Relevant bibliographies by topics / Scholar painter

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Scholar painter'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Scholar painter"

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Ekkart, Rudolf E. O. "Jan Cornelisz. van 't Woudt als portretschilder." Oud Holland - Quarterly for Dutch Art History 103, no. 4 (1989): 223–42. http://dx.doi.org/10.1163/187501789x00176.

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AbstractIn 1986 B. W. F. van Riemsdijk published an article on the painter/draughtsman Jan Cornelisz. van't Woudt, better known as Woudanus. As well as providing biographical particulars, the article dwelt on some of the artist's paintings and various copper engravings after his designs. Archive research enables us to supplement these biographical details. Jan Cornelisz. is thought to have been born around 1565-1570 in Het Woudt, a village near Delft. He was probably a pupil of the Delft artist Jacob Willemsz. Delff the Elder, whose influence is most apparent in his work. Shortly after his mar
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Nagyillés, János. "vel non legi, vel saltuatim tantum." Antikvitás & Reneszánsz, no. 2 (January 1, 2018): 193–204. http://dx.doi.org/10.14232/antikren.2018.2.193-204.

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The Latin poems by Anna Maria van Schurman, Dutch painter, engraver, poet, and scholar are not very well known. Their Christian author confessed in her Eukleria seu Meliores Partis Electio (Eucleria, or Choosing the Better Part) she had only read Greek and Latin authors who met the demands of serious Christian morals. Close lexical study of her Latin poems prove that she actually read some other Latin texts that were not suitable for her own high moral standards.
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Janka, Claire, and Jan Stellmann. "Die Alexandreis als typologisches Epos." Literaturwissenschaftliches Jahrbuch 61, no. 1 (2020): 53–92. http://dx.doi.org/10.3790/ljb.61.1.53.

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The paper deals with the Alexandreis, a successful 12th-century Alexander-epic by French poet and scholar Walter of Châtillon. It argues that the essential ambiguity of the text manifests itself as an analogy to biblical and exegetical typology. To reflect both the production and the reception of the typological epic, Walter modifies the ancient concept of poetry as an enduring monument. This is demonstrated by analysing three cases of authorial self-reflection: the prose prologue, Alexanders visit in Troy, and the Greek-Jewish sculptor-painter Apelles.
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Morgan, Zachary R. "Soldier and Scholar: Abdias Nascimento and the Origins of Afro-Latin American Studies." Journal of Black Studies 52, no. 6 (2021): 602–26. http://dx.doi.org/10.1177/00219347211021095.

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Abdias Nascimento shaped Brazil and the lives of Afro-Brazilians as an activist, as a politician, as an internationally recognized scholar, and through the arts as a playwright, a director, a poet, and painter. Through a scholarly career that spanned much of the 20th century and continued into the 21st, his ideas preceded and served as a model for the recent growth of Afro-Latin American studies as a discipline. This article draws on Nascimento’s writing to shed light on the less studied period when he was enrolled in the Brazilian army in São Paulo from 1930 to 1936, as well as the two relate
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Kazimierczak, Mariola. "MICHAŁ TYSZKIEWICZ (1828–1897): AN ILLUSTRIOUS COLLECTOR OF ANTIQUITIES." Muzealnictwo 60 (January 4, 2019): 64–77. http://dx.doi.org/10.5604/01.3001.0013.2202.

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Michał Tyszkiewicz was an outstanding collector of antiquities and a pioneer of Polish archaeological excavations in Egypt conducted in late 1861 and early 1862, which yielded a generous donation of 194 Egyptian antiquities to the Paris Louvre. Today Tyszkiewicz’s name features engraved on the Rotunda of Apollo among the major Museum’s donors. Having settled in Rome for good in 1865, Tyszkiewicz conducted archaeological excavations there until 1870. He collected ancient intaglios, old coins, ceramics, silverware, golden jewellery, and sculptures in bronze and marble. His collection ranked amon
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Jong, Cheon-hoe. "The Discussion about Interactive Communication between Painter Luo Pin in Qing Dynasty and Joseon Scholar Park Je-ga." Journal of Chinese Language and Literature 108 (February 28, 2018): 283–300. http://dx.doi.org/10.25021/jcll.2018.02.108.283.

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Vasiliev, Dmitry D. "Publication of the Scientific Heritage of the Outstanding Researcher and Local historian Usein Bodaninskiy." Crimean Historical Review, no. 2 (2020): 253–59. http://dx.doi.org/10.22378/kio.2020.2.253-259.

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Under the given book`s review are the two volumes of works of Usein Bodaninskiy, issued in common with Sh. Marjani Institute of History AS RT, and SBEEHE RC “F. Yakubov Crimean Engineering and Pedagogical University”. First volume from the collection of works and manuscripts of Usein Bodaninsky has already been published, it represents his scientific and creative heritage as of an outstanding Crimean Tatar scholar, ethnographer and archaeologist, painter and a person utterly devoted to museum works. He was the founder and the first director of the Bakhchisaray Museum Palace. The second volume
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Jervis, Simon Swynfen. "Antiquarian Gleanings in the North of England." Antiquaries Journal 85 (September 2005): 293–338. http://dx.doi.org/10.1017/s0003581500074412.

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William Bell Scott (1811-90) was active as painter, poet, designer, teacher and pundit. His littleknown Antiquarian Gleanings (1851), a wide-ranging anthology of Northern antiquities, with thirty-eight colour plates, is here re-published in its entirety, with a new index, as an appendix to a paper which explores its design and content, and the networks of collectors, many of them associated with the Antiquarian Society of Newcastle, whose treasures Scott illustrated. Scott is presented neither as a great scholar, nor as a pioneering archaeologist, but his book is a distinguished artefact in it
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Kuletin-Ćulafić, Irena. "Architectural work of Aleksandar Deroko: Beauty of emotional creativity." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 1–42. http://dx.doi.org/10.5937/saj1901001k.

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This paper studies significant and forgotten, but not less important, built and unrealised designs by Serbian architect Aleksandar Deroko. It seeks to achieve a continuous view in dealing with Deroko`s architectural work versus the historical discontinuity of political, territorial-geographic and social circumstances. It is impossible to separate Deroko as an architect from Deroko as a scholar, researcher, historian of architecture and art, an academic professor, painter, artist, writer, chronicler of his time, protector, conservator and historiographer of Serbian cultural heritage. The main a
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Svendsen, Anna. "C. C. Martindale (1879–1963), the History of Religions, and the Theological Imagination of David Jones (1895–1974)." Journal of Jesuit Studies 8, no. 4 (2021): 565–84. http://dx.doi.org/10.1163/22141332-08040003.

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Abstract Although the work of his Jesuit contemporaries Ronald Knox and Martin D’Arcy is perhaps better known today, C. C. [Cyril Charlie] Martindale’s (1879–1963) thinking about “the relationship between paganism and Christianity” in the early twentieth-century theological debates surrounding the field of “History of Religions” would have a profound effect on the unique intersection of theological thinking and artistic form in the work of the British Catholic poet and painter David Jones (1895–1974). Jones’s reading of Martindale’s short story collection The Goddess of Ghosts (1915) in 1919 w
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Dissertations / Theses on the topic "Scholar painter"

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Ryu-Paganini, Naeyoung. "L'oeuvre de Yun Duseo (1668-1715), peintre-lettré coréen à l'époque "prémoderne"." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAG032/document.

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L’œuvre de YUN Duseo (1668-1715), peintre lettré ayant vécu lors de la dernière monarchie coréenne, reflète la forte sinisation de la société de l’époque. Cette œuvre est un fruit de la civilisation du « monde chinois », et interroge les principes esthétiques et le statut de la peinture dérivés de la doctrine néo-confucéenne, doctrine elle-même ici associée à des doctrines souvent considérées comme opposées, le taoïsme et le bouddhisme. YUN Duseo invente une peinture « pré-moderne » qui met en valeur de manière nouvelle des figures humaines, les portraits en particulier, et donne une nouvelle
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CHEN, XIU JUAN, and 陳秀娟. "The Research of the Scholar Calligrapher and Painter in the Early Yuan Dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/67715085471530025960.

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SHIH, Ying-Tsu, and 施纓姿. "Research on the Groups of Scholar-Amateur Painters in the the Area of Lake T''ai during the Late Yuan and the Early Ming Dynasty." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/69353570770303098389.

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Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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Books on the topic "Scholar painter"

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1897-1983, Schober Peter Jakob, ed. Peter Jakob Schober: Monographie mit Werkverzeichnis. Theiss, 1990.

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Kyōdogakari Kumagaya Shiritsu Toshokan. Bijutsu. Watanabe Kazan to (Hōchōroku) Mikajiri. Kumagaya Shiritsu Toshokan, 1997.

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Ernst, Rudy. Daumier and the "Amateurs": A case study for art scholars. QCC Art Gallery, The City University of New York, 2015.

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Fritz Scholder, paintings and monotypes. Twin Palms, 1988.

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Nepi, Chiara, and Enrico Gusmeroli, eds. Gli erbari aretini da Andrea Cesalpino ai giorni nostri. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-803-1.

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The production of this book has been made possible by the collaboration of a number of scholars and the generosity of the Arezzo Provincial Authority. It provides detailed descriptions of the contents of precious botanical collections amassed by natives of Arezzo, or simply conserved in institutions situated within the territory. The book provides an overview of both herbals of dried plants and painted herbals from the sixteenth century up to the present, starting from the one created in 1563 by the Arezzo doctor Andrea Cesalpino. The first herbal in the world to be organised through systemati
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Weihaiwei yu jia wu zhan zheng. Shandong wen yi chu ban she, 2004.

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Ng, Julia. Gershom Scholem. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0030.

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Giorgio Agamben’s earliest encounter with Gershom Scholem concerns an essay from 1972 entitled ‘Walter Benjamin and his Angel’,1 Scholem’s first attempt to provide a definitive account of Benjamin’s legacy. At its centre was a short text entitled ‘Agesilaus Santander’, which Benjamin composed on 12 and 13 August 1933 as a gift for the Dutch painter Anna Maria Blaupot ten Cate. In the text, the narrator is first given a ‘secret’ Jewish name, which is then revealed to contain an image of the ‘New Angel’ as well as a ‘female’ and ‘male’ form. Before naming himself as such, the ‘new angel’ present
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Medusa's Menagerie: Otto Marseus van Schrieck and the Scholars. Hirmer Publishers, 2018.

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Babayan, Kathryn. The City as Anthology. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503613386.001.0001.

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Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city, at the transformative moment it became a cosmopolitan center of imperial rule. Bringing people's lives into view for a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from ki
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Cohen, Margaret. Seeing Through Water. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.003.0011.

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In recent decades, interdisciplinary scholars have become interested in the role of the world’s oceans in shaping society and culture. While they have primarily considered travel across the ocean’s surface, the submarine environment is part of this history too. The imagination of the undersea world was particularly rich and varied from the middle of the nineteenth century, when it became a frontier of science and technology. We might think, for example, of the crystalline enchantment of illustrations for Jules Verne’s 20,000 Leagues under the Sea. This chapter contrasts such speculative imagin
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Book chapters on the topic "Scholar painter"

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Babayan, Kathryn. "Collecting, Self-Fashioning, and Community." In The City as Anthology. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503613386.003.0003.

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Chapter 2 is a close reading of two resident anthologizers, a religious scholar and a painter, and considers the subjects of their collected words and images to show how these practices illuminate their encounter and experience of the city. The anthology of Shi’a cleric Aqa Husayn Khwansari (d. 1687) reveals shared texts that connected him with Isfahan’s literary community. His curatorial choices allow us to hear tensions and ambivalences that nuance this religious scholar’s public face. A reconstruction of the painter Muhammad Qasim’s (d. 1660) dispersed portfolio assembles a patchwork of his life and shows the range of his clients’ commissioned works. Muhammad Qasim created a collage of city life in Isfahan that reveals what the verbal archive conceals. The practices according to which these two migrants to the capital fashioned their urban selves guide my reading of their authorial voices and of their writing of Isfahan’s habitus.
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"SCHOLES, John (–1943)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-1392.

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Baigell, Matthew. "Matthew Baigell, The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877–1935. Syracuse: Syracuse University Press, 2017. 240 pp. Matthew Baigell, Social Concern and Left Politics in Jewish American Art, 1880–1940. Syracuse: Syracuse University Press, 2015. 280 pp." In Textual Transmission in Contemporary Jewish Cultures. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197516485.003.0027.

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Matthew Baigell has accomplished the enviable achievement of juggling two distinguished careers as an art historian. He first came to prominence as a scholar of the arts of the United States, writing both on canonical painters (among them, 19<sup>th</sup>-century landscapists Thomas Cole and Albert Bierstadt) and on 20...
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Fujiwara, Gideon. "Seeing the “Country” of Tsugaru in Northeastern Japan." In From Country to Nation. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753930.003.0002.

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This chapter chronicles the history of Hirosaki domain to late-Tokugawa times, charting rule by the Tsugaru clan and developments in the local politics, economy, society, and military defense of Ezo, which was inhabited by the Indigenous Ainu. Hirosaki domain represents a fascinating case of a “country” that underwent transformation within an evolving Japanese state. In the late sixteenth and early seventeenth centuries, the Tsugaru family asserted its dominance over its conquered territory on the northeastern edge of Japan's main island. They ingratiated themselves with the rulers of Japan by forming political alliances. The chapter also follows the story of how two merchant-class scholars navigated history: Hirao Rosen established himself as a painter and ethnographic researcher, and Tsuruya Ariyo made his name as a poet in local literati circles. The chapter traces how these young men learned from notable teachers, while yearning for the advanced scholarship of Edo. Through their artistic and scholarly works, Rosen and Ariyo expressed visions of their local “country” of Tsugaru embedded in a larger Japan.
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Kiss, Zsolt. "Deux fragments de portraits funéraires romains de Deir el-Bahari." In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.259-266.

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Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.
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Courts, Jennifer. "Caterina van Hemessen in the Habsburg Court of Mary of Hungary." In Women Artists in the Early Modern Courts of Europe. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988194_ch03.

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Jennifer Courts considers the career of Caterina van Hemessen, a portraitist and a member of the court of Mary of Hungary. Her virtues as a painter were praised by contemporaries, and she is recognized by modern scholars for her artistic innovation; yet signed paintings by the artist ceased at approximately the same time she entered courtly service. Rather than viewing painting as the pinnacle of her career, the author argues that Caterina’s artistic output served as a means of social mobility. The author also suggests that van Hemessen’s activities created opportunities for subsequent artists, notably Sofonisba Anguissola, who arrived at the Habsburg court in Spain after shortly after van Hemessen’s departure in 1558.
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Rosenbaum, Susan. "The Case of the Falling S: Elizabeth Bishop, Visual Poetry and the International Avant-Garde." In Reading Elizabeth Bishop. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474421331.003.0013.

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This chapter reads Elizabeth Bishop’s poem ‘Arrival at Santos’, with its famously odd breakage of the letter S from the word falls (‘Glen Fall / s, New York’), as an experiment in visual poetry shaped by the work of the international avant-garde. The breaking of a word between consonants is unusual for Bishop, but it was not at all unusual for her avant-garde precursors and peers. Scholars have explored Bishop’s relation to the visual arts as a painter of watercolors, as a lifelong student of modernist painting, sculpture, and architecture, and as a writer who derived poetic strategies from the visual arts and wrote many ekphrastic poems. However, we have paid less attention to the importance of the visual design and spatial layout of Bishop’s poems in the context of avant-garde experiments with visual poetry.
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Dalivalle, Margaret, Martin Kemp, and Robert B. Simon. "The Discovery of a Masterpiece." In Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.003.0002.

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Chapter 1 presents a first-person account of the discovery of the Salvator Mundi, from its appearance as a copy at an American auction to its establishment as the lost original painting by Leonardo da Vinci. Robert Simon presents a chronological account of his involvement with the acquisition, research, conservation, and scholarly verification of the work over the period from 2005 to 2011, when the painting was included in the landmark exhibition at the National Gallery, Leonardo da Vinci Painter at the Court of Milan. The modern provenance of the painting is reviewed, focusing on its tenure in the Cook Collection of Richmond, its sale in 1958, and its reappearance in New Orleans. The conservation of the painting by Dianne Dwyer Modestini is discussed, as well as the research process, and the introduction of the painting to art historians, Leonardo specialists, the press, and, eventually, the public.
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Smith, Pamela H. "Knowledge in Motion." In Cultures in Motion. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691159096.003.0005.

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This chapter focuses on “itineraries of matter,” or objects as traveling carriers of cultural practices and meanings, in the early modern world. It examines the role of red in the transmission of knowledge back and forth among European vernacular practitioners and text-oriented scholars in their production and reproduction of knowledge about natural things. To this end, the chapter takes us to the heat and dangers of vermillion production in early modern Europe: the hours of firing, stirring, stoking, hammering, chemical manipulation, and anxious waiting that produced the red pigments highly valued by painters and illuminators to bring blood to life. Vermillion production was dangerous and exacting, and yet its underlying techniques traveled rapidly across early modern Europe (and beyond) together with the webs of interlinked homologies—an entourage of lizards, blood, gold, alchemical formulas, and vernacular knowledge—which formed the foundations of early modern science.
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Forceville, Charles. "Preliminaries." In Visual and Multimodal Communication. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190845230.003.0002.

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The central thesis of this book is that relevance theory, pioneered by Dan Sperber and Deirdre Wilson, can be developed into an all-encompassing theory for modeling communication, including its visual and multimodal mass-communicative varieties. The first chapter paves the way for this claim by discussing a series of studies from different disciplines that together paint a picture of the basic assumptions underlying communication. Ultimately relevance theory is rooted in the Darwinian drive to survive and to reproduce. Aspects of this are the crucial importance of intentionality; the close link between perception and cognition; the need for group members to cooperate to achieve shared goals; the connection between information and attitudes, emotions, and beliefs pertaining to that information; and agreement about what is “fair” behavior. To support these claims, key insights are discussed and summarized in studies of two psycholinguists (Gibbs 1999; Clark 1996), two film scholars (Bordwell 1989; Grodal 2009), two art historians (Gombrich 1999; Arnheim 1969), two scholars working on communication with apes (Tomasello 2008, 2019; De Waal 2009, 2016), and several humanities and social science scholars inspired by Darwin’s evolution theory (Boyd et al. 2010).
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Conference papers on the topic "Scholar painter"

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B. Kretchmer, Susan, Rod Carveth, and Karen Riggs. "Panel on: Global Perspectives and Partnership on the Information and Communication Technology Divide." In 2002 Informing Science + IT Education Conference. Informing Science Institute, 2002. http://dx.doi.org/10.28945/2517.

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This paper explores the contours of old age as it meets up with new technologies in contexts of work. Old age is a problematic field, always subject to renegotiation of meaning due to changes in life expectancy and never more so than in the critical first three decades of the 21st century, when the proportion of older people is dramatically increasing, with the West in the lead. I attempt to provide a context in which scholars, activists, and others might begin talking about the changing role of work for older adults in a hightech economy. Instead of offering a statistical breakdown that can b
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