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Journal articles on the topic 'Scarpa, Carlo'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Frascari, Marco, Carlo Scarpa, Francesco Dal Co, and Giuseppe Mazzariol. "Carlo Scarpa: The Complete Works." Journal of Architectural Education (1984-) 41, no. 1 (1987): 54. http://dx.doi.org/10.2307/1424909.

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Frascari, Marco. "Carlo Scarpa: The Complete Works." Journal of Architectural Education 41, no. 1 (1987): 54–56. http://dx.doi.org/10.1080/10464883.1987.10758466.

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Pješivac, Željka. "DE/RE-STRATIFIKACIJE KAO MODERNE TEHNIKE RESTAURACIJE: FONDAZIONE QUERINI STAMPALIA (VENECIJA, 1963) KARLA SKARPE." Nasledje Kragujevac XIX, no. 51 (2022): 365–79. http://dx.doi.org/10.46793/naskg2251.365p.

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The study investigates the theoretical approach toward the restoration of the Fondazione Querini Stampalia in Venice by Carlo Scarpa, moving between phenomenology and ontology of space, time, and matter, theory of text/narrative, cultural analysis, and arts (architecture and painting). The main hypothesis of the study is that Carlo Scarpa, using the techniques of stratification, destratification, and restratification, transgresses the three classical principles of conservation/restoration: the principle of reversibility, universality and objective truth. In other words, stratification (and the

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4

Ros Campos, Andrés. "Carlo Scarpa: arquitectura, abstracción y museografía." VLC arquitectura. Research Journal 6, no. 2 (2019): 147. http://dx.doi.org/10.4995/vlc.2019.10989.

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The last year that Carlo Scarpa taught at the IUAV, he proposed a civic museum as the topic of the course, in particular in the old Santa Caterina Convent in Treviso, which is currently the headquarters of the archive of the architect. The issue of the museology was developed during the lessons given at the University and dealt with several of his most recognised projects, in order to expose the guidelines of his museology approach. The message he conveyed in his classes did not describe precise details as much as acting strategies. But nevertheless, the approach to the work of Carlo Scarpa re

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Onat, Nursel. "Merdiven, CARLO SCARPA ve İlk Basamak." Tasarım + Kuram 1, no. 1 (2016): 9. http://dx.doi.org/10.23835/tasarimkuram.240828.

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6

Yawein, Oleg I., and Elena V. Lisenkova. "Carlo Scarpa: "Poetry is Born of the Thing in Itself"." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 3 (September 27, 2018): 37–47. http://dx.doi.org/10.22337/2077-9038-2018-3-37-47.

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This article is the first in Russia detailed publication about Carlo Scarpa, one of the greatest masters of Italian architecture of the twentieth century: an architect, an artist, a designer, about whom almost annually books and catalogs are published, scientific works are being written, exhibitions and conferences are held. In this article, the experience of these publications, searches and discussions has for the first time become the object of a special study. It is found that variety of authors refer to the Scarp's buildings, drawings and statements as a kind of "Scarpianlaboratory" (the t

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7

Goffi-Hamilton, Federica. "Carlo Scarpa and the eternal canvas of silence." Architectural Research Quarterly 10, no. 3-4 (2006): 291–300. http://dx.doi.org/10.1017/s1359135506000406.

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8

BARTON, JOHN. "Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa." Journal of the Royal Musical Association 147, no. 2 (2022): 313–36. http://dx.doi.org/10.1017/rma.2022.17.

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AbstractFrom 1976, the works of the Venetian composer Luigi Nono (1924–90) are marked by a noticeable change in both his philosophical and his political outlook. What results is a decade (1980–9) of compositions that feature poetry in librettos, live electronics, the spatialization of sound and a prominent use of microtonal pitches. Together these create completely novel soundscapes that are noticeably different from his previous output. This article will examine a particular influence – the philosophy of Martin Heidegger – in the creation of the 1984 piece for large ensemble A Carlo Scarpa. T

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9

Bracchi, Paola, Luis Freire, and Andrea Yépez. "Reseña de la exposición Carlo Scarpa y el Japón." Eidos, no. 13 (June 28, 2019): 107–14. http://dx.doi.org/10.29019/eidos.v13i1.548.

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10

Frascari, Marco. "The Body and Architecture in the Drawings of Carlo Scarpa." Res: Anthropology and Aesthetics 14 (September 1987): 123–42. http://dx.doi.org/10.1086/resv14n1ms20166778.

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11

Dodds, George. "Directing Vision in the Landscapes and Gardens of Carlo Scarpa." Journal of Architectural Education 57, no. 3 (2004): 30–38. http://dx.doi.org/10.1162/104648804772745238.

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12

Codello, Renata. "Intervención en la Tienda Olivetti de Carlo Scarpa en Venecia." Loggia, Arquitectura & Restauración, no. 28 (December 29, 2015): 100. http://dx.doi.org/10.4995/loggia.2015.3999.

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<p>La restauración, puesta en valor y musealización de la Tienda Olivetti diseñada por Carlo Scarpa en un local de la Plaza de San Marcos de Venecia es un motivo de enhorabuena. El ensayo de inserción de una arquitectura contemporánea sensible con el lugar desde un punto de vista compositivo, metafórico, material y de las técnicas constructivas empleadas, y en un enclave tan delicado como este dio como resultado esta obra maestra. Tras unos años de desidia y uso apretado del espacio para comercio turístico de baja estofa y merced a las llamadas de atención de varios organismos e instituc

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13

Enia, Marco. "Castelvecchio y Hedmarksmuseet. El pasado como tierra extranjera." Cuaderno de Notas, no. 16 (July 1, 2015): 1. http://dx.doi.org/10.20868/cn.2015.3115.

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Muchos críticos y arquitectos, a lo largo de los años, han encontrado semejanzas y analogías entre la restauración llevada a cabo por Carlo Scarpa en el museo de Castelvecchio (Verona, Italia, 1957-73) y la de Sverre Fehn en el Hedmarkmuseet (Hamar, Noruega, 1967-1980), a pesar de las claras diferencias que hay entre la manera de hacer arquitectura de Scarpa y la de Fehn. Sin embargo, la postura crítica hacia el tema del pasado es la misma. La premisa teórica es, para ambos, la dignidad del lenguaje contemporáneo de la arquitectura, que puede con legitimidad confrontarse con lo antiguo; el obj

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14

Coleman, Nathaniel. "Nathaniel Coleman, on Carlo Scarpa and Castelvecchio Revisited - Carlo Scarpa and Castelvecchio Revisited By Richard Murphy Edinburgh, Breakfast Mission Publishing, 2017 384pp. Price £70 (pb)." Architectural Research Quarterly 24, no. 3 (2020): 299–304. http://dx.doi.org/10.1017/s1359135520000366.

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15

Miotto, Luciana. "Carlo Scarpa e Rob Mallet-Stevens: casa Sacerdoti e villa de Noailles." Cahiers d’études italiennes, no. 18 (March 30, 2014): 199–220. http://dx.doi.org/10.4000/cei.1926.

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16

Ladogana, Pamela. "Carlo Scarpa: From museum installations to temporary exhibition designs for contemporary art." Locus Amoenus 12 (December 3, 2014): 231. http://dx.doi.org/10.5565/rev/locus.12.

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17

Vollmar, Bernd. "Vanitas in Beton - Die »Tomba Brion« von Carlo Scarpa und die Vergänglichkeit." Die Denkmalpflege 71, no. 2 (2013): 125–33. http://dx.doi.org/10.1515/dkp-2013-710208.

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18

Frascari, Marco. "Architectural Traces of an Admirable Cipher: Eleven in the Opus of Carlo Scarpa." Nexus Network Journal 1, no. 1-2 (1999): 7–22. http://dx.doi.org/10.1007/s00004-998-0002-4.

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19

Frediani, Gianluca. "The golden section in the work of Carlo Scarpa: a study of two drawings." Journal of Architecture 25, no. 5 (2020): 558–73. http://dx.doi.org/10.1080/13602365.2020.1784981.

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20

Adamou, Natasha. "Shade Between Rings of Air: architecture, sculpture, replication: Carlo Scarpa/Gabriel Orozco, 1952/2003." Sculpture Journal 25, no. 3 (2016): 401–19. http://dx.doi.org/10.3828/sj.2016.25.3.8.

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21

Frascari, Marco. "A Heroic and Admirable Machine: The Theater of the Architecture of Carlo Scarpa, Architetto Veneto." Poetics Today 10, no. 1 (1989): 103. http://dx.doi.org/10.2307/1772557.

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22

Dodds, George. "‘England in Germany’ is honored in Italy: the 1997 Carlo Scarpa international prize for gardens." Studies in the History of Gardens & Designed Landscapes 18, no. 2 (1998): 161–64. http://dx.doi.org/10.1080/14601176.1998.10435540.

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23

Ricout, Stéphane. "Carlo Scarpa : l’intelligence de la lumière espace et éclairage à l’exemple du Musée Correr à Venise." Ligeia N° 73-76, no. 1 (2007): 202. http://dx.doi.org/10.3917/lige.073.0202.

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24

Huber, Nicolaus A. "Nuclei and dispersal in Luigi Nono's‘A Carlo Scarpa architetto, ai suoi infiniti possibili’per orchestra a microintervalli." Contemporary Music Review 18, no. 2 (1999): 19–35. http://dx.doi.org/10.1080/07494469900640181.

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25

Goffi, Federica. "Sited-Memory." Joelho Revista de Cultura Arquitectonica, no. 13 (March 10, 2022): 83–98. http://dx.doi.org/10.14195/1647-8681_13_5.

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This article narrates the encounter of the author with Angelo Rudella, the head of the construction site at the Castelvecchio Museum, Verona, during the period of Carlo Scarpa’s renovation (1957–1964, 1965–1975). Rudella visited the site on July 11, 2019, to identify the original place of Scarpa’s site office — an office that Rudella shared with Scarpa for the duration of the 1960s – 70s renovation work, and until Scarpa’s death. As one of the last storytellers, to be able to offer a first source account of Scarpa’s design process at Castelvecchio, he operated a sited re‑reading of architectur

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26

Adamou, Natasha. "Henry Moore Foundation–BSR Fellowship in Sculpture: Shade Between Rings of Air: replication of architecture as sculpture: Carlo Scarpa/Gabriel Orozco, 1952/2003." Papers of the British School at Rome 84 (September 20, 2016): 345–46. http://dx.doi.org/10.1017/s0068246216000313.

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27

Dallatorre, Giacomo. "Premio Internazionale Carlo Scarpa per il Giardino 2022. Varcando la soglia del Südgelände: co-evoluzioni di uno spazio urbano incolto, fra ecologia, arte e buona gestione." Ri-Vista. Research for landscape architecture 20, no. 2 (2023): 294–96. http://dx.doi.org/10.36253/rv-13992.

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28

Wolfe, Franklin D., Timothy A. Stahl, Pilar Villamor, and Biljana Lukovic. "Short communication: A semiautomated method for bulk fault slip analysis from topographic scarp profiles." Earth Surface Dynamics 8, no. 1 (2020): 211–19. http://dx.doi.org/10.5194/esurf-8-211-2020.

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Abstract. Manual approaches for analyzing fault scarps in the field or with existing software can be tedious and time-consuming. Here, we introduce an open-source, semiautomated, Python-based graphical user interface (GUI) called the Monte Carlo Slip Statistics Toolkit (MCSST) for estimating dip slip on individual or bulk fault datasets that (1) makes the analysis of a large number of profiles much faster, (2) allows users with little or no coding skills to implement the necessary statistical techniques, (3) and provides geologists with a platform to incorporate their observations or expertise

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Ottenhausen, Clemens. "FROM TEXTILE TO PLASTIC: ARCHITECTURE, EXHIBITION DESIGN, AND ABSTRACTION (1930–1955)." Artium Quaestiones, no. 32 (December 15, 2021): 89–112. http://dx.doi.org/10.14746/aq.2021.32.4.

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This article investigates the growing proliferation of curtains and wall hangings as key elements in the design of art exhibitions in the years 1930–1955. To demonstrate how textiles were successfully employed as mediators on the threshold between architecture, design objects, and fine arts, I first examine the increasing use of curtains in the interwar period, Fascist Italy, and Nazi Germany to subsequently explore how the role of fabrics in both countries’ rationalist and neoclassicist architecture also played a significant part in exhibition design after the Second World War. I chart how th

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30

Porpiglia, Francesco. "Re: Francesco Porpiglia, Carlo Terrone, Julien Renard, Sussana Grande, Francesca Musso, Marco Cossu, Francesca Vacca and Roberto Mario Scarpa. Transcapsular Adenomectomy (Millin): A Comparative Study, Extraperitoneal Laparoscopy Versus Open Surgery. Eur Urol 2006;49:120–6." European Urology 49, no. 6 (2006): 1136–37. http://dx.doi.org/10.1016/j.eururo.2006.03.029.

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Neulander, Endre Zoltan. "Re: Francesco Porpiglia, Carlo Terrone, Julien Renard, Sussana Grande, Francesca Musso, Marco Cossu, Francesca Vacca and Roberto Mario Scarpa. Transcapsular Adenomectomy (Millin): A Comparative Study, Extraperitoneal Laparoscopy Versus Open Surgery. Eur Urol 2006;49:120–6." European Urology 49, no. 6 (2006): 1136. http://dx.doi.org/10.1016/j.eururo.2006.03.030.

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Gibbon, N. O. K. "Re: Francesco Porpiglia, Carlo Terrone, Julien Renard, Susanna Grande, Francesca Musso, Marco Cossu, Francesca Vacca and Roberto Mario Scarpa. Transcapsular Adenomectomy (Millin): A Comparative Study, Extraperitoneal Laparoscopy versus Open Surgery. Eur Urol 2006;49:120–6." European Urology 51, no. 5 (2007): 1450–51. http://dx.doi.org/10.1016/j.eururo.2007.01.012.

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Condren, John. "Mars as the broker of peace: Louis XIV, the House of Savoy, and the Republic of Genoa, 1672-1673." CHEIRON, no. 1 (June 2023): 185–205. http://dx.doi.org/10.3280/che2022-001011.

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Attraverso questo saggio si cercherà di indagare l'incapacità di Casa Savoia, sotto il governo del duca Carlo Emanuele II, di ottenere una rapida vittoria sulla Repubblica di Genova, pur avendo sferrato un at-tacco a sorpresa, nei pressi del mar Ligure, nell'estate del 1672. L'umiliazione della guerra contro Genova del 1672 lasciò un vulnus psicologico, tanto che il figlio di Carlo Emanuele, Vittorio Amedeo II, fu abbastanza prudente da evitare un inutile conflitto con altri stati ita-liani, specialmente quelli che, come Genova, disponevano di una po-tenza navale superiore a quella dei duchi d

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Gresleri, Giuliano. "Immagine e parola scritta. L’Esprit Nouveau 1920-1925, la costruzione del Purismo." LC. Revue de recherches sur Le Corbusier, no. 4 (October 1, 2021): 46. http://dx.doi.org/10.4995/lc.2021.16223.

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<p>Questo saggio, parzialmente completato nel 1976, ha visto la luce in forma non completa sul n. 50 della rivista PARAMETRO dedicato a <em>LʼEsprit Nouveau</em>. Nella scarsa conoscenza che si aveva in quegli anni degli argomenti qui trattati, il lavoro preparatorio allo scritto che si è sviluppato in oltre un anno di ricerche presso la Fondation Le Corbusier di Parigi, è singolarmente scivolato in avanti rispetto alle ricerche che Carlo Olmo conduceva sullo stesso argomento un anno prima. Solo per caso i due testi non si sono incrociati. Dalla conoscenza e dalle discussioni

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Tesson, J., and L. Benedetti. "Seismic history from in situ 36Cl cosmogenic nuclide data on limestone fault scarps using Bayesian reversible jump Markov chain Monte Carlo." Quaternary Geochronology 52 (June 2019): 1–20. http://dx.doi.org/10.1016/j.quageo.2019.02.004.

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Goossens, Sander, Antonio Genova, Peter B. James, and Erwan Mazarico. "Estimation of Crust and Lithospheric Properties for Mercury from High-resolution Gravity and Topography." Planetary Science Journal 3, no. 6 (2022): 145. http://dx.doi.org/10.3847/psj/ac703f.

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Abstract We have analyzed the entire set of radiometric tracking data from the MErcury Surface, Space ENvironment, GEochemistry, and Ranging (MESSENGER) mission. This analysis employed a method where standard Doppler tracking data were transformed into line-of-sight accelerations. These accelerations have greater sensitivity to small-scale features than standard Doppler. We estimated a gravity model expressed in spherical harmonics to degree and order 180 and showed that this model is improved, as it has increased correlations with topography in areas where tracking data were collected when th

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Beck, Joakim, Sören Wolfers, and Gerald P. Roberts. "Bayesian earthquake dating and seismic hazard assessment using chlorine-36 measurements (BED v1)." Geoscientific Model Development 11, no. 11 (2018): 4383–97. http://dx.doi.org/10.5194/gmd-11-4383-2018.

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Abstract. Over the past 20 years, analyzing the abundance of the isotope chlorine-36 (36Cl) has emerged as a popular tool for geologic dating. In particular, it has been observed that 36Cl measurements along a fault plane can be used to study the timings of past ground displacements during earthquakes, which in turn can be used to improve existing seismic hazard assessment. This approach requires accurate simulations of 36Cl accumulation for a set of fault-scarp rock samples, which are progressively exhumed during earthquakes, in order to infer displacement histories from 36Cl measurements. Wh

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Monacciani, Fabiana. "Dall'analisi dell'incertezza alla valutazione del rischio di investimento." RIV Rassegna Italiana di Valutazione, no. 46 (April 2011): 69–84. http://dx.doi.org/10.3280/riv2010-046006.

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Valutare correttamente l'incertezza associata alle variabili "critiche" da cui dipende l'esito finale di un investimento pubblico č un problema cruciale in tutti quei casi in cui l'operatore pubblico non sia in grado di controllare, attraverso i consueti strumenti di governo dell'economia, le dinamiche di dette variabili, dinamiche che, invece, dipendono fortemente da comportamenti e scelte di altri operatori. Tale circostanza si presenta comunemente nel caso di valutazione degli investimenti "di sviluppo", per i quali si ha un livello di incertezza molto elevato e con impatti determinanti sul

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Štich, I. "Computer simuations for the nano-scale." Acta Physica Slovaca. Reviews and Tutorials 57, no. 1 (2007): 1–176. http://dx.doi.org/10.2478/v10155-010-0083-y.

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Computer simuations for the nano-scaleA review of methods for computations for the nano-scale is presented. The paper should provide a convenient starting point into computations for the nano-scale as well as a more in depth presentation for those already working in the field of atomic/molecular-scale modeling. The argument is divided in chapters covering the methods for description of the (i) electrons, (ii) ions, and (iii) techniques for efficient solving of the underlying equations. A fairly broad view is taken covering the Hartree-Fock approximation, density functional techniques and quant

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Garrido-Barros, Maria, Javier Oliver, Juan Luis Onieva, et al. "Abstract 3746: Dynamic characterization of small RNAs in non small cell lung cancer exosomes under immune-checkpoint inhibitor treatments." Cancer Research 83, no. 7_Supplement (2023): 3746. http://dx.doi.org/10.1158/1538-7445.am2023-3746.

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Abstract Immunotherapy based on Immune Checkpoint blockade (ICB) has become a significant therapeutic option for advanced Non Small Cell Lung Cancer (NSCLC) patients. However, there is an urgent need to find novel biomarkers that to reliably stratify good responders to immunotherapy. Currently, the available biomarkers are not specific enough. Exosomes are small membrane vesicles with sizes of 30-100 nm secreted by most cell types including cancer cells. Exosomes operate as an intercellular communication system by sending proteins, mRNA and miRNAs among other relevant RNA molecules. Exosomes e

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Wisha, Ulung Jantama, Nia Naelul Hasanah Ridwan, Ruzana Dhiauddin, Guntur Adhi Rahmawan, and Gunardi Kusumah. "UPAYA KONSERVASI KAPAL KARAM GOSONG NAMBI SEBAGAI BUKTI ADANYA JALUR PERDANGAN MARITIM MASA LALU DI KABUPATEN PESISIR SELATAN, SUMATRA BARAT." AMERTA 38, no. 1 (2020): 63–76. http://dx.doi.org/10.24832/amt.v38i1.63-76.

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Abstract. Conservation Efforts of Gosong Nambi Shipwreck as an Evidence of the Past Maritime Trading Routes in Pesisir Selatan Regency, West Sumatra. The coastal region of West Sumatra has become one of the main trading routes in the 15th-19th centuries so there is no doubt that this area has many archaeological remains both underwater, coastal area, and buried underground. One of the underwater archaeological remains in this region is the discovery of a shipwreck at the Gosong Nambi coral site which is administratively located in Pesisir Selatan Regency, West Sumatra Province in 2015. This st

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Rudas, Imre J. "Intelligent Engineering Systems." Journal of Advanced Computational Intelligence and Intelligent Informatics 2, no. 3 (1998): 69–71. http://dx.doi.org/10.20965/jaciii.1998.p0069.

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Building intelligent systems has been one of the great challenges since the early days of human culture. From the second half of the 18th century, two revolutionary changes played the key role in technical development, hence in creating engineering and intelligent engineering systems. The industrial revolution was made possible through technical advances, and muscle power was replaced by machine power. The information revolution of our time, in turn, canbe characterized as the replacement of brain power by machine intelligence. The technique used to build engineering systems and replace muscle

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Poinsot, Jean-Marc. "Carlo Scarpa, L’Art d’exposer." Critique d’art, June 1, 2016. http://dx.doi.org/10.4000/critiquedart.17599.

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"Carlo Scarpa: architecture in details." Choice Reviews Online 27, no. 03 (1989): 27–1339. http://dx.doi.org/10.5860/choice.27-1339.

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Muñoz Aragón, Daniel Felipe, Bernardo Clavijo Daniel, and Laura Natalia Chaparro Arévalo. "Recorrido Arquitectónico. Cementerio de Brion: La trascendencia a través del reflejo." REVISTA CONCÉNTRICA 3, no. 5 (2023). http://dx.doi.org/10.52043/con.v3i5.473.

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Scarpa resumió las operaciones que realizó a lo largo del proyecto a tres simples elementos: el agua, instrumento para reflejar el cielo; el reflejo del cielo, que supone la conexión del terreno con la vida que ya trascendió; y el pabellón, cuyo espacio nos sirve para apreciar dicha intención. Este artículo, de corte teórico, presenta de manera innovadora esta obra maestra del arquitecto veneciano Carlo Scarpa, la Tumba Brion.

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Moumne, Jordan Elena. "Paul Rudolph’s and Carlo Scarpa’s Interaction with the Environment." UF Journal of Undergraduate Research 22 (November 5, 2020). http://dx.doi.org/10.32473/ufjur.v22i0.120561.

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This paper examines how Paul Rudolph and Carlo Scarpa design buildings in a seemingly harsh environment to connect occupants to that which is around them. It involves the study of Fondazione Quarini Stampalia and Camping Fusina by Scarpa, along with the Umbrella House and the Healy Guest House by Rudolph, analyzing the buildings through methods of site visits, photography, and drawing. Specifically, it analyzes how the architects frame the environment, experiment with view, explore visible connection of the ground, planning for the inevitable flooding that will occur, and creating a feeling of

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Ros Campos, Andrés, and Pedro Verdejo Gimeno. "El pensamiento gráfico en la metodología proyectual de Carlo Scarpa." ACE: Arquitectura, Ciudad y Entorno 18, no. 54 (2024). http://dx.doi.org/10.5821/ace.18.54.12232.

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Carlo Scarpa, considerat un dels mestres de l’arquitectura moderna de la segona meitat del segle XX, conjuga arquitectura i disseny mitjançant una metodologia projectual que prioritza la reflexió gràfica davant la inspiració immediata. El seu procés creatiu escrupolós es reflecteix en la documentació gràfica de l’arquitecte que, progressivament, s’ha anat concentrant a l’arxiu d’arquitectura del MAXXI de Roma. Els aproximadament trenta mil documents de l’arxiu permeten entendre i seqüenciar el procés projectual, que utilitzava el dibuix com a eina central creativa i de reflexió. Aquest article

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Frascari, Marco. "A Deciphering of a Wonderful Cipher: Eleven in the architecture of Carlo Scarpa." Oz 13, no. 1 (1991). http://dx.doi.org/10.4148/2378-5853.1222.

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Martínez Arroyo, Carmen, Rodrigo Pemjean Muñoz, and Enrique Delgado Cámara. "La línea del agua. El monumento a la Partisana de Carlo Scarpa en Venecia." rita_, 2019. http://dx.doi.org/10.24192/2386-7027(2019)(v11)(02).

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Magrini, Claudio, and Sergio Vargas. "INTERFERENCIAS ENTRE LO ARTIFICIAL Y LO NATURAL EN EL PAISAJE." Revista 180, no. 17 (August 1, 2006). http://dx.doi.org/10.32995/rev180.num-17.(2006).art-167.

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Abstract:

Radical es el efecto de extrañamiento que produce la utilización escultórica de un solo elemento biótico, ya sea en una rotonda anónima del barrio residencial de Francelos, Porto/Portugal, o en la intervención de Peter Eisenman en Castelvecchio, Verona/Italia (2004), en la cual reinterpreta la arquitectura de Carlo Scarpa. Es al pasto, el área verde a la que se le concede el rol de protagonista, cual mascota familiar es lo natural domesticado y por la tranquilidad de los ciudadanos urbanos se confecciona como un fondo decorativo y anestésico. “No es en la naturaleza de las cosas, sino en nuest

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