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Relevant bibliographies by topics / Scheerbart

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Academic literature on the topic 'Scheerbart'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Scheerbart"

1

Miller, Tyrus. "Paul Scheerbart and the utopia of glass." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 85–95. http://dx.doi.org/10.5937/saj1501085m.

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This paper will consider the architectural writings of the German expressionist writer Paul Scheerbart, focusing on his fascination with glass as an architectural and symbolic material within his writings. I will discuss Scheerbart's architectural treatise Glass Architecture, his novel The Grey Cloth, and related writings on glass architecture. Scheerbart represents an alternative tradition within architectural modernism, which saw glass as a constructive material that represented modernity by exposing structural elements of the building, thus guaranteeing conformation of form to function. Sch

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Nielsen, David, and Anoma Kumarasuriyar. "The lily, client and measure of Bruno Taut's Glashaus." Architectural Research Quarterly 18, no. 3 (2014): 257–66. http://dx.doi.org/10.1017/s1359135514000608.

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A current issue in architectural scholarship is the rethinking of the origins of Modernism. As a formative exemplar of early architectural Modernism, Bruno Taut's seminal exhibition pavilion, the Glashaus (1914) [1] is understandably part of this debate. In 1959, Reyner Banham in his article, ‘The Glass Paradise’ suggested that it would be appropriate to investigate the origins of the Glashaus, as it was both vastly dissimilar to and exceeded any of Taut's previous designs. In an effort to answer this question, Banham subsequently introduced the unique role played by the Bohemian poet Paul Sch

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Kurbjuhn, Charlotte. "nr="24"Hinter Glas: Imaginationen des modernen Hauses in utopischen Romanen Paul Scheerbarts und frühen Architekturentwürfen Bruno Tauts." Zeitschrift für Germanistik 30, no. 1 (2020): 24–49. http://dx.doi.org/10.3726/92165_24.

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Paul Scheerbart entwickelte in utopischen Romanen und in seiner Schrift Glasarchitektur (1914) avantgardistische Konzepte von Bauten aus durchscheinendem farbigen Glas, die mit der Hoffnung auf einen ,neuen Menschen‘ in vollkommener Harmonie mit dem Kosmos verbunden sind. Statt manifester Programmatik findet man in den Texten fragmentarische Thesen, Spielarten (neo-)romantisch-ironischen Erzählens und eine Favorisierung von Ornamentik, die zeichnerische Arabesken der Zeit um 1800 in Form von Licht- und Farbphänomenen immaterialisiert. Die Protagonisten gehören einem elitären Jetset an, soziale

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Gelley, Alexander. "Lesabéndio. An Asteroid Novel by Paul Scheerbart." MLN 129, no. 3 (2014): 716–18. http://dx.doi.org/10.1353/mln.2014.0034.

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Eggler, Marianne. "Glass! Love!! Perpetual Motion!!!: A Paul Scheerbart Reader." Journal of Architecture 20, no. 5 (2015): 919–22. http://dx.doi.org/10.1080/13602365.2015.1100420.

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Brendel, Janos, and Antoine Baudin. "L’Architectonisme dans la pensée constructiviste hongroise et chez P. Scheerbart." Ligeia N°7-8, no. 1 (1990): 34. http://dx.doi.org/10.3917/lige.007.0034.

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Belarev, Alexander N. "“Yours, P.C.W.” The Unpublished Letters of Paul Scheerbart to Erich Mûhsam." Studia Litterarum 1, no. 3-4 (2016): 365–98. http://dx.doi.org/10.22455/2500-4247-2016-1-3-4-365-398.

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Hidalgo Arellano, José Ángel. "Promenade in three movements. About the chapel in Neviges by Gottfried Böhm." EN BLANCO. Revista de Arquitectura 5, no. 11 (2013): 30. http://dx.doi.org/10.4995/eb.2013.6626.

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<p>Gracias a arquitectos como Gropius, Mies, Schwarz y Van der Laan o el propio Dominikus Böhm, Gottfried Böhm se sitúa en un observatorio privilegiado de la arquitectura, el arte y la liturgia cuando a principios de los años 60 recibe el encargo de construir la iglesia de Neviges. El artículo analiza la obra alrededor de tres ejes: la relación con el expresionismo alemán (Scheerbart y Taut), la lectura (y la respuesta) que se hace del contexto (tipología, paisaje y escala) y la incorporación de la nueva liturgia católica (iconografía, espacio y luz).</p>

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Matuszewska, Karolina. "‘Itʼs a great pleasure – to be so alone – so completely alone with his dreams’: Paul Scheerbart and his spiritual refuge at the orient". Colloquia Germanica Stetinensia 26 (2017): 43–62. http://dx.doi.org/10.18276/cgs.2017.26-03.

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Rehorst, Chris. "Jan Buijs and De Volharding, The Hague, Holland." Journal of the Society of Architectural Historians 44, no. 2 (1985): 147–60. http://dx.doi.org/10.2307/990026.

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In 1927-1928 the Dutch architect Jan Buijs (1889-1961) built for the socialist co-operative "De Volharding" a stunning "glass house" in The Hague. The building was particularly remarkable for the revolutionary way in which Buijs interpreted his client's demand for a nighttime display of advertisements in the façades. At night De Volharding seemed transformed into a grand, luminous billboard. Although the building achieved an international reputation as a revolutionary example of the new architecture, its cubist-aesthetic appearance and its failure to conform to the tenets of the "New Objectivi

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Dissertations / Theses on the topic "Scheerbart"

1

Ralle, Georg. "Günter Bruno Fuchs und seine literarischen Vorläufer Quirinus Kuhlmann, Peter Hille und Paul Scheerbart /." Hannover-Laatzen : Wehrhahn, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2935577&prov=M&dok_var=1&dok_ext=htm.

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Culea-Hong, Eliza. "Anarchitectures. Guerre, science-fiction et activisme dans l'œuvre de Bruno Taut et Lebbeus Woods." Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLD001.

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Avez-vous déjà senti le monde toucher à sa fin ? Quel serait selon vous votre premier instinct ? Cette thèse propose de regarder de plus près ce qui semble être une des réactions des plus naturelles: l’immersion dans le récit. En partant des travaux de la sociologie des mouvement sociaux conduits par Francesca Polletta, l’hypothèse de ce travail suggère que dans les contextes anxiogènes de catastrophes d’antan et d’aujourd’hui — guerrière, environnementale, ou autre — la narration joue un rôle important lors de la constitution et l’organisation de nouveaux acteurs collectifs, incitant ainsi au

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Krauter, Anne [Verfasser], and Peter Anselm [Akademischer Betreuer] Riedl. "Die Schriften Paul Scheerbarts und der Lichtdom von Albert Speer - "Das große Licht" / Anne Krauter ; Betreuer: Peter Anselm Riedl." Heidelberg : arthistoricum.net, 2004. http://d-nb.info/1204140618/34.

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Matsui, Takaoki. "Walter Benjamin und die Kunst des Graphischen." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2008. http://dx.doi.org/10.18452/15780.

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Als Bild- und Medientheoretiker hinterließ Walter Benjamin nicht nur die berühmte „materialistische“ Auratheorie, sondern auch scheinbar esoterische Theorien der bildenden Kunst. Der Zusammenhang und Inhalt der beiden Theorien können erhellt werden, wenn wir genauer sehen, wie er sich dort mit der Beschreibung der Kindheit beschäftigte. Der Ursprung seiner Auratheorie liegt in seiner „Tagebuch“-Literatur, wo er in die melancholisch gefärbten Visionen der „Jugend“ zu versinken pflegte. Der topologische Aufbau dieser Visionen – ihre eigenartig „photo-graphische“ Struktur – soll mithilfe der Zwei

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Scheerbaum, Martin [Verfasser], and Ricarda [Akademischer Betreuer] Schumann. "Immunhistologische Analyse der inneren Grenzmembran bei idiopathischen, rezidivierenden und sekundären Makulaforamen in der Chirurgie der Netzhaut / Martin Scheerbaum. Betreuer: Ricarda Schumann." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1065610092/34.

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Hessling, Vincent. "Telling Technology. Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth." Thesis, 2018. https://doi.org/10.7916/D8224BNH.

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Telling technology explores how modernist literature makes sense of technological change by means of narration. The dissertation consists of three case studies focusing on narrative texts by Robert Walser, Paul Scheerbart, and Joseph Roth. These authors write at a time when a crisis of ‘progress,’ understood as a basic concept of history, coincides with a crisis of narration in the form of anthropocentric, action-based storytelling. Through close readings of their technographic writing, the case studies investigate how the three authors develop alternative forms of narration so as to tackle th

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Krauter, Anne [Verfasser]. "Die Schriften Paul Scheerbarts und der Lichtdom von Albert Speer - "Das große Licht" / von Anne Krauter." 2004. http://d-nb.info/972264256/34.

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Books on the topic "Scheerbart"

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Kohnle, Uli. Paul Scheerbart: Eine Bibliographie. Paul Scheerbart Archiv in der Edition Phantasia, 1994.

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Scheerbart, Paul. Paul Scheerbart: Jenseitskarikaturen : Hamburger Kunsthalle, 26. Januar bis 18. März 1990. Edited by Hamburger Kunsthalle. Die Kunsthalle, 1990.

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3

Scheerbart, Paul. Farbenhäuser und Lichtgewächse: Wenzel Hablik, Paul Scheerbart, Bruno Taut. Edited by Universität für Angewandte Kunst Wien and Architektur und Tirol (Organization). Folio Verlag, 2006.

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4

Scheerbart, Paul. The gray cloth: Paul Scheerbart's novel on glass architecture. MIT Press, 2001.

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Scheerbart, Paul. 70 trillionen Weltgrüsse: Eine Biographie in Briefen 1889-1915. Argon, 1991.

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6

Musielski, Ralph. Baugespräche: Architekturvisionen von Paul Scheerbart, Bruno Taut und der "Gläsernen Kette". Reimer, 2003.

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7

Scheerbart, Paul. Paul Scheerbart--Briefwechsel mit Max Bruns 1898-1903 und andere Dokumente. P. Lang, 1990.

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8

Brunn, Clemens. Der Ausweg ins Unwirkliche: Fiktion und Weltmodell bei Paul Scheerbart und Alfred Kubin. Igel, 2000.

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9

Fischer-Harriehausen, Hermann. Auf der Suche nach Lemurien: Zur Geschichte des Expressionismus von Paul Scheerbart bis Gottfried Benn. Verlag amBEATion/Randlage, 1998.

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Ege, Müzeyyen. Das Phantastische im Spannungsfeld von Literatur und Naturwissenschaft im 20. Jahrhundert: Die Pluralität der Welten bei Paul Scheerbart, Carlos Castaneda und Robert Anton Wilson. WVB, Wissenschaftlicher Verlag Berlin, 2004.

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Book chapters on the topic "Scheerbart"

1

Diller, Axel. "Scheerbart, Paul." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19130-1.

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Rausch, Mechthild. "Scheerbart, Paul: Katerpoesie." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19133-1.

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Barber, Dieter. "Scheerbart, Paul: Lesabéndio." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19135-1.

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Conrads, Ulrich. "Paul Scheerbart Glasarchitektur (Auszug)." In Programme und Manifeste zur Architektur des 20. Jahrhunderts. Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_9.

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Rausch, Mechthild. "Scheerbart, Paul: Na Prost!" In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19131-1.

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Rausch, Mechthild. "Scheerbart, Paul: Liwûna und Kaidôh." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19132-1.

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Rausch, Mechthild. "Scheerbart, Paul: Das Perpetuum Mobile." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19134-1.

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Dobryden, Paul. "Architektur: Paul Scheerbarts künstliche Atmosphären." In Phänomene der Atmosphäre. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04492-1_1.

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Wiemer, Hannah. "Paul Scheerbarts »Kriegstheater«. Imaginationen eines entgrenzten Raums." In Abhandlungen zur Literaturwissenschaft. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04648-2_15.

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"The New Life: An Architectonic Apocalypse Paul Scheerbart." In The City Crown by Bruno Taut. Routledge, 2016. http://dx.doi.org/10.4324/9781315614755-8.

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Conference papers on the topic "Scheerbart"

1

Dikes, Jason L., Heidi P. Feigenbaum, Constantin Ciocanel, and Isaac D. Nelson. "A Constitutive Model for Magnetic Shape Memory Alloys That Includes a Tilted Magnetic Easy Axis." In ASME 2014 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/smasis2014-7660.

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Magnetic shape memory alloys (MSMAs) are materials commonly used for actuation, sensing, and/or power harvesting applications. While the actuation response of MSMAs can be fairly accurately predicted by currently available constitutive models, the power harvesting and/or sensing performance is not predicted as well. This suggests that current models lack features related to the change in magnetization. One such feature that is known to exist, but is not present in any current model, is the natural offset of the magnetic easy axis from the short axis of the tetragonal martensitic unit cell of M

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