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Journal articles on the topic 'Schizoanalysis'

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Published: 4 June 2021

Last updated: 25 April 2022

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1

Buchanan, Ian. "Is a Schizoanalysis of Cinema Possible?" Cinémas 16, no. 2-3 (March 23, 2007): 116–45. http://dx.doi.org/10.7202/014618ar.

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Abstract Is a schizoanalysis of cinema possible? This question arises from the observation that there is no apparent continuity between Deleuze’s two-volume collaboration with Guattari, Anti-Oedipus and A Thousand Plateaus, and the books he wrote afterwards, Cinema 1 and Cinema 2. It is also prompted by the observation that Anti-Oedipus and A Thousand Plateaus seem to rely a great deal on cinema in order to develop and exemplify the many new concepts these books introduce. This paper highlights three such instances in their work. The fact is, Deleuze and Guattari claim that the core schizoanalytic concepts of the body without organs, the abstract machine and assemblage can account for “all things”; as such, these concepts must account for cinema too. It is the sheer expansiveness of these concepts that makes them attractive to cinema studies. Not only that, they promise a way of engaging with cinema that isn’t reliant on the fictions of identification, recognition and fantasy. In this sense we are permitted to assume that to some degree Cinema 1 and Cinema 2 are already schizoanalytic, albeit in ways we have yet to properly understand. The author makes a direct link between cinema and schizoanalysis by highlighting the significance of delirium to both. This paper argues that the royal road to a schizoanalysis of cinema is via delirium rather than dream or fantasy. It goes on to show how Deleuze and Guattari’s formalisation of delirium as a “regime of signs” can be used to inaugurate a new kind of semiology of cinema.

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Brown, William, and David H. Fleming. "Deterritorialisation and Schizoanalysis in David Fincher's Fight Club." Deleuze Studies 5, no. 2 (July 2011): 275–99. http://dx.doi.org/10.3366/dls.2011.0021.

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Taking a schizoanalytic approach to audio-visual images, this article explores some of the radical potentia for deterritorialisation found within David Fincher's Fight Club (1999). The film's potential for deterritorialisation is initially located in an exploration of the film's form and content, which appear designed to interrogate and transcend a series of false binaries between mind and body, inside and outside, male and female. Paying attention to the construction of photorealistic digital spaces and composited images, we examine the actual (and possible) ways viewers relate to the film, both during and after screenings. Recognising the film as an affective force performing within our world, we also investigate some of the real-world effects the film catalysed. Finally, we propose that schizoanalysis, when applied to a Hollywood film, suggests that Deleuze underestimated the deterritorialising potential of contemporary, special effects-driven cinema. If schizoanalysis has thus been reterritorialised by mainstream products, we argue that new, ‘post-Deleuzian’ lines of flight are required to disrupt this ‘de-re-territorialisation’.

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Pisters, Patricia. "Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image." Deleuze Studies 5, no. 2 (July 2011): 261–74. http://dx.doi.org/10.3366/dls.2011.0020.

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This essay presents some thoughts on schizoanalysis and visual culture around the proposition that cinema survives in the digital age as a type of image that, after the movement-image and the time-image, could be called the neuro-image. By considering clinical schizophrenia as ‘degree zero’ of schizoanalysis in a more critical sense, a reading of The Butterfly Effect unfolds the temporal dimensions of schizoanalysis as typical for a definition of ‘the neuro-image’. The argument is that the neuro-image speaks from the (always speculative) future.

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Holland, Eugene. "On Some Implications of Schizoanalysis." Strategies: Journal of Theory, Culture & Politics 15, no. 1 (May 2002): 27–40. http://dx.doi.org/10.1080/10402130220127834.

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5

Kolyri, Chloe. "The Body Without Organs in Schizoanalysis." Deleuze and Guattari Studies 14, no. 3 (August 2020): 481–506. http://dx.doi.org/10.3366/dlgs.2020.0413.

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Félix Guattari spent his entire working life at La Borde psychiatric clinic where a radicalised form of psychoanalysis, ‘schizoanalysis’, was applied, based on the theory that emerged in Anti-Oedipus and was elaborated in A Thousand Plateaus. In the medium of this non-Oedipalised therapeutic plane lies the ‘body without organs (BwO), a body not fully organised but open to every form of expression and metamorphosis. The ideas and practice involved in schizoanalysis, which have now been in effect for fifty years in every social and cultural field, have produced a new hybrid of Lacanian analysis and schizoanalysis, with the recent queering psychoanalysis expanding further the revolutionary character of the latter. The general logic and the determinate ideas of A Thousand Plateaus were applied as a reciprocal presupposition between content and form: free expression, interconnectedness, becoming-woman and -imperceptible, a deterritorialisation of models, roles and relations.

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Gaudlitz, Erika. "Libidinal Symptomatology in Deleuze's Masochism – Coldness and Cruelty." Deleuze Studies 9, no. 1 (February 2015): 1–24. http://dx.doi.org/10.3366/dls.2015.0172.

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In taking up Deleuze's differential diagnosis by observing Masoch's literary practice and extracting his libidinal principles of imperatives, contracts, fetishism and rituals, I demonstrate Deleuzian libidinal symptomatology as a specific semiotics in the service of schizoanalysis. I shall argue that in Masoch the schizoanalytic curettage of the unconscious is executed as schizoid waiting where the fleeting outer symptoms of pain–pleasure reveal the masochist's desired inner splitting of the senses. Several critical-clinical inroads to the schizoanalytic project can be envisaged. Initially, Masoch's visionary concept of sexualised world history is supported by his strategic move to the law of the oral mother, yet then extended by Deleuze's concept of (inter)maternal symbolic which speculates on the fantasised rebirth of a sexless or hermaphroditic man. Finally, the parodic enactment of eros and thanatos functions as technique of dialectical disguise within the masochist's scheme of practising libidinal liberation. Masochism considered as a state of bodily experimentation which turns the oedipal law upside down, emerges as a distinct literary genre in Deleuzian aesthetics.

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7

Videira Alvarez, Joana. "Schizoanalysis of desire and fantastic literature." Brumal. Revista de investigación sobre lo Fantástico 3, no. 2 (December 20, 2015): 155. http://dx.doi.org/10.5565/rev/brumal.120.

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Welker, Chelsea L. "Producing the eco-subject through schizoanalysis." Journal of Psychosocial Studies 13, no. 1 (March 1, 2020): 87–98. http://dx.doi.org/10.1332/147867320x15803493354890.

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The relationship between the human psyche and concern for the environment remains enigmatic in the psychoanalytic literature. To further shed light on this relationship, I utilise the work of Deleuze and Guattari to investigate their understanding of ‘schizoanalysis’ and its possible utility for reconceptualising the relationship between humans and nature through a reorientation of human subjectivity. Ultimately, I argue that a Lacanian model of psychoanalysis based on ‘lack’ is largely insufficient for reconceptualising subjectivity in the context of climate and other environmental crises due to its structuralism. Due to these understandings of the human unconscious, psychoanalysis opens itself up to co-optation and infiltration by capitalist and fascist projects simultaneously. With this issue in mind, I argue that Deleuze and Guattari’s employment of schizoanalysis to examine the possibilities for the development of more ethical and ecological subjectivities opposed to capitalist homogenisation of the self constitutes a more productive endeavour based on affirmation/experimentation.

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9

Berressem, Hanjo. "Actual Image | Virtual Cut: Schizoanalysis and Montage." Deleuze Studies 5, no. 2 (July 2011): 177–208. http://dx.doi.org/10.3366/dls.2011.0017.

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If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as an analysis of cuts. In cinematic registers, it is an analysis of montage. Looking closely at a number of modes and moments of montage in the work of Alfred Hitchcock, this paper shows how his strategies of ‘reciprocally presupposing’ actual image and virtual montage relate to a Deleuzian poetics and politics of the cinema.

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10

Neff, D. S. "Anoedipal Fiction: Schizoanalysis and the Black Dahlia." Poetics Today 18, no. 3 (1997): 301. http://dx.doi.org/10.2307/1773129.

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Bradley, Joff P. N. "A contribution to the schizoanalysis of indifference." Explorations in Media Ecology 14, no. 1 (June 1, 2015): 107–24. http://dx.doi.org/10.1386/eme.14.1-2.107_1.

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Buchanan, Ian. "Schizoanalysis and Hitchcock: Deleuze and The Birds." Strategies: Journal of Theory, Culture & Politics 15, no. 1 (May 2002): 105–18. http://dx.doi.org/10.1080/10402130220127870.

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13

Andreas, Rino. "SKIZOFRENIA DALAM FILM JOKER (2019): SKIZOANALISIS PERSPEKTIF DELEUZE DAN GUATTARI." Paradigma: Jurnal Kajian Budaya 11, no. 2 (September 1, 2021): 225. http://dx.doi.org/10.17510/paradigma.v11i2.457.

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<p>In medical-psychology, schizophrenia is defined as a severe psychotic disorder that causes its sufferers to experience hallucinations and chaotic behaviors. However, the paradigm of schizoanalysis considers schizophrenia as a system of thought that opposes the existence of established discourses (i.e. the Oedipus System). One form of schizophrenia can be seen in the Joker movie (2019). This research aims to identify the schizophrenia suffered by Arthur Fleck, the movie’s main character, from the schizoanalysis perspective as proposed by Gilles Deleuze and Felix Guattari. This qualitative research applied the interpretative description method based on the schizoanalysis perspective. This research found that the Joker character, as a schizophrenic, successfully reconstructs established ideas in his own ways solely through his desires. Joker unleashes his desires through practices presented as a form of resistance to the established system in Gotham City. This “madness” character was displayed by Arthur Fleck who opposes prevailing social values and norms, which he had previously imagined and questioned. However, he ends up destroying a greater system or order. Joker, as a progressive and revolutionary schizophrenic subject, clearly shows how a person can deconstruct the Oedipus to turn it into a counter-ammunition. Furthermore, the movie also shows that the broader “Joker movement” is disorganized as much as it is unplanned, spontaneous, and creative. Such spontaneity and creativity generates the flow of energy which stimulates those demonstrators to take a fight against capitalism. </p>

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Safonov, Nikita. "Sonorous Deserts: Schizoanalysis, Sound Studies, and Inhuman Ecology." Stasis 7, no. 1 (July 13, 2019): 444–65. http://dx.doi.org/10.33280/2310-3817-2019-7-1-444-465.

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15

Stenner, Paul. "Book Review: The Machinic Unconscious: Essays in Schizoanalysis." Body & Society 19, no. 4 (October 30, 2013): 134–39. http://dx.doi.org/10.1177/1357034x13489714.

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16

Scott, William. "Deleuze and Guattari's Anti-Oedipus : Introduction to Schizoanalysis (review)." MLN 116, no. 5 (2001): 1102–5. http://dx.doi.org/10.1353/mln.2001.0084.

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17

Macarthur, Sally. "Facts, Fictions and the Alma Mahler Machine: A Schizoanalysis." Musicology Australia 41, no. 1 (January 2, 2019): 61–71. http://dx.doi.org/10.1080/08145857.2019.1636446.

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18

Roberts, Phillip. "Introduction: Signatures of the Invisible: On Schizoanalysis and Visual Culture." Deleuze Studies 5, no. 2 (July 2011): 151–62. http://dx.doi.org/10.3366/dls.2011.0015.

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19

Sares, James. "The Schizoanalysis of Sex: Toward a Deleuzian-Guattarian Sexual Ontology." philoSOPHIA 10, no. 1 (2020): 47–70. http://dx.doi.org/10.1353/phi.2020.0002.

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20

Skott-Myhre, Hans. "Schizoanalysis: Seizing Desire as the First Act of Revolutionary Psychotherapy." Psychotherapy and Politics International 12, no. 3 (October 2014): 185–95. http://dx.doi.org/10.1002/ppi.1335.

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21

Negrete, Fernanda. "“A vital, unliveable force”: Rhythm through Nathalie Sarraute and Schizoanalysis." Mosaic: a journal for the interdisciplinary study of literature 48, no. 2 (2015): 83–98. http://dx.doi.org/10.1353/mos.2015.0019.

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22

Sellar, Sam. "A Strange Craving to be Motivated: Schizoanalysis, Human Capital and Education." Deleuze Studies 9, no. 3 (August 2015): 424–36. http://dx.doi.org/10.3366/dls.2015.0196.

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23

Holmes, Dave, Denise Gastaldo, and Amélie Perron. "Paranoid investments in nursing: a schizoanalysis of the evidence-based discourse." Nursing Philosophy 8, no. 2 (April 2007): 85–91. http://dx.doi.org/10.1111/j.1466-769x.2007.00302.x.

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24

SNOWDON, A. P. "Review. Baudelaire and Schizoanalysis: The Sociopoetics of Modernism. Holland, Eugene W." French Studies 49, no. 1 (January 1, 1995): 85. http://dx.doi.org/10.1093/fs/49.1.85.

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25

Gehres, Adriana De Faria, and Marcos Garcia Neira. "A pesquisa intervenção com o currículo cultural de educação física, seus corpos e suas danças: três exercícios cartográficos." Revista Pesquisa Qualitativa 8, no. 16 (April 22, 2020): 79. http://dx.doi.org/10.33361/rpq.2020.v.8.n.16.316.

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Resumo: Este artigo objtivou cartografar encontros os corpos, as danças e a Educação Física culturalmente orientada, a partir dos pressupostos da esquizoanálise (DELEUZE; GUATTARI, 1996), como pesquisa intervenção. Para tanto, realizamos três exercícios cartográficos como encontros/processos de acionamento de: um texto; quinze relatos de experiência; e ações didáticas. Neste último, contudo, operamos também com a “palavra” experiência, conforme proposto por Larrosa, (2009, 2013, 2018). Cartografar, procedimento, objetivo e texto da pesquisa, apresentou-se como uma “atitude” que nos fez percorrer materialidades, inventar conceitos e produzir línguas nos encontros com o curículo culturalmente orientado de Educação Física.Palavras-chave: Esquizoanálise; Intervenção; Experiência; Escola. Research intervention with the cultural physical education curriculum, its bodies and their dances: three cartographic exercisesAbstract: This article aimed to map encounters with bodies, dances and culturally oriented Physical Education, based on the assumptions of schizoanalysis (DELEUZE; GUATTARI, 1996), as intervention research. For this purpose, we carried out three cartographic exercises as meetings / processes for triggering: a text; fifteen experience reports; and didactic actions. In the latter, however, we also operate with the “word” experience, as proposed by Larrosa, (2009, 2013, 2018). Mapping, procedure, objective and text of the research, presented itself as an “attitude” that made us go through materialities, invent concepts and produce languages in the meetings with the culturally oriented Curriculum of Physical Education.Keywords: Schizoanalysis; Intervention; Experience; School.

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Gray, Chantelle, Delphi Cartstens, Evelien Geerts, and Aragorn Eloff. "Deleuzoguattarian Thought, the New Materialisms, and (Be)wild(erring) Pedagogies: A Conversation between Chantelle Gray, Delphi Carstens, Evelien Geerts, and Aragorn Eloff." Matter: Journal of New Materialist Research 2, no. 1 (February 18, 2021): 188–99. http://dx.doi.org/10.1344/jnmr.v2i1.33383.

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This intra-view explores a number of productive junctions between contemporary Deleuzoguattarian and new materialist praxes via a series of questions and provocations. Productive tensions are explored via questions of epistemological, ontological, ethical, and political intra-sections as well as notions of difference, transversal contamination, ecosophical practices, diffraction, and, lastly, schizoanalysis. Various irruptions around biophilosophy, transduction, becomology, cartography, power relations, hyperobjects as events, individuation, as well as dyschronia and disorientation, take the discussion further into the wild pedagogical spaces that both praxes have in common.

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Thornton, Edward. "Constantin V. Boundas (ed.) (2018) Schizoanalysis and Ecosophy: Reading Deleuze and Guattari." Deleuze and Guattari Studies 13, no. 3 (August 2019): 454–58. http://dx.doi.org/10.3366/dlgs.2019.0369.

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Letteri, Richard. "Becoming Giuliana: Antonioni'sRed Desertand the Capitalist Social Machine." Deleuze and Guattari Studies 15, no. 1 (February 2021): 91–116. http://dx.doi.org/10.3366/dlgs.2021.0423.

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This essay employs Deleuze and Guattari's analysis of the capitalist social machine to explore Michelangelo Antonioni's Red Desert (1964). More specifically, it addresses the psychological struggles of the film's female protagonist, Giuliana, with respect to duelling forces of capitalist deterritorialisation and Oedipal reterritorialisation. The essay also brings together Deleuze's cinema works with his and Guattari's schizoanalysis to show how Antonioni's use of the time-image itself functions as a deterritorialising force, particularly with respect to the film's pivotal island fantasy scene, where, if only momentarily, Giuliana engages in the Deleuzean act of becoming.

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Castillo-Carrillo, Gerardo. "Esquizoanálisis y necropoder: la representación del (narco) capitalismo y la violencia en la narconarrativa mexicana reciente." Sincronía XXV, no. 79 (January 3, 2021): 282–99. http://dx.doi.org/10.32870/sincronia.axxv.n79.15a21.

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In this writing, under the precepts of schizoanalysis (Deleuze & Guattari) and necropower (Mbembe), it will be reviewed that the drug trafficking novel focuses on reproducing two discursive constants exposed in a customary way by official institutions (government, media, entertainment industry, etc.): (narco) capitalism and violence. As a central purpose, I will analyze in what way in this narrative the systematic terrorism exercised by the drug cartels through their economic power, who, acting as large transnational corporations, can corrupt all social strata, thus establishing themselves as the supreme socius; thus evidencing that these criminal organizations fragment, control and transgress public space.

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Nyman, Micki. "Ian Buchanan and Patricia MacCormack, eds. (2008) Deleuze and the Schizoanalysis of Cinema." Film-Philosophy 14, no. 1 (February 2010): 387–91. http://dx.doi.org/10.3366/film.2010.0023.

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Potkański, Jan. "Prekursorzy Rymkiewicza." Prace Filologiczne. Literaturoznawstwo, no. 10 (13) (April 26, 2020): 369–83. http://dx.doi.org/10.32798/pflit.580.

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The article describes how the historical essays of Jarosław Marek Rymkiewicz depend on the works of his important predecessors. This dependency is analysed in accordance with Harold Bloom’s “anxiety of influence” theory. I bring up well-known sources, such as the works of Maria Janion, less-remembered sources, such as the essays of Jerzy Łojek, as well as sources that may initially come as a surprise, such as the philosophy and biography of Michel Foucault. In interpreting these connections I develop Bloom’s psychoanalytical inspirations, but I also problematise them by juxtaposing them with the “schizoanalysis” proposed by Gilles Deleuze and Félix Guattari in Anti-Oedipus.

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Sotiris, Panagiotis. "The Many Encounters of Deleuze and Marxism." Deleuze Studies 10, no. 3 (August 2016): 301–20. http://dx.doi.org/10.3366/dls.2016.0228.

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Deleuze's and Guattari's work on schizoanalysis represented an important shift towards a dialogue with Marx and his critique of political economy but in the 1970s prominent Marxists attacked Deleuze (and Guattari) as anti-Marxist. This attitude marked one of the most important missed encounters between Marxism and other theoretical currents. However, there have been important recent contributions that bring forward not only the political character of Deleuze's theoretical endeavour, his critique of capitalist social forms, his conception of social practice and struggle, but also the linkages with the Marxian and Marxist concepts. The aim of this article is to highlight some aspects of the many dialogues between Deleuze and Marxism.

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Rousell, David, Riikka Hohti, Maggie MacLure, and Hannah-Lee Chalk. "Blots on the Anthropocene: Micropolitical Interventions With Young People in a University Museum." Cultural Studies ↔ Critical Methodologies 21, no. 1 (September 2, 2020): 27–40. http://dx.doi.org/10.1177/1532708620953187.

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In this article, we discuss a series of artistic interventions in a university museum co-created by young people, researchers, and museum curators. We focus on the co-development of techniques for disrupting and re-imagining museological spaces and times, while exploring young people’s shifting sense of inheritance in relation to the “Anthropocene” as a particular figuration of the current epoch. Drawing together an eclectic range of sources at the intersections of schizoanalysis, posthumanism, decolonial studies, and surrealism, we argue that young people’s interventions in the museum constitute micropolitical nodes of resistance to the colonial-capitalistic capture of subjectivity that dominates the current epoch.

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Simonini, Eduardo, and Roberta Carvalho Romagnoli. "Transversalidade e Esquizoanálise." Psicologia em Revista 24, no. 3 (June 26, 2019): 915–29. http://dx.doi.org/10.5752/p.1678-9563.2018v24n3p915-929.

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Neste trabalho procuramos discutir o conceito de transversalidade na obra de Félix Guattari (e seus desdobramentos na Esquizoanálise) e a apropriação deste conceito feita pelo sociólogo René Lourau (e seus desdobramentos na Análise Institucional ou Socioanálise). Desta maneira, primeiramente apresentamos a transversalidade como Guattari a compreendeu em suas teorizações iniciais sobre grupos, para depois estendermos as discussões a 1) como este conceito se associa à Esquizoanálise, quando da valorização das tramas que promovem a invenção de inéditas estéticas existenciais; e 2) como a transversalidade se associa à Análise Institucional ou Socioanálise, quando do desvelamento do inconsciente institucional. Concluímos que, apesar dos usos diferentes que os referidos autores realizam do conceito de transversalidade, ambos sustentam que tal conceito comunga com a perspectiva de se pensar a realidade como produção política, múltipla e plural, abrindo sujeitos e grupos a novos tipos de crises, críticas e possibilidades.Palavras Chave: Transversalidade; Esquizoanálise; Análise Institucional.AbstractIn this essay we discuss the concept of transversality in Félix Guattari´s works (and their developments in the Schizoanalysis) and the appropriation of this concept by the sociologist René Lourau (and its developments in the Institutional Analysis or the Socioanalysis). In this way, we first present the transversality as Guattari understood it in his initial theories about groups, and then we extend the discussions to 1) how this concept is associated with the Schizoanalysis, when valuing the plots that promote the invention of unprecedented existential aesthetics; and 2) how the transversality is associated with the Institutional Analysis or the Socioanalysis, when unveiling the institutional unconscious. We finally conclude that, despite the different uses that the mentioned authors carry out on the concept of transversality, both maintain that this concept communes with the perspective of thinking reality as a political production, multiple and plural, opening subjects and groups to new types of crisis, criticisms and possibilities.Key words: Transversality; Schizoanalysis; Institutional Analysis.ResumenEn este trabajo buscamos discutir el concepto de transversalidad en la obra de Félix Guattari (y sus desdoblamientos en el Esquizoanálisis) y la apropiación de este concepto hecha por el sociólogo René Lourau (y sus desdoblamientos en el Análisis Institucional o Socioanálisis). De esta manera, primero presentamos la transversalidad como Guattari la comprendió en sus teorizaciones iniciales sobre grupos, para luego extender las discusiones a 1) cómo este concepto se asocia al Esquizoanálisis, en relación a la valorización de las tramas que promueven la invención de inéditas estéticas existenciales; y 2) cómo la transversalidad se asocia al Análisis Institucional o Socioanálisis, en relación al desvelamiento del inconsciente institucional. Concluimos que, a pesar de los usos diferentes que los referidos autores realizan del concepto de transversalidad, ambos sostienen que tal concepto comunica con la perspectiva de pensar la realidad como producción política, múltiple y plural, abriendo sujetos y grupos a nuevos tipos de crisis, críticas y posibilidades.Palabras clave: Transversalidad; Esquizoanálisis; Análisis Institucional.

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Yücel, Volkan. "Venom: A Desiring Machine." CINEJ Cinema Journal 8, no. 1 (March 11, 2020): 14–29. http://dx.doi.org/10.5195/cinej.2020.231.

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This paper focuses on the protagonist in Venom (2018). The debate is based on the double character of Eddie-Venom and traces the Deleuzean desire of this folded identity. How Eddie’s dark desires are suppressed and united by Venom, a symbiote? Schizoanalysis, a counter-method of psychoanalysis, assumes a dual identity for dealing with the rational space surrounding us. Psychoanalysis however, establishes a family-based representational system. For Deleuze and Guattari, free associations during schizophrenic life are to be preferred instead of the representational approach in psychoanalysis. schizo-esthetics, a network of desiring machines, is the liberty of the subject to remain in the world non-hierarchically and the abandonment of the order of symbols.

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Bandosz, Benjamin. "Reading through London: Urban space and ontology in Joseph Conrad’s The Secret Agent." Journal of Urban Cultural Studies 7, no. 1 (March 1, 2020): 3–18. http://dx.doi.org/10.1386/jucs_00015_1.

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Drawing from urban and ontological perspectives on Joseph Conrad’s prose and schizoanalysis, this article examines the entanglement of urban spaces and unstable subjectivities in The Secret Agent. Conrad’s psychological realism and impressionistic depiction of London generate a sense of place, topophilia, which imbues the novel with an extratextual dimension that oscillates between textuality and spatiality. The novel foregrounds characters in the cityscape as they permeate setting and narrative with their subjectivities and vice versa; the unstable subjectivities and spaces generate affective resonances that fracture the narrative and implicate the reader. An accompanying narratological analysis demonstrates how Conrad’s narrative techniques facilitate the reader’s interpolation into the liminal, ontological dimension of text and place.

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Fortuna, Cinira Magali, Trude Ribeiro da Costa Franceschini, Silvana Martins Mishima, Silvia Matumoto, and Maria José Bistafa Pereira. "Movements of permanent health education triggered by the training of facilitators." Revista Latino-Americana de Enfermagem 19, no. 2 (April 2011): 411–20. http://dx.doi.org/10.1590/s0104-11692011000200025.

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This study mapped the movements of Permanent Health Education in the region of Araraquara, São Paulo, Brazil, begun by the Permanent Health Education Facilitators program, promoted by the Ministry of Health and the National School of Public Health. This qualitative study was grounded on the theoretical framework of institutional and schizoanalysis. Data were collected from operative groups of individuals who finished the program. The results were grouped into two plans: micropolitics and organization. Micropolitics indicates the production of different concepts concerning permanent education and different ways to establish it. Autonomy and control and also a tenuous relationship between tutorship and autonomy were highlighted, in the plan of organization. In conclusion, the program was an important device that suffered captures/overcoding but also produced changes in practice.

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Schmitt, Mark. "Dysfunctional capitalism: Mental illness, schizoanalysis and the epistemology of the negative in contemporary cultural studies." Psychoanalysis, Culture & Society 22, no. 3 (August 14, 2017): 298–316. http://dx.doi.org/10.1057/s41282-017-0057-9.

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Horton, Peter, Jorge Knijnik, and Brad Clarke. "A Deleuzo-Guattarian ‘schizoanalysis’ of the Smart Moves – Physical Activity Program in Queensland State Schools." Journal of Human Sport and Exercise 9, no. 3 (2014): 668–85. http://dx.doi.org/10.14198/jhse.2014.93.01.

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Nauha, Tero. "A thought of performance." Performance Philosophy 2, no. 2 (January 31, 2017): 272. http://dx.doi.org/10.21476/pp.2017.2276.

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In this article I attempt to trace the path of my artistic research, which began from the application of schizoanalysis in performance and which now explores the possible limits of thought in order to regard how performance thinks in specifically different ways from discursive forms of thought, such as philosophy. The main argument starts from the notion – borrowed from French thinker, François Laruelle - that philosophical thought does not tell us more about the Real than any other gestures of thought. I begin from a speculative relationship between the apparatus of cognitive capitalism. I conclude by superpositioning the post-humanist thought of Laruelle and Karen Barad with the concept of ‘non-standard’ performance as fictioning. As a whole, the article aims to propose a performative approach to artistic research in these terms.

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Darby, Helen. "Ian Buchanan and Patricia MacCormack (eds) (2008) Deleuze and the Schizoanalysis of Cinema, London: Bloomsbury Publishing." Deleuze Studies 7, no. 2 (May 2013): 290–97. http://dx.doi.org/10.3366/dls.2013.0108.

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Kaye, Bradley. "Félix Guattari (2011) The Machinic Unconscious: Essays in Schizoanalysis, trans. T. Adkins, Los Angeles: Semiotext(e)." Deleuze Studies 8, no. 2 (May 2014): 307–10. http://dx.doi.org/10.3366/dls.2014.0148.

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Pogrebnyak, Alexander. "Schizoanalysis, Marginalism, Fourierism (on two additional resources for understanding the economic views of Deleuze and Guattari)." Stasis 7, no. 1 (July 13, 2019): 218–51. http://dx.doi.org/10.33280/2310-3817-2019-7-1-218-251.

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Sharon, Tamar. "A Schizoanalysis of Emerging Biotechnologies: Renaturalized Nature, the Disclosed Secret of Life, and Technologically Authentic Selfhood." Configurations 19, no. 3 (2011): 431–60. http://dx.doi.org/10.1353/con.2011.0024.

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Broadey, Andy. "An Art School Schizologue [George Floyd, Rest in Power]." Matter: Journal of New Materialist Research 2, no. 1 (February 18, 2021): 51–75. http://dx.doi.org/10.1344/jnmr.v2i1.33372.

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This critical cartography surveys seven moments in critical practice/art pedagogy, which oscillate around the protests of 1968 and diffract the contemporary possibilitiesof art education in association with Halberstam’s (2019) notions of evacuation and wildness. The article reads across Deleuzoguattarian (1994 and 2007) schizoanalysis and Baradian (2007) intra-action to articulate struggles for racial justice as instances of Harney and Moten’s (2013) undercommons, operating as alternate sites of knowledge production and collective self-experimentation outside the neoliberal university. These moments of practice—Black Lives Matter protests in Bristol, the UK, the writings of Aimé Césaire, Audre Lorde, Mohamed Melehi, Benjamin Patterson, and Howardena Pindell, as well as a student occupation of Central Saint Martins, also in the UK—are aligned in series allowing the reader to appropriate each one in resonance with each other as a proposal for an art-pedagogy-to-come.

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Boljkovac, Nadine. "Signs Without Name." Deleuze Studies 5, no. 2 (July 2011): 209–40. http://dx.doi.org/10.3366/dls.2011.0018.

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This paper argues that Chris Marker's 1982 film Sans Soleil derives its affective force from doublings and ‘faces’ of horror and beauty that reveal a twofold synthesis of actual and virtual. While a focus upon the material, ever in relation to transient yet lingering sensations, cannot discharge the power and force of the film, this paper endeavours nevertheless to assess and evoke Marker and Deleuze's own interrogative methods that thoroughly explore, in the manner of a revelatory ‘schizoanalysis’ or empiricism, molecular and variable operations beneath our ‘molar’ structures and organisations. As Sans Soleil's voiceover states, ‘If they don't see happiness in the picture, at least they'll see the black’, a provocative remark that invokes indefinable singularities and the darkness of a wound, cracking of time and splitting of self in film, life and death. Considerations of death, consciousness and subjectivity extend this paper's examinations.

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Lertlaksanaporn, Tanrada. "Transgender People’s Deterritorialization in Arundhati Roy’s The Ministry of Utmost Happiness and Trace Peterson’s “After Before and After”." Manusya: Journal of Humanities 23, no. 1 (March 21, 2020): 116–26. http://dx.doi.org/10.1163/26659077-02301006.

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Arundhati Roy’s The Ministry of Utmost Happiness and Trace Peterson’s “After Before and After” have been studied in several aspects related to transgender issues. The presentation of transgender people, especially the transgender protagonist in The Ministry of Utmost Happiness, has been criticized as a formulaic depiction with little portrayal of their struggles and triumphs. At the same time, the transgender protagonist is viewed positively as an integral force in the novel. The poem “After Before and After” has been praised for its creative portrayal of transgender people. A study of transgender issues in relation to desire and connection helps to show that both texts offer more possibilities of liberation towards the state of “becoming.” This study applies Gilles Deleuze and Félix Guattari’s theory of schizoanalysis to explore transgender people’s lines of flight, rhizomatic movements and transversal connections towards the state of deterritorialization in India and the US.

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Tynan, Aidan. "The Marx of Anti-Oedipus." Deleuze Studies 3, Suppl (December 2009): 28–52. http://dx.doi.org/10.3366/e1750224109000701.

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The meeting of Deleuze and Guattari in 1969 is generally used to explain how the former's thought became politicised under the influence of the latter. This narrative, however useful it might be in explaining Deleuze's move away from the domain of academic philosophy following the upheavals of May 1968, has had the effect of de-emphasising the conceptual development which occurred between Difference and Repetition and Anti-Oedipus. Worst of all, it has had the effect of reducing the role of Marx's philosophy to the superficial level of political alibi, impoverishing our understanding of its importance with respect to the conceptual assemblage of Anti-Oedipus. This paper attempts to restore Marx's relevance to Deleuze and Guattari's project by understanding Anti-Oedipus through the Marxian categories of production, distribution, surplus-value and consumption, and argues for a conception of schizoanalysis which does not relegate the name of Marx to the garbage heap of poststructuralist intellectual strategy.

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Savat, David, and Greg Thompson. "Education and the Relation to the Outside: A Little Real Reality." Deleuze Studies 9, no. 3 (August 2015): 273–300. http://dx.doi.org/10.3366/dls.2015.0188.

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One of the more dominant themes around the use of Deleuze and Guattari's work, including in this special issue, is a focus on the radical transformation that educational institutions are undergoing, and which applies to administrator, student and educator alike. This is a transformation that finds its expression through teaching analytics, transformative teaching, massive open online courses (MOOCs) and updateable performance metrics alike. These techniques and practices, as an expression of control society, constitute the new sorts of machines that frame and inhabit our educational institutions. As Deleuze and Guattari's work posits, on some level these are precisely the machines that many people in their day-to-day work as educators, students and administrators assemble and maintain, that is, desire. The meta-model of schizoanalysis is ideally placed to analyse this profound shift that is occurring in society, felt closely in the so-called knowledge sector where a brave new world of continuous education and motivation is instituting itself.

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Darby, Helen. "I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes." Film-Philosophy 17, no. 1 (December 2013): 330–47. http://dx.doi.org/10.3366/film.2013.0019.

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