issues pertinent to the poor as mayor and his “citizen of the world” persona was not a good look for Atlanta’s working class and poor black communities, as it seemed that he did not embody their interests. Young used his savior-faire and political influence to refashion a city worthy of hosting the 1988 Democratic National Convention and the Centennial Olympiad. The Democratic National Convention served as the dress rehearsal for the Centennial Olympiad and from this event it was clear that Atlanta was indeed a new city with the black Mecca image at its center, worthy of hosting events on the world’s stage. However, Atlanta’s overwhelmingly poor and black citizens did not share this vision of their city nor were they at the center of the commercial branding of the America South. The significance of this is that once again, the issue of class within the black community presents itself as more divisive than cohesive.
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Reports on the topic "Savyon (1948-....)"

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Quantock, David E. Disaster at Savo Island, 1942. Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada401647.

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