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Dissertations / Theses on the topic 'Schubert, Franz'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Müller-Kelwing, Karin. "Franz Schubert." Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75064.

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2

Mussard, Timothy S. "Embellishing Schubert's Songs : a performance practice /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/11217.

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3

Bjurström, John. "Skriva improvisationsmusik med Franz Schubert." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2814.

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During this project I have studied piano music by Franz Schubert (1797-1828) to thereafter use a couple of his harmonic structures as a foundation for composing music for piano trio. To write music that encourages improvisation and interaction between the band members has been a central focus while the broad goal of the project has been to develop myself as a musician and person. The project started in the fall of 2017, a senior recital was performed in Lilla Salen at KMH the 28th of February and was followed by time for reflection which can be found documented in my paper. Somethi

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4

Bodendorff, Werner. "Die kleineren Kirchenwerke Franz Schuberts /." Augsburg : B. Wissner, 1997. http://catalogue.bnf.fr/ark:/12148/cb36996011q.

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5

Meggison, Natalie Rebecca. "Situating Schubert's Ossian settings, music, literature, and culture (Franz Schubert, Austria)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60383.pdf.

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6

Raab, Michael. "Franz Schubert : instrumentale Bearbeitungen eigener Lieder /." München : W. Fink, 1997. http://catalogue.bnf.fr/ark:/12148/cb36967051k.

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7

Madsen, Charles Arthur. "The Schubert-Liszt transcriptions : text, interpretation, and Lieder transformation /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080592.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 477-487). Also available for download via the World Wide Web; free to University of Oregon users.

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8

Cho, Hye-Won Jennifer. "Performance practice issues in Franz Schubert's Fantasy in C major ("Wanderer fantasy"), D. 7960." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023755691&sid=4&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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9

Krause, Andreas. "Die Klaviersonaten Franz Schuberts : Form, Gattung, Ästhetik /." Kassel ; Basel ; London : Bärenreiter, 1992. http://catalogue.bnf.fr/ark:/12148/cb355245956.

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10

Subbotin, Filipp. "Franz Schubert. Fantasie Poutník, op.15 (C dur)." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-79092.

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In this essay I would like to show how it is possible to work with the musical text and also with Schubert´s texts. I think this method could help a pianist to find the right ways of performance Schubert´s music.

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11

Maintz, Marie Luise. "Franz Schubert in der Rezeption Robert Schumanns : Studien zur Äesthetik und Instrumentalmusik /." Kassel : Bärenreiter, 1995. http://catalogue.bnf.fr/ark:/12148/cb37752016f.

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12

Kim, SeonJu. "Challenges faced by modern violists when preparing the F. Schubert Arpeggione sonata for performance /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11422.

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13

Le, Blanc Mario 1960. "Un trait fondamental de l'écriture harmonique de Franz Schubert : la division symétrique de l'octave en trois parties." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65952.

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14

Kim, Ah Young. "A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984280/.

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Franz Liszt (1811-1886) made fifty-six transcriptions of Schubert's songs over a period of eight years (1838-46) to introduce the name of the composer, who was little known both in and outside Vienna during his lifetime. Because Liszt intentionally preserved all the details of the original songs, these transcriptions present challenges for a pianist, such as how to produce a vocal line on the piano, as well as interpretive issues such as ornamentation, style, and conveying the meaning of the lyrics on the piano. The purpose of this study is to introduce pianists to study practices employed by

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15

HAM, INA. "FRANZ SCHUBERT'S IMPROMPTUS D.899 AND D.935: AN HISTORICAL AND STYLISTIC STUDY." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114981145.

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16

Enhamre, Sebastian. "Franz Schubert: Sonat i a-moll, D 845 - En tolkning." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3459.

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Denna kandidatuppsats handlar om den österrikiske tonsättaren Franz Schubert (1797 - 1828) och hans pianosonat i a-moll, D 845. Mer specifikt har sonaten i fråga analyserats, med syftet att göra en tolkning av den i synnerhet och Franz Schuberts konstnärskap i allmänhet, utifrån ett perspektiv där Schuberts roll och relation till musikhistorien och idéhistorien undersöks. För att få bättre förståelse för musiken har Schuberts liv, samt några av hans sånger och idéer som kan ha påverkat honom, studerats. Jag har även gjort en analys av verkets fyra satser, där jag tittat på sonatens genomgående

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17

Ruiz, Patricia. "Fierrabras de Franz Schubert : un opéra "héroi͏̈que et romantique" de 1823 : contribution à l'étude de l'opéra allemand dans la première moitié du XIXe siècle." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20026.

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Cette thèse est consacrée à l'opéra " héroique et romantique " Fierrabras, l'œuvre scénique la plus ambitieuse de Franz Schubert, mais qui n'a pas été créée du vivant du compositeur et a dû attendre longtemps une réhabilitation partielle. La première partie étudie le contexte de la genèse de l'œuvre en 1823. Le projet de Schubert et de son librettiste J. Kupelwieser est examiné au prisme de la réalité de la vie musicale à Viennes, des problèmes (quête de livrets neufs, question des dialogues parlés) posés aux compositeurs par le souci de l'élaboration d'un opéra original de langue allemande. L

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18

Dempsey, Mariclare Elizabeth. "Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579897972318386.

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19

Allio, Guy. "Mozart-Schubert-Beethoven : filiations." Bordeaux 2, 1989. http://www.theses.fr/1989BOR23069.

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20

Chang, Liang-Fang. "The orchestral elements in Franz Schubert's Wanderer fantasy-with implications for piano performance." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2680.

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Most pianists and music scholars consider Schubert's Wanderer Fantasy his most virtuosic piano work. The piece was written in November 1822 when the composer was twenty-five. By that time, Schubert was known for his lieder and some four-hand piano works, which were written in a very lyrical style. In comparison to these works, the Fantasy was written with a demanding technique requiring a richer, orchestral sound. The technical demands of the Wanderer Fantasy at times cause pianists to injure their arms. Even if this does not happen, the instrument, nonetheless, can sound harsh. This type of t

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21

Tam, Wing-Kei Ruth. "Accent markings in Schubert's piano sonatas /." Hong Kong : University of Hong Kong, 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14292440.

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22

Říhová, Barbora. "F. Schubert - Klavírní kvintet "Pstruh" a další skladby stejného nástrojového obsazení." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177754.

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The diploma thesis discusses the Piano Quintet "The Trout" by the Viennese composer Franz Schubert. It includes the circumstance of it?s origin, pieces which inspired the composer to creat this work, but also the pieces which were inspired by this particular one subsequently. It includes formal and interpretive analysis of the work. A special chapter deals with two dramatic pieces that were directly inspired by Schubert?s Piano Quintet in A major. Last but not least, it lists 18 other works of the same instrumentation, created between 1799-2011.

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23

Roggero, Amanda Marie. "Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.

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24

Black, Brian 1953. "Schubert's apprenticeship in sonata form : the early string quartets." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41985.

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Until recently, Schubert's sonata forms have been treated as the partially successful products of a classicist who often misunderstood his models. The development of sonata form in his early string quartets, though, raises serious questions about such a view. The quartets (ca. 1810 to 1816), constitute the composer's first concentrated work in large-scale instrumental music and include some of his earliest compositions in any genre. The first sonata-form movements all lack the most basic features of the structure, specifically a clearly delineated subordinate theme and subordinate key in the e

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25

Marjamäki, Veikko. "Franz Schubert's "Arpeggione" sonata : Style, background and role in romantic viola repertoire." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3978.

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The importance that Franz Schuberts music has on any classical musician is almost indisputable. His output stretches over all the important genres of his time and while he never wrote solo pieces specifically for the viola, one work has gained an essential status in the viola repertoire. That work being the sonata for arpeggione and piano, D. 821. Volumes have been written on Schubert, his style, early 19th century Vienna, romanticism, classicism and the formal development of the sonata form as well as the rise of the bourgeoise music scene. Perhaps less is written on the viola and especially

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26

Havlíčková, Lucie. "Franz Schubert a jeho Sonáta "Arpeggione" D.821 v úpravě pro fagot a klavír." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391617.

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This diploma thesis deals with the personality of Austrian romantic composer Franz Schubert, his life and list of his compositions. It also focuses on Sonata a minor "Arpeggione" D.821, written originally for arpeggione and piano, and deals with customized parts and interpretation problems in transcription for bassoon and piano.

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27

LIN, YUEH-RENG. "THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626.

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28

Biancolino, Ticiano. "A evocação de sonoridades instrumentais na escrita para piano no ciclo Winterreise de Franz Schubert /." São Paulo : [s.n], 2008. http://hdl.handle.net/11449/95120.

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Orientador: Marcos Fernandes Pupo Nogueira<br>Banca: Lia Vera Thomás<br>Banca: Sidney Molina<br>Resumo: Os escritos estéticos dos autores do Frühromantik (Primeiro Romantismo), surgidos a partir das duas últimas décadas do século XVIII, constituíram a base do pensamento do Romantismo musical alemão. De vital importância dentro desta nova concepção estética foi o entendimento da música instrumental como a manifestação mais nobre das artes, algo que ia contra o preceito que vigorara até então, segundo o qual a música sem voz possuía pouco valor, por ser incapaz, apenas por meio de sons, de imita

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29

Biancolino, Ticiano [UNESP]. "A evocação de sonoridades instrumentais na escrita para piano no ciclo Winterreise de Franz Schubert." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/95120.

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Made available in DSpace on 2014-06-11T19:27:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-06-27Bitstream added on 2014-06-13T19:56:12Z : No. of bitstreams: 1 biancolino_t_me_ia.pdf: 8518794 bytes, checksum: e0883b41634079e4cc679ac8ef255b1d (MD5)<br>Os escritos estéticos dos autores do Frühromantik (Primeiro Romantismo), surgidos a partir das duas últimas décadas do século XVIII, constituíram a base do pensamento do Romantismo musical alemão. De vital importância dentro desta nova concepção estética foi o entendimento da música instrumental como a manifestação mais nobre das arte

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30

Molin, Ninni. "Vinterresa : en undersökning av tolkningsmöjligheter i Schuberts sångcykel Winterreise." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2570.

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Den här uppsatsen beskriver arbetet med utvalda delar av Schuberts sångcykel Winterreise och vilka tolkningsmöjligheter jag som kvinnlig sångare har när jag framför ett verk med manlig huvudperson. I diskussionen redogörs tre möjliga tolkningar, där den slutliga tolkningen blir att se flickan i sångerna och huvudpersonen som en och samma person. De sju utvalda sångerna kommer efter min analys att spelas in.<br><p>1. Gute Nacht. 2. Gefrorne Tränen. 3. Erstarrung. 4. Auf dem flusse. 5. Frühlingstraum. 6. Die Nebenssonen. 7. Der Leiermann. Pianist Matilda Lindholm</p><p></p>

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31

Wassermann, Beirão Christine. "Musikalische Idylle : Studien zu einem verborgenen Topos /." Sinzig : Studio, 1999. http://catalogue.bnf.fr/ark:/12148/cb399961133.

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32

Seitz, Elizabeth A. "Die schöne Müllerin: in the context of early 19th century musical and poetic trends with an emphasis on its relation to the settings of Ludwig Berger." Thesis, Boston University, 1989. https://hdl.handle.net/2144/22550.

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33

Navia, Gabriel Henrique Bianco. "The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/613235.

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Schubert's treatment of the medial caesura differs on many levels from that of the Classical tradition. He problematizes many of its norms, introducing complications to the course of his sonata movements. Much research has been devoted to Schubert's approach to sonata form, his large-scale formal deformations as well as his innovative harmonic language. However, few of these writings have discussed the importance of the medial caesura to his sonata forms. Through the lens of Sonata Theory, this dissertation examines Schubert's handling of the MC, demonstrating how the complications derived fro

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34

Knoll, Moises S., and Moises S. Knoll. "A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects." Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/624863.

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Franz Peter Schubert (1797-1828) created the accompanied art song as we know it. His achievement as a composer of Lieder stands at the very core of his labors as a creator. Franz Liszt (1811-1886) in addition to being a composer of genius, was also the greatest virtuoso pianist of the nineteenth century. He had a particular affinity for Schubert's music, which led him to transcribe as many as 54 of the Lieder for piano solo. These transcriptions are faithful recreations of Schubert's musical thought, yet the pianistic layout is completely Lisztian. Franz Schubert was hardly a public figure d

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35

Fourie, Magdalena Johanna. "'n Ondersoek na sangpedagogiek met besondere verwysing na die Schubert-liedere as onderrigliteratuur." Thesis, Stellenbosch : Stellenbosch University, 1986. http://hdl.handle.net/10019.1/65285.

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Thesis (MMus) - Stellenbosch University , 1986.<br>INLEIDING: By die instudeer van 'n aantal Schubert-liedere het die skryfster onder die indruk gekom van nie alleen die skoonheid van die poëtiese en musikale inhoud nie, maar veral ook die pedagogiese waarde daarvan. 'n Behoefte om die potensiaal van die Schubert-liedere as onderrigmateriaal te ondersoek, het ontstaan.

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36

Schubert, Franz, and Matthias Drude. "Am Meer: Aus dem „Schwanengesang“, Text: Heinrich Heine, Franz Schubert (1828), Männerchorsatz: Matthias Drude: Männerchor und Klavier." Concertino Musikverlag, 2011. https://slub.qucosa.de/id/qucosa%3A7856.

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'Am Meer' ist ein Lied von Franz Schubert (1797-1828) für Singstimme und Klavier aus dem Zyklus 'Schwanengesang' (Text: Heinrich Heine). Matthias Drude hat dieses für Männerchor und Klavier bearbeitet. Veröffentlichung auf Qucosa mit freundlicher Genehmigung des Concertino-Musikverlags.

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37

Vallés, Grau Luis. "El piano en los Lieder de Franz Schubert. Un cambio en la concepción del acompañamiento pianístico." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/88392.

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The investigation tries to discover and demonstrate the inflection point in the conception of the piano accompaniment that Franz Schubert carried out across its lieder. It will be possible to verify the conceptual evolution of the vocal piano accompaniment from its beginnings up to the actuality, and how Schubert changed its configuration, affecting its exposition to the later development of the same one. For it we have analyzed the piano part so much of the lieder of Schubert as of the compositions for voice and piano previous and later to him, by means of the selection of the most excellent

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38

Jernhake, Klaes-Göran. "Schuberts "Stora C-dursymfoni" - kommunikationen med ett musikaliskt konstverk : en tillämpning av Paul Ricoeurs tolkningsbegrepp /." Uppsala : [K.-G. Jernhake], 1999. http://catalogue.bnf.fr/ark:/12148/cb370888066.

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39

Lanyi, Franz J. [Verfasser], Dirk W. [Akademischer Betreuer] Schubert, Dirk W. [Gutachter] Schubert, and Rainer [Gutachter] Adelung. "Modification of Interfacial Properties of Polypropylene Fibers using Hydrophilic Melt Additives - Interactions with Crystallization / Franz J. Lanyi ; Gutachter: Dirk W. Schubert, Rainer Adelung ; Betreuer: Dirk W. Schubert." Erlangen : FAU University Press, 2020. http://d-nb.info/1220911240/34.

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40

Doktorchik, Acacia M., and University of Lethbridge Faculty of Fine Arts. "Sehnsucht and alienation in Schubert's Mignon settings / Acacia M. Doktorchik." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Music, c2011, 2011. http://hdl.handle.net/10133/3051.

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Sehnsucht (longing) and alienation were two central themes of 19th century German Romanticism in literature, music and art. Franz Schubert was one of the great masters of the Romantic era to understand and express these intense emotions through his compositions. This paper discusses Sehnsucht and alienation in Schubert’s settings of the Mignon songs from Johann Wolfgang von Goethe’s novel Wilhelm Meisters Lehjahre (Master William’s Apprenticeship). Mignon, a secondary character in this novel, is a prime example of one who experiences these emotions and whose principal medium of expressing hers

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41

Rettler, Erik Franz-Josef [Verfasser], Ulrich Sigmar [Akademischer Betreuer] Schubert, and Heinz Wilhelm [Akademischer Betreuer] Siesler. "Depth-sensing indentation of soft matter / Erik Franz-Josef Rettler. Gutachter: Ulrich Sigmar Schubert ; Heinz Wilhelm Siesler." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2014. http://d-nb.info/1047578921/34.

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42

Lin, Yueh-Reng. "The impact of the lied on selected piano works of Franz Schubert, Robert Schumann, and Johannes Brahms." Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1101539626.

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43

Rakitzis, Vasileios. "Alfred Cortot's response to the music for solo piano of Franz Schubert : a study in performance practice." Thesis, City, University of London, 2015. http://openaccess.city.ac.uk/16965/.

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Alfred Cortot and Franz Schubert are two names that are rarely mentioned in the same context. Although Cortot was a renowned pianist and pedagogue of the first half of the twentieth century, his work on Schubert has remained obscure. This can be explained by the fact that his recordings of, and writings on, Schubert’s works comprise only a small sample of his affinity with this repertoire, in comparison to his affiliation to the work of other composers, such as Chopin. This degree of obscurity is also increased by the fact that, to a certain extent, Schubert’s works for piano remained neglecte

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44

Litschauer, Walburga. "«Musik als Text»: Anmerkungen zu einem Register von Schuberts Tanzmelodien." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37117.

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45

Cloutier, David 1948. "A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331767/.

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This investigation sought to compare the transcription techniques of two pianist-composers, Godowsky and Liszt, using three Schubert lieder as examples. The lieder were "Das Wandern" from Die Schöne Müllerin, "Gute Nacht" from Winterreise, and "Liebesbotschaft" from Schwanengesang. They were compared using four criteria: tonality, counterpoint, timbral effects, and harmony. Liszt, following a practice common in the nineteenth century, was primarily concerned with bringing new music into the home of the domestic pianist. The piano transcription was the most widely used and successful medium for

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46

Cho, Sujung. "Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

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47

Hascher, Xavier. "Aspects de l'évolution de la forme sonate au début du dix-neuvième siècle : à travers son traitement dans l'oeuvre instrumental de Franz Schubert." Paris 1, 1994. http://www.theses.fr/1994PA010654.

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Le début du dix-neuvième siècle constitue pour la musique allemande une transition entre deux âges successifs de la conscience harmonique, l’âge de la quinte - ou le classicisme - et celui de la tierce - ou le romantisme. L'œuvre de Franz Schubert représente la première tentative en vue de structurer la forme musicale au moyen de l'utilisation de progressions de tierces a tous les niveaux de celle-ci, sauvegardant toutefois le rapport fondamental de quinte essentiel à la sonate. L'émergence de nouveaux modèles structurels est ainsi mise en évidence, en même temps que se trouve proposée une typ

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48

Schubert, Daniela [Verfasser], Franz-Viktor [Akademischer Betreuer] Salomon, and Ellen [Gutachter] Kienzle. "Untersuchungen zum postnatalen Skelett- und Körpermassewachstum von Hunden der Rasse West Highland White Terrier / Daniela Schubert ; Gutachter: Ellen Kienzle ; Betreuer: Franz-Viktor Salomon." Leipzig : Universitätsbibliothek Leipzig, 2011. http://d-nb.info/1237818265/34.

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Domingues, Melissa Sofner 1990. "Gretchen am Spinnrade : um estudo analítico-interpretativo de quatro Lieder compostos sobre o mesmo poema de J. W. von Goethe." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284624.

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Abstract:

Orientador: Adriana Giarola Kayama<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T18:27:46Z (GMT). No. of bitstreams: 1 Domingues_MelissaSofner_M.pdf: 9593128 bytes, checksum: 711d2f83f4953c663a8135590bbcf06b (MD5) Previous issue date: 2014<br>Resumo: Música e poesia. Como as duas artes interagem, que significados são criados, reiterados, modificados e como a performance se constrói e se enriquece a partir desta interação é a reflexão que impulsiona o presente trabalho. Propomos uma análise músico-textual visando a

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Nevalainen, L. (Lotta). "Das Motiv des Baches im Liederkreis Die schöne Müllerin:eine hermeneutische Analyse der Gedichte von Wilhelm Müller (1821) und der Vertonung von Franz Schubert (1823)." Bachelor's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201805312355.

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