Relevant bibliographies by topics / Science Fiction - Adventure

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Science Fiction - Adventure'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "Science Fiction - Adventure"

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Lyzlov, Maxim. "Conversations about Science Fiction: The Category of “Fantastic” in The Bibliographic Discourse of the 1960s and 1970s." Children's Readings: Studies in Children's Literature 19, no. 1 (2021): 360–72. http://dx.doi.org/10.31860/2304-5817-2021-1-19-360-372.

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In the 1950s and 1970s, bibliographers made attempts to define the genre of fiction and offer a systematization of the available fiction literature. The purpose of the article is to trace the development of the category of “fantastic” in the recommendation indexes of Z. P. Shalashova “Adventures. Journeys. Science Fiction”, “Artificial Earth satellites. Interplanetary flights”, “Adventures and travel”. The problems faced by bibliographers were related both to the sharp increase in publications of fantastic literature, and to the weak development of the theoretical apparatus in literary studies and bibliography. The concept of “fantastic” has evolved from an adventure-related type of scientific and educational literature to a metaphorical “dream world” devoid of terminological clarity. The material of bibliographic indexes, de- spite its limited functionality, nevertheless demonstrates that the processes that took place in the field of recommendation bibliography of children’s books reflect the significant difficulties that bibliographers experienced in finding a language for describing fiction.
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Gee, Henry. "The Methuselah Gene: A Science Fiction Adventure Thriller." Nature Medicine 6, no. 8 (2000): 857–58. http://dx.doi.org/10.1038/78607z.

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Simsone, Bārbala. "Science Fiction In Latvian Literature." Interlitteraria 22, no. 2 (2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.

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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of the 20th century; it then provides an insight into three epochs when the genre received comparatively wider attention: 1) the 1930s produced mainly adventure novels with elements of science fiction mirroring the correspondent world tendencies of that time period; 2) the period between the 1960s and 80s saw authors who had the courage to leave the strict platform of Soviet Social Realism, experimenting with a variety of science fiction elements in the postmodern literary context which allowed for a wide metaphoric interpretation. This epoch also saw the emergence of a specific phenomenon – humorous / satiric science fiction which the authors employed in order to offer social criticism of the Soviet lifestyle; 3) the beginning of the 21st century saw the emergence of several science fiction works by a new generation of writers: these works presently comprise the majority of newly published science fiction. The paper outlines the main tendencies of the newest Latvian science fiction such as authors experimenting with a variety of themes, the preference for dystopian future scenarios and humour. The paper offers brief conclusions as to the possible future of Latvian science fiction in context of the current developments in the genre.
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Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone." European Journal of Cultural Studies 23, no. 2 (2018): 223–43. http://dx.doi.org/10.1177/1367549418786420.

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New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on conventions of established media such as radio and television. Despite the recent surge in the popularity of podcasts, little scholarly attention has been given to the format, except to discuss it as either a continuation of radio programming or part of a transmedia landscape for texts which are centred in media such as television and film. This article argues that fiction podcasting offers unique affordances for creating serial works of fiction, taking The Adventure Zone as a case study which demonstrates the power of successful participatory culture. The podcast has grown from modest beginnings to acquire a considerable and passionate fan network, has diversified into other media forms, and, though available for free, is financially supporting its creators and raising substantial amounts of money for charities. Crucial in its success is the creators’ cultivation of an inclusive environment for fans, and a constant attempt to feature characters representative of a diversity of gender and sexual identities, particularly those typically excluded from other science fiction worlds. This article argues that The Adventure Zone and the format of fiction podcasting demonstrate a shift in contemporary culture, away from established mass media programming and towards a participatory, transmedia, fan-focused form of storytelling which utilizes the unique advantages of new media technologies in its creation, development, and distribution.
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Christopher, Joe R. "Review: The Transcendent Adventure: Studies of Religion in Science Fiction/Fantasy." Christianity & Literature 35, no. 4 (1986): 32–34. http://dx.doi.org/10.1177/014833318603500409.

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Ordaz Gargallo, jorge. "Geology and literary fiction." BOLETÍN GEOLÓGICO Y MINERO 134, no. 1 (2023): 67–85. http://dx.doi.org/10.21701/bolgeomin/134.1/004.

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In this article the relations between geological sciences and literature of fiction, especially with science-fiction, are reviewed. The consolidation of geology as a scientific specialization in the first half of XIXth century attracted some writers of adventure and fantasy novels who used, among other topics, matters based on geological knowledge. Some of the most representative works in this field, published in the XIXth and XXth centuries, by authors as Jules Verne, Arthur Conan Doyle, Edgar Rice Burroughs, H. P. Lovecraft, Vladimir Obruchev, Arthur C. Clarke, George Gaylord Simpson and Sarah Andrews, are mentioned. Their contributions are divided in sections according to the aspects involved: the hollow Earth and the exploration of its inner part; the lost worlds (superficial, subterranean and extraterrestrial), inhabited by extinct animals; the prehistoric times and its antediluvian fauna; trips to other geological epochs, above all the Mesozoic times of the great dinosaurs; volcanoes, earthquakes and other natural disasters; and mines and mineral deposits. Finally, the geology of certain literary territories and the geologist, men or women, as a main character in fiction are also taken into account.
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Yun, Claudia Sangmi. "Canadian Science Fiction for Children and Young Adults: Focusing on Novels from the 1980s." Korean Society for Teaching English Literature 26, no. 3 (2022): 135–51. http://dx.doi.org/10.19068/jtel.2022.26.3.05.

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The present study overviews Canadian science fiction for children and young adults in its early history. Canada’s multiculturalism is a great resource for diversity on their literary works, but at the same time, it often turns into concerns on their national identity. Canadian novels portray this unique trait in their stories with three major features. By contrasting the technology-dominated society with the nature-friendly one, they ultimately aim for an idyllic society. Also, the works express distrust of technology and progress with concerns about negative effects on the global environment. Finally, they lie on the blurred border between fantasy adventure and science fiction. Unlike mainstream science fiction novels, Canadian children’s SF writers take the subjects of science, nature, and humans more seriously. Depicting a variety of possible future societies, they continue to emphasize both the harmony of technology and the nature and the exploration of human identity. This originality distinguishes them from other countries’ works and are sufficiently attractive to many young readers.
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Bellos, David. "Mathematics, poetry, fiction: the adventure of the Oulipo." BSHM Bulletin: Journal of the British Society for the History of Mathematics 25, no. 2 (2010): 104–18. http://dx.doi.org/10.1080/17498430903489237.

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Holterhoff, Kate. "Late Nineteenth-Century Adventure Fiction and the Anthropocene." Configurations 27, no. 3 (2019): 271–300. http://dx.doi.org/10.1353/con.2019.0017.

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Komissarov, Vladimir. "Журналы фантастики и приключений «Уральский следопыт» и «Искатель» как источники по истории советской интеллигенции". INTELLIGENTSIA AND THE WORLD, № 3 (1 жовтня 2020): 34–48. http://dx.doi.org/10.46725/iw.2020.3.3.

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The article examines the source value of the Soviet popular magazines “Ural Pathfinder” and “Seeker”. First of all, the author considers the social and moral-political conditions in which these magazines were created. It is emphasized that both publications appeared at about the same time, at the turn of the 1950s and 1960s, at the beginning of the so-called “Golden age” of Soviet science fiction, when a galaxy of young and active science fiction writers entered the arena of literary life. The appearance of magazines was a response to the request of Soviet readers, first of all, the intelligentsia, who needed new publications of science fiction and adventure themes. The content of these publications was also analyzed. There were differences between the magazines. The “Ural Pathfinder” was not only a literary and artistic publication, but also a popular scientific, historical, geographical, and local history publication. “Seeker” was a literary supplement to “Around the world”. Also, over time, by the 1980s, magazines acquired different ideological colors in the eyes of the Soviet intelligentsia, which, however, did not affect their popularity. At the end, the research results are summarized. In relation to the history of the intelligentsia, the source potential of magazines is limited by a number of factors. Among them, censorship restrictions and ideological divisions among the Soviet intelligentsia occupy an important place. However, the analyzed publications can serve as sources on the following aspects: the history of the Soviet press, primarily popular publications; the development of regional journalism; coverage of local history and environmental issues, issues of youth education (based on the materials of the “Ural Pathfinder”); the composition of the authors of fantasy and adventure works, their plot component.
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Dissertations / Theses on the topic "Science Fiction - Adventure"

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Cupitt, Catherine Anne. "Space opera: a hybrid form of science fiction and fantasy." Thesis, Curtin University, 2004. http://hdl.handle.net/20.500.11937/1082.

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This thesis considers space opera as a hybrid form of science fiction and fantasy.“Falling Stars,” the creative component which includes fantasy, space opera and science fiction stories, constitutes a spectrum of speculative fiction. In order to illustrate the similarities and difference between the genres represented in the spectrum, I focus on the central figure of the alien other and the ways in which such a figure can be gendered and embodied. The space opera novella combines motifs of both fantasy and science fiction within the figure of the cyborg, Orlando, who is transgendered and hyperchangeably embodied.The exegesis offers a theoretical context through which to view the creative work. I argue that space operas are melodramatic adventure stories, which operate as a hybrid form of science fiction and fantasy, using the non-realist expectations inherent in both, but mixing the extrapolations and icons of science fiction with the self-consistent but unbelievable discontinuities of fantasy. I also consider space opera’s tendency to exhibit a conservative, unexamined colonialistic imperative, with the attendant assumptions that create a potential for feminist subversion.
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Puncekar, Alex J. "The Bright Garden." Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1495189855840834.

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Magnuson, Markus Amalthea. "The Dig : De grafiska äventyrsspelen som flyktigt medium." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179044.

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Broadhurst, Kieron. "Adventures in the Irreal: Science Fiction, Utopia and Contemporary Art Practice." Thesis, Curtin University, 2020. http://hdl.handle.net/20.500.11937/81387.

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Adventures in the Irreal is a practice-led investigation which explores the speculative possibilities of science fiction from within a contemporary art practice. As part of this process two methods for creating science fiction artworks are developed. These methods are then utilised in the creation of three science fiction artworks, with each artwork offering a unique, speculative approach to utopian aspects of its real world subject matter.
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Fleetwood, Carolyn. "Imarill of the star : an illustrated children's novel." Honors in the Major Thesis, University of Central Florida, 2002. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/273.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Liberal Arts
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Lahtinen, Lauri. ""Humanity is Unnatural!" Feminisms and Science-Fiction Strategies in Joanna Russ’s The Female Man and The Adventures of Alyx." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23558.

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While acknowledging that Russ’s work is problematic in some regards, the aim of this thesis is to counter the criticism of Russ’s oeuvre as outdated and sometimes stuck in second-wave feminist positions, instead demonstrating how Russ’s use of sci-fi strategies such as cyborgism, possible-worlds theory, utopianism, and concretised metaphors in The Female Man and The Adventures of Alyx enables her to move beyond second-wave feminist positions and anticipate third-wave feminism in ways that are still relevant today.
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Palewska, Marie. "Un romancier d'aventures à la Belle Epoque : paul d'Ivoi (1856-1915) et ses "Voyages excentriques"." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030013.

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Publiés en volumes chez l’ancienne librairie Furne entre 1894 et 1917, les « Voyages excentriques » de Paul d’Ivoi constituent une collection prisée par la jeunesse à la Belle Epoque. Ces romans d’aventures inscrits dans la lignée de Jules Verne sont très représentatifs de leur temps, avec des intrigues enracinées dans un contexte politique proche du moment de leur écriture. Soucieux de contribuer à la formation patriotique et morale de leurs lecteurs, ils s’appliquent à soutenir l’œuvre coloniale de la France, à promouvoir les valeurs de la République française et à célébrer le rayonnement du pays à travers le monde. L’action, qui présente souvent un enjeu diplomatique international, suscite le voyage en terre étrangère et la rencontre avec d’autres nationalités dont la vision est le reflet des relations amicales ou conflictuelles que la France entretient avec elles. Mais de la réalité, les « Voyages excentriques » basculent dans la fiction en usant des diverses ressources que leur offre le genre du roman d’aventures alors à son apogée. L’exotisme et la fantaisie scientifique sont les deux thèmes les plus représentés, parfois agrémentés d’une touche policière ou d’espionnage. Dans sa pratique du roman d’aventures, Paul d’Ivoi cultive l’art de la variation par rapport à ses prédécesseurs, affirmant sa propre manière dans l’inventivité de ses gadgets scientifiques merveilleux ou la place prépondérante qu’il donne aux femmes. Il connut un grand succès au début du XXème siècle comme cadeau d’étrennes, livre de prix, fascicule populaire, feuilleton de quotidien à un sou, adapté au théâtre et même au cinéma. Son originalité réside surtout dans la notion d’excentrique qui fédère sa collection de romans Belle Epoque
Published in volumes between 1894 and 1917 by the former bookshop Furne, Paul d’Ivoi’s "Voyages Excentriques" made up a collection which was very much valued by the youth of the Edwardian Era.These adventure novels, in the tradition of Jules Verne, were highly representative of their time with plots deeply rooted in the political ideas pervading then. They were anxious to contribute to the patriotic and moral moulding of their readers and applied to support the colonial work of France while promoting the values of the French Republic and celebrating its influence all over the world. The action, which often deals with international diplomatic stakes, sends the characters abroad to meet other nationalities whose visions reflect their relationships with France, whether friendly or of conflict.However the "Voyages Excentriques" swing from reality into fiction using the various means that adventure novels, then at their peak, offered them. Exotism and scientific extravagance are the main themes, often accompanied with detective stories or spy fiction as secondary sorts. When writing his adventure novels, Paul d’Ivoi carefully paid attention to differentiating himself from his predecessors, asserting his own manner by inventing wonderful scientific gadgets or giving a preponderant role to women. His books were a great success at the turn of the 20th century as New Year’s gifts, school prizes, popular manuals or cheap serials which were adapted on stage or even in movies.He is most original in his dealing with eccentricity which is to be found all through his collection of Belle Epoque novels
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Rao, Giridhar A. "Beyond the sense of wonder science fiction as adventure fiction." Thesis, 1994. http://hdl.handle.net/2009/1255.

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Books on the topic "Science Fiction - Adventure"

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Dan, O'Bannon, ed. Dark star: A science fiction adventure : screenplay. Script City, 1990.

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1951-, Reynolds Kay, ed. Buck Godot, PSmIth: An illustrated science fiction adventure. Starblaze Graphics, 1987.

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The Methuselah gene: A science fiction adventure thriller. BainBridgeBooks, 2000.

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Carpenter, John. Dark star: A science fiction adventure : a screenplay. Hollywood Scripts (Enterprise House, Cathles Road London SW12 9LD, 1990.

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Paul, Smith-Goodson, ed. Runaway alien: A science fiction adventure for kids. [publisher not identified], 2011.

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Wyn, Elin. Sk'lar: Science Fiction Adventure Romance. Clock Walk Press, 2020.

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Heinlein, Robert A. Starman Jones. Del Rey, 1975.

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Simolke, Duane. Degranon: A Science Fiction Adventure. iUniverse, Inc., 2004.

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Fisk, Margaret McGaffey. Trainee: A Science Fiction Adventure. TTO Publishing, 2015.

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Shafter: A Science Fiction Adventure. TTO Publishing, 2013.

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Book chapters on the topic "Science Fiction - Adventure"

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Matthews, Paul. "6. Supercedure: Into the Posthuman." In Transparent Minds in Science Fiction. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0348.06.

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What could it be like to leave behind our purely biological/natural mental and physical constraints? For a long time in SF an optimistic vision of immortality and transcendence, we visit examples of mind uploading and cognitive and sensory enhancement that might enable us to leave earthly limits behind us. But there could be a cost, that of burning out or losing our human grounding in an unsustainable and regressive drift. The lesson is that we will need to choose our adventure carefully here.
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Taylor-Pirie, Emilie. "Introduction: Stories of Science and Empire." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_1.

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AbstractIn this introduction, Taylor-Pirie appraises the intersections of the ‘imaginative architecture of science and empire’ by examining how, as a fledging medical discipline at the fin de siècle, parasitology entered into significant encounters and exchanges with the literary and historical imagination. Introducing readers to Nobel Prize–winning parasitologist Ronald Ross (1857–1932), Taylor-Pirie lays the foundations for the rest of the book by examining how forms such as poetry and biography, genres such as imperial romance and detective fiction, and modes such as adventure and the Gothic together informed how tropical diseases, their parasites, and their vectors were understood in relation to race, gender, and nation. In addition to considering the contemporaneous public understanding of science, she also explores how parasitologists were often engaged in writing their own histories of the discipline, a practice that led to a predominantly white, predominantly male understanding of science that finds a legacy in gender disparities in STEM and biases in popular histories of medicine in favour of a mode of ‘heroic biography’. She provides a brief critical overview of the field of literature and science and places her methodology and the field in the context of contemporary topics like the Covid-19 pandemic, Black Lives Matter protests, and the heritage culture wars.
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Portnoy, Kenneth. "Action Adventure and Science Fiction." In Screen Adaptation. Elsevier, 1998. http://dx.doi.org/10.1016/b978-0-240-80349-4.50009-2.

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"Action Adventure and Science Fiction: Jurassic Park and Apollo 13." In Screen Adaptation. Routledge, 2012. http://dx.doi.org/10.4324/9780080516721-11.

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Ghosh, Tanushree. "‘The White City Turns Remaining Humans into Machines’: Urban Dystopia and Posthumanism in Appupen’s The Snake and the Lotus: A Halahala Adventure." In Science Fiction in India. Bloomsbury India, 2022. http://dx.doi.org/10.5040/9789354356742.ch-015.

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Mody, Sujata S. "Rise of the Modern Hindi Short Story." In The Making of Modern Hindi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199489091.003.0005.

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Chapter 4 provides an overview and history of the modern Hindi short story as it developed in Sarasvatī from 1900 to 1920, under Dwivedi’s direction. Dwivedi did not explicitly articulate his vision for short fiction; however, as editor of a journal that pioneered the modern genre in Hindi, he exerted great control over its development. Drawing inspiration from Shakespeare, Poe, and Verne to Shriharsh and Tagore, among other influences, short story writers in Hindi experimented with adventure-romance, science fiction, horror, and historical fiction but eventually settled on subject matter that was more mundane than spectacular, as per Dwivedi’s agenda for language, literature, and nation.
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"Time Travel in new who as Comedy, Soap Opera, Adventure … and Science Fiction." In Triumph of a Time Lord. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755697595.ch-003.

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France, Peter, and Kenneth Haynes. "Popular Culture." In The Oxford History Of Literary Translation In English. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0008.

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Abstract In the nineteenth century various sub-genres of the novel experienced a spectacular growth. The opening decade of the century was dominated by the Gothic novel, the staple fare of the circulating libraries until it was displaced by the emergent forms of the historical novel and pioneer fiction. In the mid-century, the rise of the ‘mysteries and miseries’ school of fiction anticipates other new developments such as the Victorian sensation novel and what can be broadly labelled detective fiction. Finally, towards the end of the century, the scientific romance emerged, a form combining visionary speculation and high adventure and resembling the genre which would later come to be called science fiction (this term did not come into general usage until the 1930s).
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McCrea, Christian. "Introduction." In Dune. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325826.003.0001.

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This chapter focuses on David Lynch's 1984 film version of Dune. It analyses Dune's narrative structure, characterisations, its approach to science fiction, and audiovisual language that are all highly idiosyncratic. It also illustrates Dune as an audacious science-fiction film that refuses to be futuristic, as a political narrative that is undone by the power of prophecy and dream, and as an adventure story structured like a poem. The chapter talks about the feeling of watching Dune, which is described as being unmoored from cinema itself and free-floating in the form's infinite, unexplored possibilities. It explores the core elements of Frank Herbert's novel version of Dune, which is heavily reliant on its own internal logic.
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Leroy, Fabrice. "European Literary and Genre Fiction: The(À Suivre)Magazine and the “Adventure” and “Science Fiction” Traditions (Pratt, Tardi, Moebius)." In The Cambridge History of the Graphic Novel. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781316759981.016.

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Conference papers on the topic "Science Fiction - Adventure"

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Ramos, Iolanda. "Exploring the realms of utopia: Science fiction and adventure in A red sun also rises and The giver." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-71.

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