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Journal articles on the topic 'Scenes for young actors'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Newhouse, Miriam, Peter Messaline, Mary Ross, Ron Cameron, and Joel Greenberg. "The Actor’s Survival Kit, Behind The Scenes: a Canadian Scene Book, vols. 1 & 2." Canadian Theatre Review 69 (December 1991): 95–96. http://dx.doi.org/10.3138/ctr.69.018.

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Actors’ handbooks are available in many formats: how to speak, how to move, where to look for work, which training methods will provide lifetime careers, etc. Simon & Pierre has recently published two more guidebooks – one for the young acting student and teacher (in two volumes), and one for the aspiring professional. Both are a welcome addition to the scene if for no other reason than that they speak from a Canadian perspective. This, however, is not their only strength.

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2

Joosen, Vanessa. "Writing when Young: Bart Moeyaert as a Young Adult Author." European Journal of Life Writing 10 (December 6, 2021): BB65—BB83. http://dx.doi.org/10.21827/ejlw.10.38163.

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Duet met valse noten (1983) started as a diary when Bart Moeyaert was twelve years old. After it was disclosed by an older brother, Moeyaert rewrote it during his teenage years as a novel about first love. This article studies the genesis and early reception of Moeyaert’s novel to reflect on young authors who fictionalize real-life experiences and desires. On the one hand, they are credited for being experts on youth and said to have a particular appeal to young audiences for that reason. On the other hand, when texts by young authors are published, they are often edited and mediated by adult

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Filewod, Alan. "EDITORIAL." Canadian Theatre Review 99 (June 1999): 3–4. http://dx.doi.org/10.3138/ctr.99.fm.

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The partnership of theatre and labour evokes images of heroic proletarian actors and workers joined in solidarity, staging agitprop at picket lines. This is an image that comes to us through many scenes, from the Blue Blouses of the Bolshevik revolution, from Piscator in the dying days of the Weimar republic, from the agitprop troupes of the 1930s. It is an image of the young George Luscombe performing on a truck to striking workers in the 1940s, of Teatro Campesino in the fields of California, of the Mummers Troupe in mining towns in Newfoundland. But while it, is heavily imbued with romantic

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4

Moran, James. "Avon Calling: The Influence of Frank Benson on the Irish Theatre." Irish University Review 42, no. 2 (2012): 217–35. http://dx.doi.org/10.3366/iur.2012.0031.

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This essay reassesses the position of the British actor-manager Frank Benson within the Irish theatrical tradition. Benson has been derided for his involvement in premiering Diarmuid and Grania for the Irish Literary Theatre in 1901, a production described by Gerard Fay as ‘the last time Dubliners had to call in English actors before they could see a production of an Irish play’. However, as this essay argues, that production may not have been as badly received as Fay implies, and in any case should scarcely occlude the long-term influence of Benson's numerous well-received Dublin performances

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Cuthbert, Karen, and Yvette Taylor. "Queer liveability: Inclusive church-scenes." Sexualities 22, no. 5-6 (2018): 951–68. http://dx.doi.org/10.1177/1363460718772759.

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This article explores queer religious youths’ engagement with the Metropolitan Community Church (MCC) – a church founded as a space of worship for LGBT Christians. Interested in sources of well-being in queer people’s lives, we show how MCC provided young religious queer people with a sense of home, family, and a phenomenological experience of ‘fit’ and ‘ease’. We connect to literature on the subjectivization of religion and suggest that MCC is a significant actor in this process, with spatial and liturgical practices that encourage the development of one’s own spiritual journey. However, we a

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6

Behan, Adam. "Glenn Gould in six scenes." Quodlibet. Revista de Especialización Musical, no. 76 (December 17, 2021): 54–84. http://dx.doi.org/10.37536/quodlibet.2021.76.1400.

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Glenn Gould’s legacy revolves around his retirement from the concert hall in 1964. Studies of his artistry often reflect on that by following a particular impulse: to seek out the rational underpinnings of this decision and to explain them in terms of a larger technological or aesthetic vision. Drawing in particular on the work of Virginia Held and Sara Ahmed, this article conceptualises Gould’s abandonment of the concert hall as an act of self-care, a mechanism for coping with the increasingly intrusive and exploitative celebrity musical culture into which he was catapulted as a young musicia

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Hordieiev, S. I. "Theatrical and pedagogical foundations laid down by V. M. Chystiakova in the development of the imaginative world of the Ukrainian actor." Aspects of Historical Musicology 17, no. 17 (2019): 115–29. http://dx.doi.org/10.34064/khnum2-17.08.

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Topicality of the research theme. An extremely fruitful period in the activities of one of the leading higher drama schools in Ukraine – Kharkiv Institute for Theatre Arts, now ‘I. P. Kotliarevskyi’ National University of Arts, Kharkiv – connected to the name of Valentyna Chystiakova, a People’s Artist of Ukraine. Chystiakova acted as a teacher in the early 20s of the XX century, and later was among those, who consistently embodied the creative ideas of her great teacher Les Kurbas – both in the stage practice of the theatre and in teaching. The basis of Chystiakova’s pedagogical school was, f

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Pereira, Celina A., and Chao Lung Wen. "An interactive distance education model based on motivation for alcohol abuse prevention." Journal of Telemedicine and Telecare 15, no. 3 (2009): 160. http://dx.doi.org/10.1258/jtt.2009.003019.

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We created an interactive learning environment about alcohol, with learning objects incorporating 3-D computer graphics and other telemedicine tools. These were used to explain aspects of alcohol use. The environment included interactive tele-education (the Cyber Tutor) and a collaborative learning network. We also used posters to complement the information transmitted by video. We examined group dynamics involving contests, games and theatrical performances for alcohol learning. To reinforce the information transmitted by telemedicine, 20 group sessions were held in São Paulo, one per week, e

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9

MUELLER, ADELINE. "Youth, Capitivity and Virtue in the Eighteenth-CenturyKindertruppen." Eighteenth Century Music 10, no. 1 (2013): 65–91. http://dx.doi.org/10.1017/s147857061200036x.

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ABSTRACTThis article uses Mozart's unfinished singspielZaide(k336b, 1780) and its source singspielDas Serailto reconsider the eighteenth-centuryKindertruppen: wandering troupes of young singers, actors and dancers who performed in the court and commercial theatres of Europe. These troupes' repertoire often self-consciously addressed the blend of charm and impropriety that lay behind their controversial appeal. I consider the subgenre of seraglio opera – popular with both youth and adult troupes – and in particular the motifs of the audition scene and the captive's lament as metatheatrical comm

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10

Harroff-Tavel, Marion. "Promoting norms to limit violence in crisis situations: challenges, strategies and alliances." International Review of the Red Cross 38, no. 322 (1998): 5–20. http://dx.doi.org/10.1017/s0020860400090732.

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In Somalia, a group of young actors, musicians and scriptwriters are working on a play which is to be produced, filmed and distributed in the form of a video throughout the country. One scene shows a young militiaman boasting of how he has terrorized the population and the reaction of the woman he loves. She evokes the suffering caused by his conduct and refuses to marry a man who has disregarded the code of honour of his clan. This creative work contains a message for young militiamen about the effect of unbridled violence on both its victims and its perpetrators.

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11

Enelow, Shonni. "THE METHOD AND THE MEANS: JAMES BALDWIN AT THE ACTORS STUDIO." Theatre Survey 53, no. 1 (2012): 85–103. http://dx.doi.org/10.1017/s004055741100072x.

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In the climactic scene of James Baldwin's 1968 novel Tell Me How Long the Train's Been Gone, the narrator and protagonist, Leo Proudhammer, appears with his friend and lover Barbara in the living room of a Jewish acting teacher named Saul San-Marquand, the artistic director of the Actors’ Means Workshop. Leo and Barbara have been hanging around the small town in New Jersey where the Workshop has decamped for the summer season. At last, they have been given their promised chance to perform a scene for Saul, who will decide on the basis of that scene whether or not they will be accepted as membe

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12

A.M. NASHEF, Hania. "Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s "It Must be Heaven" and Panah Panahi’s "Hit the Road"." Regards, no. 30 (October 31, 2023): 73–90. https://doi.org/10.70898/regards.v0i30.872.

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The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure. The songs in Suleiman’s film not only form part of the soundtrack and provide a commentary on the unfolding scenes but also deliver a chronology of events that firmly places the country within its Arab milieu. Mirroring the thoughts of the main character, they highlight issues of exil

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Gurra, Hyreme, Fatmire Isaku, and Bjonda Xhumkar. "THE ERA OF MODERNISM AND JAMES JOYCE’S “A PORTRAIT OF THE ARTIST AS A YOUNG MAN”." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 8 (2023): 42. http://dx.doi.org/10.58885/ijllis.v12i8.42hg.

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<p><span>This research paper is going to elaborate the elements of Modernism as one of the most distinguished and important period of Literature. The key elements of this Era will be highlighted threw James Joyce’s Portrait. Modernism surely made a new approach to English Literature with a completely new writing style, motifs, aspects, symbols, and access to scenes,using new elements that will encourage and influence future writers. In “A Portrait of the Artist as a Young Man’’, is portrayed the innovative use of stream of consciousness, a technique throughout which is described th

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14

Ai, Huirong. "The Role of New Media in Promoting Chinese Opera." Vestnik NSU. Series: History and Philology 24, no. 4 (2025): 21–29. https://doi.org/10.25205/1818-7919-2025-24-4-21-29.

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The effectiveness of using new media to promote traditional art forms, particularly opera, is now beyond doubt among specialists. Furthermore, the declining interest in opera, especially among young people, has led theaters to turn to new media practices. In 2023, the audience for new media in China exceeds 1 billion people. Research shows that modern viewers prefer short texts over lengthy ones and videos over printed works. Chinese theaters are leveraging these characteristics in their approach to traditional art forms. The article illustrates how the Shaoxing opera “Yueju” is being populari

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Kullmann, Thomas. "The Hamlet Project in Goethe’s Wilhelm Meister’s Years of Apprenticeship." Multicultural Shakespeare: Translation, Appropriation and Performance 15, no. 30 (2017): 147–59. http://dx.doi.org/10.1515/mstap-2017-0011.

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Goethe’s novel Wilhelm Meister’s Apprenticeship, published in 1795, provides a fictional account of a theatrical production of Shakespeare’s Hamlet. Its initiator is young Wilhelm, whose experiences with this project, in the context of the novel, mark a decisive stage in his education and personal development; as well as, on another level, in the formation of a German national theatre, the mapping out of a theatrical space peculiar to the German national character. To realize his project Wilhelm has to negotiate with his manager and his fellow-actors; these negotiations can be considered refle

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16

Karsli-Calamak, Elif, and Martha Allexsaht-Snider. "Manifestations of Mathematics within the Power Dynamics in a Pre-K Classroom." Teachers College Record: The Voice of Scholarship in Education 122, no. 9 (2020): 1–42. http://dx.doi.org/10.1177/016146812012200904.

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Background/Context Young children's engagement with mathematics is occurring in a context in which school transition and readiness concerns that invoke increased institutional rules and disciplinary practices involving power dynamics are coming into play. These trends made us curious to undertake an in-depth investigation of the different ways children and their teachers engage in mathematics in preschool classrooms today. Purpose/Focus of Study In our video-ethnography study we explored the ways mathematics manifested itself in a Pre-K setting and how mathematics functioned in different ways

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17

Babnich, Judith, and Alex Pinkston. "The Omaha Magic Theatre: An Alternative Theatre for Mid-America." Theatre Survey 30, no. 1-2 (1989): 127–44. http://dx.doi.org/10.1017/s004055740000082x.

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Aspiring young actors traditionally leave their hometowns to seek training and performance experiences in America's theatre centers. Many choose to study and perform in New York City, and they carry with them to New York the naive assumption that only in the “Big Apple” can a theatre artist's dreams come true. But some become disenchanted with the New York theatre scene and gain a determination to create significant, non-commercial theatre in another part of the country. And, on occasion, they erect their alternative stages in the very towns from which they sprang.

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18

Boiko, Tetiana. "Yosyp Hirniak's Stage Practice in the Berezilian System Context in an Actor Education." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 2 (2018): 114–24. https://doi.org/10.31866/2616-759x.2.2018.153237.

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The purpose of the article is to highlight the key moments in the universal performance manner formation by Y. Hirniak and to emphasize the importance of the artist’s the creative intelligence development, to popularize the Hirniak figure as a representative in the actor education Berezilian system among young scientists, scene practitioners, student-actors, etc. Research methodology. The process researches have been carried out by an analytical  (Y. Hirniak meaningful figure within the actor education Berezil system), historical and biographical (analyzed socio-political preconditi

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Kata-Szilvia, BARTALIS-BINDER. "PROMOTING MULTILINGUALISM IN KINDERGARTEN THROUGH AESTHETIC METHODS. AN EMPIRICAL STUDY ON LANGUAGE DEVELOPMENT AND PSYCHOSOCIAL SKILLS." Academic Notes. Series: Pedagogical Sciences 13 (April 30, 2025): 69–77. https://doi.org/10.59694/ped_sciences.2025.13.069.

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In an increasingly culturally diverse society, multilingualism constitutes a vital means of transcultural communication and individual expression. This article investigates the relationship between aesthetic education and holistic approaches to fostering multilingualism, addressing not only linguistic and communicative dimensions but also socio-emotional, cultural, and sustainabilityoriented aspects. The study draws upon an established pedagogical framework from the project «Künste bilden – eine DaF Werkstatt» (Arts Educate – A Workshop Approach to German as a Foreign Language) and presents fi

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20

Marcu, Iona. "Le polar « de banlieue » comme scène de déploiement du malaise social français le cas des romans « dyonisiens » de Rachid Santaki." Intercâmbio: Revue d’Études Françaises=French Studies Journal, no. 14 (2021): 69–86. http://dx.doi.org/10.21747/0873-366x/int14a5.

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The thriller tells daily explosive facts which take place, in most of the time, in a urban space. The authors describe, as the critics have observed, the most serious troubles in today’s society. Crimes, racism, trafficking, terrorism, theft, etc., all these crimes become the mark of an unbalanced world, a world in crisis. The “suburban”thriller, like suburban literature in general, circumscribes the scene in which the modern “misérables”clash. HLM, dangerous neighborhoods suffer because of urban disintegration, their inhabitants become victims of spatial and social dissolution. Rachid Santaki

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21

Foyn Bruun, Ellen. "Fra tilskuer til vitne i virkelighetsteatrets rom." Peripeti 16, S8 (2019): 82–93. http://dx.doi.org/10.7146/peri.v16is8.117597.

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I denne artikkelen undersøker jeg en forestilling som inngikk i et sosialt tiltak med unge voksne utenfor utdanning og arbeid, i regi av Ville Veier, et entreprenørskap i Stavanger. Alle scenene var bygget på deltakernes egne livserfaringer, og de stod selv på scenen som aktører. Det tematiske utgangspunktet for forestillingen var rom, og dette ble formidlet og iscenesatt gjennom ulike kunstneriske grep. Problemstillingen er å undersøke i hvilken grad de kunstpedagogiske intensjonene ble gjenspeilet og formidlet i det kunstneriske produktet. Analysen fokuserer på tre spor: skuespilleren som te

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Maciejewska, Monika. "Remote Learning Under the Self-evaluation Microscope – Students’ Opinions about Their Learning During the Covid-19 Pandemic." Polish Journal of Educational Studies 73, no. 1 (2021): 124–37. http://dx.doi.org/10.2478/poljes-2021-0009.

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Abstract The impetus for the research presented in this article was the fact that universities have changed their mode of operation into distance learning as a result of the Covid-19 pandemic. This shift was universal and forced, and triggered significant changes in the way the classes were carried out. Therefore, questions arose about how the main actors of this scene, namely teachers and students, cope with the new educational reality. The course conducted by the author of this article, covering the fundamentals of evaluation, under which students each year accomplish evaluation research pro

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Stawarczyk, David, Christopher N. Wahlheim, Joset A. Etzel, Abraham Z. Snyder, and Jeffrey M. Zacks. "Aging and the encoding of changes in events: The role of neural activity pattern reinstatement." Proceedings of the National Academy of Sciences 117, no. 47 (2020): 29346–53. http://dx.doi.org/10.1073/pnas.1918063117.

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When encountering unexpected event changes, memories of relevant past experiences must be updated to form new representations. Current models of memory updating propose that people must first generate memory-based predictions to detect and register that features of the environment have changed, then encode the new event features and integrate them with relevant memories of past experiences to form configural memory representations. Each of these steps may be impaired in older adults. Using functional MRI, we investigated these mechanisms in healthy young and older adults. In the scanner, parti

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Щукіна, Ю. П. "ІНТЕРПРЕТАЦІЇ ТВОРІВ У ЖАНРАХ «ВІДЕНСЬКОЇ» ТА УКРАЇНСЬКОЇ ОПЕРЕТИ РЕЖИСЕРОМ ЮРІЄМ СТАРЧЕНКОМ". Традиції та новації у вищий архітектурно-художній освіті, № 5 (5 січня 2019): 120–23. https://doi.org/10.5281/zenodo.2532063.

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The article analyzes the approach of Yuriy Starchenko (in the period from 1985 to 1996 – the main director of the Kharkiv Academic Theater of Musical Comedy) to the implementation of classical operettas and their domestic genre analogues. Yu. Starchenko’s work was multifaceted: these were the first productions of rock operas in Ukraine, the resuscitation of intelligent viewer’s curiosity to the classical operetta, and the embodiment of dramatic quality works in the genre of musical. Background. Unlike the productions in the genre of rock opera by this director, the topic for

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Kosárová, Dominika, and Jaroslav Ušiak. "The Republic of Moldova as a Potential Failing State?" Journal of Vasyl Stefanyk Precarpathian National University 4, no. 3-4 (2017): 50–59. http://dx.doi.org/10.15330/jpnu.4.3-4.50-59.

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The Republic of Moldova is a young post-Soviet country facing a continuous internal struggle in the definition of its identity given its location between two major geopolitical blocs – Euroatlantic and Eurasian. In consequence to the combination of several internal and external factors it has striven to stabilize its political scene, sustain economic growth and enhance defense capabilities since its creation. Yet the success is questionable and Moldova today manifests certain features of state fragility. The aim of the article is to answer the question whether Moldova can be regarded as a fail

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Kuzmina, O. A. "Opera for children-performers in the work of contemporary choir conductors." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 281–98. http://dx.doi.org/10.34064/khnum1-56.18.

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Background. Operas for children-performers emerged almost two centuries ago. The first authors who began creative experiments in this field were amateur composers. In the second half of the 19th century opera for childrenperformers attracted the attention of music teachers who by education were often choir conductors. These authors created their works considering capabilities and needs of their students. The 20th century operas intended for children performance mainly were composed by professional composers, whose works have finally crystallized and sustained characteristic features of this ge

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Mauli Darajat, Deden, and Muhammad Badruzzaman. "Analisis Fungsi Narasi Model Vladimir Propp dalam Film Surat dari Praha." CoverAge: Journal of Strategic Communication 10, no. 2 (2020): 40–58. http://dx.doi.org/10.35814/coverage.v10i2.1382.

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This study aims to determine the struggle of a young woman to hand over a mailbox and get the signature of an old man in Prague. The scene is visualized in the film Surat from Prague. Then this study also sought the meaning of the struggle contained in each scene in the film. The approach used in this study is qualitative with a narrative analysis method that uses the character of the Vladimir Propp performer's function. The focus of this research is to describe the description of 31 character functions, knowing the opposing opposition characters in the film. The data collection technique used

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Kalenichenko, O. M. "Interpretation of Gogol’s works on the puppet theater stage (based on the spectacle by Oksana Dmitrieva «May night, or Moonlight Witchcraft»)." Aspects of Historical Musicology 17, no. 17 (2019): 148–62. http://dx.doi.org/10.34064/khnum2-17.10.

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Background. M. Gogol’s «Evenings on a Farm Near Dikanka» often attract the attention of theater directors. Thus, in June 2009, the premiere of the play «May night, or Moonlight Witchcraft» directed by Oksana Dmitrieva, took place at the Kharkov Puppet Theater. Trying to reveal the genre nature of the production, theater critics give it such definitions as a fairy tale, musical, fantasy, ethno-folk show, liturgy, mystery play, as well as analyze individual finds of a young director, but the complete picture of the artistic features of this performance is absent yet. In this regard, the purpose

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Steinbrenner, Rosane Maria Albino, and Rosaly De Seixas Brito. "O CIRCUITO CRÍTICO DA CIRCULAÇÃO DE NOTÍCIAS SOBRE OS ACONTECIMENTOS POLÍTICOS NO BRASIL ENTRE JOVENS DA PERIFERIA DE BELÉM." Revista Observatório 4, no. 6 (2018): 382–410. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n6p382.

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A midiatização da cena política brasileira sofreu intensa aceleração entre 2016 e 2017, marcada pela irrupção de uma sucessão de acontecimentos no sentido que lhes é atribuído por Quéré (2005). Acontecimentos que excederam qualquer possibilidade de cálculo prévio e provocaram rupturas nas condutas habituais dos sujeitos. O propósito do artigo é examinar como os recentes acontecimentos políticos brasileiros afetaram e como se deu a sua contra-efetuação por parte de jovens da periferia de Belém. Pretende-se elucidar os deslocamentos provocados pelas dinâmicas de interfaces, na apreensão contempo

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Ihlen, Øyvind, Tine Ustad Figenschou, and Anna Grøndahl Larsen. "Behind the Framing Scenes." American Behavioral Scientist 59, no. 7 (2015): 822–38. http://dx.doi.org/10.1177/0002764215573254.

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Internationally, the issue of irregular immigration is highly contested and actors promote different frames in the news. In this article, we analyze the strategizing that goes on behind the scenes among nongovernmental organizations and public immigration authorities. Many studies have documented how strategic actors take advantage of mainstream news media conventions, but there is a dearth of research on how these frame sponsors critically reflect on their strategies. Based on ethnographic fieldwork and qualitative interviews, we analyze the dilemmas and challenges the actors face in adapting

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Chun, Dong-Eun, and Soong-Buem Ahn. "Representation of Celebrities in Adolescent Films and Its Relationship with Film Magazines : Examining Articles about Shin Seong-il and Um Aing-ran from Silver Screen, the Film Magazine of 1960s." K-Culture·Story Contents Reasearch Institute 1 (July 31, 2022): 47–67. http://dx.doi.org/10.56659/kdps.2022.7.1.47.

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Adolescent films from the beginning of the 1960s highlight important context about the first Golden Age of Korean films. Adolescent films created a stateless space that did not resemble the reality of Korea at the time. They were extremely popular among the young audience due to their narratives of rebellion against the older generation. Shin Seong-il and Um Aing-ran, who were so popular as a couple that they were labelled as the symbols of adolescent films, co-starred in various films and created distinct personas. They existed within the screen as the alter egos of the young audience and por

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Skjerseth, Amy. "Podcast Reenactments and the Sonics of Fictionalization from Cher to Swift." Journal of Popular Music Studies 35, no. 4 (2023): 34–53. http://dx.doi.org/10.1525/jpms.2023.35.4.34.

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Podcasts often blend journalistic investigation with personal reflection, from Serial to Switched on Pop. Their veneer of fiction-as-fact especially confounds representation when podcasts’ voice acting and sound design portray pop stars in caricatured dramatizations. This paper examines reenactments of Cher and Taylor Swift in podcasts that investigate popular music industries and technology. As I show, these stars often are ventriloquized on podcasts due to their respective ages and visibility as women. Podcasts interrogate them for being too old or too young and for trespassing onto the ofte

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Rémy, Tristan, Bernard Sahlins, and Barbara Drennan. "Clown Scenes." Canadian Theatre Review 95 (June 1998): 92–93. http://dx.doi.org/10.3138/ctr.95.014.

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For those of us born in whiteface with red noses and baggy pj’s, Clown Scenes appears as a rare gem in the treasure trove of theatre books. A collection of classic clown turns with detailed physical lazzi is a unique piece of theatre history that should also attract the Canadian mainstream. Anyone interested in the structure of a gag – theatre students, playwrights, drama critics, method actors, newsreaders and even politicians – could benefit from this collection by European circus masters.

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Visych, Oleksandra A., and Tetiana V. Mykhalchuk. "TYPOLOGY AND FUNCTIONS OF READING PERFORMANCE IN CONTEMPORARY UKRAINIAN CHILDREN’S AND ADOLESCENT LITERATURE." Alfred Nobel University Journal of Philology 2, no. 28 (2024): 76–86. https://doi.org/10.32342/3041-217x-2024-2-28-5.

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The phenomenon of reading stands as a focal point in literary, cultural, and philosophical studies, prompting ongoing research into how readers perceive texts and the profound impact this process has on our conscious and subconscious minds. Classical theories, including transactional theory (Rosenblatt), reader-response theory (Fish), psychoanalytic reader-response theory (Holland), and the theory of aesthetic response (Iser) continue to shape discourse in these fields, supplemented by contemporary investigations. Recently, there has been a significant expansion in performance studies, with Pe

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Bornstein, Marc H., Clay Mash, and Martha E. Arterberry. "Young infants’ eye movements over “natural” scenes and “experimental” scenes." Infant Behavior and Development 34, no. 1 (2011): 206–10. http://dx.doi.org/10.1016/j.infbeh.2010.12.010.

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Vysokovich, Kseniya Olegovna. "Light Comedy and vaudeville: specificity of the genre." Litera, no. 1 (January 2022): 91–97. http://dx.doi.org/10.25136/2409-8698.2022.1.37247.

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The subject of this research is the light (salon, secular, noble) comedy "One's Own Family, or a Married Bride", co-authored by A. A. Shakhovsky, N. I. Khmelnitsky amd A. S. Griboyedov, as well as the vaudeville by A. S. Griboyedov and P. A. Vyazemsky "Who is a Brother, Who is Sister, or Deception after Deception". The goal lies in the analysis of similar genre models: light comedy and vaudeville &ndash; a variety of salon comedy. The key method of research is the motif-imagery analysis, which reveals a number of common a number of motifs and allowed examining the images of heroes. The com

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Puchner, Martin. "Performing the Open: Actors, Animals, Philosophers." TDR/The Drama Review 51, no. 1 (2007): 21–32. http://dx.doi.org/10.1162/dram.2007.51.1.21.

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Three scenes of performance, corresponding to a parallel effort by Giorgio Agamben in his critique of the “anthropological machine,” suggest a strategy of “negative mimesis” to counter the stubborn anthropocentrism of the Western philosophical tradition.

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Birgegård, Ulla. "Why was Pavel Negrebetskii Executed?" Slovene 9, no. 1 (2020): 232–60. http://dx.doi.org/10.31168/2305-6754.2020.9.1.8.

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The paper seeks to contribute to the discussion among historians about the value, as historical sources, of foreign diplomats stationed in Russia. Two young men, Hildebrand von Horn, an envoy extraordinaire of the Danish king, and the Swede Johan Gabriel Sparwenfeld, a student of the Russian language and Russian affairs on a scholarship granted by the Swedish king, met in the Russian capital during the summer of 1684. They had met before—in1682 inCopenhagen—but this time their roles were quite different, as they were in Moscow as representatives of countries with opposite political aims vis-à-

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Marshall, C. W. "Comic technique and the fourth actor." Classical Quarterly 47, no. 1 (1997): 77–84. http://dx.doi.org/10.1093/cq/47.1.77.

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A recent article on ‘The Number of Speaking Actors in Old Comedy’ by D. M. MacDowell has argued that to perform the plays of Aristophanes required the use of four, but never five, speaking actors.1 Systematically argued, MacDowell presents a cogent case against Henderson (xli–xliv), who has suggested that at times five actors were permitted. MacDowell also presents some very sensible observations on the nature of any prescription which might limit the number of actors. The final paragraphs, however, express considerable discomfort at the earliest work in the extant corpus: 'Akharnians, however

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Turpin, Chloé, Aurélie Catan, Olivier Meilhac, Emmanuel Bourdon, François Canonne-Hergaux, and Philippe Rondeau. "Erythrocytes: Central Actors in Multiple Scenes of Atherosclerosis." International Journal of Molecular Sciences 22, no. 11 (2021): 5843. http://dx.doi.org/10.3390/ijms22115843.

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The development and progression of atherosclerosis (ATH) involves lipid accumulation, oxidative stress and both vascular and blood cell dysfunction. Erythrocytes, the main circulating cells in the body, exert determinant roles in the gas transport between tissues. Erythrocytes have long been considered as simple bystanders in cardiovascular diseases, including ATH. This review highlights recent knowledge concerning the role of erythrocytes being more than just passive gas carriers, as potent contributors to atherosclerotic plaque progression. Erythrocyte physiology and ATH pathology is first d

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Cugurullo, Federico. "Starchitecture. Scenes, actors and spectacles in contemporary cities." Urban Geography 39, no. 9 (2018): 1451–53. http://dx.doi.org/10.1080/02723638.2018.1464265.

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Zuddas, Francesco. "Starchitecture. Scenes, actors, and spectacles in contemporary cities." Planning Perspectives 33, no. 1 (2017): 155–57. http://dx.doi.org/10.1080/02665433.2018.1385716.

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Fainstein, Susan S. "Starchitecture: Scenes, actors and spectacles in contemporary cities." Planning Theory & Practice 14, no. 1 (2013): 149–51. http://dx.doi.org/10.1080/14649357.2012.758492.

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Chernykh, A. S., and I. A. Tregubenko. "Functional State of Actors While Playing Various Emotionally Charged Scenes." Bulletin of Irkutsk State University. Series Psychology 50 (2024): 77–92. https://doi.org/10.26516/2304-1226.2024.50.77.

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Professional activities of actors have been investigated in various branches of the psychological science for many decades. Yet, there are certain aspects dealing with the inner state of actors while they are performing and psychic processes influencing it that remain to be studied. The study has revealed that a functional state of actors goes through significant changes when they are performing emotionally charged scenes, depending on their affinity to their personal experience and emotional valence. At the same time, modifications of a functional state of non-actors are statistically credibl

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Brown, Mercadies. "The Human Zoo: A Critique of Brett Bailey’s Exhibit B." Digital Literature Review 2 (January 13, 2015): 106–13. http://dx.doi.org/10.33043/dlr.2.0.106-113.

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This essay examines Exhibit B, a controversial art installation by South African artist Brett Bailey in which actors portray historical scenes of colonialism and slavery. Exhibit B is meant to spread awareness of the widely popular human zoos of the past. Brown’s essay investigates whether or not recreating scenes of slavery does more harm than good.

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Saarnio, David A. "Schematic Knowledge and Memory in Young Children." International Journal of Behavioral Development 13, no. 4 (1990): 431–46. http://dx.doi.org/10.1177/016502549001300403.

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This research examined the relationship between domain-specific knowledge and memory in 3 and 4-year-old children. Schematic knowledge of a farm and a living room was assessed by asking children to (a) decide what objects belonged in a given scene, and (b) place objects on scenes. Both recall and location memory were assessed for objects in scenes. General memory skills were assessed for recall and location memory using unrelated objects, and general knowledge was measured with the Peabody Picture Vocabulary Test. For location memory, schematic knowledge and memory were unrelated for 3-year-ol

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Bonaventura, Aldo, and Fabrizio Montecucco. "Inflammation and pericarditis: Are neutrophils actors behind the scenes?" Journal of Cellular Physiology 234, no. 5 (2018): 5390–98. http://dx.doi.org/10.1002/jcp.27436.

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Demartini, B., V. Nistico’, R. Del Giudice, et al. "Neuroatypical “Moving Mirrors”: exploring the impact of camera movements on individuals with Autism Spectrum Disorders without intellectual disabilities." European Psychiatry 67, S1 (2024): S160. http://dx.doi.org/10.1192/j.eurpsy.2024.357.

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IntroductionNeurofilmology is a young and evolving research field, at the intersection between neuroscience and movie experiences, that explores how the brain processes and responds to visual storytelling. It involves examining the cognitive and emotional effects of movies on viewers, including social cognition and perspective-taking aspects. However, up to date, these studies have focused only on the neurotypical population, hence constituting a considerable gap in the literature with respect to individuals with neuroatypical functioning.ObjectivesAim of this study was to investigate the expe

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Safonova, Anna Sergeevna. "Comparative analysis of the representation of youth cells of the parliamentary political parties in the Internet." Политика и Общество, no. 2 (February 2024): 37–50. http://dx.doi.org/10.7256/2454-0684.2024.2.71195.

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The object of the study are the youth "wings" of Russian parliamentary political parties: the Young Guard of United Russia, the Leninist Communist Youth Union of the Russian Federation, the All–Russian Youth Organization of the LDPR, the Youth of a Just Russia, the subject is the practice of their political Internet communications. Central attention is paid to studying the level of media activity of the youth "wings" of the parliamentary political parties of the Russian Federation in the digital environment, as well as identifying the nature of political discourse and communication barriers an

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Ireson, Judith, and Harry McGurk. "Perception of Depth in Photographs: A Study of Young Malawians." International Journal of Behavioral Development 8, no. 3 (1985): 345–53. http://dx.doi.org/10.1177/016502548500800308.

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The ability of young Malaw'ians to make judgements of the relative sizes and spatial locations of objects in photographic scenes with restricted cues to depth was investigated. The scenes were composed in such a way that no horizon was visible. 7-and 13-year-old children and young adults constructed three-dimensional models of the scenes on a horizontal surface. All groups of subjects responded with an accuracy that was significantly above chance with regard to both the size of the objects and their spatial location. Adults were significantly more accurate than children, and adult spatial scor

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