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1

Rogers, R. Vashon. Schism: A sermon preached at Bytown before the Eastern Clerical Association, on Thursday, January 10th, 1839 and published at their request. s.n., 1987.

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2

Schreiner, Jan. Ahoi Berlin: Hauptstadt am Wasser--Bauten, Schiffe, Häfen, Brücken. Welz, 1999.

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3

Gould, Stephen Jay. Wonderful life: The Burgess Shale and the nature of history. W.W. Norton, 1989.

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4

Gould, Stephen Jay. Wonderful life: The Burgess Shale and the nature of history. Hutchinson Radius, 1990.

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5

Gould, Stephen Jay. Wonderful life: The Burgess Shale and the nature of history. W.W. Norton, 1989.

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6

Gould, Stephen Jay. Wonderful life: The Burgess shale and the nature of history. Penguin, 1991.

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7

Cotton, Matthew, Kathy Brasier, John Whitton, and Ioan M. Charnley-Parry. Governing Shale Gas: Development, Citizen Participation and Decision Making in the US, Canada, Australia and Europe. Taylor & Francis Group, 2018.

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8

Cotton, Matthew, Kathy Brasier, John Whitton, and Ioan M. Charnley-Parry. Governing Shale Gas: Development, Citizen Participation and Decision Making in the US, Canada, Australia and Europe. Taylor & Francis Group, 2018.

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9

Governing Shale Gas: Development, Citizen Participation and Decision Making in the Us, Canada, Australia and Europe. Taylor & Francis Group, 2018.

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10

Feix, Ingrid. Niederfinow: Wo die Schiffe Fahrstuhl fahren. Bebra Verlag, 2012.

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11

Mack, Charles S. When Political Parties Die. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798216034957.

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This book presents a theory of political disalignment and a revised theory of party realignment, using four case studies from the United States, Canada, Great Britain, and Italy to illustrate these concepts. Why do major political parties die? The shelf life of minor parties in democracies tends to be short, but major parties tend to be highly durable. The Democratic Party of the United States and the Conservative Party of the United Kingdom have been going strong for two centuries. Major parties perpetuate themselves by maintaining a consistent ideology on major national issues, even at the c
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12

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, develop
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13

Gould, Stephen Jay. Wonderful Life. WW NORTON, 1988.

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14

Wonderful Life - The Burgess Shale and the Nature of History. Norton, 1989.

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15

Gould, Stephen Jay. La Vie est belle : Les Surprises de l'évolution. Seuil, 1991.

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16

Wonderful Life: The Burgess Shale And The Nature Of History. Books on Tape, Inc., 1990.

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17

Gould, Stephen Jay. Wonderful Life: The Burgess Shale and the Nature of History. Replica Books, 1989.

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18

Gould, Stephen Jay. Wonderful Life: The Burgess Shale and the Nature of History by Stephen Jay Gould. W. W. Norton, 1990.

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19

Gould, Stephen Jay. Wonderful Life: Burgess Shale and the Nature of History. Radius, 1990.

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20

Wonderful Life: Burgess Shale. Books on Tape, 1989.

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21

Gould, Stephen Jay. La Vie est belle : Les Surprises de l'évolution. Seuil, 1998.

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22

Gould, Stephen Jay. Wonderful Life: Burgess Shale and the Nature of History. Radius, 1990.

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23

Gould, Stephen Jay. Wonderful Life: The Burgess Shale and the Nature of History. W. W. Norton, 1990.

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24

Gould, Stephen Jay. Wonderful Life. Vintage, 2000.

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25

Gould, Stephen Jay. Wonderful life. W. W. Norton, 1989.

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26

Gould, Stephen Jay. Wonderful Life. W. W. Norton & Company, Inc., 1989.

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27

Gould, Stephen Jay. Wonderful Life: The Burgess Shale and the Nature of History. Norton & Company, Incorporated, W. W., 1990.

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28

Gould, Stephen Jay. Vida Maravillosa, La. Grijalbo, 1998.

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29

Gould, Stephen Jay. Wonderful Life. Vintage, 2000.

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30

Case, Jay R. Methodists and Holiness in North America. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199683710.003.0009.

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Baptists in nineteenth-century North America were known as eager proselytizers. They were evangelistic, committed to the idea of a believers’ church in which believers’ baptism was the norm for church membership and for the most part fervent revivalists. Baptist numbers soared in the early nineteenth-century United States though at the cost of generating much internal dissent, while in Canada New Light preachers such as Henry Alline were influential, but often had to make headway against an Anglican establishment. The Baptist commitment to freedom of conscience and gathered congregations had b
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31

Bellaviti, Sean. Música Típica. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936464.001.0001.

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This book tells the story of a form of music that enjoys unparalleled popularity in a country that itself possesses instant name recognition but is very little known and very little studied. Panamanian música típica or cumbia, as this music is variously called, is intrinsically linked to the social and political history of a sliver of land that connects North and South America while providing passage between two great oceans. This book shows that to appreciate música típica is to appreciate the development of the isthmian crossing, the construction of the Panama Canal, and, most significantly,
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32

Barkman, Adam, Ashley Barkman, and Nancy Kang. Culture and Philosophy of Ridley Scott. The Rowman & Littlefield Publishing Group, 2013. https://doi.org/10.5040/9781978732025.

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The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director’s feature films from cutting-edge multidisciplinary and comparative perspectives. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007). This volume divides the chapters into three major thematic groups: responsibility, remembering, and revision; real, alien
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