Relevant bibliographies by topics / Scarlatti

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Scarlatti'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Scarlatti"

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DECKER, TODD. "‘SCARLATTINO, THE WONDER OF HIS TIME’: DOMENICO SCARLATTI’S ABSENT PRESENCE IN EIGHTEENTH-CENTURY ENGLAND." Eighteenth Century Music 2, no. 2 (2005): 273–98. http://dx.doi.org/10.1017/s1478570605000382.

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Domenico Scarlatti played a consistently significant role in English musical life from 1738 to the end of the century, even though he never travelled to England. His ‘absent presence’ was mediated by the eighty-three Scarlatti sonatas available in print in the eighteenth century. Scarlatti’s ‘English’ sonatas – defined here as those pieces available in print or manuscript to an eighteenth-century English player – display common compositional traits, in particular the frequent use of virtuoso techniques that appeal to the eye as well as the ear, such as crossed-hand passagework and leaps. Engli
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Mikusi, Balázs. "Bartók and Scarlatti: A study of motives and influence." Studia Musicologica 50, no. 1-2 (2009): 3–27. http://dx.doi.org/10.1556/smus.50.2009.1-2.1.

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The long-held notion that Bartók’s style represents a unique synthesis of features derived from folk music, from the works of his best contemporaries, as well as from the great classical masters has resulted in a certain asymmetry in Bartók studies. This article provides a short overview of the debate concerning the “Bartókian synthesis,” and presents a case study to illuminate how an ostensibly “lesser” historical figure like Domenico Scarlatti could have proved important for Bartók in several respects. I suggest that it must almost certainly have been Sándor Kovács who called Scarlatti’s mus
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Schott, Howard. "Scarlatti." Musical Times 129, no. 1748 (1988): 539. http://dx.doi.org/10.2307/966704.

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Anderson, Robert. "Bravura Scarlatti." Musical Times 126, no. 1713 (1985): 676. http://dx.doi.org/10.2307/965052.

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Boyd, Malcolm, and D. Scarlatti. "Subversive Scarlatti." Musical Times 127, no. 1719 (1986): 341. http://dx.doi.org/10.2307/965086.

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Turner, A. G. L. "Domenico Scarlatti." Musical Times 126, no. 1714 (1985): 712. http://dx.doi.org/10.2307/965190.

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Cross, Eric, and A. Scarlatti. "Scarlatti Opera." Musical Times 126, no. 1714 (1985): 735. http://dx.doi.org/10.2307/965207.

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Clark, Jane, and Malcolm Boyd. "Master Scarlatti." Musical Times 128, no. 1730 (1987): 209. http://dx.doi.org/10.2307/965426.

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Talbot, M. "Unknown Scarlatti." Early Music 33, no. 1 (2005): 144–45. http://dx.doi.org/10.1093/em/cah059.

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Knights, F. "Scarlatti complete." Early Music 35, no. 4 (2007): 651–52. http://dx.doi.org/10.1093/em/cam106.

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Dissertations / Theses on the topic "Scarlatti"

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Cirne, Luís Fernando Muniz. "Scarlatti e Beethoven: proximidades?" Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-24102014-104856/.

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A observação recorrente que alguns pianistas, professores de piano e compositores fazem sobre a presença da escrita de Domenico Scarlatti em alguns movimentos das Sonatas de Beethoven, sugere que há alguma relação estética entre estes compositores até então não devidamente esclarecida. A primeira questão que aparece é como Domenico Scarlatti pôde chamar a atenção de Beethoven, considerando que Scarlatti foi um compositor italiano que saiu de Nápoles para Lisboa e finalmente Madrid, onde compôs as suas 555 Sonatas para o teclado, dedicadas à sua empregadora, rainha Maria Bárbara da Espanha. Bee
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Schacht-Pape, Ute. "Das Messenschaffen von Alessandro Scarlatti /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb35619096b.

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Boulanger, Richard. "Les Innovations de Domenico Scarlatti dans la technique du clavier /." Béziers (BP 4049, 2 Pl. de la Révolution, 34325 Cedex) : Société de musicologie de Languedoc, 1988. http://catalogue.bnf.fr/ark:/12148/cb349402105.

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Hale, Harris Kimberly Coulter. "Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710." Thesis, Connect to online resource, 2005. http://www.unt.edu/etd/all/May2005/Open/hale%5Fharris%5Fkimberly/index.htm.

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Quantz, Michael O. "Practical Aspects of Playing Domenico Scarlatti's Keyboard Sonatas on the Guitar, a Lecture Recital, together with Three Recitals of Selected Works by W.A. Mozart, M. Ponce, A. Vivaldi, J.S. Bach, J. Turina and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277780/.

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The ornamentation in the keyboard sonatas by Domenico Scarlatti is investigated in light of evidence from late seventeenth and early eighteenth century Spanish treatises and collections. Additionally, calligraphic and statistical evidence from the earliest known manuscripts and printed source for the keyboard sonatas is explored. The study is focused on three ornaments--the appoggiatura, trill, and tremulo--and concludes that: the appoggiaturas in this repertoire were short unless cadential or present in a cantabile tempo, in which case they could be one-third to two-thirds the value of the re
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Navakaitė, Neringa. "Domenico Scarlatti kūrybos bruožai bei klavyrinių sonatų sandaros ir muzikos kalbos ypatumai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130822_133014-38005.

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Domenico Scarlatti (1685-1757) – vienas žymiausių Baroko epochos italų kompozitorių, klavesinininkų, vargonininkų, pedagogų ir atlikėjų. Jo klavesininė kūryba yra neabejotinas XVIII a. muzikinės kultūros fenomenas. D. Scarlatti kūryba susijusi su laikotarpiu, kada nuo polifoninio stiliaus pereita prie homofoninės muzikos kalbos braižo. Nors kompozitorius yra sukūręs įvairių muzikinių kompozicijų, tačiau reikšmingiausią kūrybos dalį sudaro klavesininės sonatos. Jos ir įamžino italų kompozitoriaus vardą muzikinės kūrybos istorijoje. Iš sukurtų apie 600 klavyrinių sonatų, šiuo metu atlikėjams yr
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Willis, Christopher Timothy. "Performance, narrativity, improvisation and theatricality in the keyboard sonatas of Domenico Scarlatti." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/283830.

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Lee, Ji-Eun. "A comparison of the keyboard sonatas of Domenico Scarlatti and Antonio Soler." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7844.

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Bibliography: leaves 56-57.<br>The main objective of this study is to investigate the relationship between Domenico Scarlatti and Antonio Soler through a comparison of their backgrounds, a discussion of various influences on their works, and their placement within the historical context of the development of the keyboard sonata, Among their most prominent similarities are their inspirations found in the use of national Spanish elements in their compositions and also their modification of and experimentation with formal structure. Both composers' sonatas were composed using structural practices
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Abbassian-Milani, Farhad. "Zusammenhänge zwischen Satz und Spiel in den Essercizi (1738) des Domenico Scarlatti /." Sinzig : Studio, 1998. http://catalogue.bnf.fr/ark:/12148/cb39996118t.

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Francou-Desrochers, Maria-Alexandra. "Resituating Scarlatti in a nationalist context: Spanish identity in the «Goyescas» of Granados." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66645.

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Profound changes marked music in Spain towards the end of the nineteenth century. Casting aside Italian influences, which had governed many aspects of music in Spain up until then, Hispanic composers sought to redefine and regenerate the nation's musical identity. Taking as their model the so-called "Generation of '98," a literary movement that explored new ways of defining a "genuine" Spanishness, Spanish composers—chief among them Enrique Granados—took inspiration from pre-nineteenth-century musical figures, including, perhaps paradoxically, composers who came from outside
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Books on the topic "Scarlatti"

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Ife, B. W. D. Scarlatti. Novello, 1985.

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Ludlum, Robert. Affaren Scarlatti. BW-Pocket, 1985.

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Elcograf, ed. Operazione Scarlatti. Piemme, 2015.

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Bassi, Adriano. Domenico Scarlatti. M. Lapucci, 1985.

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1945-, Zuber Barbara, Schenker Heinrich 1868-1935, and Böttinger Peter, eds. Domenico Scarlatti. Edition Text + Kritik, 1986.

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Cieli scarlatti. Milena edizioni, 2016.

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Ludlum, Robert. The Scarlatti inheritance. Grafton Books, 1985.

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Arixi, Biagio. Peccati scarlatti: Romanzo. Libreria Croce, 2009.

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Ludlum, Robert. L'heritage Scarlatti: Roman. R. Laffont, 1985.

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Ludlum, Robert. The Scarlatti inheritance. Orion, 2010.

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Book chapters on the topic "Scarlatti"

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Schrammek, Bernhard. "Alessandro Scarlatti." In Barockmusikführer. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-99520-9_101.

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Zuber, Barbara. "Scarlatti, (Giuseppe) Domenico." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_263.

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Zuber, Barbara. "Scarlatti, (Giuseppe) Domenico." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_268.

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Zuber, Barbara. "Scarlatti, (Giuseppe) Domenico." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_43.

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Henze-Döhring, Sabine. "Scarlatti, (Pietro) Alessandro Gaspare." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_262.

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Henze-Döhring, Sabine. "Scarlatti, (Pietro) Alessandro Gaspare." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_269.

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Otte, Andreas. "Domenico Scarlatti (1685–1757)." In Famous Composers – Diseases Reloaded. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06671-9_3.

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Della Libera, Luca. "Music on commission." In The Roman Sacred Music of Alessandro Scarlatti. Routledge, 2022. http://dx.doi.org/10.4324/9781003252337-8.

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Della Libera, Luca. "The Roman scene." In The Roman Sacred Music of Alessandro Scarlatti. Routledge, 2022. http://dx.doi.org/10.4324/9781003252337-3.

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Della Libera, Luca. "Music for the Basilica of Santa Cecilia in Trastevere." In The Roman Sacred Music of Alessandro Scarlatti. Routledge, 2022. http://dx.doi.org/10.4324/9781003252337-9.

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Conference papers on the topic "Scarlatti"

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Hsieh, MingChih. "Music of Domenico Scarlatti." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.135.

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Halton, Rosalind. "Explorations around Bass Parts and Key Schemes: Recording the Cantatas of Alessandro Scarlatti." In Selected Proceedings of the 2009 Performer's Voice International Symposium. IMPERIAL COLLEGE PRESS, 2011. http://dx.doi.org/10.1142/9781848168824_0005.

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