Relevant bibliographies by topics / Schizoanalysis

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Schizoanalysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Schizoanalysis"

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Buchanan, Ian. "Is a Schizoanalysis of Cinema Possible?" Cinémas 16, no. 2-3 (March 23, 2007): 116–45. http://dx.doi.org/10.7202/014618ar.

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Abstract Is a schizoanalysis of cinema possible? This question arises from the observation that there is no apparent continuity between Deleuze’s two-volume collaboration with Guattari, Anti-Oedipus and A Thousand Plateaus, and the books he wrote afterwards, Cinema 1 and Cinema 2. It is also prompted by the observation that Anti-Oedipus and A Thousand Plateaus seem to rely a great deal on cinema in order to develop and exemplify the many new concepts these books introduce. This paper highlights three such instances in their work. The fact is, Deleuze and Guattari claim that the core schizoanalytic concepts of the body without organs, the abstract machine and assemblage can account for “all things”; as such, these concepts must account for cinema too. It is the sheer expansiveness of these concepts that makes them attractive to cinema studies. Not only that, they promise a way of engaging with cinema that isn’t reliant on the fictions of identification, recognition and fantasy. In this sense we are permitted to assume that to some degree Cinema 1 and Cinema 2 are already schizoanalytic, albeit in ways we have yet to properly understand. The author makes a direct link between cinema and schizoanalysis by highlighting the significance of delirium to both. This paper argues that the royal road to a schizoanalysis of cinema is via delirium rather than dream or fantasy. It goes on to show how Deleuze and Guattari’s formalisation of delirium as a “regime of signs” can be used to inaugurate a new kind of semiology of cinema.
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Brown, William, and David H. Fleming. "Deterritorialisation and Schizoanalysis in David Fincher's Fight Club." Deleuze Studies 5, no. 2 (July 2011): 275–99. http://dx.doi.org/10.3366/dls.2011.0021.

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Taking a schizoanalytic approach to audio-visual images, this article explores some of the radical potentia for deterritorialisation found within David Fincher's Fight Club (1999). The film's potential for deterritorialisation is initially located in an exploration of the film's form and content, which appear designed to interrogate and transcend a series of false binaries between mind and body, inside and outside, male and female. Paying attention to the construction of photorealistic digital spaces and composited images, we examine the actual (and possible) ways viewers relate to the film, both during and after screenings. Recognising the film as an affective force performing within our world, we also investigate some of the real-world effects the film catalysed. Finally, we propose that schizoanalysis, when applied to a Hollywood film, suggests that Deleuze underestimated the deterritorialising potential of contemporary, special effects-driven cinema. If schizoanalysis has thus been reterritorialised by mainstream products, we argue that new, ‘post-Deleuzian’ lines of flight are required to disrupt this ‘de-re-territorialisation’.
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Pisters, Patricia. "Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image." Deleuze Studies 5, no. 2 (July 2011): 261–74. http://dx.doi.org/10.3366/dls.2011.0020.

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This essay presents some thoughts on schizoanalysis and visual culture around the proposition that cinema survives in the digital age as a type of image that, after the movement-image and the time-image, could be called the neuro-image. By considering clinical schizophrenia as ‘degree zero’ of schizoanalysis in a more critical sense, a reading of The Butterfly Effect unfolds the temporal dimensions of schizoanalysis as typical for a definition of ‘the neuro-image’. The argument is that the neuro-image speaks from the (always speculative) future.
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Holland, Eugene. "On Some Implications of Schizoanalysis." Strategies: Journal of Theory, Culture & Politics 15, no. 1 (May 2002): 27–40. http://dx.doi.org/10.1080/10402130220127834.

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Kolyri, Chloe. "The Body Without Organs in Schizoanalysis." Deleuze and Guattari Studies 14, no. 3 (August 2020): 481–506. http://dx.doi.org/10.3366/dlgs.2020.0413.

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Félix Guattari spent his entire working life at La Borde psychiatric clinic where a radicalised form of psychoanalysis, ‘schizoanalysis’, was applied, based on the theory that emerged in Anti-Oedipus and was elaborated in A Thousand Plateaus. In the medium of this non-Oedipalised therapeutic plane lies the ‘body without organs (BwO), a body not fully organised but open to every form of expression and metamorphosis. The ideas and practice involved in schizoanalysis, which have now been in effect for fifty years in every social and cultural field, have produced a new hybrid of Lacanian analysis and schizoanalysis, with the recent queering psychoanalysis expanding further the revolutionary character of the latter. The general logic and the determinate ideas of A Thousand Plateaus were applied as a reciprocal presupposition between content and form: free expression, interconnectedness, becoming-woman and -imperceptible, a deterritorialisation of models, roles and relations.
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Gaudlitz, Erika. "Libidinal Symptomatology in Deleuze's Masochism – Coldness and Cruelty." Deleuze Studies 9, no. 1 (February 2015): 1–24. http://dx.doi.org/10.3366/dls.2015.0172.

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In taking up Deleuze's differential diagnosis by observing Masoch's literary practice and extracting his libidinal principles of imperatives, contracts, fetishism and rituals, I demonstrate Deleuzian libidinal symptomatology as a specific semiotics in the service of schizoanalysis. I shall argue that in Masoch the schizoanalytic curettage of the unconscious is executed as schizoid waiting where the fleeting outer symptoms of pain–pleasure reveal the masochist's desired inner splitting of the senses. Several critical-clinical inroads to the schizoanalytic project can be envisaged. Initially, Masoch's visionary concept of sexualised world history is supported by his strategic move to the law of the oral mother, yet then extended by Deleuze's concept of (inter)maternal symbolic which speculates on the fantasised rebirth of a sexless or hermaphroditic man. Finally, the parodic enactment of eros and thanatos functions as technique of dialectical disguise within the masochist's scheme of practising libidinal liberation. Masochism considered as a state of bodily experimentation which turns the oedipal law upside down, emerges as a distinct literary genre in Deleuzian aesthetics.
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Videira Alvarez, Joana. "Schizoanalysis of desire and fantastic literature." Brumal. Revista de investigación sobre lo Fantástico 3, no. 2 (December 20, 2015): 155. http://dx.doi.org/10.5565/rev/brumal.120.

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Welker, Chelsea L. "Producing the eco-subject through schizoanalysis." Journal of Psychosocial Studies 13, no. 1 (March 1, 2020): 87–98. http://dx.doi.org/10.1332/147867320x15803493354890.

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The relationship between the human psyche and concern for the environment remains enigmatic in the psychoanalytic literature. To further shed light on this relationship, I utilise the work of Deleuze and Guattari to investigate their understanding of ‘schizoanalysis’ and its possible utility for reconceptualising the relationship between humans and nature through a reorientation of human subjectivity. Ultimately, I argue that a Lacanian model of psychoanalysis based on ‘lack’ is largely insufficient for reconceptualising subjectivity in the context of climate and other environmental crises due to its structuralism. Due to these understandings of the human unconscious, psychoanalysis opens itself up to co-optation and infiltration by capitalist and fascist projects simultaneously. With this issue in mind, I argue that Deleuze and Guattari’s employment of schizoanalysis to examine the possibilities for the development of more ethical and ecological subjectivities opposed to capitalist homogenisation of the self constitutes a more productive endeavour based on affirmation/experimentation.
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Berressem, Hanjo. "Actual Image | Virtual Cut: Schizoanalysis and Montage." Deleuze Studies 5, no. 2 (July 2011): 177–208. http://dx.doi.org/10.3366/dls.2011.0017.

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If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.
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Neff, D. S. "Anoedipal Fiction: Schizoanalysis and the Black Dahlia." Poetics Today 18, no. 3 (1997): 301. http://dx.doi.org/10.2307/1773129.

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Dissertations / Theses on the topic "Schizoanalysis"

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Hallstein, D. Lynn O'Brien. "Transforming feminist rhetorical theory and schizoanalysis: a collaboration between feminist rhetorical theory and schizoanalytic theory /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487850665559636.

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Gremmels, Scott William. "From psychoanalysis to schizoanalysis : chaos and complexity in therapeutic practice." Thesis, London School of Economics and Political Science (University of London), 2003. http://etheses.lse.ac.uk/2666/.

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Human life is engaged in a continual process of mapping and modelling the external universe. From the immediate level of sensation to more abstract forms of emotional and cognitive mapping, the human organism builds a web of inner experience which forms the basis for the construction/perception of "reality." This act of learning forms the genetic, neural, linguistic, and social programing by which individual and collective subjectivity is constructed. Theories in philosophy and science are simply more abstract higher- level models of reality akin to our neuro-semantic mappings. They are similar to cultural, artistic, and religious stories in that their modelling includes not only process but the organized gestalt of content which endows the model with meaning in inner experience. If we move to a higher level of modeling by metamodeling we can understand how various theories of human life have mapped reality. The transversal linking of various theories or models allows us to create clearer maps about process and to transcend the differences resulting from content which supply meaning to inner subjectivity and which organize theories, disciplines, and practices like religious belief systems. Schizoanalytic metamodeling engages this transversal process of communication by which two or more different perspectives of the real - two or more subjectivities or realities - are transcended by moving to the next higher logical level in a nested hierarchy of organization. Schizoanalysis was one of the names Felix Guattari and Gilles Deleuze gave to their lifelong project of reinventing psychoanalysis and therapeutic practice and extending it into the material and social field. By giving a name to this practice and outlining its essence they began to gather together the work of various clinicians, artists, philosophers, and scientists who - though isolated - were already engaged in such a project of transforming human experience and whose history has just begun to be told. The present work continues the development of schizoanalysis as a clinical and cultural practice.
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Benzon, K. "A poetics of chaos : schizoanalysis and post modern American fiction." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444024/.

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In "A Poetics of Chaos: Schizoanalysis and Postmodern American Fiction," I use theories from physics and psychoanalysis together to explore narrative structures in recent American fiction. Chaos theory, which emerged in mathematical and biological discourses in the 1960s, postulates the intrinsic instability and unpredictability of many natural and physical phenomena. Theorists like Bertalanffy, Mandelbrot and Lorenz produced a vocabulary to account for these pervasive systems. In assessing historical, economic and, indeed, literary systems, we may draw terms from chaotic inquiry: bifurcation, fractal, moebial, reiteration, complexity, butterfly effect, strange attractors, and sensitive dependence upon initial conditions. '"Chaotic narratives*" may explicitly deploy (Barth, Pynchon, Gibson) or inadvertently express (Coover, Ondaatje, Powers) the structural features of chaotic systems. Such writing is characterized by a diffusion of linear chronology, as well as ontological and narrative fracture, repetition and variation. Literary theorists N. Katherine Hayles, Joseph Conte, Hanjo Berressem and others have discussed how chaotic scientific and psycho-social systems are not only invoked in contemporary literature, but are themselves the structural and philosophical underpinnings of postmodern culture. My thesis builds upon chaotic-literary criticism by investigating the psychological implications of "chaotic narratives." Drawing from the anti-deterministic "schizoanalysis" of Gilles Deleuze and Felix Guattari, I explain how writings by Don DeLillo, Paul Auster, David Foster Wallace and Mark Z. Danielewski perform and reflect the "orderly disorder" of psychic development. I advance the term "psychochaotics*' to describe a theoretical approach that uses principles from chaos theory to reveal the psychodynamic systems in postmodern fiction.
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Collinson, Scott Jo. "Experiments in schizoanalysis: a new approach to analysis of conceptual music." Thesis, University of Glasgow, 2012. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.579552.

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Zohar, Ayelet. "Strategies of camouflage : invisibility, schizoanalysis and multifocality in contemporary visual art." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1445171/.

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This is a project exploring camouflage and multifocality as a practice and theory based research, reflecting the mental state of disappearance that develops into multifocal existence, in the cultural context. The practice element consists of an installation, composed of four consecutive spaces, video-projections, paintings and objects, performing a trajectory between camouflage and multifocality. The first part engages with theoretical readings of camouflage as the effect of mimicry, proceeding into imperceptibility, consequently leading to loss of subjectivity, through self-shattering (Bersani) as a schizoanalytic process (Deleuze & Guattari) and the loss of identity within culture (Bhabha). Multifocality, therefore, is the materialisation of a rhizomatic structure and the multiplicity of gazes - as performed in installation art. Following the theoretical discussion, the subject-matter expands into two themes, articulating camouflage in contemporary art: There follows a view of the skin - as the location of self (Anzieu), and the Chinese understanding of the skin as a perforated layer, connecting the (hollow) body to the world (Kuriyama), where camouflage transforms skin into a visual membrane. Artists introduced here , are Yayoi Kusama, Takashi Murakami, Andy Warhol, Zhang Huan, and Seidou Keita among others. Disappearance and invisibility are considered as modes of intervention, through the media images of spectres of suicide-bombers (Derrida) and ghostwriting (Spivak). Consequently, invisibility ends in shattering and the consequent creation of multifocality. Artists presented include Banksy, Guerrilla Girls, Andre Serrano, Ibrahim Nubani, Morimura Yasumasa, Yinka Shonebare and others. Concluding with After Effects, I discuss projects that deal with multifocality as the final effect of the camouflaging process, and consider the works of Sawada Tomoko, Isaac Julien, Mike Nelson, Yan Zhenzhong, Kutlug Ataman, Candice Breitz and Mark Wallinger. The project is accompanied by images and discussion of my own visual work in relation to the intellectual texts and the work of other artists presented.
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Bradley, Joff Peter Norman. "Zerrissenheit and schizoanalysis : philosophy, pedagogy and media ecology in the Japanese context." Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/612205/.

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This thesis, as a work of applied schizoanalysis, focuses on the social, affective and pedagogical issues pertaining to communication technologies, and the breakdown and breakthroughs of individuals that use these technologies, particularly in educational institutions. Detailed attention is given to the nature of 'control societies’ (Deleuze, 1992) within Asian educational contexts. The core conceptualisation of the thesis is that the crisis in modern societies can be explained heuristically by utilising the notions of Zerrissenheit and schizoanalysis. The thesis argues that schizoanalysis can be used as a political and cultural tool with widespread application and relevance in exploring and explaining areas pertaining to education, language, communication and affect. Honing in on specific examples, the thesis explores the decline of writing, endemic passivity, detachment, and loneliness as striking forms of social schizophrenia in East Asia. Where applicable I use the concept of Zerrissenheit or torn-to-pieces-hood to test the interrogative power of this thesis as a schizo tool for explaining contemporary (a)social phenomenon. This thesis explicates upon and is informed by Gilles Deleuze and Félix Guattari’s individual and collaborative works, as well as the philosophy of Bernard Stiegler. This thesis contributes to the fields of continental thought and philosophy, and critical educational studies, by addressing the negative effects of technology and the proliferation of psychopathologies and maladies in Japan and further afield.
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Estácio, Neto Francisco [UNESP]. "Esquizoanálise, subjetividade e educação." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/101605.

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Este trabalho trata da produção da subjetividade no contexto escolar em uma perspectiva histórica, com ênfase na produção da subjetividade no mundo contemporâneo, analisando os desafios da educação escolar face a estas novas configurações subjetivas, tendo na Esquizoanálise o suporte para o entendimento e intervenção educacional. Analisa para tanto a produção da subjetividade no trabalho, na escola, nas redes e movimentos sociais e detalha os principais conceitos da Esquizoanálise relacionados ao espaço educacional.
This work deals with the production of subjectivity on the school context in a historical perspective, with emphasis on the production of subjectivity in the contemporary world, examining the challenges of education with these new subjective settings, having in Schizoanalysis the support for understanding and educational intervention. Analyzes for such the production of subjectivity at work, at school, on the networks and social movements and details the main concepts of Schizoanalysis related to educational space.
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Pekerman, Serazer. "Framed intimacy : representation of woman in transnational cinemas." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3138.

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This study compares independent films from different countries (Turkey, Denmark, Iran and Spain) in a transnational context. Making use of schizoanalytic concepts, it presents an analysis of filmic space in relation to character construction in the internationally acclaimed contemporary films: Ten (Abbas Kiarostami, 2002), Talk to Her (Pedro Almodóvar, 2002), Two Girls (Kutluğ Ataman, 2005), Allegro (Christoffer Boe, 2005), The Others (Alejandro Amenábar, 2001), Destiny (Zeki Demirkubuz, 2006), Offside (Jafar Panahi, 2006), Dogville (Lars von Trier, 2003) and Climates (Nuri Bilge Ceylan, 2006). I argue that these films are feminist texts, in which becoming-woman of the female character deterritorializes the patriarchal ideal of home(land) as a political statement. In the above listed films filmic space is never configured as a harmonious unity of a righteous woman and a peaceful home. Despite the pervading homelessness, the female characters turn the male dominated public space into a habitable place through the filmic assemblages with space, objects and other characters. I also argue that the homelessness and the problematic connection between the female character and the storyworld posits a metaphor for the disconnection between the auteur-filmmakers and their home(land)s.
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Savazzoni, César Augusto. "Subjetividade e devir à luz da filosofia de Deleuze e Guattari: contribuições para uma psicologia." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/59/59137/tde-04062012-102459/.

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O presente trabalho teve como objetivo inicial abordar a questão da subjetividade considerando de um lado, este problema em relação à psicologia, e num segundo momento a discussão sobre a (produção de) subjetividade e devir desenvolvida na obra Deleuze e Guattari (Mil Platôs). Trata-se de entender como é possível articular a crítica dos processos de subjetivação, tal como a realizada pelos autores, com uma idéia de subjetividade, sem com isso desembocar numa psicologia do sujeito. Isto é, que subjetividade é essa, que não se confunde com suas estratificações, e que parece antes a possibilidade de uma vida, sem ser por isso uma subjetividade transcendental, mas um campo de imanência como afirmam os autores? Para respondermos esta questão, consideramos inicialmente o problema da subjetividade tal como ele emerge na psicologia, em razão de seus percursos teórico metodológicos, para num segundo momento - sob o viés dos agenciamentos e dos devires - discutirmos a questão da produção de subjetividade e os processos de singularização. De um lado, temos os agenciamentos maquínicos de corpos e os agenciamentos coletivos de enunciação, que articulando formal e substancialmente conteúdo e expressão atuam dimensionando o campo da experiência: os dispositivos. Por outro lado, temos os devires ou afectos, enquanto linhas de fuga que arrastam a subjetividade para zonas relacionais indiscerníveis que fazem vacilar o Eu na impessoalidade do Acontecimento. Portanto, é no campo das singularidades pré-individuais, nas relações entre forças que se compõe a experiência para além dos limites do perceptível. Ou seja, é a partir do entre-jogo das forças que se esboça a idéia de uma subjetividade (empírico-transcendental), simultaneamente: produto das relações de forças, e o próprio campo de forças que torna possível toda a relação entre as forças. Partindo desta perspectiva, cabe à psicologia fazer a cartografia dos afetos que são imanentes à constituição da subjetividade, segundo a qualidade das linhas (duras, maleáveis ou de fuga) e seus graus de intensidade. Não se trata de conceber uma teoria do sujeito, enquanto subjetividade substancializada no Eu, à moda da idade da representação. Para pensar em uma subjetividade livre do sujeito necessitamos pensá-la sobre o plano de composição das forças que tornam possível sua própria vida, forças estas sempre imanentes à própria experiência sensível com o mundo: hecceidades. O plano de imanência constitui o elemento genealógico da produção do real e que pode ser estudado sinteticamente por uma psicologia levando em conta as conexões, disjunções e conjunções que aí operam. Concluímos acreditando que essa discussão com Deleuze e Guattari poderá contribuir para com a psicologia, abrindo novas veredas, no sentido alçar luz sobre os processos que chamamos de subjetivação-dessubjetivação, tomados por nós como elementos-chave para uma análise da produção de subjetividade no mundo capitalista contemporâneo.
The present work had as its initial goal to approach the matter of subjectivity considering, on one side, that problem related to psychology, and, at a second moment, the discussion about (the production of ) subjectivity and becoming developed in the work of Deleuze e Guattari (A Thousand Plateaus). It is about understanding how it is possible to articulate the criticism of the processes of subjectification, as it is done by the authors, with an idea of subjectivity, without getting to a psychology of the subject, though. That is, what subjectivity is that, which doesnt mix with its stratifications, and that seems more like a possibility of a life, without being, because of that, a transcendental subjectivity, but an immanence field as the authors affirm? To answer that question, we initially considered the problem of subjectivity as it emerges from psychology, because of its theoretical-methodological ways, to, at a second moment based on the approach of agencying and becoming discuss the matter of the production of subjectivity and the processes of sigularisation. On one side, there is the machinic agencying of bodies and the collective agencying of enunciation, which, formally and substantially articulating content and expression, act in dimensioning the field of experience: the mechanisms. On the other side, we have the becomings or affections as lines of escape that drag subjectivity to undiscernible relational zones which make the I vacillate in the impersonality of the Happening. Therefore, it is in the field of pre-individual singularities, in the relations among forces that the experience beyond the limits of the perceivable is composed. That is, it is from the game between forces that the idea of a subjectivity (empirical-transcendental) is drafted, simultaneously: as a product of the relations of forces, and as the field of forces itself, which makes all the relation between the forces possible. From that point of view, it is psychologys role to trace the cartography of affections which are immanent to the constitution of subjectivity according to the quality of the lines (hard, malleable or of escape) and their degrees of intensity. It is not about conceiving a theory of the subject as subjectivity substantialised in the I, in the way of the representation age. To think of a subjectivity free of the subject we need to think of it in terms of the composition of forces that makes its own life possible, those forces always being immanent to the sensitive experience of the world: Hecceities. The ground of immanence constitutes the genealogical element of the production of the real and it can be studied synthetically by a psychology taking into consideration the connections, disjunctions and conjunctions which operate there. We concluded this work believing that this discussion with Deleuze and Guattari will be able to contribute with psychology, opening new ways, in the sense of casting light on the processes that we call subjectivation-dissubjectivation, taken by us as key-elements to an analysis of the production of subjectivity in the contemporary capitalist world.
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Soares, Flávia de Bastos Ascenço. "O corpo anárquico na obra de Antonin Artaud: [des]encarceramento e crueldade na sociedade contemporânea." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8674.

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This paper seeks to examine the notion of body from the perspective of Antonin Artaud, to discuss the processes of capture, as well as the possibilities of unclogging the body. We carry out a bibliographical cartography in every work of the author, published in Spanish and Portuguese. We found that for Artaud, there are three strata that propel the process of incarceration of the body: a first that embraces the idea of an awareness / reason overlapping the body, a second that mentions the existence of a soul / spirit condemning the potentialities of the body, and a third that deals with the struggle between the body x organism. Next, we mapped his proposal for the body's unconsciousness, based on two configurations of the same abstract machine: a first that encompasses the idea of cruelty which seeks to break with the productive organization of bodies; a second that deals with the creation of a body without organs, which would be a permanent search for intensities, that is, an active revolt against the strata that imprisoned the human body. Thirdly, we analyze Artaud's criticism of Western theater, to discuss the ways in which the theater gave up its transforming power. Then we will bring your inspirations about the Eastern theater, more specifically, the Theater of Bali, which propelled him towards the creation of a new theatrical practice. Finally, we will discuss the actualization of the concrete machine - the proposal of a new theater - the Theater of Cruelty, which we consider the concretization of all the virtuality and intensity of its elaborations.
Este trabalho busca examinar a noção de corpo sob a perspectiva de Antonin Artaud, para discutir os processos de captura, bem como as possibilidades de desencarceramento do corpo. Realizamos uma cartografia bibliográfica em toda obra do autor, publicada em espanhol e português. Verificamos que, para Artaud, existem três estratos propulsores do processo de encarceramento do corpo: um primeiro que abarca a ideia de uma consciência/razão sobrepondo-se ao corpo, um segundo que menciona a existência de uma alma/espírito condenando as potencialidades do corpo e um terceiro que trata da luta entre o corpo x organismo. Em seguida, mapeamos sua proposta para o desencarceramento do corpo, com base em duas configurações de uma mesma máquina abstrata: uma primeira que abarca a ideia de crueldade a qual visa ao rompimento com a organização produtiva dos corpos; uma segunda que trata da criação de um corpo sem órgãos, que seria uma permanente busca por intensidades, ou seja, uma revolta ativa contra os estratos que encarceram o corpo humano. Em terceiro plano, analisamos a crítica de Artaud ao teatro ocidental, para discutir por quais vias o teatro abriu mão da sua potência transformadora. Em seguida, traremos suas inspirações acerca do teatro oriental, mais especificadamente o Teatro de Bali, que o impulsionou rumo à criação de uma nova prática teatral. Por fim, discutimos a concretização de sua máquina concreta – a proposta de um novo teatro –, o Teatro da Crueldade, que consideramos ser a atualização de toda a virtualidade e intensidade de suas elaborações.
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Books on the topic "Schizoanalysis"

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On an(archy) & schizoanalysis. Brooklyn, N.Y: Autonomedia, 1990.

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Guattari, Félix. The machinic unconscious: Essays in schizoanalysis. Los Angeles, CA: Semiotext(e), 2011.

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Guattari, Félix. The machinic unconscious: Essays in schizoanalysis. Los Angeles, CA: Semiotext(e), 2011.

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Çokay Nebioğlu, Rahime. Deleuze and the Schizoanalysis of Dystopia. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7.

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Holland, Eugene W. Baudelaire and schizoanalysis: The sociopoetics of modernism. Cambridge [England]: Cambridge University Press, 1993.

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Deleuze, Gilles. Deleuze and Guattari's Anti-Oedipus: Introduction to schizoanalysis. London: Routledge, 1999.

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Deleuze, Gilles. Deleuze and Guattari's Anti-Oedipus: Introduction to schizoanalysis. London: Routledge, 1999.

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Guattari, Félix. Schizoanalytic cartographies. New York: Continuum, 2012.

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Guattari, Félix. Schizoanalytic cartographies. New York: Continuum, 2012.

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jagodzinski, jan. Schizoanalytic Ventures at the End of the World. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12367-3.

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Book chapters on the topic "Schizoanalysis"

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Çokay Nebioğlu, Rahime. "Schizoanalysis of Contemporary Dystopia." In Deleuze and the Schizoanalysis of Dystopia, 75–91. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_5.

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Holland, Eugene. "Schizoanalysis: The Postmodern Contextualization of Psychoanalysis." In Marxism and the Interpretation of Culture, 405–16. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_29.

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Smith, Jeff, and Scott Kouri. "Schizoanalysis, Counselling Praxis and a Sandbox Dirge." In Principles of Transversality in Globalization and Education, 211–25. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0583-2_13.

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Çokay Nebioğlu, Rahime. "Introduction: Postscript on Dystopia Today." In Deleuze and the Schizoanalysis of Dystopia, 1–15. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_1.

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Çokay Nebioğlu, Rahime. "Dystopia from Transcendence to Immanence." In Deleuze and the Schizoanalysis of Dystopia, 17–41. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_2.

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Çokay Nebioğlu, Rahime. "Dystopia After Late Capitalism." In Deleuze and the Schizoanalysis of Dystopia, 43–64. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_3.

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Çokay Nebioğlu, Rahime. "Minoritarian Politics of Contemporary Dystopia." In Deleuze and the Schizoanalysis of Dystopia, 65–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_4.

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Çokay Nebioğlu, Rahime. "The Immanence of the New Weird: China Miéville’s Perdido Street Station." In Deleuze and the Schizoanalysis of Dystopia, 93–133. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_6.

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Çokay Nebioğlu, Rahime. "The Roads to Immanent Dystopia: Margaret Atwood’s MaddAddam Trilogy." In Deleuze and the Schizoanalysis of Dystopia, 135–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_7.

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Çokay Nebioğlu, Rahime. "Conclusion: Contemporary Dystopia as an Art of the Possible." In Deleuze and the Schizoanalysis of Dystopia, 179–95. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7_8.

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Conference papers on the topic "Schizoanalysis"

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Fangfang, Yan. "Why is Body? - Schizoanalysis and Deterritorialization of the Body in Fight Club." In 6th International Conference on Humanities and Social Science Research (ICHSSR 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200428.087.

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