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Relevant bibliographies by topics / Scarlet letter (Hawthorne, Nathaniel)

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Academic literature on the topic 'Scarlet letter (Hawthorne, Nathaniel)'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2024

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Journal articles on the topic "Scarlet letter (Hawthorne, Nathaniel)"

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Kessek, Jilly M., ,. Mister Gidion Maru, and Imelda Lolowang. "DISLOYALTY OF A WIFE IN HAWTHORNE’S THE SCARLET LETTER." KOMPETENSI 1, no. 04 (December 15, 2022): 431–38. http://dx.doi.org/10.53682/kompetensi.v1i04.1864.

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This study is entitled Disloyalty of Wife in The Scarlet Letter By Nathaniel Hawthorne. The aim of this study is to reveal about Disloyalty of Wife in The Scarlet Letter by Nathaniel Hawthorne. The writer employs descriptive approach in conducting this research. The study is entitled Disloyalty of a Wife in The Scarlet Letter By Nathaniel Hawthorne. The aim of this study is to reveal disloyalty of a wife. In order to revealdisloyalty of a wife in this novel, the writer used Deconstruction approach to understanding the relationship between text and meaning. The result of this study revealed that disloyalty is an act that is not god in every relationship. Disloyalty in the novel The Scarlet Letter is revealed in the form being Impatient, breaking the wedding vows, being impure, and the consequence of the decision.

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Mei, Xiaohan. "Beyond Nature and Subjectivity——The Issues of Space in Nathaniel Hawthorne' s The Scarlet Letter." International Journal of Social Science Studies 7, no. 4 (June 24, 2019): 13. http://dx.doi.org/10.11114/ijsss.v7i4.4337.

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In Nathaniel Hawthorne' s literary creation, the usages of space are usually highlighted by Hawthorne' s arrangement of the settings, scenes and social background. In The Scarlet Letter, according to the spatial turn in 20th spatial theories—especially the spatial theory of Lefebvre, Nathaniel Hawthorne constructed three spaces in this romance novel: the material space, spiritual space and social space. These three kinds of space are not simply juxtaposed, but are intervening, intermingling, superimposing each other, and sometimes even contradicting each other. It is through the construction of space that Hawthorne combines serious moral content with excellent artistic expressions, giving The Scarlet Letter its powerful vitality and enduring charm. It is also through the construction of space that the theme and meaning of the novel about the human spiritual ecological crisis is better manifested, and shows Hawthorne's contemplation and transcendence of the real world. In the process of interpreting the space construction of The Scarlet Letter, readers can appreciate the narrative techniques and artistic effects of the text, and then examine the social reality that the novel should express.

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Wang, Yueming. "Misogyny or Feminism? A Probe into Hawthorne and His The Scarlet Letter." English Language and Literature Studies 7, no. 2 (May 30, 2017): 139. http://dx.doi.org/10.5539/ells.v7n2p139.

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Nathaniel Hawthorne’s The Scarlet Letter has been focused onby critics from different aspects due to his ambiguity used in the novel. Hawthorne himself has been doubted as to whether he is a misogynist or a feminist when describing the female character, Hester Prynne. This article supports the idea that Hawthorne holds the idea offeminism in his work The Scarlet Letter. A writer who mirrors Hester’s life as his own cannot be a misogynist; a writer who honors a woman’s rebelling against patriarchy cannot be a misogynist; a writer who has a beloved wife and mother cannot be a misogynist. Harmonic family relationships, sympathetic character descriptions, and mild demonstrations against patriarchy all prove that Hawthorne is not a misogynist, but a feminist. Hawthorne depicts through four aspects on Hester’s life, Hester’s rebel, Hawthorne’s own family relationship to advocate feminism in his novel.

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Mahini, Ramtin Noor-Tehrani (Noor), and Erin Barth. "The Scarlet Letter: Embroidering Transcendentalism and Anti-transcendentalism Thread for an Early American World." Journal of Language Teaching and Research 9, no. 3 (May 1, 2018): 474. http://dx.doi.org/10.17507/jltr.0903.04.

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Published in 1850 by Nathaniel Hawthorne, the dark romantic story of The Scarlet Letter was immediately met with success, and Hawthorne was recognized as the first fictional writer to truly represent American perspective and experience. At the time when most novelists focused on portraying the outside world, Hawthorne dwelled deeply in the innermost, hidden emotional and mental psyches of his characters. Despite being acquainted to both famed transcendentalists Ralph Waldo Emerson and Henry David Thoreau and married to the transcendentalist painter Sophia Peabody, Hawthorne was often referred to as anti-transcendentalist or dark romantic writer in The Scarlet Letter. Is he also influenced by the transcendentalist movement in his famed novel? Evidence shows that he is more transcendentalist than anti-transcendentalist in The Scarlet Letter.

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Guo, Ziyi. "Appeal for a Harmonious Relationship between Man and Nature." International Journal of Education and Humanities 14, no. 2 (May 30, 2024): 18–22. http://dx.doi.org/10.54097/eh4aps68.

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Nathaniel Hawthorne is an influential novelist in American literature in 19th century. Most of his works are set in New England during the American colonial period, reflecting the social reality at that time. His masterpiece The Scarlet Letter ensures Hawthorne as the leading American native novelist in literature. Hawthorne exposes in his novels the immense destruction and ecological crisis caused by human civilization. Based on a close reading of his works, this thesis aims to study Nathaniel Hawthorne’s novels from the perspective of ecocriticism. In the thesis, the crisis of natural ecology is analyzed. At the same time, the thesis explores the relationship between human beings and nature. Hawthorne suggests that human beings should integrate into nature and maintain a harmonious relationship with nature, which is the primary concern of ecocriticism.

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Assist. Lec. Suhaib Majeed Kadhem and Assist. Prof. Hind Ahmed al-Kurwy. "Hester Prynne and Ethan Frome: Two Faces of the Same Tragedy." Journal of the College of Basic Education 23, no. 98 (December 26, 2022): 99–106. http://dx.doi.org/10.35950/cbej.v23i98.8651.

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Human tragedy is characterized by its continuity over and over in human history. Many writers elaborate different tragedies, each according his\her own experience and understanding of world tragedies. The present study shows a comparison of such tragedies between two novels; one by Nathaniel Hawthorne's Scarlet Letter and the other by Edith Wharton's Ethan From. The study sheds light on the way each novelist presents different sorts of human agony, the points they meet and the points they differ. Both Nathaniel Hawthorne's (1804-64) Scarlet Letter (1850) and Edith Wharton's (1862–1937) Ethan Frome (1911) are compelling classics of American literature with characters trapped in tragic circumstances they seem unable to escape. Remarkably, the two novels represent turning points in the lives of their authors. Whereas his previous work suffered from popular indifference, Hawthorne's Scarlet Letter gained him the attention he had formerly lacked, no small part of it negative. Actually a conservative in many regards, with the publication of The Scarlet Letter, Hawthorne became viewed as a radical and a subversive by conservative reviewers. (Bloom, Bloom’s Classic Critical Views, p. 1) At the same time, Wharton's Ethan Forme has long held a canonical place as the most artistically perfect and formally accomplished of her fictions. (Lawson, 154) Moreover, both novels are based on real incidents. In his introduction to The Scarlet Letter "The Custom House", Hawthorne reports how he discovered by accident a decayed, embroidered "A" and some documents telling of its history and the story of one Hester Prynne: [T]he object that most drew my attention to the mysterious package was a certain affair of fine red cloth, much worn and faded, There were traces about it of gold embroidery, which, however, was greatly frayed and defaced, so that none, or very little, of the glitter was left. (SL, "The Custom House", p. 20).

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Yang, Xiaomei. "Value Conflict and Personal Choice in The Scarlet Letter from the Perspective of Ethical Literary Criticism." Education, Language and Sociology Research 5, no. 1 (March 10, 2024): p132. http://dx.doi.org/10.22158/elsr.v5n1p132.

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Nathaniel Hawthorne was the preeminent American Romantic writer of the 19th century. The Scarlet Letter, as Hawthorne’s classic work, has been praised by most critics. Hawthorne paid attention to the ethical problems of Hester and Dimmesdale and gave a comprehensive depiction of their ethical choices after they had violated the Puritan ethical norms. This paper intends to use ethical literary criticism proposed by Professor Nie Zhenzhao, based on ethical dilemma and ethical choice, within the ethical backdrop of New England, to analyze ethical conflicts and ethical choices of the protagonists in the novel. Ultimately, it seeks to warn people the importance of complying with the ethical norms of the society. Exploring the ethical and moral values embedded in The Scarlet Letter will enhance the domestic study of Hawthorne’s works and better realize the didactic function of literature.

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Zhang, Lifeng. "Analysis of the Narrative Strategies in The Scarlet Letter." International Journal of Education and Humanities 6, no. 2 (December 14, 2022): 156–58. http://dx.doi.org/10.54097/ijeh.v6i2.3664.

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Nathaniel Hawthorne was an American psychosocial novelist, also known as the Shakespeare of America, who wrote many classic works during his lifetime. Among them, The Scarlet Letter is one of the representatives of romantic novels, and is also his outstanding masterpiece. The Scarlet Letter has been interpreted by many people, but rarely in the field of narratology. This paper will interpret The Scarlet Letter from the perspective of narrative strategy, discuss the text of the novel with the help of narrative strategy, and try to further interpret the narrative strategy of the novel and its far-reaching influence. This paper will explain from the aspects of narrative focus, narrative space and narrative language. In this process, I hope I can learn Hawthorne’s writing skills and provide reference for the vast number of literature lovers.

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Singer, Erin C. "Gossip as Contagion in Hawthorne's “The Minister's Black Veil” and The Scarlet Letter." Nathaniel Hawthorne Review 47, no. 1 (May 1, 2021): 26–43. http://dx.doi.org/10.5325/nathhawtrevi.47.1.0026.

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Abstract The coronavirus pandemic in some ways returned us to a more nineteenth-century outlook on contagion. In the early months before the public had a clear understanding of how this coronavirus spread, everything and everyone became subject to politicized suspicion. Nathaniel Hawthorne was perhaps preoccupied with the same questions that current scholars and the general public have faced since the beginning of the pandemic: Who can we trust among ourselves, our communities, and our institutions? How do we know what information is true? Hawthorne's Puritan stories “The Minister's Black Veil” and The Scarlet Letter feature the interdisciplinary concept of social contagion as a major driving force. A focus on similarities between Hawthorne's literary world and the coronavirus pandemic brings to the fore a Hawthornean epistemology of contagion, or what may be called pandemic thinking. In considering how social contagion theory brings together themes of community and gossip in Hawthorne's works, we see that gossip is both a mode of transmission of ideological contagion and the method by which social order is articulated in those works. Finally, we perceive that Hawthorne uses gossip not only to reify but also to challenge the social order in his imagined New England towns.

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Kreger, Erika M. ""Depravity Dressed up in a Fascinating Garb": Sentimental Motifs and the Seduced Hero(ine) in The Scarlet Letter." Nineteenth-Century Literature 54, no. 3 (December 1, 1999): 308–35. http://dx.doi.org/10.2307/2903143.

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When we place Nathaniel Hawthorne's The Scarlet Letter (1850) in the context of the literary debates of the 1840s and 1850s, it becomes apparent that the novel inhabits a conventional moral position that affiliates it with, rather than distinguishes it from, the best-selling domestic novels of the era. The Scarlet Letter shares a common moral framework and pattern of imagery with many works by nineteenth-century female novelists. Like these writers, Hawthorne uses his characters to emphasize the destructive consequences of allowing personal desire to overrule community law. The portrayals of Arthur Dimmesdale and Hester Prynne critique the traits of the eighteenth-century seduced heroine and privilege the qualities of the nineteenth-century protagonist of domestic fiction. Hawthorne's hapless minister is depicted in the physically drooping, ethically weak image of the eighteenth-century heroine; while his "fallen woman" possesses the strength, selflessness, and positive influence attributed to the nineteenth-century protagonist. This powerful iconography allows Hawthorne to reinforce the social values most often advocated in the public discourse about fiction, while still avoiding the explicit didactic remarks that critics condemned. The Scarlet Letter's "moral" closely links it to the conservative worldview of antebellum middle-class culture and popular fiction.

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Dissertations / Theses on the topic "Scarlet letter (Hawthorne, Nathaniel)"

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Garibotto, Becky. "Atoning for the past, writing for the future an analysis of Nathaniel Hawthorne's The scarlet letter /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3704.

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Kardas, Janine M. "Selective methods of teaching secondary English--The Scarlet Letter : a study and application of the collaborative and mastery learning methods /." View online, 1990. http://repository.eiu.edu/theses/docs/32211998880359.pdf.

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Arsenault, Camus Julie. "The Scarlet Letter de Nathaniel Hawthorne traduit dans l’espace culturel de langue française (1850-1979)." Paris 3, 2007. http://www.theses.fr/2007PA030108.

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Cette étude vise à analyser la façon dont l’illusio puritaine, telle qu’illustrée par Nathaniel Hawthorne dans The Scarlet Letter, est rendue dans les onze traductions en français du roman. L’approche adoptée est celle de la théorie sociologique de Pierre Bourdieu adaptée à la traduction. Cette approche comporte l’avantage majeur de fournir un cadre théorique qui permet non seulement une analyse externe, mais une analyse interne des conditions dans lesquelles le texte source et les textes cibles ont été produits et d’ainsi réunir l’approche sourcière et l’approche cibliste. L’analyse externe repose sur l’étude des espaces littéraires source et cible et du champ littéraire cible, de l’habitus de l’auteur et des traducteurs, des pratiques des éditeurs ; une étude qui implique des recherches sur le terrain. Quant à l’analyse interne, elle est établie à partir d’une analyse contrastive de chacune des traductions qui vise à définir dans quelle mesure l’illusio puritaine est re-contextualisée et ré-historicisée dans les textes cibles. Cette analyse repose sur le relevé des « tendances déformantes » d’Antoine Berman qui ont été constatées dans les cinquante extraits sélectionnés et qui sont principalement étudiées à partir d’une analyse lexicale. L’analyse des textes est systémique puisqu’elle tient compte des liens entre les différents textes cibles et le texte source ainsi que de ceux qui existent entre les différents textes cibles. Les recherches effectuées dans les domaines de la traductologie et de l’histoire du livre et de l’édition ainsi que la critique littéraire hawthornienne viennent appuyer et compléter l’étude
This study aims to analyze the manner in which the puritan illusio, as illustrated by Nathaniel Hawthorne in The Scarlet Letter, is conveyed in the eleven French translations of the novel. The adopted approach is Pierre Bourdieu’s sociological theory adapted to translation. The approach offers the significant advantage of providing a theoretical framework that allows not only an external analysis, but also an internal analysis of the conditions in which the source text and the target texts were produced and therefore combine the source approach with the target approach. The external analysis lies on the study of the source and the target literary spaces as well as the target literary field, the author and the translators’ habitus, the publishers’ practices; a study that involves field work. As for the internal analysis, it is established from a contrastive analysis of each translation that aims to establish the extent to which the puritan illusio is re-contextualized and re-historicized in the target texts. This analysis is based on the list of Antoine Berman’s “deforming tendencies” that were observed in the fifty selected excerpts and that are mainly studied through a lexical analysis. The text analysis is systemic since it takes into account the links between the different target texts and the source text as well as those that exist between the various target texts. Researches carried out in the fields of translation studies and the history of book publishing as well as the critical discourse on Hawthorne support and complete this study

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Kleine, Karsten D. "Comparing moral values in Gotthold Ephraim Lessing's Miss Sara Sampson and Nathaniel Hawthorne's The scarlet letter." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=1137.

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Buchanan, Mark Aldham. ""Intact and infrangible as metal, and like metal dead" patterns of faith and forgetfulness in three John Updike novels with special reference to Nathaniel Hawthorne's The scarlet letter /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Pisano, Linda M. "The scarlet letter: a costume design process for a production of Phyllis Nagy's adaption of the Nathaniel Hawthorne novel." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299258046.

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Serrano, Gabriela. "The Feminine Ancestral Footsteps: Symbolic Language Between Women in The Scarlet Letter and The House of the Seven Gables." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5434/.

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This study examines Hawthorne's use of symbols, particularly flowers, in The Scarlet Letter and The House of the Seven Gables. Romantic ideals stressed the full development of the self¬reliant individual, and romantic writers such as Hawthorne believed the individual would fully develop not only spiritually, but also intellectually by taking instruction from the natural world. Hawthorne's heroines reach their full potential as independent women in two steps: they first work together to defeat powerful patriarchies, and they then learn to read natural symbols to cultivate their artistic sensibilities which lead them to a full development of their intellect and spirituality. The focus of this study is Hawthorne's narrative strategy; how the author uses symbols as a language his heroines use to communicate from one generation to the next. In The Scarlet Letter, for instance, the symbol of a rose connects three generations of feminine reformers, Ann Hutchinson, Hester Prynne, and Pearl. By the end of the novel, Pearl interprets a rose as a symbol of her maternal line, which links her back to Ann Hutchinson. Similarly in The House of the Seven Gables Alice, Hepzibah, and Phoebe Pyncheon are part of a family line of women who work together to overthrow the Pyncheon patriarchy. The youngest heroine, Phoebe, comes to an understanding of her great, great aunt Alice's message from the posies her feminine ancestor plants in the Pyncheon garden. Through Phoebe's interpretation of the flowers, she deciphers how the cultivation of a sense of artistic appreciation is essential to the progress of American culture.

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Hallenbeck, Kathy H. "Completing the Circle: A Study of the Archetypal Male and Female in Nathaniel Hawthorne's The Scarlet Letter." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0327102-160947/unrestricted/hallenbeckK042302A.PDF.

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Horton, Tonia Lanette. "The Freedom of a Broken Law: The Liminal World of Nathaniel Hawthorne's "The Scarlet Letter"." W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539625290.

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Ah-Tune, Hélène. "L'écriture rouge dans "The masque of the red death" de Edgar Allan Poe et dans The scarlet letter, A romance de Nathaniel Hawthorne." Paris 8, 1998. http://www.theses.fr/1998PA081484.

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A travers ces deux textes litteraires du milieu du dix-neuvieme siecle, l'etude du langage des couleurs -notamment de la couleur rouge a demontre combien il se relie au probleme de l'identite americaine qui demeure ici inseparable du mythe de l'amerique percu comme un nouveau monde au sens d'une re-creation du monde, donc d'une nouvelle cosmogonie. Chez poe comme chez hawthome,la couleur rouge reste associee au langage. Dans "the masque of the red death", la couleur rouge constitue la couleur-pivot autour de laquelle tout s'articule. Elle ne peut etre separee de l'or, de la couleur noire, de l'alchimie, des elements. Ses relations des plus subtiles et des plus complexes qu'elle entretient avec les nombres, les lettres, les formes de lettres et la musique demontrent son lien avec l'ecriture. Un jeu de permutation de lettres opere sur la couleur rouge a amene a conclure que la mort rouge s'identifierait entre autres a dionysos -symbolisant a la fois la vie, la fecondite et le desordre. Il representerait une mort revelatrice et initiatique conduisant a une renaissance. L'intrigue se devant en ce cas etre comprise a l'inverse du texte en surface, la couleur rouge participerait de la symbolique de la vie mais non de la mort. Dans the scarlet letter, la couleur fonctionne comme un signe linguistique. Couleur et langage s'averent confondus. La lettre ecarlate se presente comme un signe sacre dote d'une couleur, plus precisement d'une langue inconnue ("a tongue unknown") quoique "scarlet" evoque la prostituee de babylone explicitement mentionnee dans le texte. Elle appartient a l'origine des temps et sa signification ressort de l'enigme. En tant qu'embleme, elle suggere l'hieroglyphe ou 'image sacree' difficile a dechiffrer. Le rouge present dans "scarlet" se relie au script c'est-a-dire au signe ou a la lettre et d'autre part au livre (volume) en tant que sphere mythique
The study of the language of colors - notably the color red in "the masque of the red death" and in the scarlet letter has shown how it is linked with the problem of american identity. It is also centered around the myth of america being as a new world, or even as a new cosmogony. In these two mid-nineteenth century literary texts, the color red is linked with language. In "the masque of the red death", the red color is the pivot around which everything revolves. It cannot be separated from gold, the color black, alchemy or the elements. The subtle and complicated relationship between color and number, letters, the form of those letters and music show the way color is linked with writing. The "masque" would conceal the primal identity of america or the language of origin which the color red represents. A game of permutation of letters carried out on the color red, brings us to conclude that the red death could be identified among others to dionysos - symbol of life and disorder. Therefore death could represent a doorway to knowledge and rebirth. The plot must be understood, therefore, as the reverse of the surface text. In the scarlet letter, color works as a linguistic sign. Color and language become interchangeable. The scarlet letter appears as a sacred sign, colored, more precisely as a sign of "a tongue unknown", even if "scarlet" evokes the "scarlet whore of babylon", explicitely mentioned in the text. It belongs to an abolished past, to the origin of time and its meaning comes from the enigma, from mystery itself. As an emblem, the letter suggests the hieroglyphic. The color red present in "scarlet" is linked to the script that is to say, to the sign or the letter and to the book (volume) as a mythic sphere

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Books on the topic "Scarlet letter (Hawthorne, Nathaniel)"

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1804-1864, Hawthorne Nathaniel, ed. The Scarlet letter, Nathaniel Hawthorne. New York, NY: Spark Publishing, 2003.

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1948-, Kennedy-Andrews Elmer, ed. Nathaniel Hawthorne The scarlet letter. New York: Columbia University Press, 2000.

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Hummer, Theo. The scarlet letter. St Kilda, VIC: Insight Publications, 2011.

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Harold, Bloom, ed. Nathaniel Hawthorne's The scarlet letter. New York: Bloom's Literary Criticism, 2007.

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Nathaniel Hawthorne's The scarlet letter. Piscataway, N.J: Research & Education Association, 1994.

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Harold, Bloom, ed. Nathaniel Hawthorne's The scarlet letter. Philadelphia: Chelsea House Publishers, 2004.

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Harold, Bloom. Nathaniel Hawthorne's The scarlet letter. New York: Bloom's Literary Criticism, 2011.

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Abbott, Gary W. Nathaniel Hawthorne's the Scarlet Letter. Englewood, COLO: Pioneer Drama Service, Inc., 2001.

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1930-, Bloom Harold, ed. Nathaniel Hawthorne's The Scarlet letter. New York: Chelsea House Publishers, 1986.

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Harold, Bloom, ed. Nathaniel Hawthorne's The scarlet letter. New York: Chelsea House Publishers, 1986.

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Book chapters on the topic "Scarlet letter (Hawthorne, Nathaniel)"

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Murfin, Ross C. "The Scarlet Letter." In Nathaniel Hawthorne, 21–201. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_2.

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Murfin, Ross C. "Deconstruction and The Scarlet Letter." In Nathaniel Hawthorne, 304–29. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_7.

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Murfin, Ross C. "Psychoanalytic Criticism and The Scarlet Letter." In Nathaniel Hawthorne, 223–51. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_4.

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Murfin, Ross C. "Feminist Criticism and The Scarlet Letter." In Nathaniel Hawthorne, 275–303. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_6.

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Murfin, Ross C. "Reader-Response Criticism and The Scarlet Letter." In Nathaniel Hawthorne, 252–74. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_5.

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Murfin, Ross C. "The New Historicism and The Scarlet Letter." In Nathaniel Hawthorne, 330–58. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12934-8_8.

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Ensslen, Klaus. "Hawthorne, Nathaniel: The Scarlet Letter." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5442-1.

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Josan, Renu. "Contours of Morality: A Critical Study of Nathaniel Hawthorne’s The Scarlet Letter." In Sin's Multifaceted Aspects in Literary Texts, 81–92. Göttingen: V&R Unipress, 2018. http://dx.doi.org/10.14220/9783737008525.81.

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Hutchinson, Stuart. "Hawthorne: The Scarlet Letter (1850)." In The American Scene, 37–56. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1057/9780230373198_3.

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Weldon, Roberta. "Unholy Dying in The Scarlet Letter." In Hawthorne, Gender, and Death, 13–31. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612082_2.

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Conference papers on the topic "Scarlet letter (Hawthorne, Nathaniel)"

1

Chen, Haojun. "Looking for Nathaniel Hawthorne in The Scarlet Letter." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.016.

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2

Liu, Man. "The Rosa Multiflora Blooming in the Hell Brief Introduction of the Scarlet Letter Written by Nathaniel Hawthorne." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.141.

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3

JIA, RU. "ON THE AMBIVALENCE OF DIMMESDALE IN THE SCARLET LETTER." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36088.

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Abstract:

There are two recipients of the scarlet letter "A" in The Scarlet Letter, one is Hester Prynne, who was publicly tried, and the other is pastor Arthur Dimmesdale, who branded the scarlet letter on his chest. Compared with Hester, Dimmesdale showed greater contradiction in behavior and psychology: the conflict of ethical identity, the tangle of public confession and the confusion of inner belief. The reasons for the contradiction were closely related to the oppression of human nature by the society dominated by Puritanism and Dimmesdale's self-reflection and awakening. Hawthorne used a lot of psychoanalysis, contrast and scene description to show the complexity of Dimmesdale.

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4

Wang, Yueming. "Ambiguous Hawthorne, Symbolic Pearl - An Analysis on Pearl's Symbolism in The Scarlet Letter." In 2017 3rd International Conference on Social Science and Higher Education. Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icsshe-17.2017.94.

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