Academic literature on the topic 'Scandinavian Art'

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Journal articles on the topic "Scandinavian Art"

1

Tochilova, Nadezhda N. "New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’." Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 361–75. http://dx.doi.org/10.21638/spbu15.2023.209.

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The aim of this research is to study the development of Scandinavian art outside of Scandinavia. The main attention is focused on the process of influence of the Borre style elementon the applied art development in North-West Russia of the 10th–12th centuries. The main sources of artistical influence should be not Scandinavia, but the territory of distribution of Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates the use of identical elements of decor, where the main place have the highly simplified Borre style motifs (chains and scale motifs), s
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2

Tochilova, Nadezhda N. "Norwegian wooden carved portals of the XI-XII centuries. The problem of the origin and development of style." Russian Journal of Church History 1, no. 2 (2020): 45–76. http://dx.doi.org/10.15829/2686-973x-2020-2-20.

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The article is devoted to study of Art`s Early Medieval Scandinavia XI-XII centuries. This process is concerning with transitional from Late Viking Art to early Romanesque. The main focus is on the group of Norwegian wood carving portals. The system of portals decorum is the result of artistic interaction between late pagan art and art of Christianity. This process reflected in wooden portals of Norwegian stave churches and others monuments of Scandinavian wooden, stone sculptures and objects of applied art.
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3

Sognnes, Kalle. "Reflections on Bronze Age travels." Antiquity 89, no. 343 (2015): 215–16. http://dx.doi.org/10.15184/aqy.2014.4.

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In the above paper, Johan Ling and Zofia Stos-Gale present results from a project comparing isotopes from Bronze Age artefacts with signatures from known Bronze Age mining localities. The results showed that artefacts found in southern Sweden were made from bronze mined in Cyprus. This is in itself interesting, but the discovery of rock art engravings in Sweden that resemble ‘oxhide’ bronze ingots from Cyprus adds a new dimension to the interpretation of Scandinavian rock art, with its strong focus on boat images. The number of possible oxhide ingots represented in Swedish rock art is low, but
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4

Jensen, Anita, Theodore Stickley, Wenche Torrissen, and Kjerstin Stigmar. "Arts on prescription in Scandinavia: a review of current practice and future possibilities." Perspectives in Public Health 137, no. 5 (2016): 268–74. http://dx.doi.org/10.1177/1757913916676853.

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Aims: This article reviews current practice relating to arts and culture on prescription in Sweden, Norway, Denmark and in the United Kingdom. It considers future possibilities and also each of the Scandinavian countries from a culture and health policy and research perspective. The United Kingdom perhaps leads the field of Arts on Prescription practice, and subsequent research is described in order to help identify what the Scandinavian countries might learn from the UK research. Method: The method adopted for the literature search was a rapid review which included peer-reviewed and grey lite
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Kharitonova, Natalya Stepanovna. "Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries." Journal of Flm Arts and Film Studies 7, no. 2 (2015): 97–104. http://dx.doi.org/10.17816/vgik7297-104.

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The author examines similarity of historical and cultural development of Russia and Scandinavian countries. Cultural ties between the two domains evolved over many centuries. The most intensive period of development of Russian-Scandinavian artistic contacts stretched from mid-1880s-1890s up to the end of the first decade of the 20th century. In 1890s Russian painters considered achievements of Scandinavian colleagues as an example of a quest for progress, a creative approach to finding ones way in development of fine arts. At the same period in Russia a number of major international art exhibi
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Jacobsson, Carina. "Bokanmeldelse." Primitive Tider, no. 25 (December 29, 2023): 113–15. http://dx.doi.org/10.5617/pt.10832.

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Bojesen, Benedicte. "Art Libraries in Denmark." Art Libraries Journal 11, no. 3 (1986): 16–19. http://dx.doi.org/10.1017/s0307472200004740.

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A number of public libraries in Denmark have acquired original prints or other works of art since the Danish Library Act of 1964, but only some lend pictures to individuals. Special art departments, bringing together literature, pictures, and other material, have been created in a few major libraries. Art exhibitions are an important activity undertaken by libraries as part of their role of making art accessible to the public. (Originally published in Scandinavian Public Library Quarterly, v. 18 n.4 1985).
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8

Sognnes, Kalle. "STABILITY & CHANGE IN SCANDINAVIAN ROCK-ART." Acta Archaeologica 79, no. 1 (2008): 230–45. http://dx.doi.org/10.1111/j.1600-0390.2008.00116.x.

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Gjerde, Una Mathiesen. "Blodig skam." K&K - Kultur og Klasse 46, no. 125 (2018): 157–78. http://dx.doi.org/10.7146/kok.v46i125.105555.

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Since Aristotle’s time, menstruation has been a stigmatised bodily fluid. It has been a source of shame and guilt for women for centuries. In this article, I focus on how Scandinavian artists since the 1970’s have contributed to make menstruation public through menstrual art. There is wide diversity within Scandinavian menstrual art. Some artists address the menstrual stigma directly in their work, while others use the semiotic and symbolic power of menstrual blood – as abject – to provoke and raise political awareness on feminist issues. I focus on menstrual art in relation to notions of sham
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10

Gelfer-Jørgensen, Mirjam. "Promoting Scandinavian design history." Art Libraries Journal 23, no. 1 (1998): 26–29. http://dx.doi.org/10.1017/s0307472200010786.

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It is surprising, in view of the international interest in Scandinavian design, to find that studying this subject on a scholarly level is not at all widespread in the Nordic countries. To increase the amount of research in this field scholars need to be able to publish and get feedback, both from editors and translators and from colleagues. Awareness of this need led to the founding of the annual Scandinavian Journal of Design History seven years ago, which publishes scholarly articles in English, written by Nordic scholars on all topics, and by those abroad on Scandinavian Design. The author
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