Relevant bibliographies by topics / Science fiction cinema / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Science fiction cinema.

Dissertations / Theses on the topic 'Science fiction cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Science fiction cinema.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Wood, Aylish. "Technoscience in the cinema : beyond science fiction." Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313246.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jones, Matthew William. "The British reception of 1950s science fiction cinema." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-british-reception-of-1950s-science-fiction-cinema(b180c812-ec8b-4369-afe7-97da1bc14890).html.

Full text
Abstract:
Scholarship on 1950s American science fiction cinema has tended to explore the relationship between these films and their domestic contexts of production and reception. They are often characterised as reflections of US anxieties about communism and nuclear technology. However, many such films were exported to Britain where these concerns were articulated and understood differently. The ways in which this different national context of reception shaped British interpretations of American science fiction cinema of this era has not yet been accounted for. Similarly, although some research has addr
APA, Harvard, Vancouver, ISO, and other styles
3

Beck, Gregory. "The city in the image of science fiction cinema." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71379.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Warton, John Phillips. "The aesthetics of destruction in contemporary science fiction cinema." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25992.

Full text
Abstract:
Mass destruction imagery within the science fiction film genre is not a new cinematic development. However, a swell of destruction-centred films has emerged since the proliferation of digital technologies and computer-generated imagery that reflect concerns that extend beyond notions of spectacle. Through illusionistic realism techniques, the aesthetics of mass destruction imagery within science fiction cinema can be seen as appropriating the implied veracity of other film traditions in order to create a baseline of visual credibility, even to the extent of associating its own fantastical fict
APA, Harvard, Vancouver, ISO, and other styles
5

Taylor, Aaron E. N. "World without end, historicity and the contemporary science fiction cinema." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0034/MQ57688.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mather, Philippe. "L'eloignement cognitif : vers une semiologie du cinema de science-fiction." Paris 3, 1995. http://www.theses.fr/1995PA030125.

Full text
Abstract:
Cette these cherche a determiner les modes d'articulation des concepts d'eloignement et de cognition dans un corpus de six films americains communement decrits comme appartenant au genre de la science-fiction, des points de vue syntaxique, semantique et pragmatique. La cognition represente le contenu de la fiction, et plus precisement la connaissance proposee par le biais d'une experience de la pensee s'inspirant de la methode scientifique, experience fictionnelle qui constitue egalement une reflexion critique sur le referent implicite du monde fictif, soit le contexte social et historique de
APA, Harvard, Vancouver, ISO, and other styles
7

Swarbrick, Josephine. "The Monstrous Masculine: Male Metamorphosis in Contemporary Science Fiction Cinema." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672043.

Full text
Abstract:
Aquesta tesi investiga la construcció i representació del monstre masculí en el cinema de ciència ficció contemporani. El monstre masculí en aquest cas és un home que experimenta una metamorfosi que trenca els binaris com, per exemple, masculinitat/feminitat, jo/altre i humà/maquina. Els cinc capítols examinen cince figures de masculinitat monstruosa: el mutant, el ciborg subjugat, el ciborg poderós, l’alienígena i el transhumà. Al cap i a la fi, la tesi pregunta per què els personatges masculins pateixen transformacions profunds, i normalment dolorosos, tan sovint a la gran pantalla.<br>Esta
APA, Harvard, Vancouver, ISO, and other styles
8

Taylor, Aaron E. N. (Aaron Edward Nicholas) Carleton University Dissertation Film Studies. "World without end: historicity and the contemporary science fiction cinema." Ottawa, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Haciomeroglu, T. Nihan. "Reconstruction Of Architectural Image In Science Fiction Cinema: A Case Study On New York." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609545/index.pdf.

Full text
Abstract:
This thesis interrogates the interrelation between architecture and science fiction cinema to understand the fictional and representative power of architecture. Since cinema embraces both physical and representative aspects of architecture it is convenient to carry out the research through the mediation of cinema. To accomplish this goal science fiction genre is particularly chosen where architectural image can break its commonly acknowledged facet and can reconstruct to participate in the narrative. The architectural image is intended to be interpreted through the concept of city and architec
APA, Harvard, Vancouver, ISO, and other styles
10

Green, Caroline Ann. ""She has to be controlled" : exploring the action heroine in contemporary science fiction cinema." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3052.

Full text
Abstract:
In this dissertation I explore a number of contemporary science fiction franchises in order to ascertain how the figure of the action heroine has evolved throughout her recent history. There has been a tendency in film criticism to view these strong women as ‘figuratively male’ and therefore not ‘really’ women, which, I argue, is largely due to a reliance on the psychoanalytic paradigms that have dominated feminist film theory since its beginnings. Building on Elisabeth Hills’s work on the character of Ellen Ripley of the Alien series, I explore how notions of ‘becoming’ and the ‘Body without
APA, Harvard, Vancouver, ISO, and other styles
11

Konstantinidou, Eirini. "Mnemophrenia : a science fiction film-essay on the future of cinema and artificial memories." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/7968.

Full text
Abstract:
“What is more real than the thoughts in your mind?”, “Re/structure your memories, re/construct your reality, re/define yourself”. The foundation of my research is about practising theory instead of theorising practice. My project begins with theory, which then leads to the science fiction film Mnemophrenia that constitutes the practical aspect of it. I attempt to demonstrate how theory and practice can be joined to create a fruitful union, each one feeding the other. In my research, I am inspired by Marshall McLuhan’s idea and use the medium as the message in order to depict and explore how ci
APA, Harvard, Vancouver, ISO, and other styles
12

Torres, Sandy. "Le monde du film : étude sociologique du cinema de science-fiction comme forme de connaissance du temps." Toulouse 2, 1996. http://www.theses.fr/1996TOU20069.

Full text
Abstract:
L'étude sociologique des représentations du temps qui émanent du cinéma de science-fiction amène à explorer un domaine empirique encore peu défriché, celui du monde du film situé entre la création et la réception des œuvres. Tel est le défi que tente de relever cette recherche. Les films appartenant à ce genre cinématographique laissent filtrer des valeurs modernes tant au plan des thèmes abordés qu'au plan procédural de la mise en récit et de la mise en images. Notre objectif consiste à identifier les règles du jeu de la mise en scène grâce auxquelles, depuis le début du vingtième siècle, la
APA, Harvard, Vancouver, ISO, and other styles
13

Araújo, Bruno Eduardo Morais de. "Cinema de ficção científica na escola." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8788.

Full text
Abstract:
Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-08-13T11:39:19Z No. of bitstreams: 2 Dissertação - Bruno Eduardo Morais de Araújo - 2018.pdf: 2210175 bytes, checksum: ee245e95b6155a3c6b5741156cd6e7c1 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-08-13T11:52:05Z (GMT) No. of bitstreams: 2 Dissertação - Bruno Eduardo Morais de Araújo - 2018.pdf: 2210175 bytes, checksum: ee245e95b6155a3c6b5741156cd6e7c1 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e
APA, Harvard, Vancouver, ISO, and other styles
14

Cornea, Christine. "Performing cyborgs." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364752.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Joseph, Robert Gordon. ""I'm from the Future: You Should Go to China." Looper and the Rise of China in American Science-Fiction Cinema." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398955613.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Toker, Gulen. "Understanding And Demonstrating The Contribution Of Objects To The Construction Of The Idea Of Future In Science Fiction Films." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609519/index.pdf.

Full text
Abstract:
The science fiction cinema is often concerned about future, and presents to its audience possible alternatives for it. Each science fiction film about the future constructs a different idea in the audience&rsquo<br>s mind and supports a currently existing ideology at the same time. The science fiction genre extrapolates and speculates about future which results in a new world: Aliens, androids or clones become participants of this world, intergalactic federations regulate diplomatic relationships or natural disasters endanger the whole humankind. The indispensable factor in every case is that
APA, Harvard, Vancouver, ISO, and other styles
17

O'Brien, Rebecca Ann. "WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/142.

Full text
Abstract:
Science fiction film has been telling stories about artificial anthropomorphic robots and androids for almost a hundred years, spawning films, such as Metropolis (1927), Ghost in the Shell (1951), and Blade Runner (1982). Each of these science-fiction films was complemented by a musical score that helped to create an onscreen world dominated by a dystopian view of the future. Influenced by the generations of prior science-fiction films, Automata (2014), The Machine (2013), and Ex Machina (2015) are all concerned with the same narrative in which humanity is in decline while artificial robots ar
APA, Harvard, Vancouver, ISO, and other styles
18

Oliveira, Juliano de. "A significação na música de cinema." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-23052017-154907/.

Full text
Abstract:
Esta tese analisou os processos de significação na música de cinema tendo como referencial teórico estudos musicológicos com ênfase cognitivista e semiótica, decorrentes da teoria das tópicas musicais, a partir dos trabalhos de Leonard Ratner (1985), Kofi Agawu (1991, 2009), Robert Hatten (1994, 2005, 2014) e Danuta Mirka (2014). A pesquisa se concentrou em dois gêneros cinematográficos, o western e a ficção científica, considerando as práticas musicais a eles relacionadas desde o cinema silencioso, para compreender a formação do inventário associativo que constituiu a base do pensamento tópic
APA, Harvard, Vancouver, ISO, and other styles
19

Duarte, Luciana Teixeira. "Medo e alteridade no cinema de ficção científica: uma análise a partir dos filmes \"O Planeta dos macacos\" e \"Alien - o oitavo passageiro\"." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-20122018-150856/.

Full text
Abstract:
O medo é sinônimo da incerteza, da ignorância frente ao desconhecido. E, assim como argumentado por Bauman (2008), a escuridão não é a causa do perigo, mas é o habitat natural da incerteza - e, portanto, do medo. Na sociedade há inseguranças em praticamente todas as instâncias da vida e o sujeito vivencia o medo constante. Como reflexo dessa sociedade globalizada, baseada na privatização e desregulamentação, a cultura da mídia por vezes figurativiza, representa o tema do medo (de desastres naturais, doenças, desemprego, terrorismo) à imagem de monstros fantásticos, ou contrafactuais. São seres
APA, Harvard, Vancouver, ISO, and other styles
20

Piassi, Luis Paulo de Carvalho. "Contatos: a ficção científica no ensino de ciências em um contexto sociocultural." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-10122007-110755/.

Full text
Abstract:
Este trabalho surgiu de minha experiência pessoal em sala de aula usando ficção científica para lecionar física, astronomia e outros tópicos de ciência. Por aproximadamente quatro anos eu desenvolvi diversas atividades de sala de aula com filmes, romances e contos de ficção científica, empregando-os não apenas para discutir os produtos da ciência - conceitos, leis e fenômenos - mas também os mecanismos da produção do conhecimento científico e a relação entre o trabalho da ciência e o contexto social. A partir destas experiências práticas, investiguei e estudei a respeito da própria ficção cien
APA, Harvard, Vancouver, ISO, and other styles
21

Oliveira, Igor Silva de. "Traficantes e substitutos: representações da telepresença em filmes de ficção científica." Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/1221.

Full text
Abstract:
Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-04-07T17:27:46Z No. of bitstreams: 1 igorsilvadeoliveira.pdf: 2480081 bytes, checksum: 46e54bc4e901adc9e157f5f76bde4459 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-04-24T04:01:34Z (GMT) No. of bitstreams: 1 igorsilvadeoliveira.pdf: 2480081 bytes, checksum: 46e54bc4e901adc9e157f5f76bde4459 (MD5)<br>Made available in DSpace on 2016-04-24T04:01:34Z (GMT). No. of bitstreams: 1 igorsilvadeoliveira.pdf: 2480081 bytes, checksum: 46e54bc4e901adc9e157f5f76bde4459 (MD5) Previous issue
APA, Harvard, Vancouver, ISO, and other styles
22

Bowser, Alexander Jon. "Bad pixels challenges of microbudget digital cinema." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4852.

Full text
Abstract:
Bad Pixels is a feature-length, microbudget, digital motion picture, produced, written, and directed by Alexander Jon Bowser as part of the requirements for earning a Master of Fine Arts in Film and Digital Media from the University of Central Florida. The materials contained herein serve as a record of the microbudget filmmaking experience. This thesis documents the challenges confronted by a first-time feature filmmaker; an evaluation of both the theory and application of a dynamic microbudget approach to digital content creation. From script development to digital distribution, the thesis a
APA, Harvard, Vancouver, ISO, and other styles
23

Ochoa, Echegaray Sergio Gabriel. "La adaptación cinematográfica: Análisis de contenido de guiones de películas de ciencia ficción en el cine de los años 2000." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652356.

Full text
Abstract:
Las adaptaciones cinematográficas están caracterizadas por ser la transformación de un medio de comunicación a otro. Dentro de todos los géneros literarios que dieron el salto a la pantalla grande se encuentra la ciencia ficción. Dicho género, conocido por mezclar relatos fantásticos y conceptos filosóficos con tecnología y sociedades futuristas, ha sabido posicionarse como uno de los más importantes dentro de la cartelera mundial. Este género es importante para la investigación presentada, pues se busca entender las variables analizadas que el texto cinematográfico utiliza en la película y su
APA, Harvard, Vancouver, ISO, and other styles
24

Gonçalves, Ricardo Felipe. "Utopias, ficções e realidades na metrópole pós-industrial." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-15102014-162051/.

Full text
Abstract:
Ao contrário dos valores explícitos e das motivações pragmáticas da produção arquitetônica, as propostas utópicas envolvem um universo mais introspectivo e imaginário que subverte a realidade na qual são fabricadas, em resposta a sentimentos relevantes que temos diante das cidades que habitamos, muitas vezes conectadas a características espaciais de uma maneira bastante precisa. Estas conexões, embora imaginárias, contribuem para a evolução das ideias que podem iluminar os caminhos da prática arquitetônica. Essas utopias se reverberam ao longo do tempo e sua herança pode ser identificada e ass
APA, Harvard, Vancouver, ISO, and other styles
25

Suppia, Alfredo Luiz Paes de Oliveira 1975. "Limite de alerta! Ficção cientifica em atmosfera rarefeita : uma introdução ao estudo da FC no cinema brasileiro e em algumas cinematografias off-Hollywood." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285029.

Full text
Abstract:
Orientador: Jose Mario Ortiz Ramos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T06:52:25Z (GMT). No. of bitstreams: 1 Suppia_AlfredoLuizPaesdeOliveira_D.pdf: 9340023 bytes, checksum: a06cd67c3581b1864a2be95dce072a73 (MD5) Previous issue date: 2007<br>Resumo: ¿A Ficção Científica no Brasil: Um planeta quase desabitado.¿ Esse é o título de um artigo do crítico e escritor Fausto Cunha1, referente à literatura de ficção científica, mas que poderia ser aplicado também à análise do gênero no cinema brasileiro. Na Europa, nos
APA, Harvard, Vancouver, ISO, and other styles
26

Fialho, Clinton Davisson. "Sonhos elétricos: uma análise da construção do imaginário do computador pessoal no cinema americano do início dos anos 80." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/5895.

Full text
Abstract:
Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-10-16T09:54:11Z No. of bitstreams: 1 clintondavissonfialho.pdf: 2565478 bytes, checksum: d2eeb9ed724d920c1143d51865fcc95e (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-10-16T13:58:27Z (GMT) No. of bitstreams: 1 clintondavissonfialho.pdf: 2565478 bytes, checksum: d2eeb9ed724d920c1143d51865fcc95e (MD5)<br>Made available in DSpace on 2017-10-16T13:58:27Z (GMT). No. of bitstreams: 1 clintondavissonfialho.pdf: 2565478 bytes, checksum: d2eeb9ed724d920c1143d51865fcc95e (MD5) Previous issu
APA, Harvard, Vancouver, ISO, and other styles
27

Réguant, Frédérique. "La puissance des genres fictionnels de l'imaginaire : sociologie d'une mouvance sociétale." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30027/document.

Full text
Abstract:
Magie, monstres, vampires, héros, les images de l’extraordinaire sont omniprésentes et fascinent le grand public. Des librairies qui ouvrent à minuit pour la sortie du dernier Harry Potter, des cinémas bondés pour le dernier volet du Hobbit, des manifestations culturelles de plus en plus importantes, une forte expansion des jeux de rôles, ne sont autre que les indices sociétaux d’une évolution des nouvelles manières de vivre la quotidienneté, le présent. En constante mutation, ces « genres fictionnels de l’imaginaire », comme nous les nommons, ont pénétré de multiples sphères de la vie des ind
APA, Harvard, Vancouver, ISO, and other styles
28

Hudspeth, Logan Matthew. "Rulers, Rhetoric, and Ray-Guns: A Post Colonial Look at 90's Alien Invasion Media." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1439.

Full text
Abstract:
This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).
APA, Harvard, Vancouver, ISO, and other styles
29

Ribeiro, Márcio Almeida. "A estética do documentário cinematográfico no cinema contemporâneo de ficção científica: um olhar sobre o filme "Distrito 9" de Neill Blomkamp." Universidade Presbiteriana Mackenzie, 2013. http://tede.mackenzie.br/jspui/handle/tede/1861.

Full text
Abstract:
Made available in DSpace on 2016-03-15T19:42:25Z (GMT). No. of bitstreams: 1 Marcio Almeida Ribeiro.pdf: 3951759 bytes, checksum: 0136bfec093328ad1e98bb0bf4238f9c (MD5) Previous issue date: 2013-02-06<br>The purpose of this work is through an analysis of the feature sci-fi movie District 9, by Neill Blomkamp, investigate the use of documentary aesthetic as the proposed narrative for the film, as well as evaluating the choices of the director from the moment it is necessary to replace the documentary style in favor of a traditional narrative film to benefit the film's plot. This duplicity of
APA, Harvard, Vancouver, ISO, and other styles
30

Palhares, Edilson Rodrigues. "Fogo fátuo, fogo fatal pré-história e indeterminação na ficção científica." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19070.

Full text
Abstract:
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-09-26T12:34:17Z No. of bitstreams: 1 Edilson Rodrigues Palhares.pdf: 59440788 bytes, checksum: a75864ad01d5bb035310f45c7760cb12 (MD5)<br>Made available in DSpace on 2016-09-26T12:34:17Z (GMT). No. of bitstreams: 1 Edilson Rodrigues Palhares.pdf: 59440788 bytes, checksum: a75864ad01d5bb035310f45c7760cb12 (MD5) Previous issue date: 2016-05-20<br>This research presents reflections from an anthropological perspective about scientific, social and ethical questions, inherent to what, in popular conception, is by convention the beginni
APA, Harvard, Vancouver, ISO, and other styles
31

Pinto, Alfonso. "Une archéologie du présent. Les espaces urbains dans le cinéma-catastrophe." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSEN050/document.

Full text
Abstract:
Le but de ce travail est premièrement celui de contribuer à la stabilisation de l’outil cinématographique au sein des études géographiques. En particulier l’attention sera ciblée sur trois possibles manières d’employer le cinéma au sein de la géographie : le cinéma comme représentation de l’espace, comme imaginaire des lieux et enfin comme exemple conceptuel. Dans le détail, la recherche concernera essentiellement les imaginaires des espaces urbains au sein du cinéma-catastrophe, en s’interrogeant notamment sur la capacité de ces films de constituer un nouveau régime de visibilité de l’urbain.
APA, Harvard, Vancouver, ISO, and other styles
32

Guirau, Marcelo Cizaurre. "Figurações da indefinição: a epistemologia travada de Matrix." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-23012008-112021/.

Full text
Abstract:
Neste trabalho, estudaremos os filmes da trilogia Matrix do ponto de vista da figuração. A análise do tecido narrativo dos filmes objeto desse estudo revela uma série de falhas e inconsistências. Essas falhas expõem alguns dilemas da experiência sob o domínio do capitalismo tardio. As zonas de ambigüidade e indefinição que identificamos em Matrix nos orientaram a pensar essa obra cinematográfica como um esforço cognitivo mal resolvido. Essa é a epistemologia travada de Matrix, que será estudada não como uma simples falha de diagnóstico resultante da falta de lucidez cognitiva dos criadores da
APA, Harvard, Vancouver, ISO, and other styles
33

Noboa, Ígor Carastan. "Filmes do fim do mundo: ficção científica e Guerra Fria (1951/1964)." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-18102010-153611/.

Full text
Abstract:
Esta dissertação tem como tema quatro filmes do gênero ficção científica, produzidos nos Estados Unidos da América no período do segundo pós-guerra, O Dia em que a Terra Parou (1951), Vampiros de Almas (1956), A Bolha (1958) e Limite de Segurança (1964). Nas sociedades contemporâneas, este gênero se torna relevante como objeto de interpretação do real, representando, interpretando e discutindo o seu contexto histórico e as relações humanas com o desconhecido, propondo formas de organização social e reflexões sobre a natureza da Ciência e Tecnologia. Por meio da leitura crítica dos filmes pode-
APA, Harvard, Vancouver, ISO, and other styles
34

Söderström, Jonatan. "The Uncanny Thing : Paranoia and Claustrophobia in The Thing and “Who Goes There?”." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41926.

Full text
Abstract:
This essay examines the themes of paranoia and claustrophobia as elements of horror in John Campbell’s novella “Who Goes There?” (1938) and John Carpenter’s film-adaptation of said novella, called The Thing (1982). The novella and the film utilize the lack of trust and reliability in between the characters as elements of fear as well as supernatural elements in the form of a monster. This essay focuses on the different parts of the story running through both versions, mainly the setting, the characters and the monster, to show how the themes of paranoia and claustrophobia are used throughout t
APA, Harvard, Vancouver, ISO, and other styles
35

André, Danièle. "Cinéma de science-fiction et sociétés anglophones contemporaines." Paris 3, 1998. http://www.theses.fr/1998PA030108.

Full text
Abstract:
Le but de cette thèse est de montrer que les films de science-fiction peuvent non seulement nous divertir, mais aussi nous faire réfléchir. Le recul pris nous permettra d'appréhender ce que les films de science-fiction des années quatre-vingt laissent transparaitre des sociétés anglophones contemporaines. L’étude de ces films nous apprend qu'ils reflètent les questions que nous nous posons sur la vie quotidienne. Ils dépeignent un monde contrôlé par des groupes économiques et politiques, et menacé par le pouvoir militaire. Toutefois, les films de science-fiction abordent aussi des inquiétudes
APA, Harvard, Vancouver, ISO, and other styles
36

Lee, Pei-Ying. "Le blanc dans le cinéma de science-fiction." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H318.

Full text
Abstract:
Le blanc dans le cinéma de science-fiction vibre et scintille, comme une invitation à l’interpréter. À travers le blanc se tisse un lien entre des images sans rapports apparents, et ce type de connexion hétérogène sollicite notre regard d’une manière qui se rapproche d’un montage. Ce regard facilite de plus le détachement des figures blanches de leurs objets référentiels, du contexte du film, et même du contexte du cinéma. Dans cette vision en forme de constellation, révélant des forces liées à la construction, à la destruction et à l’incertitude, le blanc au sein du cinéma de science-fiction,
APA, Harvard, Vancouver, ISO, and other styles
37

Vang, Jens. "Bland gröna gubbar och röda faror : En historisk studie om vanligt förekommande teman i amerikansk science-fictionskräckfilm under McCarthyeran." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74648.

Full text
Abstract:
The following study has its origin and context in the politically polarised McCarthy era of the American history. With the WWII in retrospect, politicians in Western nations quickly acknowledged the potential impact and sphere of influence of popular culture and its ability to form public opinion. During this period attempts were made to censor culture from underlying socialist messages in order to spread and awake support for the government, especially in mainstream Hollywood productions. However, how successful were these attempts and did it actually create a resistance against the censorshi
APA, Harvard, Vancouver, ISO, and other styles
38

Medeiros, Theresa Chistina Barbosa de. "O futuro do presente: a m?dia audiovisual e a sociedade contempor?nea na fic??o cient?fica do cinema de anima??o." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16401.

Full text
Abstract:
Made available in DSpace on 2014-12-17T15:08:31Z (GMT). No. of bitstreams: 1 TheresaCBM_DISSERT.pdf: 1921455 bytes, checksum: b24e8be069a18c10abfe5a27894f7673 (MD5) Previous issue date: 2011-03-30<br>This research presents a study that seeks to analyze the images of the future in science fiction movies, specifically those made through animation techniques, exploring particularly the representation of audiovisual communication medias in its dialogue with the approached societies in the movies chosen to be analyzed. The proposed discussion seeks approximations in order to answer to the questio
APA, Harvard, Vancouver, ISO, and other styles
39

Bastos, Clodoaldo do Nascimento. "Capitalismo e crítica social no filme Blade Runner." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/9112.

Full text
Abstract:
Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-11-30T13:39:20Z No. of bitstreams: 2 Dissertação - Clodoaldo do Nascimento Bastos - 2018.pdf: 5758494 bytes, checksum: da6edfe4109c5e22769592bf58b40901 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-12-03T12:55:51Z (GMT) No. of bitstreams: 2 Dissertação - Clodoaldo do Nascimento Bastos - 2018.pdf: 5758494 bytes, checksum: da6edfe4109c5e22769592bf58b40901 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf84
APA, Harvard, Vancouver, ISO, and other styles
40

Bizarro, Maristela Sanches. "A relação humano maquínico no imaginário cinematográfico." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/4568.

Full text
Abstract:
Made available in DSpace on 2016-04-26T18:13:27Z (GMT). No. of bitstreams: 1 Dissertacao Maristela Sanches Bizarro.pdf: 13547050 bytes, checksum: a6ffbdc88374442a3c2df7466325e97c (MD5) Previous issue date: 2005-11-04<br>nenhum<br>This work studies the human-machinic relation in the cinematographic imaginary. It is based on Phenomenology and General Theory of the Signs developed by Charles Sanders Peirce. For our study we choosed three science fiction movies that reflect three moments of the technological innovations that marked the twenty century culture: Industrial Revolution, Electronic R
APA, Harvard, Vancouver, ISO, and other styles
41

Marangoni, Melissa. "Ready Player One: The Analysis of Specific Dialogue Translation Problems and Potential Cultural Consequences." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18346/.

Full text
Abstract:
In a world where we find ourselves constantly talking about “the latest Oscar-material movie” and “that new super cool Netflix series”, it is impossible to deny that the entertainment industry is one of the biggest money machines ever created. The global box office revenue is forecast to reach the 50 billion USD mark in 2020 (Statista, 2018) and the global entertainment market size is expected to reach 114.93 billion USD by 2025 (Financial Buzz, 2018). Throughout the years, accessing media products has become increasingly easier (Parrot Analytics, 2018), to the point where we now have an incre
APA, Harvard, Vancouver, ISO, and other styles
42

Lopez, Floriane. "Le simulacre contemporain : corps et identités dans le cinéma de science-fiction." Caen, 2013. http://www.theses.fr/2013CAEN1697.

Full text
Abstract:
Le cinéma de science-fiction se nourrit des peurs et des fantasmes de la société : il révèle un inconscient collectif à travers un imaginaire qui lui est propre. À la fin du XXe siècle, ce genre tend à éclairer la fascination et l’effroi suscités par le changement de millénaire. Un concept cristallise les passions affectant une société en pleine mutation : le simulacre. De Platon à Baudrillard, la notion traverse les siècles. Ancrée dans un passé philosophique très dense, elle prend une acuité nouvelle avec l’apparition des nouvelles technologies informatiques et des procédés de simulations vi
APA, Harvard, Vancouver, ISO, and other styles
43

Dutra, Daniel Iturvides. "Literatura de ficção-científica no cinema : a transposição para a mídia fílmica de A Máquina do Tempo de H. G. Wells." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/21566.

Full text
Abstract:
Esta dissertação realiza uma análise do livro A Máquina do Tempo, escrito por H.G. Wells em 1895, e sua transposição fílmica homônima realizada por George Pal em 1960 dentro do escopo do gênero ficção-científica. São analisadas as mudanças que foram realizadas no processo de transposição da literatura para o cinema. Este trabalho discute inicialmente as características do gênero ficção-científica na literatura, como o gênero se diferencia de outros gêneros como a literatura fantástica, por exemplo, e quais são os elementos que compõem a identidade do gênero ficção-científica. Em um segundo mom
APA, Harvard, Vancouver, ISO, and other styles
44

Hougron, Alexandre. "L'altérité dans le cinéma américain de science-fiction : relevé et étude des représentations et des significations de l'autre dans le cinéma américain de science-fiction de 1925 à 1995." Paris 3, 1996. http://www.theses.fr/1997PA030009.

Full text
Abstract:
Le propos de cette etude est d'etablir un releve des representations de l'alterite dans le cinema de science-fiction americain de 1925 a 1995 et d'en eclairer les motivations et les significations dans une optique anthropologique, culturelle et esthetique. Comme critere central, l'image de l'autre permet d'aborder tous les stereotypes imaginaires de ce cinema (univers futuristes et utopiques, voyages dans l'espace et le temps, extraterrestres, monstres, robots, mutants) et de proceder sur eux a une recherche des sources. L'histoire sociale et politique des etats-unis ou bien la litterature de
APA, Harvard, Vancouver, ISO, and other styles
45

Rivière, Nathalie. "Le cinéma américain de science-fiction de 1968 à 2001 : prospective et perspectives." Caen, 2007. http://www.theses.fr/2007CAEN1474.

Full text
Abstract:
D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? Ces trois questions existentielles sous-tendent le film de Stanley Kubrick, 2001, A Space Odyssey. Ce récit résume un siècle de science-fiction à travers ses thèmes majeurs comme la conquête de l’espace, la recherche d’une intelligence non terrestre, la technologie, la robotisation, le désir de surpasser le créateur qu’il s’agisse de l’homme ou de Dieu lui-même, ou encore la solitude de l’homme face à l’immensité de l’univers. L’homme est le sujet de 2001, A Space Odyssey. De ses origines à son avenir, Kubrick nous montre son évolution. Plu
APA, Harvard, Vancouver, ISO, and other styles
46

Acosta, Aguilar José Rodrigo. "La producción fílmica fe ciencia ficción en el Perú: La visión de la audiencia y los realizadores de cine en el Perú, sobre la carencia de la ciencia ficción como género cinematográfico en el panorama nacional, y cómo esta carencia se relaciona a los discursos preestablecidos sobre el tratamiento de género en nuestro país." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/656508.

Full text
Abstract:
La visión de espectadores y cineastas, por igual, en el contexto de la falta de ciencia ficción como género cinematográfico en el Perú, y las teorías detrás de los intereses cinematográficos de los cineastas latinoamericanos. El presente texto tocará una visión analítica de la problemática de producción en el Perú para un género tan universal como lo es la ciencia ficción, a su vez revisará consecutivamente los pormenores del porvenir contextual de la ciencia ficción como género en el mundo, criterios estilísticos de la misma, definiciones, y consideraciones temáticas, adentrándonos en la
APA, Harvard, Vancouver, ISO, and other styles
47

Lingelser, Julien. "Filmer Venise : Imaginaire et interprétation d'un espace urbain fictionnel." Phd thesis, Université de Haute Alsace - Mulhouse, 2011. http://tel.archives-ouvertes.fr/tel-00730648.

Full text
Abstract:
Plusieurs encriers se sont déjà épuisés à écrire sur la Venise des films, mais leurs études étaient avant tout d'ordre historique. Nous tenons compte de cette approche, de cette histoire de l'imaginaire, car nous pensons qu'elle est le passage vers un regard esthétique sur certaines interprétations de l'espace vénitien, tel qu'il est représenté dans le cinéma de fiction. Choisies pour leur éclectisme mais aussi pour leurs éventuelles correspondances, les images de notre corpus filmographique nous entraînent vers une analyse variée de l'espace du plan (le cadre, le champ) et de celui du montage
APA, Harvard, Vancouver, ISO, and other styles
48

Rodriguez, Nogueira François. "La société totalitaire dans le récit d'anticipation dystopique, de la première moitié du XXè siècle, et sa représentation au cinéma." Thesis, Nancy 2, 2009. http://www.theses.fr/2009NAN21030/document.

Full text
Abstract:
La tradition utopique a longtemps entretenu le rêve d'une société idéale située dans un ailleurs, un u-­- topos, le "lieu qui n'est pas" dans L'Utopie de Thomas More. La représentation de ces utopies est indissociable d'un facteur déterminant pour la construction d'un monde meilleur : le progrès. Ainsi, cette tradition se caractérise par l'accent prométhéen d'une telle entreprise, c'est des mains de l'homme que sera façonnée cette nouvelle société. Cependant, le point de vue sur la possibilité d'une société idéale va progressivement s'infléchir, notamment au cours du XIXe siècle, pour s'invers
APA, Harvard, Vancouver, ISO, and other styles
49

Achouche, Mehdi. "L'Utopisme technologique dans la science-fiction hollywoodienne, 1982-2010 : transhumanisme, posthumanité et le rêve de "l'homme-machine"." Phd thesis, Université de Grenoble, 2011. http://tel.archives-ouvertes.fr/tel-00779615.

Full text
Abstract:
La technologie et le progrès technologique occupent une place centrale dans l'histoire et dans l'imaginaire américain. En même temps que la Révolution Industrielle apparaissent aux États-Unis les premières réelles expressions d'un utopisme technologique loin de se confiner à la littérature ou à la seule fiction - la nation et le monde pourront bientôt être transformés pour le meilleur par la technologie américaine. La science-fiction s'emparera bientôt de l'idée, traduisant aujourd'hui encore un rêve et des valeurs étroitement associés à l'identité et au projet national et reposant au cœur de
APA, Harvard, Vancouver, ISO, and other styles
50

Bessières, Vivien. "Antiquité et postmodernité : les intertextes gréco-latins dans les arts à récit depuis les années soixante (fiction, théâtre, cinéma, série télévisée, bande dessinée)." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00663436.

Full text
Abstract:
La postmodernité est peut-être une époque de crise des humanités : depuis les années 60, l'apprentissage du latin et du grec est en chute libre. Les arts n'en continuent pas moins, toutefois, de recourir à la matière antique. Dans les arts à récit, c'est-à-dire à dominante narrative, l'esthétique postmoderne traite moins l'Antiquité comme une source de genres à imiter et adapter, à la manière des classiques, ou comme un ensemble de récits à parodier et transposer, à la façon moderne, que comme un corpus de textes auquel recourir pour pasticher les genres, déconstruire les récits, et notamment
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Science fiction cinema' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography