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1

Downing, Crystal. "Angelic Work: The Medieval Sensibilities of Dorothy L. Sayers." Journal of Inklings Studies 3, no. 2 (2013): 111–32. http://dx.doi.org/10.3366/ink.2013.3.2.7.

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After establishing Dorothy L. Sayers’s interest in medieval culture, this essay narrows its focus to Gothic architecture, arguing that Sayers’s fascination with medieval churches helped transform her view of the Church Universal. While a student at Oxford, Sayers echoed the modernist sensibilities of her time, valuing medieval architecture for the way it revealed the “sweetness and light” of culture. After two decades and several detective novels, Sayers began to see medieval architecture differently. Her novel The Nine Tailors provided a key to unlock her vision, and her play The Zeal of Thy
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2

Revington, Robert. "How Dorothy L. Sayers Helped the Prime Minister of Canada Rally His Country before D-Day." Journal of Inklings Studies 11, no. 2 (2021): 153–68. http://dx.doi.org/10.3366/ink.2021.0112.

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In May 1944, Dorothy L. Sayers exchanged letters and had a phone conversation with William Lyon Mackenzie King, the prime minister of Canada. Sayers's letter made such an impression on King that he saw mystical and prophetic significance in its arrival and used it in a speech he gave in the Canadian House of Commons. This study uses the digitised archives of King's diaries and the parliamentary records of his speech, as well as Canadian media accounts from the time. It will be shown that Sayers played an underappreciated role in helping the Canadian prime minister rally his country during the
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3

Colón, Christine A. "Defending Tennyson." Christianity & Literature 66, no. 2 (2017): 274–92. http://dx.doi.org/10.1177/0148333116645610.

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Dorothy L. Sayers’s interactions with Tennyson’s poetry provide a powerful example of her theology of charitable reading. Unlike many of her contemporaries, Sayers refused to oversimplify Tennyson’s works. She defended him from his critics and used some of his ideas to inform Gaudy Night, crafting an insightful critique of The Princess that acknowledges the poem’s problems but also emphasizes its underlying truths. Sayers never completely articulated her theology of charitable reading, but with her approach to Tennyson, she enacts the theology that is implicit in her reflections on the artist
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4

Paesler, Michael, Edward Stern, and William Thomlinson. "Dale Edward Sayers." Physics Today 58, no. 7 (2005): 82. http://dx.doi.org/10.1063/1.2012482.

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5

Ibbotson, Peter. "SAYERS AND CIPHERS." Cryptologia 25, no. 2 (2001): 81–87. http://dx.doi.org/10.1080/0161-110191889806.

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6

De Reyff, Simone. "DLS (Dorothy L. Sayers)." Pierre d'angle 8 (2002): 135–51. http://dx.doi.org/10.5840/pda2002811.

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7

Stewart, Victoria. "Constructing the Crime Canon: Dorothy L. Sayers as an Anthologist." Literature & History 30, no. 2 (2021): 105–20. http://dx.doi.org/10.1177/03061973211041252.

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A consideration of Dorothy L. Sayers's work as an anthologist of short detective fiction during the late 1920s and early 1930s shows how, though hemmed in by considerations of cost and copyright, Sayers used the compiling of anthologies both as a means of promoting her ideas about the detective form and to foster connections with fellow practitioners. An analysis of Sayers's five anthologies shows her favouring particular authors and stories, even while accommodating different audiences and venues of publication. She thus constructed a canon of short detective fiction, one that continues to ex
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8

Szurek, Agnieszka. "Szekspir i Dorothy L. Sayers — od zabawy cytatami do rekonstrukcji „przemilczanych opowieści”." Literatura i Kultura Popularna 28 (October 6, 2022): 23–33. http://dx.doi.org/10.19195/0867-7441.28.2.

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This paper outlines the evolution in Sayers’ use of Shakespeare — from merely playing with quotes to deeper and more sophisticated relations. Sayers frequently uses quotations as mottos or titles, she also intertwines them to her heroes’ utterances, mainly to achieve comical effect. Tossing quotes around in this manner may seem rather shallow when compared to other ‘golden age’ authors, such as for example Josephine Tey (Daughter of Time) or Agatha Christie (Taken at the Flood). Shakespearean quotes in Sayers’ crime stories are mainly ornamental and rarely have an important function in the plo
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9

Haack, Susan. "AFTER MY OWN HEART: DOROTHY SAYERS' FEMINISM." Think 7, no. 19 (2008): 23–33. http://dx.doi.org/10.1017/s1477175608000031.

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Dorothy Sayers' Gaudy Night, published in 1936, explores still-topical questions about the relation of epistemological and ethical values, and about the place of women in the life of the mind. In her wry reflections on the radical differences between today's feminist philosophy and Sayers' no-nonsense observation that “women are more like men than anything else on earth,” Susan Haack draws both on this detective story and on Sayers' wonderfully brisk essay, ‘Are Women Human?’
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10

Khater, Akram, and Jeffrey Culang. "EDITORIAL FOREWORD." International Journal of Middle East Studies 49, no. 2 (2017): 211–13. http://dx.doi.org/10.1017/s0020743817000010.

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How do history and literature create a sense of ethnic or imperial community? And how do social and legal normative and disruptive narratives contribute to drawing the boundaries of such communities? To provide some answers, this issue brings together three articles on “Historicizing Fiction” and two on “Early Safavids and Ottomans.” In the first section, David Selim Sayers's article, “Sociosexual Roles in Ottoman Pulp Fiction,” analyzes “premodern sociosexual roles” in the Ottoman Empire through the Tıfli stories, a form of lowbrow literature that narrates the everyday lives of their protagon
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11

Willerton, Chris. "Dorothy L. Sayers, Dante, and the Modern Reader." Journal of Inklings Studies 3, no. 2 (2013): 41–58. http://dx.doi.org/10.3366/ink.2013.3.2.4.

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The strongest link between the medieval and Dorothy L. Sayers’s Christian apologetics are her commentaries on Dante. She was less interested in medievalism than in the medieval itself, used as a mirror of her own century. One result is that Sayers does not discuss Dante’s work in order to promote the gospel but rather finds the gospel fused into it. Her concern with reader response drives both her exposition of Dante and the Christian apologetic embedded in it: to rejoice in Dante, a reader has to suspend disbelief (and other habits of modern thought) and consider whether Christianity might be
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12

Sewell, Brocard. "Dorothy Sayers as a Translator." Chesterton Review 18, no. 1 (1992): 153–54. http://dx.doi.org/10.5840/chesterton1992181178.

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13

Poe, Harry L. "Book Review: Dorothy L. Sayers." Review & Expositor 82, no. 1 (1985): 145. http://dx.doi.org/10.1177/003463738508200129.

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14

Loades, Ann. "Dorothy L. Sayers, 1893–1957." Theology 96, no. 770 (1993): 99–100. http://dx.doi.org/10.1177/0040571x9309600201.

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15

Loades, Ann. "Book Review: Dorothy L. Sayers." Theology 96, no. 772 (1993): 335–36. http://dx.doi.org/10.1177/0040571x9309600427.

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16

Home, Brian. "Book Review: Dorothy L. Sayers." Theology 97, no. 777 (1994): 221–22. http://dx.doi.org/10.1177/0040571x9409700326.

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17

Christie, Thomas. "Book Review: Dorothy L. Sayers." Theology 98, no. 782 (1995): 147–48. http://dx.doi.org/10.1177/0040571x9509800225.

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18

Collinge, William J. "“Doing Well a Thing That Is Well Worth Doing”: Teaching Dorothy L. Sayers on Work." Horizons 33, no. 01 (2006): 101–10. http://dx.doi.org/10.1017/s0360966900002978.

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ABSTRACTThis essay discusses the use of Dorothy L. Sayers' essay “Why Work?” (1942) in a Freshman Seminar that inaugurates a four-year structured core curriculum in a Catholic liberal arts university. After a synopsis of Sayers' argument, it enumerates some contributions that her essay can make to a Catholic liberal arts education in (1) directing students' attention to the goods intrinsic to work, (2) situating work in a theological perspective, (3) introducing the idea that the worker's relationship to God is internal to the work, and (4) addressing work in terms of vocation. It concludes by
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19

Wehr, Kathryn. "‘Nobody must be allowed to “talk Bible”’: Dorothy L. Sayers' Use of the Authorized Version and the Coverdale Psalms in The Man Born to be King." Journal of Inklings Studies 8, no. 2 (2018): 144–65. http://dx.doi.org/10.3366/ink.2018.0012.

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Dorothy L. Sayers' 1941–1942 radio play cycle on the life of Christ, The Man Born to be King, is often lauded for its use of the vernacular, though the scholarly discussion of this aspect of her work often creates the false impression that Sayers was working with a Greek New Testament in one hand and a blank piece of paper in the others. This study focuses on the subtle but clear evidence of Sayers' use of the Authorized Version of the Bible, particularly in the areas of narration and Old Testament quotation as well as additional evidence of the Coverdale Psalms from the Book of Common Prayer.
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20

Hunt, Margaret Wiedemann. "‘Playwrights Are Not Evangelists’: Dorothy L. Sayers on Translating the Gospels into Drama." Studies in Church History 53 (May 26, 2017): 405–19. http://dx.doi.org/10.1017/stc.2016.24.

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Dorothy L. Sayers's twelve-part wartime radio life of Christ The Man Born to be King has been judged ‘an astonishing and far-reaching innovation’, not only because it used colloquial speech and because Jesus was a character voiced by an actor, but also because it brought the gospels into people's lives in a way that demanded an imaginative response. In spite of this, Sayers insisted that her purpose was not evangelization. Sayers's writing on theological aesthetics asserts that a work of art will only speak to its audience if the artist ‘serves the work’ rather than trying to preach. This arti
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21

Oliver, E. J. "Dorothy L. Sayers and Chesterton's Cloak." Chesterton Review 19, no. 1 (1993): 63–71. http://dx.doi.org/10.5840/chesterton199319110.

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22

Fortowsky, Keith. "Dorothy Sayers and a Modern Musical." Chesterton Review 19, no. 3 (1993): 439–40. http://dx.doi.org/10.5840/chesterton1993193106.

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23

Reynolds, Barbara. "Dorothy L. Sayers and "The Surprise"." Chesterton Review 25, no. 3 (1999): 307–15. http://dx.doi.org/10.5840/chesterton199925388.

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24

Rowell, Charles H., and Thomas Sayers Ellis. "An Interview with Thomas Sayers Ellis." Callaloo 21, no. 1 (1998): 88–99. http://dx.doi.org/10.1353/cal.1998.0045.

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25

King, Daniel Patrick, and Barbara Reynolds. "Dorothy Sayers: Her Life and Soul." World Literature Today 69, no. 1 (1995): 150. http://dx.doi.org/10.2307/40150976.

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26

Schulte, Rainer. "MARGARET “PETCH” SAYERS PEDEN, 1927-2020." Translation Review 107, no. 1 (2020): 135. http://dx.doi.org/10.1080/07374836.2020.1799652.

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27

Wilde, Lawrence. "Marxism and Human Nature Sean Sayers." Historical Materialism 7, no. 1 (2000): 295–98. http://dx.doi.org/10.1163/156920600794750838.

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28

Zarlina, Juni. "SCHIZOPHRENIFORM IN ANDRES HEINZ’S BLACK SWAN." LINGUA LITERA : journal of english linguistics and literature 6, no. 2 (2021): 1–10. http://dx.doi.org/10.55345/stba1.v6i2.101.

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 This research aims to analyze the personality disorder, Schizophreniform, that happened in this drama, Black Swan by Andres Heinz. It describes that the maincharacter, Nina Sayers, has a psychological problem. She suffers from Schizophreniform. Three questions appear to discuss i.e. the causes, the symptoms, and defense mechanism of Schizophreniform perceived by Nina Sayers the main character. This research uses a theory of Psychoanalysis by Sigmund Freud. There are two concepts to be applied to three problems in this research. The concepts are Id, Ego & Superego, and Defens
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29

Duncan, Michael J., Joanne Hankey, and Alan M. Nevill. "Peak-Power Estimation Equations in 12- to 16-Year-Old Children: Comparing Linear with Allometric Models." Pediatric Exercise Science 25, no. 3 (2013): 385–93. http://dx.doi.org/10.1123/pes.25.3.385.

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This study examined the efficacy of peak-power estimation equations in children using force platform data and determined whether allometric modeling offers a sounder alternative to estimating peak power in pediatric samples. Ninety one boys and girls aged 12–16 years performed 3 countermovement jumps (CMJ) on a force platform. Estimated peak power (PPest) was determined using the Harman et al., Sayers SJ, Sayers CMJ, and Canavan and Vescovi equations. All 4 equations were associated with actual peak power (r = 0.893−0.909, all p < .01). There were significant differences between PPest using
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30

Sparkes, Russell. "Dorothy L. Sayers and G. K. Chesterton." Chesterton Review 24, no. 4 (1998): 483–91. http://dx.doi.org/10.5840/chesterton199824495.

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31

Hahn, Stephen. "Theodicy in Dorothy Sayers' Murder Must Advertise." Renascence 41, no. 3 (1989): 169–76. http://dx.doi.org/10.5840/renascence19894133.

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32

Carey, Faye. "Freud's Art: Psychoanalysis Retold - By Janet Sayers." British Journal of Psychotherapy 25, no. 3 (2009): 393–98. http://dx.doi.org/10.1111/j.1752-0118.2009.01133_1.x.

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33

Kaplan, Meryle Mahrer. "On androgynous caring: A response to Sayers." New Ideas in Psychology 5, no. 2 (1987): 269–72. http://dx.doi.org/10.1016/0732-118x(87)90026-2.

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34

Preston-Dunlop, Valerie. "In Memoriam: Lesley-Anne Sayers, 1958–2010." Dance Chronicle 34, no. 1 (2011): 46–47. http://dx.doi.org/10.1080/01472526.2011.549793.

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35

Katz, Louis M., and Merlyn Sayers. "The above letter was sent to Drs Katz and Sayers; Drs Katz and Sayers offered the following reply." Transfusion 46, no. 4 (2006): 678–79. http://dx.doi.org/10.1111/j.1537-2995.2006.00782.x.

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36

Fadilla, Nurul. "KOMPARASI PEMIKIRAN BERWICK SAYERS DAN MARY MORTIMER TENTANG SISTEM KLASIFIKASI PERPUSTAKAAN." Jurnal Pustaka Ilmiah 6, no. 2 (2021): 1065. http://dx.doi.org/10.20961/jpi.v6i2.46421.

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<p>Tulisan ini membahas bagaimana sistem klasifikasi perpustakaan yang baik dan bersumber dari hasil pemikiran Berwick Sayers dan Mary Mortimer, kemudian dilakukan komparasi serta dilihat kerelevansian atas hasil pemikiran tersebut. Tulisan ini menggunakan pendekatan kualitatif. Analisis dilakukan secara deksriptif komparatif. Berwick Sayers dan Mary Mortimer telah dikenal banyak memunculkan pemikiran-pemikiran dan menghasilkan karya-karya salah satunya tentang sistem klasifikasi perpustakaan. Dari hasil komparasi pemikiran yang telah dilakukan tentang sistem klasifikasi perpustakaan, te
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37

Newman, Amy. "Review Essay: Place, Desire, Existence: Trinity University Press’s Writers World Series." College Composition & Communication 60, no. 2 (2008): W30—W34. http://dx.doi.org/10.58680/ccc20086874.

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38

Eads, Martha Greene. "The Anti-Romantic Comedies of Dorothy L. Sayers." Modern Drama 44, no. 2 (2001): 214–31. http://dx.doi.org/10.3138/md.44.2.214.

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39

Charles, J. Daryl. "Dorothy Sayers and the Moral Function of Doctrine." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 13, no. 2 (2004): 133–40. http://dx.doi.org/10.1177/106385120401300201.

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40

Neville, Graham. "Lay Theology: The Case of Dorothy L. Sayers." Theology 102, no. 809 (1999): 345–53. http://dx.doi.org/10.1177/0040571x9910200505.

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41

Griggs, Hilary. "PPA talk by Janet Sayers on "adolescent dreams"." Changes 14, no. 3 (1996): 252–53. http://dx.doi.org/10.1002/(sici)1234-980x(199608)14:3<252::aid-cha157>3.3.co;2-5.

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42

Ray, Richard. "Change and Athletic Training." Athletic Training Education Journal 1, no. 1 (2006): 2–5. http://dx.doi.org/10.4085/1947-380x-1.1.2.

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43

Wieczorek, Anna Ewa. "The (De)legitimising power of narrative reports: A case study of covert sayers." Lodz Papers in Pragmatics 15, no. 1 (2019): 23–44. http://dx.doi.org/10.1515/lpp-2019-0003.

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Abstract One of two primary aims of this article is to advance a pragma-cognitive approach to the analysis of narrative reports used as parts of short narratives which draws on two salient theories: the Cognitive Approach proposed by Chilton (2004, 2005, 2010, 2014) and Cap's (2006, 2010, 2013, 2017) Proximisation Theory. The other equally important objective is to propose a taxonomy of covert sayers, i.e. actors whose words are reported by the current speaker (cf. Vandelanotte 2006, 2008, 2009), whose identity is concealed and may be retrieved via inferences drawn on the basis of shared value
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44

Wieczorek, Anna Ewa. "On covert and overt sayers: A pragmatic-cognitive study into Barack Obama’s presidential rhetoric of image construction and (de)legitimisation." "Res Rhetorica" 7, no. 4 (2020): 147–68. http://dx.doi.org/10.29107/rr2020.4.10.

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This article aims to investigate narrative reports based on the use of reported speech frames from a pragmatic-cognitive perspective. As rhetorical means of image creation and (de)legitimisation, they are frequently employed to represent utterances that constitute integral elements of short narratives incorporated into American presidential speeches. This paper’s main objective is to propose an original taxonomy of sayers, namely speakers of words reported (Halliday 1981, 1985; Vandelanotte 2006) in political discourse and to investigate their potential for self- and other-presentation and (de
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45

Laoire, Lillis Ó. "Peig Sayers: Níl Deireadh Ráite/not the final word." Folk Life 59, no. 1 (2021): 74–75. http://dx.doi.org/10.1080/04308778.2021.1899479.

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46

Young, Laurel. "Dorothy L. Sayers and the New Woman Detective Novel." Clues: A Journal of Detection 23, no. 4 (2005): 39–53. http://dx.doi.org/10.3200/clus.23.4.39-53.

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47

Shea, Thomas F. "Peig Sayers: Religious Subversions, Covert Withholdings, and Undaunted Mettle." ABEI Journal 14 (November 17, 2012): 89. http://dx.doi.org/10.37389/abei.v14i0.3613.

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48

Brundage, James A. "Innocent III: Leader of Europe, 1198-1216.Jane Sayers." Speculum 71, no. 1 (1996): 211–12. http://dx.doi.org/10.2307/2865256.

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49

Monica Lott. "Dorothy L. Sayers, the Great War, and Shell Shock." Interdisciplinary Literary Studies 15, no. 1 (2013): 103. http://dx.doi.org/10.5325/intelitestud.15.1.0103.

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50

Dutta, Bidyarthi. "Revisiting Sayers: One Hundred Years of Canons of Classification." SRELS Journal of Information Management 58, no. 3 (2021): 165. http://dx.doi.org/10.17821/srels/2021/v58i3/154537.

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