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Journal articles on the topic 'Scarves'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Miftahul Jannah, Suryani Murad, and Tuwisna. "Pengaruh Kualitas Produk Dan Harga Terhadap Keputusan Pembelian Button Scarves Di Kota Banda Aceh." JEMSI (Jurnal Ekonomi, Manajemen, dan Akuntansi) 9, no. 6 (December 1, 2023): 2627–36. http://dx.doi.org/10.35870/jemsi.v9i6.1751.

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Tujuan dalam penelitian ini adalah untuk mengetahui pengaruh Kualitas Produk dan Harga terhadap Keputusan Pembelian Button Scarves di Kota Banda Aceh. Metode penelitian dalam penelitian ini yaitu dengan menggunakan data penelitian dikumpulkan melalui kuisioner, dan studi dokumentasi. Pengujian hipotesis menggunakan analisis regresi linier berganda, uji F dan uji t dimaksud untuk mengetahui secara serempak dan secara parsial pengaruh variabel independen terhadap variabel dependen pada tingkat kepercayaan 95% (α = 0,05). Objek dalam penelitian ini adalah Kualitas Produk dan Harga terhadap Keputusan Pembelian Button Scarves di Kota Banda Aceh. Jumlah sampel penelitian ini sebanyak 96 pelanggan. Hasil penelitian berdasarkan secara parsial Kualitas Produk berpengaruh terhadap Keputusan Pembelian Button Scarves di Kota Banda Aceh. Secara parsial Harga berpengaruh terhadap Keputusan Pembelian Button Scarves di Kota Banda Aceh. Secara simultan Kualitas Produk dan Harga berpengaruh terhadap Keputusan Pembelian Button Scarves di Kota Banda Aceh.

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2

Jumiasih, Jumiasih, and Maruloh Maruloh. "ANALYSIS OF THE QUALITY OF THE ZETA SCARVES WEBSITE USING THE WEBQUAL 4.0 METHOD." Jurnal Techno Nusa Mandiri 21, no. 1 (March 31, 2024): 51–58. http://dx.doi.org/10.33480/techno.v21i1.5517.

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This research aims to analyze the quality of the Zeta Scarves website using the WebQual method. The study focuses on three dimensions of website quality: usability, information quality, and service interaction. The data were collected through an online questionnaire distributed to users of the Zeta Scarves website. A total of 296 respondents participated in the study. The collected data were analyzed using descriptive statistics and the WebQual index. The results showed that the Zeta Scarves website received high scores in all dimensions of website quality. The usability dimension, which measures the ease of use and navigation, received a score of 4. The information quality dimension, which assesses the accuracy and relevance of the provided information, received a score of 3,9. The service interaction dimension, which evaluates the customer service and interaction features, received a score of 3,9. Based on the analysis, it can be concluded that the Zeta Scarves website has achieved a high level of quality, as perceived by the users. The findings of this study provide valuable insights for Zeta Scarves in enhancing their website to further improve customer satisfaction and strengthen their competitive position in the online fashion industry

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3

Sari, Herlina. "Strategi Pengembangan Model Bisnis Online Shop Zavair Scraves dengan menggunakan pendekatan BCG Matrix." JURNAL ILMU MANAJEMEN DAN BISNIS 10, no. 2 (September 1, 2019): 213–22. http://dx.doi.org/10.17509/jimb.v10i2.16119.

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Trend bisnis di Indonesia saat ini sangat berkembang pesat. Penjualan dan penawaran suatu barang atau jasa sudah beralih melalui media sosial. Adanya peralihan trend bisnis ini membuat persaingan bisnis di Indonesia semakin ketat, baik dalam penjualan online maupun offline. Trend bisnis ini juga berdampak pada industry fashion hijab. Banyak perusahaan dan masyarakat yang berlomba-lomba membuka bisnis online shop. Dikarenakan penjualan melalui online lebih mudah dan lebih diminati masyarakat. Dengan banyaknya online shop yang bergerak di bidang Fashion Hijab yang ada di Indonesia, menjadikan Zavair scarves berada dalam red ocean strategy. Penelitian ini bertujuan untuk mengidentifikasi apa saja yang menjadi kelemahan, kekuatan, ancaman dan peluang dalam online shop Zavair scarves, serta menemukan dan merekomedasikan strategi yang tepat untuk membantu online shop Zavair scarves dalam mengambangkan bisnisnya dan produknya agar bisa bertahan dalam persaingan di dunia bisnis. Untuk mengumpulkan data, penulis menggunakan teknik wawancara terhadap owner online shop Zavair scarves yang kemudian di analisis menggunakan analisis SWOT, yang selanjutnya dilakukan pembobotan factor internal dan external. Data diolah menggunakan Matrix Internal Factor Evaluation (IFE) dan Matrix External Evalution (EFE) untuk melihat posisi perusahaan berada pada kuadran IE Matrix. Tahap selanjutnya yaitu menentukan TOWS Matrix. Dan tahapan terakhir menggunakan BCG Matrix. Hasil penelitian menunjukkan bahwa Zavair scarves berada pada kuadran I pada IE Matrix dan berada pada kuadran II pada BCG Matrix. Kesimpulannya, berdasarkan analisis SWOT, TOWS dan BCG Matrix bahwa market penetration, market development dan product development merupakan strategi yang paling penting untuk memajukan Zavair scarves. Kata Kunci: Analisis SWOT, Business Model, Boston Consulting Group

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4

Ferriman, A. "Fighting malaria with scarves." BMJ 340, may11 3 (May 11, 2010): c2566. http://dx.doi.org/10.1136/bmj.c2566.

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5

Hautala, Robert M. "Does Transfer of Training Help Children Learn Juggling?" Perceptual and Motor Skills 67, no. 2 (October 1988): 563–67. http://dx.doi.org/10.2466/pms.1988.67.2.563.

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The effectiveness of four different learning sequences in teaching juggling to 5th grade students was investigated. Practice schedules using combinations of scarves, weighted scarves, beanbags, and balls allowed both identical task elements and learners' time-on-task to be varied during a 3-wk. practice period. The exclusive use of beanbags for practice, prior to testing with balls, resulted in significantly better juggling scores than did the other combinations. While transfer of training occurred for other groups, the amount of students' time-on-task during practice appeared to be a strong influence on final performance.

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6

Sapitri, Idah, and Edy Saptono. "Pengaruh Citra Merek, Harga dan Social Influence terhadap Minat Beli Produk Hijab Buttonscarves." Jurnal Ilmiah Universitas Batanghari Jambi 23, no. 2 (July 26, 2023): 2210. http://dx.doi.org/10.33087/jiubj.v23i2.4027.

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The purpose of this study is to know how brand image, price and social inequality impact buying hijab scarves. The problem was focused on people who had never bought hijab straw scarves. Data is collected by disseminating questionnaires through Google forms. The study employed a quantitative method with the number of samples was 125 people. The study was conducted using IBM SPSS data processing software (statistical product and service solution) version 25.0 of the data analysis explains that the relationship between variable brand image, price and social challenges to buying hijab buttinscarves is both positive and significant.

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7

Kajander, Ann E. "Creating Opportunities for Children to Think Mathematically." Teaching Children Mathematics 5, no. 8 (April 1999): 480–86. http://dx.doi.org/10.5951/tcm.5.8.0480.

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The children dived into the pile of hoops, scarves, and other materials. It was the last day of Kindermusik (Music Resources Development 1988), and the seven-year-olds were sharing some of their favorite musical activities with parents.

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8

Okediji. "Scarves of Rare Porcelain: Peju Alatise's Fabric Architecture." Feminist Studies 41, no. 1 (2015): 88. http://dx.doi.org/10.15767/feministstudies.41.1.88.

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Okediji, Moyo. "Scarves of Rare Porcelain: Peju Alatise's Fabric Architecture." Feminist Studies 41, no. 1 (2015): 88–115. http://dx.doi.org/10.1353/fem.2015.0017.

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Песецкая, Александра Александровна. "Mari Wedding Scarves: Function, Design and Decorative Features (Based on the Material from the Russian Museum of Ethnography)." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 77–90. http://dx.doi.org/10.26158/tk.2020.21.2.007.

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Статья посвящена свадебным марийским платкам, их конструктивно-декоративным свойствам и роли в обряде. Материалом для исследования послужили богатые коллекции Российского этнографического музея, на основании которых рассматриваются различные типы полотенчатых изделий, представленные на традиционной марийской свадьбе. Речь идет о свадебных покрывалах невесты, свадебных головных и поясных платках. Рассмотрение конструктивных и декоративных особенностей данных изделий, а также способов реализации в ходе свадебного обряда позволяет сделать выводы о разнообразии как локальных форм, так и способов их функционирования. В статье подробно разбираются поясные свадебные платки, их связь с головными уборами, анализируются функции свадебных полотенчатых изделий и соотношение с декоративными особенностями. Платки рассматриваются как в составе костюмов действующих лиц, выполняющими знаковые функции, так и в качестве инструмента обрядовых действий, в частности, в практиках дарения и обмена. Данное исследование, основанное преимущественно на предметах конца XIX - начала XX в., перспективно с точки зрения изучения современного состояния традиции. Как показывают полевые исследования, несмотря на внешнюю модификацию, платки по-прежнему играют важную роль на марийской свадьбе. This article is devoted to Mari wedding scarves, their constructive and decorative properties and ceremonial role. The rich collections of the Russian Museum of Ethnography include various types of towel products from a traditional Mari wedding and serve as the material for this research. Consideration of the design and decorative features of the bride’s wedding veils, wedding headscarves and waist scarves, as well as of their use during the wedding ceremony, allow us to draw conclusions about the diversity of both local forms and the ways they function. The article examines the connection between headdresses and wedding shawls, analyzes their functions as well as the relationship to their decorative features. Headscarves are considered both as part of the costumes of actors performing symbolic functions and as a tool of ceremonial action, in particular, in practices of giving and exchange. This research, based mainly on artefacts of the late 19 th - early 20 th century, is promising from the point of view of studying the current state of tradition. Field research shows that despite external modification scarves still play an important role in Mari weddings.

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Shin, Hea Jeong. "Development of Scarves Pattern Design Applying Ndebele Folk Costume." Korean Society of Fashion Design 20, no. 3 (September 30, 2020): 71–86. http://dx.doi.org/10.18652/2020.20.3.5.

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12

Nobles, Susanne. "Head Scarves and Stocking Feet: Pushing Boundaries through Literature." Phi Delta Kappan 91, no. 1 (September 2009): 65–67. http://dx.doi.org/10.1177/003172170909100112.

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13

Jung, Jin Soun. "Making of Natural Dyeing Scarves by Tie-Dyeing Technique." MATEC Web of Conferences 108 (2017): 03006. http://dx.doi.org/10.1051/matecconf/201710803006.

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14

YEMETS, O., and M. HAVRYLIUK. "CONCEPTUAL METAPHOR OF FAMILY AND LOVE IN CONTEMPORARY SHORT STORIES: LINGUISTIC AND TRANSLATION ASPECTS." Current issues of linguistics and translations studies, no. 25 (September 30, 2022): 14–19. http://dx.doi.org/10.31891/2415-7929-2022-25-3.

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The article considers the language means of verbalization of conceptual metaphors “Family” and “Love” in the contemporary short stories of the British and American writers. The investigation also involves determining the principles and the algorithm of rendering these conceptual metaphors in translation. Concepts are defined as mental structures used by a person in the process of thinking. Concepts in fiction are called artistic concepts. They are verbalized with the help of lexical and stylistic devices and are represented by conceptual metaphors. Conceptual analysis helps to characterize the key concept in the text of fiction, and, at the same time, such analysis can be a good criterion for assessing the quality of literary translation. In this paper, we suggest four stages of conceptual analysis in translation. The first stage includes defining the main concept in the text; the second involves formulating the conceptual metaphor (CM) in the text; determining the lexical and stylistic means of verbalization of the CM. The third stage consists in the text translation and editing, and the fourth-in the comparison of the source and target texts. At the first stage, it is also necessary to consider how the key text concept is represented in the folklore, proverbs, and aphorisms. Our investigation focuses on the concepts of “Family” and “Love”, therefore we chose several famous proverbs as the illustration of these concepts: As the twig is bent, so the tree is inclined; Men build houses, women build homes; A mother’s heart is always with her children. The major concept in the short story “Oliver’s Evolution” by John Updike is: “Family”, and the two microconcepts are “Father” and “Son”. The main character Oliver was growing as a weak boy, vulnerable to different injuries and misfortunes. But when he became an adult and had a family, he started feeling responsibility for his children and his wife, he became the support of his children. The main CM is verbalized by means of the extended metaphor and gradation and can be formulated as FATHER IS THE TREE FOR HIS CHIDREN. Another story “My Mother’s Many Scarves”, published in August 2022, is an example of flash fiction stories, two-three pages long, usually with a very important ending. The concept “Family” includes two microconcepts – “Mother” and “Daughter”. The author Andree Guedron describes the relations of love and understanding between the mother and the daughter. The narrator’s mother liked scarves, and her daughter inherited different things from her: brooches, jewelry. But most valuable was a bag of scarves which the mother bought in different countries. The concept is verbalized, first of all, by numerous repetitions of the noun scarf. The scarves become a metonymic detail, a symbol in the story. That is why the main conceptual metaphor of the text can be formulated as MOTHER’S SCARVES ARE SPIRITUAL INHERITANCE. The daughter realizes that she inherited from the mother not only material things, but also spiritual traits, behavior, emotions. At the same time, the concept “Love” is also realized in this story, as love of the daughter to her mother. Another short story where this concept is actualized is “Bigfoot Love” by E. Gary. It is a fantastic and allegoric story of love of a man and an ape, and the major CM can be formulated as LOVE IS A BIG FORCE. This conceptual metaphor is verbalized with the help of such stylistic devices as hyperbole and extended metaphor. In translation, two major strategies were used to retain the aesthetic and stylistic effect: retaining the conceptual model with the same language expression; retaining the conceptual models with somewhat different linguistic expression, with the use of such translation techniques as synonymic substitution and modulation.

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15

Hautala, Robert M. "Juggling Scarves: A Learning Tool That Aids or Hinders Learning?" Perceptual and Motor Skills 60, no. 2 (April 1985): 447–51. http://dx.doi.org/10.2466/pms.1985.60.2.447.

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16

Boardman, Michelle. "Shoulder to Shoulder: Women's Patriotic Scarves of World War II." Dress 25, no. 1 (January 1998): 3–16. http://dx.doi.org/10.1179/036121198805297864.

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17

Kim, Sun-Young. "Characteristics and Styles of Wearing Scarves in the Contemporary Fashion." Journal of the Korean Home Economics Association 48, no. 6 (July 30, 2010): 31–41. http://dx.doi.org/10.6115/khea.2010.48.6.031.

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18

Shirokovskikh, Margarita Sergeevna. "Morphology and mythology of Leningrad textiles." Studia Slavica et Balcanica Petropolitana, no. 2(34) (2023): 169–86. http://dx.doi.org/10.21638/spbu19.2023.209.

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The article is devoted to the Leningrad artistic textiles, created in the 1960s–1990s. It is well known, that tapestry was actively developing during this period, however, this article discusses both original and industrial designs, which were represented by printed and shaft weaving fabrics, and textile haberdashery. Unique and industrial textiles have evolved with varying degrees of intensity, while fabrics and scarves remain the least explored area of design practice. In most cases, patterns for scarves had a souvenir design. The author gives data on the main industrial enterprises which produced them, points to the inseparable connection with the Leningrad school of textiles, which was based at the department of textiles at the Vera Mukhina Leningrad Higher School of Industrial Art. Emphasis is placed on the fact that the development of tapestry in the Leningrad school of textiles became possible after the opening of internships in Czechoslovakia, Hungary, and Latvia. The experience of learning about modern European tapestry formed two main trends in Leningrad: traditional and relief-plastic. In each of them were created outstanding works. This article provides information about tapestries and curtains made in the Leningrad Decorative and Applied Arts Factory and Research Experimental Workshops. The scale and high quality of the works are noted, the prominent artists who worked by the «order of the state» (goszakaz) are listed.

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19

Anggrayani, Rega, and Agus Zainal. "PEMBERDAYAAN MASYRAKAT MELALUI PEMBINAAN UMKM KAMPUNG BATIK BETUNGAN." Journal Of Lifelong Learning 4, no. 1 (June 8, 2021): 1–6. http://dx.doi.org/10.33369/joll.4.1.1-6.

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This study aims to obtain information systematically related to community empowerment through the development of UMKM in the Betungan batik village. The method used was the focus group discussion by getting the result that community empowerment through UMKM was carried out once a month, discussing the existing programs in the Betungan batik village UMKM with 50 members. UMKM Batik Betungan Village makes various products made from written batik such as batik scarves, batik bags, batik sandals, batik masks, and hand-written batik hijabs.

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Wei, Xiao Ying, En Long Yang, Yuan Xue, and Shi Yuan Sun. "Morphology and Performance Analysis of Alpaca and Cashmere Fiber." Applied Mechanics and Materials 477-478 (December 2013): 1336–39. http://dx.doi.org/10.4028/www.scientific.net/amm.477-478.1336.

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Alpaca wool is soft and thin, smooth and delicate, can be applied to many areas of production, such as coat, stuffed shirts, scarves, tapestries, bags, carpets, etc. In this paper, surface morphology and mechanical performance of four kinds of alpaca wool and cashmere were investigated. Fiber diameter, strength and surface morphology of Peru alpaca is similar to Cashmere. Fiber diameter, strength of Peru alpaca is much smaller than those of the other three alpaca wool. The results provide a reference for spinning process development and fiber identification.

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Ковалева, Наталия Ивановна. "Image of a city in commemorative kerchief of the 19th – 21st centuries." Искусство Евразии, no. 2(17) (June 27, 2020): 51–69. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.003.

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Статья продолжает серию публикаций автора об истории российской текстильной промышленности конца XVIII – начала XXI века. Данная работа посвящена эволюции художественных приемов воплощения образа города и передачи отдельных архитектурных элементов в сюжетных и памятных платках отечественного производства. В статье в хронологической последовательности рассматриваются изделия крупнейших московских мануфактур XIX – начала ХХ века: Даниловской, Прохоровской Трехгорной; агитационные платки, ставшие прямыми наследниками традиции платков памятных, и далее «текстильные сувениры» – предметы, созданные во второй половине ХХ века. Заканчивают обзор платки, создающиеся в настоящее время на Павловопосадской платочной мануфактуре – единственном крупном платочно-набивном производстве страны, и изделия современных российских дизайнеров, работающих в нише малотиражного авторского платка. The article continues the author's series of publications devoted to the history of the Russian textile industry of the late 18th – early 21st centuries. This work is dedicated to the evolution of artistic techniques devices of embodying the image of the city and the transfer of individual architectural elements in the plot and commemorative scarves of domestic production. The article chronologically examines the products of the largest Moscow manufactories of the 19th – early 20th century: Danilovskaya, Тrekhgornaya; agitation kerchief, which succeeded to tradition of commemorative scarves and then “textile souvenirs” – items created in the second half of the 20th century. The review ends with the shawls currently being created at the Pavlovsky Posad shawl manufactory – the only large-scale kerchief-printed production in the country and the items of modern Russian designers working in limited editions.

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22

Bowen, John R. "Why Did the French Rally to a Law Against Scarves in Schools?" Droit et société 68, no. 1 (2008): 33. http://dx.doi.org/10.3917/drs.068.0033.

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Moll, Yasmin. "“Beyond Beards, Scarves and Halal Meat”: Mediated Constructions of British Muslim Identity." Journal of Religion and Popular Culture 15, no. 1 (March 2007): 1. http://dx.doi.org/10.3138/jrpc.15.1.001.

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Derbaix, Christian, and Alain Decrop. "Colours and scarves: an ethnographic account of football fans and their paraphernalia." Leisure Studies 30, no. 3 (July 2011): 271–91. http://dx.doi.org/10.1080/02614367.2010.527356.

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Hariri, Nabila Meira Adzraa, Cecep Safa'atul Barkah, Tetty Herawaty, and Lina Auliana. "Menjadikan Brand Top Of Mind Melalui Penggunaan Strategi Funneling (Studi Kasus Pada UMKM Wanderer Scarves)." Media Ekonomi 21, no. 2 (July 16, 2022): 33. http://dx.doi.org/10.30595/medek.v21i2.10904.

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Penelitian ini dilakukan untuk mengetahui apakah UMKM Hijab Wanderer Scarves sudah menjadi brand top of mind di benak para wanita berhijab di Kota Bandung. Metode yang digunakan dalam penelitian ini adalah metode kuantitatif untuk mendapatkan data melalui survei dengan teknik sampling menggunakan purposive sampling dan metode kualitatif deskriptif untuk mendapatkan data melalui wawancara kepada pihak perusahaan. Analisis dilakukan dengan tahapan melalui internal based resource, framework VRIO, SCA, dan TOWS. Dari analisis tersebut didapatkan strategi untuk mengatasi bisnis isu yaitu dengan cara meningkatkan brand awareness. Peningkatan brand awarenessini dilakukan melalui strategi funneling dengan program, yaitu konten interaktif pada instagram, mengadakan diskon untuk pembelian online, pemasangan iklan di platform youtube, mengikuti event hijab.

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Stanley, B. Liahnna. "Pubic scarves and earthworm sex: storying Indigenous eroticisms for sovereign relations and futures." Review of Communication 22, no. 4 (October 2, 2022): 351–63. http://dx.doi.org/10.1080/15358593.2022.2136502.

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White, Dorothy. "Kenta, Kilts, and Kimonos: Exploring Cultures and Mathematics through Fabrics." Teaching Children Mathematics 7, no. 6 (February 2001): 354–59. http://dx.doi.org/10.5951/tcm.7.6.0354.

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Fabrics have always been a means of expressing cultural heritage. We can often identify different cultures and countries by the fabrics used in garments worn by their people. For example, garments made from kenta cloth, with its bold colors and designs, identify people from Africa or of African descent. Tartan plaids found in kilts and scarves identify people from Scotland, as well as the clan or family with which the wearer is associated. Kimonos displaying colorful flowers, birds, and other phenomena of nature identify people from Asian-Pacific countries, such as Japan. These fabrics are beautiful in and of themselves, but they also give us an opportunity to examine various cultures and mathematical concepts, including patterns, geometric shapes, and spatial reasoning.

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Kelly, Laura, and Cinthya Bolanos. "From Outreach to Translanguaging: Developing a Bilingual Storytime." Children and Libraries 18, no. 3 (September 25, 2020): 28. http://dx.doi.org/10.5860/cal.18.3.28.

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A college student shows the illustrations of the bilingual book What Can You Do with a Rebozo? She turns to several pages that she has marked, shows the pictures to children gathered for bilingual storytime, and talks about each picture in English. The student stops on the page that describes a baile, or dance, that the child in the book does with her mamá’s rebozo, or brightly colored shawl. The student reads this page in Spanish and asks the children if they would like to dance with their own rebozos. The children excitedly say they would, and the student passes out play scarves. The children jump, clap, stomp, and sing along with their rebozos while dancing to an English song.

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Mala, Tariq Ahmed, Syeed Rayees Ahmad, and Shahid Amin Malla. "Use of head scarves pin and their consequences in young Muslim girls in Kashmir." International Journal of Surgery Science 3, no. 1 (January 1, 2019): 285–86. http://dx.doi.org/10.33545/surgery.2019.v3.i1e.49.

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Saha, Anamik. "‘Beards, scarves, halal meat, terrorists, forced marriage’: television industries and the production of ‘race’." Media, Culture & Society 34, no. 4 (May 2012): 424–38. http://dx.doi.org/10.1177/0163443711436356.

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Dondo, Miftahul Jannah, and Yuniarti Hidayah Suyoso Putra. "The Evaluation of Sales Accounting Information System Using Pieces Method at Kelana Scarves Shop." JASa (Jurnal Akuntansi, Audit dan Sistem Informasi Akuntansi) 6, no. 2 (August 29, 2022): 181–88. http://dx.doi.org/10.36555/jasa.v6i2.1860.

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Every company is required to maximize existing resources in carrying out the company's activities effectively and efficiently. Therefore, companies need an accounting information system that can support the supervision of various operational activities well. This research aims to evaluate the sales accounting information system applied by the Kelana Scarves Shop using the PIECES (Performance, Information, Economy, Control, Eficiency dan Service) analysis method. The research used descriptive qualitative research with a case study approach. The data collection techniques include observation, interview, and documentation. The data analysis uses data reduction, data presentation, and analysis using the PIECES method. According to the PIECES method, the results show that the users are satisfied with using the Olsera POS system. However, the results also indicate there is still a double job in terms of efficiency related to assigning tasks and responsibilities. There is still no optimal service to consumers in the service aspect because the employee ignores the updated information of inventory in the marketplace and the warehouse. Therefore, they can disappoint consumers who want to buy the needed goods

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Howard, Erica. "Banning Islamic veils." International Journal of Discrimination and the Law 12, no. 3 (September 2012): 147–65. http://dx.doi.org/10.1177/1358229112464450.

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In political and popular debates, bans on the wearing of Islamic head scarves and veils are often said to be necessary for the promotion of gender equality. In this article, I argue that this is based on a stereotypical view of Islam and of Muslim women which ignores the many different reasons why women wear headscarves and veils. I also argue that bans are unnecessary and even counterproductive to achieving gender equality. For those women who wear these garments because they freely choose to do so, bans are not necessary to promote their equality. For those women who are pressured into wearing headscarves or veils, bans could well work against promoting their equality, because they could prevent them from getting an education and a job and could lead to their isolation from society.

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Seninde, Denis Richard, Edgar Chambers IV, Delores H. Chambers, and Edgar Chambers V. "Development of a Consumer-Based Quality Scale for Artisan Textiles: A Study with Scarves/Shawls." Textiles 1, no. 3 (October 27, 2021): 483–503. http://dx.doi.org/10.3390/textiles1030025.

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Modern textile consumers are increasingly becoming more watchful of the quality of the textiles that they purchase. This has increased the need for textile producers, especially artisan textile makers (e.g., knitters, tailors, dressmakers, seamstresses, and quilters), to improve the quality of their textile products. Information on several analytical tools that are commonly used for assessing the quality of textiles is abundant, but consumer-based tools for evaluating the quality of textiles remain limited. A consumer-based artisan textile-quality scale was developed using data collected from two focus groups (Phase 1) and a consumer quantitative study, n = 196 (Phase 2). Ten scarves and shawls were evaluated in the quantitative study and analysis of variance (ANOVA) was used to determine the differences between the mean textile ratings for all the statements. Coefficient alpha (final raw alpha = 0.87) was also used to assess if the statements were consistent in the way they measured the quality of the textiles. Pearson correlation tests were used to validate the six-statement quality scale that included statements such as overall attention to detail, the fabric is durable, and stitching is even and consistent. Artisan textile makers in the USA can use this scale to better meet the functional needs of their customers. Additionally, the process that was employed in the development of the six-statement quality scale can be used by researchers in other countries to understand better the key quality characteristics of artisan as well other textile products.

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Yan Liu, Fernando Tovia, and John D. Pierce. "Consumer Acceptability of Scent-infused Knitting Scarves Using Functional Melt-spun PP/PLA Bicomponent Fibers." Textile Research Journal 79, no. 6 (April 2009): 566–73. http://dx.doi.org/10.1177/0040517508094397.

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Nassar, Khalid, Nahla Mohsen, and Eman Abou Taleb. "Improving the thermal comfort properties of bamboo and bamboo blended fabrics for sports head scarves." International Design Journal 10, no. 4 (October 1, 2020): 131–37. http://dx.doi.org/10.21608/idj.2020.113216.

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Dita Amanah, Nida Azka Pauziyyah, and Dedy Ansari Harahap. "STRATEGI PENGEMBANGAN USAHA OUTER SCARF “DESIRE & CO” CIMAHI." Jurnal Pengabdian kepada Masyarakat Indonesia (JPKMI) 3, no. 1 (April 14, 2023): 105–14. http://dx.doi.org/10.55606/jpkmi.v3i1.906.

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This study was conducted on an online business in Cimahi called Desire & Co, which sells outer scarves with various motifs that can be selected or ordered according to the desired motif. Observation results show that there are several problems faced by this business, namely promotion on social media that is less consistent, lack of capital to advertise, poor quality product photos, and lack of human resources. This business is still implementing the red ocean strategy because it is relatively new and has many competitors. Observation of the running of the business is done by making a questionnaire and asking the owners and employees and used as a method of collecting data for this research. The solution that has been given is to use the hookle application so that promotions are consistent, optimize product photos on social media as an advertising platform and expand advertisements to various other social media.

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Pikri, Faizal, Muhammad Sar'an, and Abdulah Syafei. "OPTIMALISASI PEMBERDAYAAN MASYARAKAT BERBASIS NILAI MELALUI PABRIK KAIN SUTRA SABILULUNGAN DI KABUPATEN TASIKMALAYA." Jurnal Kelola : Jurnal Ilmu Sosial 1, no. 2 (December 12, 2018): 38–63. http://dx.doi.org/10.15575/jk.v1i2.3773.

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Based on the results of the study, the authors obtained several research conclusions as follows: First, through silk business which has been carried out by the Sabilulungan Silk Fabric Company (PKSS) including silkworm cultivation, spinning silk cocoons, weaving silk thread, and utilizing damaged silk cocoons. PKSS has played a minimum role in carrying out 2 (two) forms of community empowerment work programs from the Basyariah side, namely economic empowerment which has implications for economic prosperity for the community and social empowerment that produces social welfare for the surrounding community. The form of the community empowerment work program at the Sabilulungan Silk Fabric Factory, namely economic empowerment with the opening of new jobs and social empowerment with socialization to residents in the business of silkworm cultivation and fabric and silk scarves. Through economic empowerment and social empowerment carried out by the Sabilulungan Silk Fabric Factory, it has at least an impact on economic welfare and social welfare

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Nam, Jae Kyung, and Sook Keum Key. "Case Study of Design Motifs of Nstional Symbols in Countries Including Korea : Focused on Scarves and Neckties." International Journal of Costume and Fashion 12, no. 2 (December 31, 2012): 67–82. http://dx.doi.org/10.7233/ijcf.2012.12.2.067.

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O'Brien, Leigh M. "Juggling Scarves or Inclusion for What? Young Children with Special Needs in an Era of School ‘Reform’." Contemporary Issues in Early Childhood 2, no. 3 (October 2001): 309–20. http://dx.doi.org/10.2304/ciec.2001.2.3.4.

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Maisa, Dela Sukma, and Elida Elida. "Types And Meaning Of Food In The Batagak Penghulu Ceremony In Nagari Kambang Timur." Jurnal Pendidikan Tata Boga dan Teknologi 4, no. 2 (May 26, 2023): 218. http://dx.doi.org/10.24036/jptbt.v4i2.596.

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traditional leaders or customary density (KAN), bundo kanduang, the community. Data collection techniques through observation, interviews and documentation. Data analysis used is data reduction, data presentation and conclusions. The results of this study indicate that the types of food at the batagak penghulu ceremony in Nagari Kambang Timur are cakes that must be served onde-onde, banana chips, kue kembang goyang, lapek bugih, nasi lamak jo sagun. The food that must be served is rice, meat curry, badulang rice. Additional food: cubadak curry, raburan curry, chicken curry, fried fish, kalio jariang. The tools used for processing include cauldrons (pans), mandai (basins), steamers (steamers), rocking flower molds, grated banana chips, strainers, grated coconut, wood stoves, large cooking pots, banana leaves, wooden spoons, knives, lado stones (pout). Utensils for serving such as trays, piriang samba, dumplings of rice, small plates. Tools for carrying food such as trays, serving covers, wraps, scarves, throws with lids, piriang samba. The traditional food made for the penghulu batag ceremony has a meaning that contains useful messages for all people.

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Lee, Jin-Hee, and Yoon-Mi Jang. "Diffractive Readings of Data from Observation of Young Children’s Play Through Philosophical Theories: Encounters with a Scarf." Korean Society for Critical Inquiry of Childhood Education 12, no. 2 (October 31, 2022): 50–72. http://dx.doi.org/10.26834/ksycbc.2022.12.2.50.

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This paper is about two researchers’ journey of enlivening the vitality of data from observation of young children’s play with scarves in a mixed-age classroom of 3- and 4-year-olds, by diffractively analyzing data with/through philosophical theories. Researchers endeavored to understand how the encounter with the observer, material agency of a scarf, memories and desires of young children, and discovered that socioculturally constructed meanings were all entangled to generate, disperse, connect, disconnect, and enfold heterogeneous spacetimes and material-discursive plays. Diffractive methodology was adopted to reassemble data while diffracting and intra-acting with theories of Foucault, Deleuze, and Barad. The vitality of play observation data was also entangled with the researchers toward spacetimemattering of data diffracted in-between multiple theories and practices, researchers’ past-present-future, an early childhood classroom and a graduate school classroom, human and non-human, along with our iteratively drawing/blurring their boundaries, and making new connections. We suggest the thinking-with-theory-data would open doors to illuminating the entanglements of space, time, materials, and meanings embedded in the play observation data.

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Saaidin, Husna, Hisyam Zakaria, Suriati Saidan, and Wan Nadhra Ixora. "AESTHETIC VALUES OF SPORTS HIJABS DESIGNS BETWEEN MALAYSIAN AND INTERNATIONAL SPORTSWEAR BRAND." Journal of Tourism, Hospitality and Environment Management 9, no. 35 (March 12, 2024): 48–60. http://dx.doi.org/10.35631/jthem.935004.

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Sportswear market, normally by slinky legging, crop tops and close-fitting apparel. (Viktoria Hermann, 2022). Recently, the value of sports hijabs in global modest fashion has been growing over the past few year about $368 billion (Hafsa Lodi, 2020). Traditional hijabs vary from basic scarves to intricate multi-layered pieces, offering a fluid silhoutte that covers the head and neck entirely. However, during various athletic activities, these garments can easily slip off or get caught, possing both a modesty concern and a safety risk for the user. In contrast, sports hijabs maintain the same level of coverage but have a snugger and more secure fit. (Palmer G.D., 2023). Objective of this research is to idenfity the aesthetic value design, features and function of each sports hijab designs in the market. The researcher conducted observations and analyses on two (2) distinct local brand who are focusing in sports hijabs. This paper aims to determine the visual aethetic design of sports hijabs by evaluating and comparing between international and local sportswear brand in various aspects including details, features and materials.

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Saepudin, Eli Apud, Asnawi Asnawi, and M. Nassir Agustiawan. "TRANSFORMASI TRANSAKSI PENJUALAN KERAJINAN TANGAN DI SUKU BADUY DESA KANEKES MELALUI PENGGUNAAN METODE QRIS." Indonesian Collaboration Journal of Community Services (ICJCS) 3, no. 2 (May 28, 2023): 187–92. http://dx.doi.org/10.53067/icjcs.v3i2.123.

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Woven clothes, key chain crafts, traditional Baduy clothes, romal, bebed, shawls, sides, sarongs, bags, nyiruan honey, odeng honey, palm sugar, powdered palm sugar, scarves, bamboo teapots and glasses, machetes, t-shirts and much more again original Baduy handicrafts. Baduy handicrafts are creative works of local wisdom of the Baduy people and boost the economy of the Baduy tribe, usually made by women who have known weaving from the time of their ancestors. Generally, when they are teenagers, mothers in Baduy teach their children to learn to weave, to produce 1 piece of woven cloth that takes 2 months. Many tourists who visit Baduy complain when they buy Baduy souvenirs but don't bring a lot of money because they still don't accept digital payments and end up failing to buy Baduy souvenirs. On Sunday, June 11, PKM FISIP Bina Bangsa University, which was attended by 50 Communication Science students and accompanied by 5 Lecturers with the aim of providing socialization and service to the Baduy community about the importance of digital payments in the modernization era

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HARIANI, ELIZABETH, and ADHI KUSUMASTUTI. "STUDY OF FUNCTIONS, MOTIFS, AND SYMBOLIC MEANINGS OF TOBA BATAK ULOS SADUM WOVEN FABRICS IN NORTH SUMATRA." Fashion and Fashion Education Journal 12, no. 1 (May 24, 2023): 32–47. http://dx.doi.org/10.15294/ffej.v12i1.68019.

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Abstract. Ulos sadum is a Batak woven fabric that was originally known in Angkola/South Tapanuli as a symbol of joy with its characteristic red color and festive floral motifs that have cultural significance through the Batak tradition, and can contain magical, religious, love, unity and prayer values. The development of the times has an impact on the ulos phenomenon is not used in accordance with the function, motifs and meaning of ulos because it is starting to erode and can threaten the extinction of the ulos which makes people worry, especially for the Toba Batak sphere. This study aims to examine the functions, motifs, and symbolic meanings contained in the Toba Batak ulos sadum. This research is a type of qualitative research. The approach used is semiotics. The sources of data in this study were ulos weavers, experts in the field of ulos (ulos observers, ulos business actors, lecturers of cultural studies), literature, and ulos. Data collection techniques used are literature studies, observations, interviews, and documentation. The data analysis technique used is the theoretical data analysis of Miles and Huberman namely data reduction, data presentation and conclusion/verification. The results showed that the function of the Toba Batak personal sadum was to be used by women as ulos holong (love), a symbol of joy and prayer for the wearer or daughters who are currently married, and to show the beauty of women from their work. The physical function is for scarves, long cloths/slings, back cover and gifts. The social function is for happy and sad events such as mangulosi , house inauguration, baptisms, child births, church birthdays and funerals. The function of the community in the past was that it was used for daily activities, scarves and traditional events. The function in today's society is still the same as before but has been modernized, namely the development of sadum patterned fabrics into souvenirs such as wall hangings, tablecloths, bags, clothing, skirts, accessories and others. Some sadum motifs come from Dutch and India acculturation. The motifs describe animals and nature in the Batak land. The distribution of motifs on the Toba Batak ulos sadum is Toba Silindung, Toba Samosir, Toba Holbung/Uluan and Toba Sitolu Huta. The overall symbolic meaning contained in the Toba Batak ulos sadum, namely the joy and social relations of humans and the surrounding nature is translated from the meaning contained in each motif that forms a single unit. This cloth in custom is called ulos holong (love), which expresses affection, joy and prayer to give dynamism to the community.

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Purba, Michael, and Mira Veranita. "PENGARUH KUALITAS PELAYANAN DAN KUALITAS PRODUK TERHADAP KEPUTUSAN PEMBELIAN (STUDI KASUS DI SCARVES AND PASHMINA ALISHA FANCY SHOP)." Jurnal Co Management 4, no. 1 (August 26, 2021): 632–40. http://dx.doi.org/10.32670/comanagement.v4i1.582.

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Penelitian ini bertujuan untuk menganalisa pengaruh kualitas pelayanan dan kualitas produk terhadap keputusan pembelian Alisha Fancy Shop Bandung. Penelitian ini menggunakan metode kuantitatif dan teknik pengumpulan data dengan cara observasi dan dokumentasi. Teknik analisis data menggunakan Uji normalitas data, Uji Validitas dan Reliabilitas, Uji Analisis Korelasi PPM (Pearson Product Momen), Uji Analisis Berganda, Uji Hipotesis, Uji T (Parsial), Uji F (Simulasi) dan Uji Koefisien Determinasi (Adjusted R Squre). Dari hasil penelitian dapat diperoleh bahwa pengaruh kualitas pelayanan dan kualitas produk terhadap keputusan pembelian sebesar 26,4 %, sedangkan sisanya 73,7 % dipengaruhi oleh variabel dari luar penelitian.

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Whittaker, James, and Ashley Morgan. "‘They never felt these fabrics before’: How SoundCloud rappers became the dandies of hip hop through hybrid dress." Critical Studies in Men???s Fashion 9, no. 1 (April 1, 2022): 99–118. http://dx.doi.org/10.1386/csmf_00053_1.

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This article examines the appearances and dress of SoundCloud rappers, a highly popular subgenre of American hip hop music, which shifted from homemade music to the mainstream in 2016. SoundCloud rappers wear clothes usually associated with hybrid masculinity, such as fluffy pink hoodies, silk scarves and frilly shirts. In contrast, although not lacking in style, rappers usually embody an idealized heteronormative masculinity, played out through manly affect, which is often expressed through baggy sports clothing and oversized gold jewellery. Despite Black masculinity being historically defined through stylish, interesting and ostentatious clothes, these looks have been rejected by traditional rappers for fear of association with more hybrid masculinity. The transformation in cultural production through participatory culture, allowing for different male identities to be expressed notwithstanding, masculinity in hip hop has been very slow to change. Using the concept of the dandy, this article examines the ways in which certain SoundCloud rappers have embraced ostentation in clothing, despite a significant backlash from their peers. Moreover, we suggest that SoundCloud rappers have pushed the boundaries of clothing for a new generation of queer Black rappers, arguably, paving the way for looks which are ‘beyond belief’.

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Trushkova, I. Yu. "TRADITIONAL COSTUME OF THE ORLOVSKY KOMI: SPECIFICITY AND DYNAMICS AT THE “HISTORICAL TURNING POINT” OF THE 1920s." Вестник Пермского университета. История, no. 4(51) (2020): 139–46. http://dx.doi.org/10.17072/2219-3111-2020-4-139-146.

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Western Permian Komi lived in the Orlovsky district of the Vyatka province, and their ethnic culture revealed a series of features and similarities with other communities of the Komi and neighboring peoples. The article analyzes the costume complexes of this ethnic group. A bright page in the history of material culture is represented by the traditional women's costume at the “historical turning point”, i.e. in the 1920s. Its early version includes a magpie headdress, a shirt with slanting Cumack rugs, a straight sleeve with longitudinal embroidery, a red Kosoklinny sarafan, a belt, an apron, beads with Kauri shells and glass beads, double-sided copper earrings and rings, and nasal jewelry. Kosoklinny sarafans from purchased red fabric or blue dyed canvas were decorated with a green woolen cord laid in a stylized tree on the chest and in the centre of the hem in front. The back was decorated with braid sewn above the shoulder blades. The later version includes shirts with yokes, like the Russians in the Veliko-Ustyug district had, and straight pest-row sarafans, like in the middle Vyatka region. Headdresses, scarves, aprons and belts were reproduced in the old way.

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Phochanthilath, Champathong. "Women’s Rights in Intellectual Property and Traditional Knowledge Protection in Lao pdr." Asia-Pacific Journal on Human Rights and the Law 16, no. 1-2 (October 6, 2015): 9–25. http://dx.doi.org/10.1163/15718158-01601002.

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Lao People’s Democratic Republic is a multicultural country within the Association of South East Asian Nations. It recently adopted the Intellectual Property Law in the context of enhancing regional and global economic integration. The traditional handicraft textile sector is important in Laos. It is of benefit to the country’s economic development, as well as being recognized as an important element of both national culture and the identity of Lao women. However, Lao craftswomen are facing a strong challenge preserving their traditional knowledge due to the extremely cheap imitations of items such as scarves and Lao skirts, which are being sold in Laos. This article aims to discuss the existing international instruments and related national laws regarding intellectual property and protection of traditional knowledge with particular regard to women’s rights. Intellectual property and traditional knowledge issues attract more attention than intellectual property rights under the World Intellectual Property Organization regime; unesco, trips, cbd and human rights treaties, all to which Lao is a party, are also relevant. Nationally, Laos is still lacking adequate and appropriate means to protect rights of women as traditional knowledge holders in terms of national laws.

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Mey, Jacob L. "Culture and education in a pragmatic context." Cadernos de Linguagem e Sociedade 9, no. 2 (November 12, 2010): 57–76. http://dx.doi.org/10.26512/les.v9i2.9245.

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One area where cultures clash is education. Over the years, we have been witness to such movements as ‘English Only’ in the US (originating in California and Florida, but now operating in a number of other states as well), or the acrimonious European disputes over how much of ‘foreign’ culture can be allowed into the school’s environment (head scarves on the playgrounds, religious symbols like crosses worn around the neck, prayer in the classrooms, and not least use of other languages than the ‘official’ one in teaching and socializing). Pragmatics, by placing the emphasis on the users of language in culture, defuses the potentially explosive elements in such clashes by stressing the need to respect the individual’s options in face of the collective cultural pressure. This is especially important in an area such as education, where schools have historically been used to propagate the ‘domestic’ culture over other cultures, the latter being considered as foreign imports. In a pragmatic view of education, teachers and students should be culture sharers, rather than the former considering themselves exclusively as the rightful owners and proprietary protectors of a culture along with its language

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ABATE, ANDREA F., MICHELE NAPPI, DANIEL RICCIO, and GENOVEFFA TORTORA. "RBS: A ROBUST BIMODAL SYSTEM FOR FACE RECOGNITION." International Journal of Software Engineering and Knowledge Engineering 17, no. 04 (August 2007): 497–513. http://dx.doi.org/10.1142/s0218194007003379.

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During the last few years, many algorithms have been proposed in particular for face recognition using classical 2-D images. However, it is necessary to deal with occlusions when the subject is wearing sunglasses, scarves and such. In the same way, ear recognition is arising as a new promising biometric for people recognition, even if the related literature appears to be somewhat underdeveloped. In this paper, several hybrid face/ear recognition systems are investigated. The system is based on IFS (Iterated Function Systems) theory that are applied on both face and ear resulting in a bimodal architecture. One advantage is that the information used for the indexing and recognition task of face/ear can be made local, and this makes the method more robust to possible occlusions. The distribution of similarities in the input images is exploited as a signature for the identity of the subject. The amount of information provided by each component of the face and the ear image has been assessed, first independently and then jointly. At last, results underline that the system significantly outperforms the existing approaches in the state of the art.

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