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Journal articles on the topic 'Schindlers List'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Díaz-Cuesta Galián, José. "Man as Rescuer and Monster in Steven Spielberg's Film Text "Schindler's List"." Journal of English Studies 5 (May 29, 2008): 63. http://dx.doi.org/10.18172/jes.121.

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This journal article addresses the confrontation between two extreme representations of man in Steven Spielberg’s Schindler’s List (1993): the rescuer and the monster. It is my contention that these representations simplify two of the moral options –good versus evil– from which men can freely choose according to both Judaism and Catholicism, which are the two religious cults the film alludes to. This article has a three-fold structure. The first part focuses on the godlike representation of Oskar Schindler2 and his relation to key episodes in the Bible. The second one deals with Amon Goeth, Sc

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2

Shola Fernando, C. "Microhistoricism in Schindler’s List." HuSS: International Journal of Research in Humanities and Social Sciences 3, no. 2 (2016): 59. http://dx.doi.org/10.15613/hijrh/2016/v3i2/136506.

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3

Farrell, Kirby. "The Economies of Schindler's List." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 52, no. 1 (1996): 163–88. http://dx.doi.org/10.1353/arq.1996.0008.

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4

Shandler, Jeffrey. "Holocaust Survivors on Schindler’s List." American Literature 85, no. 4 (2013): 813–14. http://dx.doi.org/10.1215/00029831-2367283.

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5

Nagorski, Andrew. "'Schindler's List' and the Polish Question." Foreign Affairs 73, no. 4 (1994): 152. http://dx.doi.org/10.2307/20046751.

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6

Eley, Geoff, and Atina Grossmann. "Watching Schindler's List: Not the Last Word." New German Critique, no. 71 (1997): 41. http://dx.doi.org/10.2307/488558.

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7

Arva, Eugene. "Disciplinary Power and Testimonial Narrative in Schindler's List." Film and Philosophy 8 (2004): 51–62. http://dx.doi.org/10.5840/filmphil200486.

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8

Gellately, Robert. "Betweem Exploitation, Rescue, and Annihilation: Reviewing Schindler's List." Central European History 26, no. 4 (1993): 475–89. http://dx.doi.org/10.1017/s0008938900009419.

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9

Fogel, Daniel Mark. "‘Schindler's List’ in novel and film: exponential conversion." Historical Journal of Film, Radio and Television 14, no. 3 (1994): 315–20. http://dx.doi.org/10.1080/01439689400260221.

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10

Manchel, Frank. "Mishegoss: ‘Schindler's List’, Holocaust representation and film history." Historical Journal of Film, Radio and Television 18, no. 3 (1998): 431–36. http://dx.doi.org/10.1080/01439689800260271.

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11

Jeremy Maron. "Affective Historiography: Schindler's List, Melodrama and Historical Representation." Shofar: An Interdisciplinary Journal of Jewish Studies 27, no. 4 (2009): 66–94. http://dx.doi.org/10.1353/sho.0.0422.

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12

Ott, Brian. "Memorializing the Holocaust: Schindler's List and Public Memory." Review of Education, Pedagogy, and Cultural Studies 18, no. 4 (1996): 443–57. http://dx.doi.org/10.1080/1071441960180409.

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13

Windsor, Donald A. "The Endangered Species Act Is Analogous to Schindler’s List." Conservation Biology 12, no. 2 (2008): 485–86. http://dx.doi.org/10.1111/j.1523-1739.1998.97110.x.

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14

Greenberg, Harvey. ": Spielberg's Holocaust: Critical Perspectives on "Schindler's List" . Yosefa Loshitzky." Film Quarterly 51, no. 4 (1998): 58–60. http://dx.doi.org/10.1525/fq.1998.51.4.04a00210.

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15

White, Timothy R., and J. Emmett Winn. "Schindler's List in Malaysia: Anti-Semitism or National Politics?" Asian Cinema 9, no. 1 (1997): 18–33. http://dx.doi.org/10.1386/ac.9.1.18_1.

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16

Windsor, Donald A. "The Endangered Species Act Is Analogous to Schindler's List." Conservation Biology 12, no. 2 (1998): 485–86. http://dx.doi.org/10.1046/j.1523-1739.1998.97110.x.

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17

Marks, Clifford J., and Robert Torry. ""Herr Direktor": Biography and Autobiography in Schindler's List." Biography 23, no. 1 (2000): 49–70. http://dx.doi.org/10.1353/bio.1999.0017.

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18

Desser, David. "Spielberg's Holocaust: Critical Perspectives on Schindler's List (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 18, no. 3 (2000): 164–66. http://dx.doi.org/10.1353/sho.2000.0081.

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19

Berglind, Natalie. "My Survival: A Girl on Schindler's List by Rena Finder." Bulletin of the Center for Children's Books 73, no. 4 (2019): 165. http://dx.doi.org/10.1353/bcc.2019.0816.

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20

Hayden, Robert M. "Schindler's Fate: Genocide, Ethnic Cleansing, and Population Transfers." Slavic Review 55, no. 4 (1996): 727–48. http://dx.doi.org/10.2307/2501233.

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In 1993, the film Schindler's List provided what many commentators took to be simile and many others metaphor for the violence in Bosnia. The cinematic version of Thomas Keneally's 1982 book on the holocaust of the Jews of Cracow seemed to emblematize the horror of the "ethnic cleansing" of Muslims from northern and eastern Bosnia in the summer of 1992 and thereafter, complete with wretched people in cattle cars and "concentration camps" with starving prisoners.

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21

Niven, William J. "The reception of Steven Spielberg's Schindler's List in the German media." Journal of European Studies 25, no. 2 (1995): 165–89. http://dx.doi.org/10.1177/004724419502500204.

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22

Greenberg, Harvey. "Review: Spielberg's Holocaust: Critical Perspectives on "Schindler's List" by Yosefa Loshitzky." Film Quarterly 51, no. 4 (1998): 58–60. http://dx.doi.org/10.2307/1213258.

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23

Chowdhury, Shib Shankar. "STRESS, TRAUMA, PSYCHOLOGICAL PROBLEMS, QUALITY OF LIFE, AND RESILIENCE OF WOMEN AS REFLECTED IN VARIOUS MOVIES AROUND THE WORLD." International Journal of Engineering Technologies and Management Research 5, no. 4 (2020): 1–6. http://dx.doi.org/10.29121/ijetmr.v5.i4.2018.202.

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The aim of the study was to investigate the relationships between stressor due to restriction of women movement, traumatic events due to war, sexual abuse or domestic harassment and psychological symptoms, quality of life, and resilience. To explore the topic I analyzed samples consisted of 16 randomly selected subjects from sixteen various movies - Deliver Us From Evil, Forbidden Games, Metamorphosis, Monster, Pan’s Labyrinth, The Cemetery Club, Schindler’s List, The Cemetery Club, The Magdalene, The White Ribbon, Two Women, Taken, Empty Suitcase, Damini- Lightning, Dahan (Crossfire) and Ghaj

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24

Manchel, Frank. "A Reel Witness: Steven Spielberg's Representation of the Holocaust in Schindler's List." Journal of Modern History 67, no. 1 (1995): 83–100. http://dx.doi.org/10.1086/245018.

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25

Beebe, John. "At the Movies Schindler's List Directed by Steven Spielberg . Screenplay by Steven Zaillian ." San Francisco Jung Institute Library Journal 12, no. 4 (1994): 79–80. http://dx.doi.org/10.1525/jung.1.1994.12.4.79.

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26

Wildt, M. "History at large: The invented and the real: historiographical notes on Schindler's List." History Workshop Journal 41, no. 1 (1996): 240–49. http://dx.doi.org/10.1093/hwj/1996.41.240.

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27

Ruth Schwertfeger. "The Road to Rescue: The Untold Story of Schindler's List (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 28, no. 2 (2010): 186–88. http://dx.doi.org/10.1353/sho.0.0434.

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28

Hansen, Miriam Bratu. ""Schindler's List" Is Not "Shoah": The Second Commandment, Popular Modernism, and Public Memory." Critical Inquiry 22, no. 2 (1996): 292–312. http://dx.doi.org/10.1086/448792.

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29

Karski, Kamil, and Dawid Kobiałka. "Archaeology in the Shadow of Schindler’s List: Discovering the Materiality of Plaszow Camp." Journal of Contemporary Archaeology 8, no. 1 (2021): 89–111. http://dx.doi.org/10.1558/jca.43381.

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30

Szczypa. "New Article: 3Heroes and the Monstrous Event of the Holocaust in Schindler’s List and Korczak." Polish Review 60, no. 1 (2015): 23. http://dx.doi.org/10.5406/polishreview.60.1.0023.

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31

Nunn, Nora. "Rose-Colored Genocide: Hollywood, Harmonizing Narratives, and the Cinematic Legacy of Anne Frank’s Diary in the United States." Genocide Studies and Prevention 14, no. 2 (2020): 65–89. http://dx.doi.org/10.5038/1911-9933.14.2.1715.

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Drawing from literary and cultural studies, this paper situates U.S. adaptations of Anne Frank’s diary in the 1950s within a lineage of other films about historical genocide, including Schindler’s List, Hotel Rwanda, and The Killing Fields. Analysis of these narrative adaptations matters because it helps us better understand the danger of what critic Dominick LaCapra calls “harmonizing narratives,” or stories that provide the viewer with an “unwarranted sense of spiritual uplift” (14). Tracing the metamorphosis of Frank’s own diary from play to film adaptation, this article builds on existing

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32

Díaz-Cuesta, José. "Masculinidades en Raiders of the Lost Ark (Spielberg 1981)." Revista de Ciencias de la Comunicación e Información 13 (April 26, 2021): 26–53. http://dx.doi.org/10.35742/rcci.2008.13(0).26-53.

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La obra de Steven Spielberg está comenzando a gozar de reconocimiento académico en España. David Caldevilla Domínguez publica en este año 2005, fruto de su tesis doctoral, El sello Spielberg, localizando los estilemas del director apoyándose en la de momento trilogía de Indiana Jones. Precede a esta obra la versión divulgativa de otra tesis doctoral, realizada por Antonio Sánchez-Escalonilla (1994), publicada en 1995 y extendida en 2004.Fuera de España cabe también destacar la compilación de Yosefa Loshitzky (1997) centrada en Schindler’s List (Spielberg 1993), y la de Charles Silet (2002), qu

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33

Schmidt, Garry. "Spirituality and Justice in Schindler's LIST: A Case Study Informed by Karl Barth and Gustav Gutierrez." Pastoral Psychology 54, no. 3 (2006): 257–73. http://dx.doi.org/10.1007/s11089-006-6326-7.

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34

Sharrad, Paul. "Interpodes: Poland, Tom Keneally and Australian Literary History." Text Matters, no. 2 (December 4, 2012): 169–79. http://dx.doi.org/10.2478/v10231-012-0062-7.

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This article is framed by a wider interest in how literary careers are made: what mechanisms other than the personal/biographical and the text-centred evaluations of scholars influence a writer’s choices in persisting in building a succession of works that are both varied and yet form a consistently recognizable “brand.” Translation is one element in the wider network of “machinery” that makes modern literary publishing. It is a marker of success that might well keep authors going despite lack of sales or negative reviews at home. Translation rights can provide useful supplementary funds to su

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35

Dennis Hanlon. "Does Anyone Have the Right to Say, “I Don’t Care”?: Resistance and Reverence at Schindler’s List." Film & History: An Interdisciplinary Journal of Film and Television Studies 39, no. 1 (2009): 53–65. http://dx.doi.org/10.1353/flm.0.0065.

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36

Krämer, Peter. "‘He's very good at worknotinvolving little creatures, you know’:Schindler's List,E.T., and the shape of Steven Spielberg's career." New Review of Film and Television Studies 7, no. 1 (2009): 23–32. http://dx.doi.org/10.1080/17400300802602874.

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37

Dickson, David. "From Lanzmann’s Circle of Flames to Bodies in Pain: Anglo-American Holocaust Fiction and Representations of the Gas Chamber." Genealogy 4, no. 3 (2020): 88. http://dx.doi.org/10.3390/genealogy4030088.

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This article discusses the apparent desire in Anglo-American Holocaust fiction to form a deeper connection to the horror of the Holocaust by recreating scenes of suffering in the gas chamber. Using Elaine Scarry’s The Body in Pain, Alison Landsberg’s theory of ‘prosthetic memory’ and the concept of ‘feeling-with’ as outlined by Sonia Kruks, it discusses the motives underlying these representations and what an audience stands to learn from these bodily encounters with the Holocaust past. The article begins by discussing texts that explore the notions of temporal and emotional distance and the u

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38

Thérien, Gilles. "La critique et la disparition de son objet." Cinémas 6, no. 2-3 (2011): 141–63. http://dx.doi.org/10.7202/1000977ar.

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La critique cinématographique a fort à faire lorsqu’il lui faut parler du cinéma actuel. Au plan de la technique, on ne produit plus de mauvais films et l’objet-film a une tendance à devenir neutre au plan esthétique. Il doit s’adapter à trop de normes, à trop de médias de diffusion. Il ne reste plus que l’histoire, le récit qu’il faut critiquer sans le dévoiler. Les grandes maisons de production accompagnent leur diffusion de dossiers étoffés sur les films qui fournissent à la critique tout ce qu’il faut savoir sur le produit sans avoir à faire de recherche. La critique publique est condamnée

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39

Gomori, George. "Book Reviews : Polish Studies Shtetl. The Life and Death of a Small Town and the World of Polish Jews. By Eva Hoffman. London: Secker and Warburg, 1998. Pp. 269. £16.99. A Girl from Schindler's List. By Stella Müller-Madej. Tr. by William R. Brand. London: Polish Cultural Foundation, 1997. Pp. 278 and Photographs." Journal of European Studies 28, no. 3 (1998): 318–21. http://dx.doi.org/10.1177/004724419802800311.

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40

Stier. "REVIEW: HOLOCAUST, AMERICAN STYLE: Alan L. Berger. CHILDREN OF JOB: AMERICAN SECOND-GENERATION WITNESSES TO THE HOLOCAUST. and Lawrence L. Langer. PREEMPTING THE HOLOCAUST. and S. Lillian Kremer. WOMEN's HOLOCAUST WRITING: MEMORY AND IMAGINATION. and Hilene Flanzbaum, ED. THE AMERICANIZATION OF THE HOLOCAUST. and Jeffrey Shandler. WHILE AMERICA WATCHES: TELEVISING THE HOLOCAUST. and Yosefa Loshitzky, ED. SPIELBERG'S HOLOCAUST: CRITICAL PERSPECTIVES ON SCHINDLER'S LIST. and Norman Finkelstein. THE HOLOCAUST INDUSTRY: REFLECTIONS ON THE EXPLOITATION OF JEWISH SUFFERING." Prooftexts 22, no. 3 (2002): 354. http://dx.doi.org/10.2979/pft.2002.22.3.354.

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41

Cross, Kathleen Hutchison. "Comparing Film Language Amongst Genres: A Comparative Analysis of Schindler's List, In Darkness and The Last Days." Mount Royal Undergraduate Humanities Review (MRUHR) 2 (December 22, 2014). http://dx.doi.org/10.29173/mruhr91.

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The purpose of this paper is to provide a comparative analysis of the film language and genre conventions used in three Holocaust films, Schindler's List, In Darkness and The Last Days. Each of these films provide the perspective of a unique genre on real historical people and events that took place during the Holocaust. Schindler's List is a biopic film that follows the true story of Oskar Schindler, a wealthy German businessman who managed to save the lives of more than 1,000 Jews by keeping them employed in his factory during the Holocaust. In Darkness is a Polish-made drama film which prof

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42

Shandler, Jeffrey. "Survivors on Schindler’s List." American Literature, 2013. http://dx.doi.org/10.1215/00029831-2370212.

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43

"Spielberg's Holocaust: critical perspectives on Schindler's list." Choice Reviews Online 35, no. 05 (1998): 35–2617. http://dx.doi.org/10.5860/choice.35-2617.

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44

"Revisiting schindler and schlinder's list: A group therapist's perspective." Group 19, no. 3 (1995): 183–88. http://dx.doi.org/10.1007/bf01458302.

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45

Steinmetz, John (Jay). "Schindler's List, Inglourious Basterds, and the Problem of Evil in American Cinema." SSRN Electronic Journal, 2011. http://dx.doi.org/10.2139/ssrn.1803986.

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46

"Analisis Kekuatan Tali Baja Pada Lift Schindler Kapasitas 1600 Kg." Jurnal Teknologi Kedirgantaraan 5, no. 1 (2016). http://dx.doi.org/10.35894/jtk.v5i1.428.

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47

Heuer, Wolfgang. "Ways of Narrating Memory: Hannah Arendt’s "Eichmann in Jerusalem" and Steven Spielberg’s "Schindler’s List" / Formas de narração da memória: “Eichmann em Israel”, de Hannah Arendt e “A Lista de Schindler”, de Steven Spielberg." Revista Direito e Práxis 3, no. 4 (2012). http://dx.doi.org/10.12957/dep.2012.3545.

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48

Berner, Elias. "‘Remember me, but forget my fate’ – The use of music in Schindler’s List and In Darkness." Holocaust Studies, August 9, 2019, 1–15. http://dx.doi.org/10.1080/17504902.2019.1637490.

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49

"Mass flow controlled partial flow dilution systems ? A pratical alternative to transient full-flow CVS dilution tunnels W. Schindler, K. Engeljehringer, W. Singer (AVL List GmbH, Graz)." JSAE Review 17, no. 4 (1996): 452. http://dx.doi.org/10.1016/s0389-4304(96)80661-8.

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50

"Tango of Slaves. Produced and directed by Ilan Ziv. 1994 (U.S. release); color; 111 minutes. English, Hebrew, Yiddish, Polish, and German (with English subtitles). Video distributor: Tamuz Media (212) 864-7603, Korczac. Produced by Regina Ziegler, Janusz Morgenstern, and Danielle Toscan DuPlantier; directed by Andrzej Wajda. 1990; black and white; 113 minutes. Polish with English subtitles. Distributor: New Yorker Films, 16 W. 61st St., New York, N.Y. 10023 (212) 247-6110 and Schindler's List. Produced by Steven Spielberg, Gerald R. Molen, and Branko Lustig; directed by Steven Spielberg. 1993; color and black & white; 185 minutes. Film distributor: Universal Studios (818) 777-1293; video distributor: MeA Home Entertainment (818) 777-4300." American Historical Review, October 1994. http://dx.doi.org/10.1086/ahr/99.4.1244.

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