Academic literature on the topic 'Science-Fiction <Motiv>'

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Journal articles on the topic "Science-Fiction <Motiv>"

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Glatzer, Ulrich. "Science Fiction." kma - Klinik Management aktuell 9, no. 05 (2004): 60–61. http://dx.doi.org/10.1055/s-0036-1572785.

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Werbung wirkt. Man fragt sich zwar oft, wieso einige Strategen ausgerechnet dieses oder jenes Motiv verwenden, Fakt ist jedoch: Werbung verlieh schon so manchem Produkt Flügel. Eine erfolgreiche Motivationskampagne zur Blutspende hat auch die Bundeszentrale für gesundheitliche Aufklärung hinter sich. So erfolgreich, dass die neue Kampagne inzwischen Kritik hervorruft: Es sei Verschwendung von Regierungsmitteln, für Blutspenden zu werben.
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Berger, Norbert. "Das Motiv der Zeitreise in zeitgenössischen Romanen." Literatur für Leser 39, no. 2 (2017): 123–36. http://dx.doi.org/10.3726/3373_123.

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Trotz der Relativitätstheorie Einsteins, der nachwies, ,,dass für Systeme, die sich mit hoher Geschwindigkeit bewegen, die Zeit langsamer als auf der Erde vergeht“1, was Reisen in die Zukunft als prinzipiell möglich erscheinen lässt, ist es ein bislang unerfüllt gebliebener und nach dem derzeitigen Stand der Wissenschaft auch unerfüllt bleibender Menschheitstraum, in die Vergangenheit oder in die Zukunft zu reisen, dadurch das Leben vergangener oder kommender Epochen hautnah nachzuvollziehen, unter Umständen sogar einen verhängnisvollen Verlauf der Historie oder der eigenen Biographie zu verän
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Yuldoshova, Shaxnoza. "COMMON ARTISTIC INTERPRETATION OF THE MOTIF IN SCIENCE FICTION." Miasto Przyszłości Vol. 49 (2024) (June 26, 2024): 772–75. https://doi.org/10.5281/zenodo.12541818.

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&nbsp; <strong>Abstract:</strong> The article reveals the analysis of literary motifs that are common in fiction and science fiction works of world and Uzbek literature. Some common literary motifs in science fiction include alien encounters and space exploration, technology and its implications, dystopian societies, genetic engineering, artificial intelligence, time travel and inter-temporal travel, environmental issues and their artistic significance.
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Moscoso, Manolete S. "Mindfulness, autorregulación emocional y reducción de estrés: ¿ciencia o ficción?" Revista Mexicana de Investigación en Psicología 10, no. 2 (2019): 101–21. http://dx.doi.org/10.32870/rmip.v10i2.459.

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Mindfulness —la práctica de enfocar y sostener la atención en el momento presente, sin elaborar juicios de valor— es un modelo de intervención psicológica basado en evidencia empírica sobre el cual se ha generado un creciente interésdurante las dos últimas décadas estimulado por el desarrollo de las ciencias neurocognitivas. La magnitud de los efectos de los dos modelos más importantes de intervención en mindfulness —reducción del estrés basada en mindfulness (MBSR) y terapia cognitiva basada en mindfulness (MBCT)— en los procesos de regulación emocional y reducción de estrés se encuentran act
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Malykh, V. S. "TRANSFORMATION OF A FAIRY TALE IN «HYBRID» SCIENCE FICTION (BASED ON AMERICAN AND RUSSIAN PROSE OF THE XXth CENTURY)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 99–109. http://dx.doi.org/10.35634/2500-0748-2020-12-99-109.

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The article introduces and substantiates the concept of «hybrid» science fiction, which combines the elements of science fiction and horror fiction. In «hybrid» fiction, science fiction surroundings cannot rationalize the text, but, on the contrary, they are replaced by motives of supernatural horror. «Hybrid» science fiction, in contrast to «hard» science fiction , develops the idea of ​​ unknowability of the Universe. It is worth mentioning here, that «hard» science fiction has been described well enough, but there is a shortage of research work in relation to its «hybrid» version, so this r
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Malykh, V. S. "TRANSFORMATION OF A FAIRY TALE IN «HYBRID» SCIENCE FICTION (BASED ON AMERICAN AND RUSSIAN PROSE OF THE XXth CENTURY)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 99–109. http://dx.doi.org/10.35634/2500-0748-2020-12-99-109.

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The article introduces and substantiates the concept of «hybrid» science fiction, which combines the elements of science fiction and horror fiction. In «hybrid» fiction, science fiction surroundings cannot rationalize the text, but, on the contrary, they are replaced by motives of supernatural horror. «Hybrid» science fiction, in contrast to «hard» science fiction , develops the idea of ​​ unknowability of the Universe. It is worth mentioning here, that «hard» science fiction has been described well enough, but there is a shortage of research work in relation to its «hybrid» version, so this r
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Bok, Dohoon. "From Apocalypse to Extinction: Korean Science Fiction and Extinction Discourse in the 2020s." Center for Asia and Diaspora 13, no. 2 (2023): 69–99. http://dx.doi.org/10.15519/dcc.2023.08.13.2.69.

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This paper examines the discourse of extinction in Korean science fiction(SF) in the 2020s. In this paper, extinction is situated in two contexts: climate change and artificial intelligence(AI). First, Anthropocene extinction is the result of the human capacity for detrimental planetary action, including accelerating the extinction of species, including their owns. Second, mechanical evolutionary extinction is the result of less improved forms of humans social evolution into better forms through technology.&#x0D; In the 2020s, extinction emerged as a thematic lexicon to replace the apocalyptic
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Bohrmann, Thomas. "Mensch und KI in der Science-Fiction. Filmethische Überlegungen." Communicatio Socialis 55, no. 3 (2022): 332–44. http://dx.doi.org/10.5771/0010-3497-2022-3-332.

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Filme erzählen Geschichten über Moral und Unmoral und beteiligen sich am gesellschaftlichen Diskurs über aktuelle Themen. Besonders der Science-Fiction-Film präsentiert Motive, die gegenwärtig die Menschheit bewegen und projiziert sie in eine imaginäre Zukunft. Obwohl Filme nicht prophetisch in die Zukunft blicken können, bieten sie Diskussionsstoff, um auf zukünftige Probleme aufmerksam zu machen. Eines der häufig wiederkehrenden Themen der Science-Fiction ist die künstliche Intelligenz, die im Film sowohl als körpergebundene KI (humanoide Roboter) als auch als körperlose KI (mächtige Compute
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Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (2018): 888. http://dx.doi.org/10.22409/gragoata.2018n47a1211.

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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and
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Brooks, Thomas, Cole Rehbein, Stephen Reysen, Courtney Plante, Sharon Roberts, and Andrew Tague. ""Don't be too proud of this technological terror you've constructed"." Journal of Digital Social Research 6, no. 3 (2024): 147–62. http://dx.doi.org/10.33621/jdsr.v6i3.33328.

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Transhumanism is a school of thought that promotes the enhancement of humanity through technological intervention (e.g., cloning, gene therapies, uploading one’s mind to a computer, nanotechnology). Due to its aims of altering evolutionary processes (Bostrom, 2005), transhumanism is highly controversial (Sinicki, 2015). The ideology finds support from younger men, as well as those engaged in science-fiction literature (Gangadharbatla, 2020; Koverola et al., 2022). The present study aimed to investigate the role of gender and specific science fiction fan identities as predictors of transhumanis
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Dissertations / Theses on the topic "Science-Fiction <Motiv>"

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Edinger, Stephan. "Literarische Reisen zu fernen Planeten : eine ideengeschichtliche Untersuchung zur französischen Literatur des 19. Jahrhunderts." Marburg Tectum-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2715804&prov=M&dokv̲ar=1&doke̲xt=htm.

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Junior, Newton Ribeiro Rocha. "Creator and creature in William Gibson´s "Neuromancer": the promethean motif in science fiction." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7E2KKV.

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The human pursuit of knowledge is the core of the Prometheus myth and science fiction (SF). The punishment of Prometheus is a reflection of the double nature of know­ledge: it can be used for the benefit or the destruction of humanity. SF shares this topic, representing the complex relation between the human race and knowledge through many forms: the encounter with alien cultures and extraterrestrials, the consequences of technologi­cal development, and the confrontation between civilization and its creations. SF works are contemporary representations of the Promethean drama, especially in the
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Jaroš, Tomáš. "Výtvarná koncepce filmu "The Steel Spring" na motivy románu Per Wahloo "Stalsprangert", vize Sary Bergmark Elfgren na motivy románui Per Wahloo "Stalsprangert, vize postapokalyptického světa ve světové kinematografii." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202440.

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The aim of this diploma thesis is to display the world after apocalypse in a particular movie The Steel Spring based on the novel "Stalsprangert" by Per Wahloo. This thesis consists of two parts, theoretical and own proposal. The theoretical part deals with the definiton of science fiction genre and display of the world after apocalypse in a cinematography. I decided to analyze a few selected movies to show the diversity of different creative approaches of this topic. In the analysis I focused on the visual side, the use of different atmosphere and locations in the films. In the second part I
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Books on the topic "Science-Fiction <Motiv>"

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author, Blode Ulrich, ed. Phantastische Gärten. Gottfried-Wilhelm-Leibniz-Bibliothek, 2012.

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Inc, ebrary, ed. Futurescapes: Space in utopian and science fiction discourses. Rodopi, 2009.

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Kneis, Philipp. The emancipation of the soul: Memes of destiny in American mythological television. Peter Lang, 2010.

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Kneis, Philipp. The emancipation of the soul: Memes of destiny in American mythological television. Peter Lang, 2010.

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Koch, Markus. Alien-Invasionsfilme: Die Renaissance eines Science-Fiction-Motivs nach dem Ende des Kalten Krieges. Diskurs-Film-Verlag Schaudig & Ledig, 2002.

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Sacha-Eisleb, Katharina. Engel, Menschen, Monstren: Ausserirdische in der viktorianischen Science Fiction : zur Entwicklung eines literarischen Motivs. Wissenschaftlicher Verlag Berlin, O. Gaudig & P. Veit, 2000.

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Dowling, David. Fictions of Nuclear Disaster. University of Iowa Press, 1987.

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1949-, Palumbo Donald, ed. Eros in the mind's eye: Sexuality and the fantastic in art and film. Greenwood Press, 1986.

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Bleiler, Everett Franklin. Science-fiction, the early years: A full description of more than 3,000 science-fiction stories from earliest times to the appearance of the genre magazines in 1930 : with author, title, and motif indexes. Kent State University Press, 1990.

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Sarah, Sceats, and Cunningham Gail, eds. Image and power: Women in fiction in the twentieth century. Longman, 1996.

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Book chapters on the topic "Science-Fiction <Motiv>"

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Kogel, Dennis, and Iris Schäfer. "The Doppelgänger Motif in Science Fiction Film." In Of body snatchers and cyberpunks. Göttingen University Press, 2011. http://dx.doi.org/10.17875/gup2021-1678.

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MacArthur, Sian. "‘The Last Man in the World’: Gothic Motif in the Apocalyptical Novel." In Gothic Science Fiction. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137389275_3.

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Zechner, Anke. "Cinema and the Motif of Poison as Intermingling." In Poison and Poisoning in Science, Fiction and Cinema. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64909-2_12.

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Zhu, Sixin. "Research on the Motif of Chinese Science Fiction Literature Based on Big Data Mining." In Proceedings of the 2022 3rd International Conference on Big Data and Social Sciences (ICBDSS 2022). Atlantis Press International BV, 2022. http://dx.doi.org/10.2991/978-94-6463-064-0_12.

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"Das Motiv der ersten Begegnung in Bewohnbarkeitsphantasien der Science Fiction." In Exotische Welt in populären Lektüren. Max Niemeyer Verlag, 1990. http://dx.doi.org/10.1515/9783110948820-009.

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Lampadius, Stefan. "Immortality and Digital Rebirth in Science Fiction." In Dem Tode zum Trotz: Unsterblichkeit und Wiedergeburt in der Phantastik / Defying Death: Immortality and Rebirth in the Fantastic (Symposium 2023 in Magdeburg). Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2025. https://doi.org/10.32784/libaac-3468.

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Immortality and great longevity were long considered divine gifts of the immortals or, at least, supernatural phenomena, but they repeatedly appear within the reach of human power in science fiction. Beginning with Mary Shelley’s foundational novel Frankenstein (1818), the ambition of defying death is closely connected to the motif of the artificial human. In the context of the Digital Age, mind uploading has emerged as a related concept for artificial life extension or even as a digital rebirth. This article discusses mind uploading as an attempt to defeat death in Anglophone science fiction
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Ahmed, Omar. "American Jesus." In RoboCop. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325253.003.0005.

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This chapter assesses the portrayal of the cyborg in Paul Verhoeven's RoboCop (1987). RoboCop was part of the cycle of 1980 films in which the cyborg was consolidated as a genuinely ambivalent iconographic motif of science-fiction cinema. In many ways, it is the complicated experience of emotion and memory that defines the ubiquity of the cyborg in science-fiction cinema. The chapter then considers the ‘transmigration’ theory of Robotics professor Hans Moravec, who helped pioneer the development of Artificial Intelligence (A.I.). It also discusses religious, philosophical, and mythological dim
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Skowera, Maciej, and Joanna Żygowska. "Krajobraz po „krajobrazie po Terakowskiej”, czyli o najnowszej polskiej fantastyce dziecięcej i młodzieżowej." In Imaginautka zaangażowana. Twórczość i biografia Doroty Terakowskiej z perspektywy XXI wieku. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2021. http://dx.doi.org/10.24917/9788380847460.21.

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The landscape after “the landscape after Terakowska,” or on the latest Polish children’s and young adult fantasy and science fiction The chapter is an attempt to outline the landscape of Polish children’s and young adult fantasy and science fiction in the last dozen or so years, with particular emphasis on the works of the most important authors, as well as on key development trends, popular topics, and original phenomena. Attention has been paid to the writings of Andrzej Maleszka, Marta Kisiel, Marcin Szczygielski, Justyna Bednarek, and Małgorzata Strękowska-Zaremba. In the course of the ana
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Pak, Chris. "Conclusion." In Terraforming. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382844.003.0007.

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Paying special attention to the role of landscaping, Bakhtinian dialogism, the science fictional megatext, pastoral and utopian discourse, ecology and environmentalism, the conclusion to Terraforming considers how the terraforming motif provides a point of convergence for all these dynamics and discourses. The main part of this section reflects on the terraforming narratives that have been published during and after the mid-1990s and suggests many fruitful avenues for further research into terraforming. Ultimately, this section argues that terraforming demonstrates the tendency for science fic
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Milner, Andrew, and J. R. Burgmann. "Ice, Fire and Flood: A Short Pre-history of Climate Fiction." In Science Fiction and Climate Change. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621723.003.0001.

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This chapter argues that catastrophic climate change fictions have been organised around three main tropes: the new ice age, the burning world and the drowned world. Of these, only the last has a deep history in the Western mythos, dating back to stories of a Great Flood in Genesis and the Epic of Gilgamesh. When modern science fiction (SF) began to take shape in the early nineteenth century, it inherited a preoccupation with the Flood from its parent cultures, for example, Mary Shelley’s The Last Man, Richard Jefferies’s After London and Jules Verne’s Sans dessus dessous. This flood motif con
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Conference papers on the topic "Science-Fiction <Motiv>"

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Catros, S. "A quoi servent les Bio-Imprimantes 3D ?" In 66ème Congrès de la SFCO. EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206601012.

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Les imprimantes 3D existent depuis plusieurs décennies et le principe général de la fabrication additive est de déposer des couches successives de matériau afin dobtenir un volume, à partir d’un modèle défini à l’avance grâce à une interface informatique. Depuis quelques années, ces imprimantes sont utilisées dans le domaine médical : ainsi, les chirurgiens peuvent obtenir une réplique en résine d’une situation clinique afin de planifier leur geste chirurgical pour réaliser des interventions moins invasives. Par ailleurs, on peut aujourdhui imprimer certains biomatériaux synthétiques sur mesur
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