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1

Franz Schubert: Sexuality, subjectivity, song. Cambridge, United Kingdom: Cambridge University Press, 1998.

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2

Franz Schubert: La grande musica strumentale. Lucca: Libreria musicale italiana, 2013.

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3

Michael, Raab. Franz Schubert: Instrumentale Bearbeitungen eigener Lieder. München: W. Fink, 1997.

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4

Franz Schubert: Das Zeitmass in seinem Klavierwerk. München: Text + Kritik, 2001.

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5

Schubert chamber music. London: BBC Publications, 1986.

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6

Schubert: The music and the man. London: Victor Gollancz, 1997.

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7

Schubert, the music and the man. Berkeley: University of California Press, 1997.

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8

Harmony in Schubert. Cambridge: Cambridge University Press, 2010.

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9

Analyzing Schubert. New York: Cambridge University Press, 2011.

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10

Brinkmann, Reinhold. Franz Schubert, Lindenbäume und deutsch-nationale Identität: Interpretation eines Liedes. Wien: Picus, 2004.

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11

Whittall, Arnold. Romantic music: A concise history from Schubert to Sibelius. London: Thames and Hudson, 1987.

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12

Whittall, Arnold. Romantic music: A concise history from Schubert to Sibelius : with 51 illustrations. New York: Thames and Hudson, 1987.

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13

Schubert, la forme sonate et son évolution. Berne: P. Lang, 1996.

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14

Vanishing sensibilities: Schubert, Beethoven, Schumann. New York: Oxford University Press, 2012.

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15

Our Schubert: His enduring legacy. Lanham, Md: Scarecrow Press, 2009.

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16

Biographische und werkanalytische Essays zu Franz Schubert, Johannes Brahms, Frédéric Chopin, Maurice Ravel, Alexander Skrjabin, Igor Strawinsky, Sergej Prokofjew. Frankfurt am Main: Haag + Herchen, 2007.

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17

Maximilian, Schochow, Schochow Lilly, and Bodendorff Werner, eds. Franz Schubert: Die Texte seiner einstimmig und mehrstimmig komponierten Lieder und ihre Dichter. 2nd ed. Hildesheim: G. Olms, 1997.

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18

Biba, Otto. Johannes Brahms und Franz Schubert: "es hat mich noch Weniges so entzückt" : Ausstellung im Archiv der Gesellschaft der Musikfreunde in Wien : Katalog. Wien: Die Gesellschaft, 1997.

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19

Schulze-Ardey, Ira. Der Komponist als produzierender Leser: Zum Verhältnis von Text- und Musikstruktur im klavierbegleiteten Sololied am Beispiel der Dichtung Friedrich von Matthissons in den Vertonungen von Franz Schubert. Frankfurt am Main: Lang, 2003.

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20

Latente Theatralität und Offenheit: Zum Verhältnis von Text, Musik und Szene in Werken von Alban Berg, Franz Schubert und György Kurtág. Frankfurt am Main: Peter Lang, 2012.

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21

Schubert's fingerprints: Studies in the instrumental works. Burlington, VT: Ashgate, 2011.

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22

Franz Schubert und die Künstlerfamilie Cramolini: Die Geschichte der Entdeckung einer Künstlerdynastie, Maler, Musiker, und der Schubertstätten im Kahlenbergerdorf und in der Vorstadt Wieden. Wien: Österreichischer Kunst- und Kulturverlag, 2001.

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23

name, No. Schubert's Winterreise: A winter journey in poetry, image, & song. Madison, WI: University of Wisconsin Press, in collaboration with University of Wisconsin-Madison School of Music, 2003.

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24

Musical life in Biedermeier Vienna. New York, NY: Cambridge University Press, 1988.

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25

Franz Schubert: "Todesmusik". München: Edition Text + Kritik, 1997.

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26

Black, Leo. Franz Schubert: Music and Belief. Boydell Press, 2003.

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27

Black, Leo. Franz Schubert: Music and Belief. Boydell Press, 2005.

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28

Schauffler, Robert Haven. Franz Schubert: The Ariel of Music. Kessinger Publishing, LLC, 2007.

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29

Franz Schubert - The Ariel Of Music. Campbell Press, 2007.

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30

Haven, Schauffler Robert. Franz Schubert: The Ariel of Music. Kessinger Publishing, LLC, 2005.

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31

Schubert. Taylor & Francis Group, 2016.

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32

Festival, Bard Music, ed. Franz Schubert and his world. 2014.

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33

Gibbs, Christopher H., and Morten Solvik. Franz Schubert and His World. Princeton University Press, 2014.

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34

Gibbs, Christopher H., and Morten Solvik. Franz Schubert and His World. Princeton University Press, 2014.

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35

Davies, Joe, and James William Sobaskie, eds. Drama in the Music of Franz Schubert. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787444393.

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36

Clark, Suzannah. Analyzing Schubert. Cambridge University Press, 2016.

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37

Schubert: The Music and the Man. University of California Press, 1999.

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38

Horton, Julian, and Lorraine Byrne Bodley. Rethinking Schubert. Oxford University Press, Incorporated, 2018.

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39

Horton, Julian, and Lorraine Byrne Bodley. Rethinking Schubert. Oxford University Press, Incorporated, 2016.

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40

Rethinking Schubert. Oxford University Press, Incorporated, 2016.

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41

Westrup, J. A., and Jack A. Westrup. Schubert Chamber Music (BBC Music Guides). Gloucester, 1996.

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42

Damschroder, David. Harmony in Schubert. Cambridge University Press, 2014.

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43

First Book of Schubert: With Downloadable MP3s. Dover Publications, Incorporated, 2019.

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44

Feurzeig, Lisa. Schubert's Lieder and the Philosophy of Early German Romanticism. Taylor & Francis Group, 2016.

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45

Schubert's Lieder and the Philosophy of Early German Romanticism. Taylor & Francis Group, 2014.

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46

Franz Peter Schubert (Musicmakers: World's Greatest Composers) (Masters of Music). Mitchell Lane Publishers, 2003.

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47

Klaus, Stahmer, ed. Franz Schubert und Gustav Mahler in der Musik der Gegenwart. Mainz: Schott, 1997.

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48

1935-, Hackenbracht Elisabeth, and Internationale Hugo-Wolf-Akademie für Gesang, Dichtung, Liedkunst e.V. Stuttgart., eds. 1797-1997: Der Flug der Zeit : Franz Schubert : ein Lesebuch. Tutzing: H. Schneider, 1997.

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49

Kramer, Lawrence. Franz Schubert: Sexuality, Subjectivity, Song (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2003.

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50

Kramer, Lawrence. Franz Schubert: Sexuality, Subjectivity, Song (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2000.

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