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1

author, Blode Ulrich, ed. Phantastische Gärten. Gottfried-Wilhelm-Leibniz-Bibliothek, 2012.

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2

Inc, ebrary, ed. Futurescapes: Space in utopian and science fiction discourses. Rodopi, 2009.

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3

Kneis, Philipp. The emancipation of the soul: Memes of destiny in American mythological television. Peter Lang, 2010.

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4

Kneis, Philipp. The emancipation of the soul: Memes of destiny in American mythological television. Peter Lang, 2010.

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5

Koch, Markus. Alien-Invasionsfilme: Die Renaissance eines Science-Fiction-Motivs nach dem Ende des Kalten Krieges. Diskurs-Film-Verlag Schaudig & Ledig, 2002.

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6

Sacha-Eisleb, Katharina. Engel, Menschen, Monstren: Ausserirdische in der viktorianischen Science Fiction : zur Entwicklung eines literarischen Motivs. Wissenschaftlicher Verlag Berlin, O. Gaudig & P. Veit, 2000.

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7

Dowling, David. Fictions of Nuclear Disaster. University of Iowa Press, 1987.

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8

1949-, Palumbo Donald, ed. Eros in the mind's eye: Sexuality and the fantastic in art and film. Greenwood Press, 1986.

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9

Bleiler, Everett Franklin. Science-fiction, the early years: A full description of more than 3,000 science-fiction stories from earliest times to the appearance of the genre magazines in 1930 : with author, title, and motif indexes. Kent State University Press, 1990.

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10

Sarah, Sceats, and Cunningham Gail, eds. Image and power: Women in fiction in the twentieth century. Longman, 1996.

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11

Traumstadt und Armageddon: Zukunftsvisionen und Weltuntergang im Science-Fiction-Film. Ares, 2007.

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12

Science Fiction in the Media. Abdo Publishing Company, 2006.

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13

Zimny, Claudia. '2001: A Space Odyssey' - Das Motiv der Reise in Stanley Kubricks Science-fiction-Film. GRIN Verlag GmbH, 2011.

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14

Decoding gender in science fiction. Routledge, 2002.

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15

Limon, John. Place of Fiction in the Time of Science: A Disciplinary History of American Writing. Cambridge University Press, 2009.

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16

Limon, John. Place of Fiction in the Time of Science: A Disciplinary History of American Writing. Cambridge University Press, 2011.

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17

Race Ethnicity And Nuclear War Representations Of Nuclear Weapons And Postapocalyptic Worlds. Liverpool University Press, 2012.

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18

Cowan, Douglas E. Sacred Space: The Quest for Transcendence in Science Fiction Film and Television. Baylor University Press, 2020.

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19

Cowan, Douglas E. Sacred Space: The Quest for Transcendence in Science Fiction Film and Television. Baylor University Press, 2012.

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20

Limon, John. The Place of Fiction in the Time of Science: A Disciplinary History of American Writing (Cambridge Studies in American Literature and Culture). Cambridge University Press, 2009.

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21

Weber, Thomas. Medialität Als Grenzerfahrung: Futurische Medien Im Kino der 80er und 90er Jahre. Transcript Verlag, 2015.

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22

Medialität als Grenzerfahrung. Transcript Verlag, 2008.

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23

Pak, Chris. Terraforming. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382844.001.0001.

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This book explores the emergence and development of terraforming in science fiction from H.G. Wells’s The War of the Worlds (1898) to James Cameron’s blockbuster Avatar (2009). Terraforming is the process of making other worlds habitable for human life. Its counterpart on Earth—geoengineering—has been positioned as a possible means of addressing the effects of climate change. This book asks how science fiction has imagined the ways we shape both our world and other planets and how stories of terraforming reflect on science, society and environmentalism. It traces the growth of the motif of ter
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24

Kneis, Philipp. Emancipation of the Soul: Memes of Destiny in American Mythological Television. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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25

Kneis, Philipp. Emancipation of the Soul: Memes of Destiny in American Mythological Television. Lang Publishing, Incorporated, Peter, 2011.

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26

The emancipation of the soul: Memes of destiny in American mythological television. P. Lang, 2010.

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27

Standish, David. Hollow Earth: The Long and Curious History of Imagining Strange Lands, Fantastical Creatures, Advanced Civilizatio. Hachette Books, 2007.

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28

Standish, David. Hollow Earth. Perseus Books Group, 2006.

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29

Standish, David. Hollow Earth: The Long and Curious History of Imagining Strange Lands, Fantastical Creatures, Advanced Civilization, and Marvelous Machines Below the Earth's Surface. Hachette Books, 2007.

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30

Fictions of nuclear disaster. Macmillan, 1987.

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31

Dowling, David. Fictions of Nuclear Disaster. Palgrave Macmillan, 1987.

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32

Der verführte Jesus: Anakin Skaywalker und die Dunkle Seite der Macht. Biblische Motive in der Science-Fiction Saga 'Star Wars'. GRIN Verlag GmbH, 2010.

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33

Calabrese, Louis J. A Means, Motive, and Opportunity: A Novel of Conspiracy, Controversy, and Corruption. 1st Books Library, 1999.

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34

Dicționar SF: Artiști plastici, autori, edituri, mass-media, motive, personalități. Nemira, 1999.

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35

Cunningham, Gail, and Sarah Sceats. Image and Power: Women in Fiction in the Twentieth Century. Taylor & Francis Group, 2014.

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36

Cunningham, Gail, and Sarah Sceats. Image and Power: Women in Fiction in the Twentieth Century. Taylor & Francis Group, 2017.

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37

Cunningham, Gail, and Sarah Sceats. Image and Power: Women in Fiction in the Twentieth Century. Taylor & Francis Group, 2014.

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38

Ruth, Heller. El Motivo De Una Flor. Editorial Grijalbo (MX), 1993.

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39

(Editor), Gail Cunningham, and Sarah Sceats (Editor), eds. Image and Power: Women in Fiction in the Twentieth Century. Addison Wesley Publishing Company, 1996.

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40

Cunningham, Gail, and Sarah Sceats. Image and Power: Women in Fiction in the Twentieth Century. Taylor & Francis Group, 2014.

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41

(Editor), Sarah Sceats, and Gail Cunningham (Editor), eds. Image and Power: Women in Fiction in the Twentieth Century. Addison Wesley Publishing Company, 1996.

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42

Cunningham, Gail, and Sarah Sceats. Image and Power: Women in Fiction in the Twentieth Century. Taylor & Francis Group, 2014.

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43

Ruth, Heller. Motivo De Una Flor/Reason for a Flower. Tandem Library, 2003.

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44

The Black female body in American literature and art: Performing identity. Routledge, 2012.

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