Relevant bibliographies by topics / Science fiction romance

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Science fiction romance'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Science fiction romance"

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Molesworth, Mike. "A Heteronomous Consumer Romance." Marketing Theory 20, no. 2 (2020): 159–65. http://dx.doi.org/10.1177/1470593119897767.

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In the spirit of dystopian science fiction, this story imagines marketing in a near future. A reader might recognise that there is a relationship between aesthetic forms (stories) and the dramas that play out in society and so although this is fiction, it is also about the critical concerns that are emerging in the use of corporate technologies. The story draws from theory that suggests our most intimate relationships are embedded in and create market structures, and on theory that accounts for how technology (and especially AI) has significant impact on market practices. Core ideas also refer
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High, Holly. "Anthropology and anarchy: Romance, horror or science fiction?" Critique of Anthropology 32, no. 2 (2012): 93–108. http://dx.doi.org/10.1177/0308275x12438426.

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Nicol, Charles. "Nabokov and Science Fiction: “Lance”." Science Fiction Studies 14, Part 1 (1987): 9–20. https://doi.org/10.1525/sfs.14.1.0009.

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On the surface, Vladimir Nabokov’s attitude towards SF appears self-contradictory: he frequently disparaged the genre, but admired H.G. Wells and other SF authors: moreover, a number of his own works appear to be SF. “Lance” is typical: although including a harsh criticism of SF, this story of the first landing on Mars is itself demonstrably S-F. However, it is also a retelling of a medieval romance and a description of mountain-climbing. The inspiration for the story appears to be Nabokov’s son’s actual mountaineering, which Nabokov regarded with admiration and fear. The conclusion which all
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Brackett, Kim Pettigrew. "Facework strategies among romance fiction readers." Social Science Journal 37, no. 3 (2000): 347–60. http://dx.doi.org/10.1016/s0362-3319(00)00073-2.

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Freedman, Carl. "Kubrick’s 2001 and the Possibility of a Science-Fiction Cinema." Science Fiction Studies 25, Part 2 (1998): 300–318. https://doi.org/10.1525/sfs.25.2.0300.

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Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick’s most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a central and virtually disabling contradiction: between the cognitive and critical structure of science fiction as a literary mode, on the one hand, and,
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Boyarkina, Iren. "Utopias and Dystopias in Last and First Men (1930) by William Olaf Stapledon." Caietele Echinox 46 (June 1, 2024): 335–48. http://dx.doi.org/10.24193/cechinox.2024.46.25.

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This paper aims at analyzing utopias and dystopias in Last and First Men (1930) by William Olaf Stapledon. Taking into consideration that this narrative was already defined as a scientific romance and an anatomy with allegorical status, as well as McCarthy's observation that Stapledon’s writing resists simple categorization and that its classification as science fiction or utopian literature is inadequate, this paper suggests several definitions for Stapledon’s work. The author also takes into account the ongoing dispute between utopian studies and science fiction scholars about the strong int
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Arnold-Forster, Agnes. "Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction." History Workshop Journal 91, no. 1 (2021): 157–81. http://dx.doi.org/10.1093/hwj/dbab011.

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Abstract Following the foundation of the NHS in 1948, a new sub-genre of romantic fiction emerged: ‘Doctor–Nurse’ romances, usually involving romance between a male doctor and a female nurse, were set in NHS hospitals. Drawing on the Mills & Boon archive and the novels themselves, this article explores representations of the health service and notions of gendered healthcare professionalism in postwar Britain. I argue that rather than presenting ‘retrograde’ and ‘limited’ views of women’s lives, medical Mills & Boon novels frequently put forward nuanced versions of womanhood, profession
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Luo, Yuan. "The Study on Transitivity of Scientific Fiction: The Time Machine as an Example." International Journal of Linguistics, Literature and Translation 5, no. 6 (2022): 122–34. http://dx.doi.org/10.32996/ijllt.2022.5.6.14.

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Corpus as a tool has been introduced in literature and linguistics for many years, allowing linguistic features and authorial style more visible and appreciable to readers. Based on Biber’s MD/MF method and semantic field, this research is interested in linguistic features of science fiction and finds that transitivity is what makes science fiction distinguishable from science articles and novels. The current research is corpus-based, and corpora included in this research consist of Silence Spring (science article), The Time Machine (science fiction), and Jane Eyre (romance novel). This paper
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Vint, Sherryl. "Science Fiction." Perspectives on Science and Christian Faith 74, no. 3 (2022): 191–92. http://dx.doi.org/10.56315/pscf9-22vint.

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SCIENCE FICTION by Sherryl Vint. Cambridge, MA: The MIT Press, 2021. 224 pages. Paperback; $15.95. ISBN: 9780262539999. *Science Fiction is the story of the romance between fiction and science. The goal of the book is not to define the history or essence of science fiction, but rather to explore what it "can do" (p. 3). How does fiction affect scientific progress? How does it influence which innovations we care about? In the opposite direction, what bearing does science have on the stories that are interesting to writers at a point in time? Science Fiction references hundreds of books to paint
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Levin, David, and Emily Miller Budick. "Fiction and Historical Consciousness. The American Romance Tradition." Journal of American History 76, no. 4 (1990): 1231. http://dx.doi.org/10.2307/2936598.

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Dissertations / Theses on the topic "Science fiction romance"

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Croci, D. "'THE END WILL BE THE OVER-MAN': UTOPIA AND DYSTOPIA BETWEEN SCIENTIFIC ROMANCE AND GRAPHIC NOVEL." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/527570.

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Questa tesi si propone di rintracciare l’influenza dello scrittore britannico H. G. Wells sulla nascita e sviluppo dei comics di supereroi all’interno del contesto angloamericano. Per prima cosa, il lavoro esamina come i primi scientific romance di Wells – The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), The War of the Worlds (1898), e When the Sleeper Wakes (1899) – prendano le mosse dall’episteme scientifica e dalla tradizione del romance tardovittoriano per esplorare la dimensione utopica-distopica del superomismo. Quindi, la tesi analizza la penetrazio
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Balster, Lori Maria Tarkany. "Cassie Dates Melvin: Or, How Two People Struggle to Save Their Town Despite a Few Small Obstacles Such as Killer Philodendrons (an Excerpt from Book Two in a Series)." University of Dayton / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1280259112.

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Junior, Edison Gomes. "A carne cibernética: um estudo semiótico sobre corpo e ética no romance de fcção científica Androides sonham com ovelhas elétricas? de Philip K. Dick." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17092015-164752/.

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Esse estudo pretende analisar como o corpo está presente no texto literário tanto no que tange à sua expressão, assim como ao seu conteúdo. A partir da semiótica do discurso, que elabora a ideia de enunciação viva (nos moldes propostos por Jacques Fontanille), e da semiótica do vestígio, que explora a ideia de um enunciador corporificado (proposta pelo mesmo autor), cujo corpo deixa vestígios no texto, desejase entender as manifestações expressivas e figurativas do corpo no romance distópico de ficção científica Androides sonham com ovelhas elétricas? de Philip K. Dick. Acreditase que dentro d
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Porta, Fernando. "Narrative strategies in H.G. Wells's romances & short stories (1884-1910)." Thesis, University of Reading, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339482.

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Maurer, Julia. "([R]é)Volution du Langage : la science-fiction selon Alain Damasio." Electronic Thesis or Diss., Université Côte d'Azur, 2025. http://www.theses.fr/2025COAZ2013.

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Notre analyse consiste à étudier l'écriture singulière d'Alain Damasio, auteur français contemporain, et sa réflexion métalittéraire et métalinguistique révélée par le prisme de multiples langages (argotique, familier, médiéval, littéraire, technique, érudit, etc.), procédés littéraires inventifs (créations lexicales, jeux de mots et jeux sur les sonorités, typoésie, etc.) et enjeux narratologiques (structures qui font signe vers l'espoir, conditionnel qui indique la liberté d'action, polyphonie énonciative qui présente les multiples points de vue des personnages, etc.). Dans une perspective é
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Šiaučiulytė, Rūta. "Postmodernistinė asmenybės krizė fantastinėjė literatūroje: P. K. Dicko romanas "Ubikas"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050613_212513-96470.

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The common modern concept of the human identity – an individual, integrated ego perception – is no longer adequate to the world of today and tomorrow as it is frayed and changes in a crazy speed. The sure knowledge of the cognizable world, clear apprehension of self confines, roots and being of environment looses it‘s background. The lost of the vital apprehension of the self and the world is the base of the talk on the identity crisis which can have global subsequence as the humanity have lost the old self apprehension and still does not have a new one. This paper analyzes few problems. The f
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Ferneda, Túlio. "A ciência em romances de ficção científica: leituras e caminhos para a educação em ciências." Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/2754.

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Made available in DSpace on 2016-06-02T19:39:53Z (GMT). No. of bitstreams: 1 6608.pdf: 1137395 bytes, checksum: 413e1f9648380fee1fb4fbc50f8bdda1 (MD5) Previous issue date: 2015-03-04<br>Universidade Federal de Minas Gerais<br>In this research we have selected a group of science fiction novels and tried to comprehend the way science is pictured in the stories. Pérez and others (2001) synthesize seven misconceptions of science that we used to build categories for a content analysis. The epistemology of Fourez (1995) was also an important perspective to this work. This research represents a pos
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Imber, Thomas. "Poétique des mondes mythographiques : essai sur la bande dessinée de science-fiction et ses super-héros." Paris 3, 2007. http://www.theses.fr/2007PA030143.

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Cette étude de la littérature transautoriale (récits traités par plusieurs auteurs), notamment la mythologie gréco-romaine et les comics américains de super-héros, est centrée autour des mondes fictionnels. L’étude comporte une analyse des structures et des contraintes narratives spécifiques aux œuvres traitant de récits ou de personnages hérités d’un auteur antérieur, et de la tendance à remplir le temps mytho-historique d’une tradition. Des questions de temporalité, séquentialité, et simultanéité sont abordées. Le rôle que joue la relation entre un monde fictif et le monde empirique dans la
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Jiménez, Iván. "Subjectivité et fiction historique dans l'oeuvre de Andrés Rivera." Paris 8, 2010. http://octaviana.fr/document/156213966#?c=0&m=0&s=0&cv=0.

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Cette étude porte sur la relation entre fiction et histoire dans l’oeuvre de l’écrivain argentin Andrés Rivera (1928‐ ). En esta dulce tierra, La revolución es un sueño eterno, El amigo de Baudelaire, La sierva, El farmer et Ese manco Paz peuvent être considérés comme des « actes d’imagination » autour de certains événements, circonstances et processus du passé national argentin, principalement du 19ème siècle. L’ objectif est de montrer que, dans ces romans, une poétique de la subjectivité se déploie, qui produit des modalités proprement fictionnelles de « penser l’Histoire ». Notre concept d
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Rallaki, Nicoletta. "L'Atene di Petros Markaris. Paesaggio e identità urbana di una città nella narrativa greca fra XX e XXI secolo." Doctoral thesis, Università di Catania, 2014. http://hdl.handle.net/10761/1613.

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In questo lavoro cercheremo di esaminare da una parte, lo sviluppo urbanistico, storico e sociale di Atene, eletta a capitale della Grecia postunitaria (1834), e, dall altra, l immagine e il ruolo della città nel romanzo poliziesco attraverso le opere dell autore contemporaneo greco Petros Màrkaris. La città di Atene è caratterizzata da un particolare sviluppo urbano, poiché in soli due secoli (XIX-XXI) riesce a trasformarsi da un villaggio di 4.000 abitanti in una città che rappresenta un perfetto esempio di gigantismo urbano, collocandosi fra le poche città al mondo che oltrepassano la sogli
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Books on the topic "Science fiction romance"

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Drucker, Johanna. Narratology: Historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz. J. Drucker], 1994.

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(Press), Druckwerk, ed. Narratology: Historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz. [J. Drucker?], 1994.

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Naura: Science Fiction Romance. Independently Published, 2018.

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Huntress, Starr, and Kate Rudolph. Crashed: Science Fiction Romance. CreateSpace Independent Publishing Platform, 2016.

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Wild, Ele. Alien Envoy Alien Romance: Science Fiction Romance. Independently Published, 2017.

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Langlais, Eve. Aramus: Futuristic Science Fiction Romance. CreateSpace Independent Publishing Platform, 2013.

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Wyn, Elin. Sk'lar: Science Fiction Adventure Romance. Clock Walk Press, 2020.

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Smith, S. E. Destin's Hold: Science Fiction Romance. Independently Published, 2019.

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Stiller, Ann. Naura: A Science Fiction Romance. Independently Published, 2020.

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Takar: Science Fiction Adventure Romance. Clock Walk Press, 2020.

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Book chapters on the topic "Science fiction romance"

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Roberts, Adam. "Teaching the Scientific Romance." In Teaching Science Fiction. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230300392_5.

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Abbott, Edwin A. "Flatland: A Romance of Many Dimensions." In Nineteenth Century Science Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003056355-4.

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Roberts, Adam. "From Medieval Romance to Sixteenth-Century Utopia." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_3.

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Dunér, Ingrid. "A New Step Forward in Mastery: Science, Evolution, and Control." In Palgrave Studies in the Future of Humanity and its Successors. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-81720-5_2.

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Abstract In the spring of 1923, a 36-year-old Julian Huxley was reading a new science fiction novel, then referred to as a “scientific romance” or “scientific fantasy.” The fantasy—entitled Men Like Gods—was written by the famous author H. G. Wells (1866–1946) and told the story of a man who accidentally falls into a time-space portal and ends up in Utopia, which is like Earth but roughly 3000 years into the future. Here the man encounters the Utopians, human-like beings with telepathic powers. Through the use of advanced science, the Utopians have mastered their surroundings, eliminated disea
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Taylor-Pirie, Emilie. "The Knights of Science: Medicine and Mythology." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_2.

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AbstractIn this chapter Taylor-Pirie examines how parasitologists invoked myths of British nationhood in their professional self-fashioning to frame themselves as knights of science fighting on behalf of Imperial Britain. Analysing scientific lectures, political speeches, letter correspondence, obituaries, medical biographies, and journalistic essays, she draws attention to the prominence of Arthurian legend and Greco-Roman mythology in conceptualisations of parasitology, arguing that such literary-linguistic practices sought to reimagine the relationship between medicine and empire by adaptin
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Biswas, Madhavi. "Revisioning Family Drama: The Global Spaces of Romance and Science Fiction in Honey Irani’s Stories." In Women Filmmakers in Contemporary Hindi Cinema. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10232-5_4.

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Taylor-Pirie, Emilie. "Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.

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AbstractIn this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic
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Taylor-Pirie, Emilie. "Introduction: Stories of Science and Empire." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_1.

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AbstractIn this introduction, Taylor-Pirie appraises the intersections of the ‘imaginative architecture of science and empire’ by examining how, as a fledging medical discipline at the fin de siècle, parasitology entered into significant encounters and exchanges with the literary and historical imagination. Introducing readers to Nobel Prize–winning parasitologist Ronald Ross (1857–1932), Taylor-Pirie lays the foundations for the rest of the book by examining how forms such as poetry and biography, genres such as imperial romance and detective fiction, and modes such as adventure and the Gothi
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Boucher, Abigail. "Physiognomy, Evolution, and the Divine in Ruritanian Romances." In Science, Medicine, and Aristocratic Lineage in Victorian Popular Fiction. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41141-0_5.

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"SCIENCE FICTION AS ROMANCE." In Science Fiction. Routledge, 2013. http://dx.doi.org/10.4324/9781315015965-11.

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Conference papers on the topic "Science fiction romance"

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Kriz, Sarah, Toni D. Ferro, Pallavi Damera, and John R. Porter. "Fictional robots as a data source in HRI research: Exploring the link between science fiction and interactional expectations." In 2010 RO-MAN: The 19th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2010. http://dx.doi.org/10.1109/roman.2010.5598620.

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Iehl, Yves. "Adaptation littéraire et mise en image du monologue intérieur — Mademoiselle Else, roman graphique de Manuele Fior d’après la nouvelle d’Arthur Schnitzler." In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5232.

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Teodorescu, Camelia. "CULTURAL-HISTORICAL TOURISM OR FICTION TOURISM IN ROMANIA? CASE STUDY: VLAD THE IMPALER OR DRACULA." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/14/s04.024.

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Reports on the topic "Science fiction romance"

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Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2024. http://dx.doi.org/10.61737/sgkp7833.

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Lorsque Neal Stephenson a introduit le terme « métavers » dans son roman de science-fiction Snow Crash, en 1992, il était loin de se douter que le mot allait susciter autant de discussions. La notion d’une réalité d’un type nouveau, qui serait synthétisée, puis virtualisée et librement socialisée, est fascinante par ce qu’elle exigerait aux plans scientifique et technique. Fascinante surtout par ses retombées éventuelles aux niveaux culturel et social, y compris de nature éthique (qui ne sont pas abordées ici). Ce texte rappelle brièvement l’origine du concept avant de se consacrer à ses requi
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