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Journal articles on the topic 'Science fiction romance'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Molesworth, Mike. "A Heteronomous Consumer Romance." Marketing Theory 20, no. 2 (2020): 159–65. http://dx.doi.org/10.1177/1470593119897767.

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In the spirit of dystopian science fiction, this story imagines marketing in a near future. A reader might recognise that there is a relationship between aesthetic forms (stories) and the dramas that play out in society and so although this is fiction, it is also about the critical concerns that are emerging in the use of corporate technologies. The story draws from theory that suggests our most intimate relationships are embedded in and create market structures, and on theory that accounts for how technology (and especially AI) has significant impact on market practices. Core ideas also refer

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High, Holly. "Anthropology and anarchy: Romance, horror or science fiction?" Critique of Anthropology 32, no. 2 (2012): 93–108. http://dx.doi.org/10.1177/0308275x12438426.

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Nicol, Charles. "Nabokov and Science Fiction: “Lance”." Science Fiction Studies 14, Part 1 (1987): 9–20. https://doi.org/10.1525/sfs.14.1.0009.

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On the surface, Vladimir Nabokov’s attitude towards SF appears self-contradictory: he frequently disparaged the genre, but admired H.G. Wells and other SF authors: moreover, a number of his own works appear to be SF. “Lance” is typical: although including a harsh criticism of SF, this story of the first landing on Mars is itself demonstrably S-F. However, it is also a retelling of a medieval romance and a description of mountain-climbing. The inspiration for the story appears to be Nabokov’s son’s actual mountaineering, which Nabokov regarded with admiration and fear. The conclusion which all

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Brackett, Kim Pettigrew. "Facework strategies among romance fiction readers." Social Science Journal 37, no. 3 (2000): 347–60. http://dx.doi.org/10.1016/s0362-3319(00)00073-2.

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Freedman, Carl. "Kubrick’s 2001 and the Possibility of a Science-Fiction Cinema." Science Fiction Studies 25, Part 2 (1998): 300–318. https://doi.org/10.1525/sfs.25.2.0300.

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Stanley Kubrick might be described as a metageneric filmmaker, since his major works tend to take apart and to reconstruct the inherited conventions of the pertinent filmic genre (horror in The Shining, historical romance in Barry Lyndon, and so forth). Kubrick’s most intense and complex metageneric analysis is of science fiction in 2001. A historical and theoretical consideration of the science-fiction film reveals that it is structured on a central and virtually disabling contradiction: between the cognitive and critical structure of science fiction as a literary mode, on the one hand, and,

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Boyarkina, Iren. "Utopias and Dystopias in Last and First Men (1930) by William Olaf Stapledon." Caietele Echinox 46 (June 1, 2024): 335–48. http://dx.doi.org/10.24193/cechinox.2024.46.25.

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This paper aims at analyzing utopias and dystopias in Last and First Men (1930) by William Olaf Stapledon. Taking into consideration that this narrative was already defined as a scientific romance and an anatomy with allegorical status, as well as McCarthy's observation that Stapledon’s writing resists simple categorization and that its classification as science fiction or utopian literature is inadequate, this paper suggests several definitions for Stapledon’s work. The author also takes into account the ongoing dispute between utopian studies and science fiction scholars about the strong int

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Arnold-Forster, Agnes. "Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction." History Workshop Journal 91, no. 1 (2021): 157–81. http://dx.doi.org/10.1093/hwj/dbab011.

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Abstract Following the foundation of the NHS in 1948, a new sub-genre of romantic fiction emerged: ‘Doctor–Nurse’ romances, usually involving romance between a male doctor and a female nurse, were set in NHS hospitals. Drawing on the Mills & Boon archive and the novels themselves, this article explores representations of the health service and notions of gendered healthcare professionalism in postwar Britain. I argue that rather than presenting ‘retrograde’ and ‘limited’ views of women’s lives, medical Mills & Boon novels frequently put forward nuanced versions of womanhood, profession

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8

Luo, Yuan. "The Study on Transitivity of Scientific Fiction: The Time Machine as an Example." International Journal of Linguistics, Literature and Translation 5, no. 6 (2022): 122–34. http://dx.doi.org/10.32996/ijllt.2022.5.6.14.

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Corpus as a tool has been introduced in literature and linguistics for many years, allowing linguistic features and authorial style more visible and appreciable to readers. Based on Biber’s MD/MF method and semantic field, this research is interested in linguistic features of science fiction and finds that transitivity is what makes science fiction distinguishable from science articles and novels. The current research is corpus-based, and corpora included in this research consist of Silence Spring (science article), The Time Machine (science fiction), and Jane Eyre (romance novel). This paper

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Vint, Sherryl. "Science Fiction." Perspectives on Science and Christian Faith 74, no. 3 (2022): 191–92. http://dx.doi.org/10.56315/pscf9-22vint.

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SCIENCE FICTION by Sherryl Vint. Cambridge, MA: The MIT Press, 2021. 224 pages. Paperback; $15.95. ISBN: 9780262539999. *Science Fiction is the story of the romance between fiction and science. The goal of the book is not to define the history or essence of science fiction, but rather to explore what it "can do" (p. 3). How does fiction affect scientific progress? How does it influence which innovations we care about? In the opposite direction, what bearing does science have on the stories that are interesting to writers at a point in time? Science Fiction references hundreds of books to paint

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Levin, David, and Emily Miller Budick. "Fiction and Historical Consciousness. The American Romance Tradition." Journal of American History 76, no. 4 (1990): 1231. http://dx.doi.org/10.2307/2936598.

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Wodzyński, Łukasz. "Modernism Romanced: Imaginary Geography in Jerzy Żuławski'sThe Lunar Trilogy." Slavic Review 77, no. 3 (2018): 685–703. http://dx.doi.org/10.1017/slr.2018.205.

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The article examines the imaginary geography of Jerzy Żuławski'sThe Lunar Trilogy–On the Silver Globe(1903),The Conqueror(1910), andThe Old Earth(1911) – focusing on the relationship between the author's modernist sensibilities and the trilogy's adoption of the nascent science fiction genre. While modernism and popular fiction are usually placed on opposite ends of the literary spectrum, the example of Żuławski demonstrates that popular fiction was a valuable tool for modernist authors who sought to overcome the limits of realist conventions but were reluctant to alienate the mass readership.

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Nodelman, Perry. "Review: Science Fiction: The Mythos of a New Romance, by Janice Antczak." Science Fiction Studies 13, Part 2 (1986): 216–18. https://doi.org/10.1525/sfs.13.2.0216.

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Rodrigues, Cintya. "A OBRA DE ANAJÁ CAETANO: UMA ESCRITORA BRASILEIRA NEGRA NA LITERATURA DE FICÇÃO." Estudos Históricos (Rio de Janeiro) 35, no. 77 (2022): 418–35. http://dx.doi.org/10.1590/s2178-149420220305.

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RESUMO Este artigo analisa a obra Negra Efigênia, paixão do senhor branco, da escritora Anajá Caetano. O livro trata das relações entre escravos negros e senhores brancos na localidade de São Sebastião do Paraíso (MG). O romance contextualiza o espaço onde transcorre a história. O enredo da obra permite considerá-la um romance de costumes com trânsitos em histórias de fundações de lugares, colocando em questão gêneros literários predominantemente masculinos da época. A origem africana da autora desafia os acontecimentos e a legalidade quando relata, um século após a abolição da escravatura do

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Leane, Elizabeth, and Stephanie Pfennigwerth. "Antarctica in the Australian imagination." Polar Record 38, no. 207 (2002): 309–12. http://dx.doi.org/10.1017/s003224740001799x.

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AbstractAntarctica and Australia share a geographical marginality, a commonality that has produced and continues to reinforce historical and political ties between the two continents. Given this close relationship, surprisingly few fulllength novels set in or concerned with the Antarctic have been produced by Australian authors. Until 1990, two latenineteenth- century Utopias, and two novels by Thomas Keneally, were (to our knowledge) the sole representatives of this category. The last decade, however, has seen an upsurge of interest in Antarctica, and a corresponding increase in fictional res

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Janney, Adrienne Wells. "Oedipus E-mails His Mom: Computer-Mediated Romance Develops as a Science Fiction Sub-Genre." Extrapolation 41, no. 2 (2000): 161–74. http://dx.doi.org/10.3828/extr.2000.41.2.161.

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송호림. "Posthuman Romance and Emotional Evolution: Technoscientific Meaning of Love and Desire in Female Science Fiction." Feminist Studies in English Literature 24, no. 2 (2016): 55–85. http://dx.doi.org/10.15796/fsel.2016.24.2.003.

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Valenti, JoAnn M. "Blends of Fiction, Imagination, and Romance Bring Science to Screens at Sundance Film Festival 2011." Science Communication 33, no. 1 (2011): 130–33. http://dx.doi.org/10.1177/1075547011402098.

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Gonçalves, Davi Silva, and Luciana Wrege Rassier. "Posthuman affect in Margaret Atwood’s science fiction Oryx & Crake." Letras, no. 57 (November 28, 2018): 173. http://dx.doi.org/10.5902/2176148529424.

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Este artigo analisa o romance de Atwood Oryx & Crake (2003) para identificar se e de que forma seu desenvolvimento integra a crítica sobre o afeto no pós-humanismo. Assim, discutimos como a narrativa faz uso de artefatos distópicos da sociedade do século XXI para elaborar acerca da questão da conexão entre o humano e a máquina, bem como a falta de afeto resultante dela. O que a narrativa nos diz a respeito da influência da sociedade pós-humana na nossa relação afetiva com o meio ambiente, com a máquina e entre nós como sujeitos pós-humanos? É importante dizer que olhamos para o pós-humanis

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Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (2018): 888. http://dx.doi.org/10.22409/gragoata.2018n47a1211.

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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and

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Golden, Catherine J. "Illustration in Fin-de-Siècle Transatlantic Romance Fiction by Kate Holterhoff." Victorian Periodicals Review 55, no. 3-4 (2022): 462–64. http://dx.doi.org/10.1353/vpr.2022.0034.

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Clark, John. "“Small, Vulnerable ETs”: The Green Children of Woolpit." Science Fiction Studies 33, Part 2 (2006): 209–29. https://doi.org/10.1525/sfs.33.2.209.

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This article considers the multifarious interpretations and influences of the story of the two green-skinned children who, as it was reported by two medieval writers, suddenly appeared in the fields of an English village in the middle of the twelfth century. Some have explained it as a folktale, some as a garbled account of unusual but mundane events, and some as a record of intervention by extraterrestrial beings in human affairs. Other authors have found in it inspiration for fictions of their own: not just simple retellings, but stories that draw on it or refashion it in unexpected ways. In

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Qiao, Mina. "Love in the Time of Corona: Heterosexual Romance, Space, and Society in Japanese Fiction on COVID-19." Japanese Language and Literature 55, no. 2 (2021): 471–92. http://dx.doi.org/10.5195/jll.2021.214.

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I will examine representations of heterosexual romance in Japanese pandemic fiction published during COVID-19, so as to scrutinize the employment of pandemic in the discussion of social issues and dynamics between the public and private interests. Ueda Takahiro uses the protagonist’s love dilemma to question the postmodern condition, where the digital attempts to replace everything, disturb the master narratives, and transform our society. Tsukui Itsuki’s story has a rather optimistic view of technological responses to the pandemic. In his work, the protagonist’s romantic pursuit realizes indi

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Smith, Michael G. "Cosmic Plots in Early Soviet Culture: Flights of Fancy to the Moon and Mars." Canadian–American Slavic Studies 47, no. 2 (2013): 170–99. http://dx.doi.org/10.1163/22102396-04702003.

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This article explores two classics of Soviet science fiction – Konstantin Tsiolkovskii’s Beyond the Earth (1918) and Aleksei Tolstoi’s Aelita (1923) – in their related historical contexts. Both had their origins in the popular nineteenth-century “cosmic romance,” owing to their staple characters, settings, and plots. These were extraordinary adventures into the heavens, modern signposts of how the fantastic was becoming real. Yet both novels also became leading texts in the genre of Stalinist Socialist Realism, stories that made “fairy tales come true.” Tsiolkovskii and Tolstoi both appealed t

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Chatterjee, Choi. "Transnational Romance, Terror, and Heroism: Russia in American Popular Fiction, 1860–1917." Comparative Studies in Society and History 50, no. 3 (2008): 753–77. http://dx.doi.org/10.1017/s0010417508000327.

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Scholars of Russian-American relations in the late nineteenth century have long been concerned with the personalities and writings of university-based experts, journalists, diplomats, and political activists. We are well acquainted with the observations of various American commentators on the backward state of Russian state, society, economy, and politics. While the activities of prominent men such as George Kennan have effortlessly dominated the historical agenda, the negative discourses that they produced about Russia have subsumed other important American representations of the country. Sin

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Shackleton, David. "H. G. WELLS, GEOLOGY, AND THE RUINS OF TIME." Victorian Literature and Culture 45, no. 4 (2017): 839–55. http://dx.doi.org/10.1017/s1060150317000249.

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H. G. Wells's The Time Machine (1895) has hitherto been read in two principal scientific contexts: those of evolutionary biology and thermodynamic physics. Numerous critics have situated the romance in the context of evolutionary biology and contemporary discourses of degeneration (McLean 11–40; Greenslade 32–41). Others have discussed it in the context of thermodynamic physics. For instance, Bruce Clarke has read The Time Machine as “a virtual allegory of classical thermodynamics,” and shows that its combination of physical and social entropy reflects a wider transfer within the period of con

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Crane, Ralph, and Lisa Fletcher. "The genre of islands: Popular fiction and performative geographies." Island Studies Journal 11, no. 2 (2016): 637–50. http://dx.doi.org/10.24043/isj.371.

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To date, studies of the contribution literature makes to ideas about islands have concentrated on “high” literature. This has left unexamined the largest proportion of literature featuring islands. If one of the goals of island studies is to interrogate prevailing ideas about “islandness,” then the islands that crowd the storyworlds of popular genres merit close attention. This article focuses on popular fiction to advocate “performative geographies” as a key concept for island studies of literature, and indeed other domains of culture. Popular genres are undeniably sources of distraction and

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Kennedy, Meegan. "TONO-BUNGAY AND BURROUGHS WELLCOME: BRANDING IMPERIAL POPULAR MEDICINE." Victorian Literature and Culture 45, no. 1 (2017): 137–62. http://dx.doi.org/10.1017/s1060150316000474.

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H. G. Wells's 1908 novel Tono-Bungay is a remarkable concoction, binding together characters and setting out of Dickens, sparkling imitations of fin-de-siécle commodity culture and new media, bitter social satire inflected by Wells's socialism, fascination with invention and flight, and murderous imperial adventure. Readers, though often seduced by the wit and precision of Wells's depiction of patent medicines and their advertisements, have not known whether to read the narrative as anti-Bildungsroman, Condition of England novel, science fiction, or imperial romance. It is no wonder that many

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Abramov, Roman N. "Russian science fiction in the Genre of Alternative History as a Reflection of Mass Consciousness: Sociological Approaches." Sotsiologicheskie issledovaniya, no. 4 (2023): 106–16. http://dx.doi.org/10.31857/s013216250024079-9.

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In Russia, fiction in the genre of alternative history has become popular over the past ten years. Book series of this kind are actively published and have a significant readership. This genre is part of ideological and utopian landscape of the Russian mass consciousness. It helps to understand imperial historical traumas, nostalgia for the Soviet past, and a high level of anxiety about the present and future. The theoretical part of the analysis is based on the G. Rosenfeld ideas about a close connection of this genre with the experience of the present and about ontological pluralization of t

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Michelson, Anna. "The politics of happily-ever-after: romance genre fiction as aesthetic public sphere." American Journal of Cultural Sociology 9, no. 2 (2021): 177–210. http://dx.doi.org/10.1057/s41290-020-00126-7.

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Kolesnyk, Olena, and Maryna Stoliar. "HISTORICAL AND PARA-HISTORICAL GENRES OF LITERATURE." Doxa, no. 1(41) (June 27, 2024): 70–78. https://doi.org/10.18524/2410-2601.2024.1(41).316160.

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The article examines the specifics of the historical genre of literature, as well as genre variants that combine interest in historical figures, events, entourage with an effort to move away from following purely scientific data and widely use the author's fiction. In a number of cases, there is a departure from the boundaries of the actual historical genre, which we propose to designate as a "parahistorical" approach. Alternative history in its various forms, historical fantasy, cryptohistory, historiographical metafiction, etc. can be attributed to such parahistorical genres. At the same tim

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Thomas, Ronald R. "Minding the Body Politic: The Romance of Science and the Revision of History in Victorian Detective Fiction." Victorian Literature and Culture 19 (March 1991): 233. http://dx.doi.org/10.1017/s1060150300003703.

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Brown-Syed, Christopher, and Charles Barnard Sands. "SOME PORTRAYALS OF LIBRARIANS IN FICTION - A DISCUSSION." Education Libraries 21, no. 1-2 (2017): 17. http://dx.doi.org/10.26443/el.v21i1-2.111.

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This article explores portrayals of librarians in selected works of fiction, notably those involving mystery or detection. It begins with a summary of information derived from descriptions of about one hundred and twenty contemporary or recent works, then discusses particular stories involving detection or mystery, with occasional references to other genres such as science fiction, historical fiction, espionage, and romance. In 1996, we began to compile a bibliography of fiction involving librarians to accompany a graduate course introducing the profession. Entries were obtained through search

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Layton, David A. "The Barriers of Inner and Outer Space: The Science Fiction of Barry N. Malzberg." Science Fiction Studies 18, Part 1 (1991): 71–90. https://doi.org/10.1525/sfs.18.1.071.

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The most frequent SF hero is what Gregory Benford calls the Competent Man, whose abilities lie dormant until unforeseen circumstances allow them to emerge. Barry N. Malzbezg’s SF has no such figure. Instead, his protagonists attain limited personal victories—when, indeed, they attain any at all. More often they are imitation heroes or anti-heroes. Malzberg also breaks away from the SF tradition of the problem story. The reason that his SF diverges from other SF in character and plot is that he writes not in the Romance tradition but in the Satire tradition of SF. As Satire, his novels show fra

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Novaes, Priscila Borges de, and Adriana de Borges Gomes. "As relações interseccionais entre literatura e história no romance Essa Gente, de Chico Buarque." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, no. 2 (2022): 46–53. http://dx.doi.org/10.34019/1982-0836.2022.v26.39077.

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O presente artigo se propõe a analisar como História e Literatura dialogam no romance Essa Gente (2019), de Chico Buarque. Literatura e narrativa histórica caracterizam-se como formas eficazes de construção de memórias e identidades sociais, uma vez que a literatura pode ser considerada uma testemunha importante dos acontecimentos históricos, embora não tenha primordialmente o compromisso de retratá-los. Porém, ao optar por adicionar fatos históricos à sua narrativa, a literatura se configura como mais uma fonte de conhecimento acerca dos mesmos. Por outro lado, faz-se pertinente pontuar que a

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Swami, Pragati, and Devendra Kumar Sharma. "Mapping the Story of Manga: Graphic Novels and the Cultural Boom in Japan and World." International Journal of English Literature and Social Sciences 9, no. 3 (2024): 500–508. http://dx.doi.org/10.22161/ijels.93.65.

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Manga are circulated in graphic novel format as printed Japanese comic books. They are famous Japanese graphic novels or comic books. A popular form of literature, read by people of different age groups. They certainly provide visual as well as linguistic examples of Japanese culture. They deal with a number of genres like fantasy, romance, supernatural, erotica, action, psychological, science fiction and many more to include. This paper deals with manga-culture, its evolution and, cultural and global aspects attached to it. It highlights the educational element associated with manga. It furth

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Dewi, Utami, and Fitri Rayani Siregar. "EXPLORING STUDENTS’ INTERESTS AND CHALLENGES IN WRITING FICTION IN CREATIVE WRITING CLASS." IJEE (Indonesian Journal of English Education) 9, no. 2 (2022): 358–71. http://dx.doi.org/10.15408/ijee.v9i2.28372.

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ABSTRACTThis article explored students' interests and challenges in writing fiction in EFL creative writing classes. The study used a qualitative approach involving 43 college students studying creative writing as the subjects of the study. Research instruments for this study were questionnaires and interviews, the first of which asked students what genres of fiction they were interested in, and the second confirmed their motivations in writing the fiction genre and their challenges in writing fiction. Data from questionnaires were analysed using percentages, while data from the interviews wer

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Yurchenko, Tatiana. "ONLY STAYING THE COURSE REALLY MATTERS." Herald of Culturology, no. 3 (2021): 60–70. http://dx.doi.org/10.31249/hoc/2021.03.04.

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This article addresses the peculiarities of genre, style and personages of V. Sorokin’s new novel «Doctor Garin» (2021) with the reference to the latest critical reviews. It is stressed that «Doctor Garin» is the first writer’s experience in the adventure fiction and that because of this fact his novel for the first time has both the happy ending and a protagonist with positive character traits. Also the genres of romance, fairy tale, menippea and even stealth are mentioned as having some features in common with Sorokin’s novel. A special attention is paid to the associative connection with Ru

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Green-Barteet, Miranda A., and Jill Coste. "Non-normative Bodies, Queer Identities." Girlhood Studies 12, no. 1 (2019): 82–97. http://dx.doi.org/10.3167/ghs.2019.120108.

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In this article we consider the absence of queer female protagonists in dystopian Young Adult (YA) fiction and examine how texts with queer protagonists rely on heteronormative frameworks. Often seen as progressive, dystopian YA fiction features rebellious teen girls resisting the restrictive norms of their societies, but it frequently sidelines queerness in favor of heteronormative romance for its predominantly white, able-bodied protagonists. We analyze The Scorpion Rules (2015) and Love in the Time of Global Warming (2013), both of which feature queer girl protagonists, and conclude that th

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Adamik, Verena. "Making worlds from literature: W.E.B. Du Bois’s The Quest of the Silver Fleece and Dark Princess." Thesis Eleven 162, no. 1 (2021): 105–20. http://dx.doi.org/10.1177/0725513621993308.

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While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space f

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Ravetti, Graciela. "Reorganização de saberes tradicionais em Los sorias, de Alberto Laiseca." Caligrama: Revista de Estudos Românicos 19, no. 1 (2014): 143. http://dx.doi.org/10.17851/2238-3824.19.1.143-166.

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<p><strong>Resumo: </strong>Neste estudo, propõe-se uma consideração sobre a reformulação de saberes tradicionais em termos não metafísicos na obra do escritor argentino Alberto Laiseca, <em>Los sorias </em>(1998), construída a partir da convergência dos temas das religiões, da magia e da astrologia, lado a lado com outros saberes em face de (des)hierarquização.</p> <p><strong>Palavras chave: </strong>Literatura hispano-americana; literatura argentina; romance contemporâneo; ficção científica.</p> <p><strong> </strong&

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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.

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The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New

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Yang, Liuxiuzi. "A Study of Novel Education and Classicization of Ancient Chinese Novels in the Age of Fusion Media." Mobile Information Systems 2021 (November 12, 2021): 1–8. http://dx.doi.org/10.1155/2021/1776243.

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In today’s new media environment, more and more communication contents have been digitized. Also because of digitization, traditional media and new media, which were previously well-defined services, have now merged, media fusion. In the age of media fusion, communication systems are updated more rapidly and more and more novels are being adapted into TV series. Literary education in ancient China has a long history and has played an important role in the development and dissemination of the ancient Chinese literature. Literary education refers to an educational behavior in which the educator

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Safriyani, Rizka, and Rania Mufidah. "Students’ Attitude towards Wattpad as an Online Reading Platform: Is It Favorable or Not?" New Language Dimensions 3, no. 2 (2022): 110–18. https://doi.org/10.26740/nld.v3n2.p110-118.

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Wattpad is a free application for reading and writing short stories. Users are able to leave comments directly within the paragraphs of the short story. This study aims to examine the students' attitudes on Wattpad as an online story reading platform and the varieties of genres on Wattpad as an online story reading platform, as well as. As a case study, qualitative research was utilized in this study. Thirty seven undergraduate students from UIN Sunan Ampel Surabaya who use Wattpad for online story reading participated in this study. The instruments were adapted from Ganie et all. The result i

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Hapsari, Indah, and Wika Soviana Devi. "KRITIK SASTRA: KEKERASAN DALAM NOVEL 00.00 SEPASANG LUKA YANG BERAKHIR DUKA KARYA AMEYLIA FALENSIA." Matapena: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 5, no. 2 (2022): 218–28. http://dx.doi.org/10.36815/matapena.v5i02.1998.

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Literary works have several types such as novels, prose (fiction), poetry, drama, romance, and short stories or better known as poetry. In this research, the writer will examine the novel. Novel is a work of prose fiction written in writing, containing elements of imagination and fantasy. Literary criticism is an analysis that examines elements that contain errors. In literary criticism, it is usually more focused on the author's writing in his writings. Literary criticism is a field of literary science and usually applies to the evaluation of literary works. This study uses a qualitative desc

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Ruth, Jennifer. "Modernism, Romance, and the Fin de Siecle: Popular Fiction and British Culture, 1880-1914 (review)." Victorian Studies 44, no. 2 (2002): 357–59. http://dx.doi.org/10.1353/vic.2002.0031.

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Erica, Soares Silva, and Cardoso Andrade Emile. "Ciborgues são elas, alienígenas são os outros: reflexões sobre gênero e sci-fi em A mão esquerda da escuridão, de Ursula K. Le Guin." Via Litterae [ISSN 2176-6800]: Revista de Linguística e Teoria Literária 13, no. 1 (2021): 112–26. https://doi.org/10.5281/zenodo.5592333.

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<strong>Resumo</strong>: O embate da diversidade na produção e consumo de Ficção Científica apenas ganhou notoriedade no final dos anos 1960. Elementos como a representatividade feminina-feminista e as narrativas deslocadas dos dualismos hierárquicos, foram explorados nas obras de FC por escritoras como Ursula K. Le Guin. Neste seguimento, o presente estudo discute as relações de alteridade na produção de Ficção Científica por autoras mulheres e como o romance <em>A mão esquerda da escuridã

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Underwood, Ted. "Machine Learning and Human Perspective." PMLA/Publications of the Modern Language Association of America 135, no. 1 (2020): 92–109. http://dx.doi.org/10.1632/pmla.2020.135.1.92.

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Numbers appear to have limited value for literary study, since our discipline is usually more concerned with exploring differences of interpretation than with describing the objective features of literary works. But it may be time to reexamine the assumption that numbers are useful only for objective description. Machine learning algorithms are actually bad at being objective and rather good at absorbing human perspectives implicit in the evidence used to train them. To dramatize perspectival uses of machine learning, I train models of genre on groups of books categorized by historical actors

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De Andrade, Larissa Carolina. "“Gostava de surpreender o passado no fundo de cada instante”: diálogos entre história e ficção em Os Mandarins." Revista Leitura, no. 65 (March 26, 2020): 48–58. http://dx.doi.org/10.28998/2317-9945.202065.48-58.

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O objetivo deste artigo é refletir sobre a possível leitura de Os Mandarins, de Simone de Beauvoir, como se romance histórico. Para tanto, a orientação teórica parte de discussões encontradas principalmente em Ricoeur (2010), Mignolo (1993) e Weinhardt (2011; 2015). A noção de tempo histórico é concebida pela apropriação do tempo pretérito e pelo modo como esse tempo é figurado na instância ficcional, marcando a vivência das personagens e condicionando a ação romanesca. Beauvoir refigura os tempos do passado no presente, e nele entrecruza a possibilidade de uma relação entre a história e a fic

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Fitri, Nurliana. "ARKETIPE ROMAN SEBAGAI RESOLUSI SIMBOLIK DALAM NOVEL THE HANDMAID’S TALE KARYA MARGARET ATWOOD." ATAVISME 27, no. 1 (2024): 13–21. https://doi.org/10.24257/atavisme.v27i1.936.13--21.

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Abstrak: The Handmaid’s Tale merupakan novel sains fiksi dengan tema dystopia yang ditulis oleh Margaret Atwood. Novel ini menceritakan kehidupan seorang perempuan yang bernama Offred dan menjadi seorang handmaid; sebutan untuk perempuan yang memegang peran sebagai mesin pencetak bayi di bawah pemerintahan rezim Gilead. Penelitian ini mengurai arketipe roman dari Northrop Frye untuk mengungkap resolusi simbolik dalam novel The Handmaid’s Tale melalui empat alur pergerakan naratif arketipe roman yang dikembangkan oleh Northrop Frye. Berdasarkan hasil analisis disimpulkan bahwa struktur formal n

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., Pavithra, and Dharshini . "Fear and Kindness in H.G.Wells’ the Time Machine." Shanlax International Journal of Arts, Science and Humanities 11, S5 (2024): 121–22. http://dx.doi.org/10.34293/sijash.v11is5.7672.

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The Time Machine is the event has already happened is called post-apocalyptic science fiction novella by H. G. Wells, published in 1895. The work is generally credited with the familiarize of the concept of time travel by using a vehicle or device to travel intentionally and choosy forward or backward through time. The product of an epoch of great anxiety about social class and economic imbalance. The industrial revolution of the eighteenth and nineteenth centuries had generated affluent in Britain, but that wealth went almost to the upper classes instead of being equally distributed to the lo

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