Relevant bibliographies by topics / Schubert, Franz, Guitar music Music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Schubert, Franz, Guitar music Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Schubert, Franz, Guitar music Music"

1

Lee, M. Owen. "Fierrabras. Franz Schubert." Opera Quarterly 8, no. 2 (1991): 179–81. http://dx.doi.org/10.1093/oq/8.2.179.

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Jellinek, George. "Fierrabras. Franz Schubert." Opera Quarterly 8, no. 4 (1991): 137–38. http://dx.doi.org/10.1093/oq/8.4.137.

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Rast, N. "Franz Schubert: Music and Belief." Music and Letters 87, no. 3 (2006): 439–41. http://dx.doi.org/10.1093/ml/gci241.

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Kramer, Richard. "Posthumous Schubert: Drei grosse Sonaten fur das Pianoforte . Franz Schubert. ; Der Graf von Gleichen . Franz Schubert, Ernst Hilmar." 19th-Century Music 14, no. 2 (1990): 197–216. http://dx.doi.org/10.1525/ncm.1990.14.2.02a00060.

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Rast, N. "Franz Schubert: Das fragmentarische Werk." Music and Letters 87, no. 3 (2006): 437–39. http://dx.doi.org/10.1093/ml/gci239.

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Solomon, Maynard. "Schubert: Family Matters." 19th-Century Music 28, no. 1 (2004): 3–14. http://dx.doi.org/10.1525/ncm.2004.28.1.3.

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Certain anomalous events in the history of Franz Schubert's family raise the possibility that he and his family inhabited a more tumultuous and conflict-ridden domestic universe than has been suspected. Among these are a series of painful losses in his mother's early life, the out-of-wedlock conception of Schubert's eldest brother, Ignaz, and Ignaz's subsequent omission from a schedule of heirs to some family property, along with his extended relegation to the lowly post of assistant teacher for more than a quarter century, until the death of his father, Franz Theodor Schubert, in 1830. In the
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Rastl, Peter. "Schubert-Liedertexte." Die Musikforschung 71, no. 2 (2021): 166–73. http://dx.doi.org/10.52412/mf.2018.h2.305.

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Anhand der Recherche bisher unbekannter Textquellen wird für Franz Schuberts Vokalmusik illustriert, welche Möglichkeiten die literarische Quellenforschung durch die bereits digitalisierten Quellen möglich sind. So können einige der bisher offenen Fragen über Textdichter und Textquellen beantwortet werden.
 bms online (Cornelia Schöntube)
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Lambert, Sterling. "Franz Schubert and the Sea of Eternity." Journal of Musicology 21, no. 2 (2004): 241–66. http://dx.doi.org/10.1525/jm.2004.21.2.241.

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The sea, in its seemingly limitless expanse, symbolized the concept of eternity to a number of important artists of the early 19th century, including Coleridge, Friedrich, and Goethe, who struggled to come to terms with this difficult concept through revision of their initial thoughts and ideas. Goethe's poem Meerestille was set by both Beethoven and Schubert within weeks of one another, and Schubert's two settings, written in the space of only two days, demonstrate the young composer's increasing ability to grasp the existential notion of timelessness as he grappled with Goethe's text. Schube
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Gramit, David, Elizabeth Norman McKay, and Brian Newbould. "Franz Schubert: A Biography." Notes 55, no. 1 (1998): 105. http://dx.doi.org/10.2307/900364.

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Solomon, Maynard. "Franz Schubert and the Peacocks of Benvenuto Cellini." 19th-Century Music 12, no. 3 (1989): 193–206. http://dx.doi.org/10.2307/746501.

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Dissertations / Theses on the topic "Schubert, Franz, Guitar music Music"

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Bjurström, John. "Skriva improvisationsmusik med Franz Schubert." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2814.

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During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper.             Somethi
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Madsen, Charles Arthur. "The Schubert-Liszt transcriptions : text, interpretation, and Lieder transformation /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080592.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487). Also available for download via the World Wide Web; free to University of Oregon users.
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Meggison, Natalie Rebecca. "Situating Schubert's Ossian settings, music, literature, and culture (Franz Schubert, Austria)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60383.pdf.

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HAM, INA. "FRANZ SCHUBERT'S IMPROMPTUS D.899 AND D.935: AN HISTORICAL AND STYLISTIC STUDY." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114981145.

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Mussard, Timothy S. "Embellishing Schubert's Songs : a performance practice /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11217.

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Kim, SeonJu. "Challenges faced by modern violists when preparing the F. Schubert Arpeggione sonata for performance /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11422.

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Dempsey, Mariclare Elizabeth. "Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579897972318386.

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Enhamre, Sebastian. "Franz Schubert: Sonat i a-moll, D 845 - En tolkning." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3459.

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Denna kandidatuppsats handlar om den österrikiske tonsättaren Franz Schubert (1797 - 1828) och hans pianosonat i a-moll, D 845. Mer specifikt har sonaten i fråga analyserats, med syftet att göra en tolkning av den i synnerhet och Franz Schuberts konstnärskap i allmänhet, utifrån ett perspektiv där Schuberts roll och relation till musikhistorien och idéhistorien undersöks. För att få bättre förståelse för musiken har Schuberts liv, samt några av hans sånger och idéer som kan ha påverkat honom, studerats. Jag har även gjort en analys av verkets fyra satser, där jag tittat på sonatens genomgående
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Chang, Liang-Fang. "The orchestral elements in Franz Schubert's Wanderer fantasy-with implications for piano performance." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2680.

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Most pianists and music scholars consider Schubert's Wanderer Fantasy his most virtuosic piano work. The piece was written in November 1822 when the composer was twenty-five. By that time, Schubert was known for his lieder and some four-hand piano works, which were written in a very lyrical style. In comparison to these works, the Fantasy was written with a demanding technique requiring a richer, orchestral sound. The technical demands of the Wanderer Fantasy at times cause pianists to injure their arms. Even if this does not happen, the instrument, nonetheless, can sound harsh. This type of t
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Rakitzis, Vasileios. "Alfred Cortot's response to the music for solo piano of Franz Schubert : a study in performance practice." Thesis, City, University of London, 2015. http://openaccess.city.ac.uk/16965/.

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Alfred Cortot and Franz Schubert are two names that are rarely mentioned in the same context. Although Cortot was a renowned pianist and pedagogue of the first half of the twentieth century, his work on Schubert has remained obscure. This can be explained by the fact that his recordings of, and writings on, Schubert’s works comprise only a small sample of his affinity with this repertoire, in comparison to his affiliation to the work of other composers, such as Chopin. This degree of obscurity is also increased by the fact that, to a certain extent, Schubert’s works for piano remained neglecte
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Books on the topic "Schubert, Franz, Guitar music Music"

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Franz Schubert: Sexuality, subjectivity, song. Cambridge University Press, 1998.

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Schubert chamber music. BBC Publications, 1986.

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Franz Schubert: Das Zeitmass in seinem Klavierwerk. Text + Kritik, 2001.

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Schubert: The music and the man. Victor Gollancz, 1997.

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Franz Schubert: La grande musica strumentale. Libreria musicale italiana, 2013.

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Michael, Raab. Franz Schubert: Instrumentale Bearbeitungen eigener Lieder. W. Fink, 1997.

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Schubert, the music and the man. University of California Press, 1997.

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Brinkmann, Reinhold. Franz Schubert, Lindenbäume und deutsch-nationale Identität: Interpretation eines Liedes. Picus, 2004.

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Harmony in Schubert. Cambridge University Press, 2010.

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Analyzing Schubert. Cambridge University Press, 2011.

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Book chapters on the topic "Schubert, Franz, Guitar music Music"

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"FRANZ SCHUBERT." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.54.

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Hascher, Xavier. "Music as Poetry:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.19.

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"Front Matter." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.1.

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Martin, Christine. "Pioneering German Musical Drama:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.10.

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Sobaskie, James William. "The Dramatic Monologue of Schubert’s Mass in Ab Major." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.11.

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Wollenberg, Susan. "Schubert’s Dramatic Lieder:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.12.

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Hirsch, Marjorie. "Gretchen abbandonata:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.13.

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Sobaskie, James William. "The Dramatic Strategy Within Two of Schubert’s Serenades." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.14.

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McClelland, Clive. "‘Durch Nacht und Wind’:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.15.

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Youens, Susan. "Reentering Mozart’s Hell:." In Drama in the Music of Franz Schubert. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.16.

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Conference papers on the topic "Schubert, Franz, Guitar music Music"

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Deisinger, Marko. "Fortschrittliche Technologie im Dienste eines Antimodernisten. Heinrich Schenker und der österreichische Rundfunk." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.52.

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The Viennese music theoretician Heinrich Schenker opposed modernity during his entire life. At first, this opposition applied to new technologies as well. Despite his skepticism, he purchased a radio shortly after the Austrian Broadcasting Corporation (RAVAG) started broadcasting in October 1924 and soon became an avid radio listener. Schenker quickly grasped the advantages of this new transmission medium and used it to further his own interests, aided by personal contacts with the RAVAG. In 1928, his associate Otto Erich Deutsch delivered a radio lecture co-authored with Schenker about the go
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