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1

Baker, James J. III. "F. Scott Fitzgerald: A Hollywood Tragedy." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/266.

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F. Scott Fitzgerald was a product of the era he was at his zenith: the roaring 1920s. By the time he arrived in Los Angeles, he was short on money and the audience for his novels and writing was waning. This work explores his time in L.A., his attitude toward cinema & the Hollywood system, and how he incorporated what he learned from screenwriting into The Last Tycoon, the unfinished novel that Fitzgerald aimed to revive his own career with.
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2

Laughlin, Derek G. "Rethinking combat F. Scott Fitzgerald and the war novel /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1991050461&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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3

Bouzonviller, Elisabeth Tissot Roland. "Francis Scott Fitzgerald ou la plénitude du silence." [S.l.] : [s.n.], 1998. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/1998/ebouzonviller.

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Bouzonviller, Elisabeth. "Francis scott fitzgerald ou la plenitude du silence." Lyon 2, 1998. http://theses.univ-lyon2.fr/documents/lyon2/1998/ebouzonviller.

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Pour beaucoup, francis scott fitzgerald demeure le chroniqueur de "l'age du jazz", l'admirateur inconditionnel des classes aisees et le romancier d'amours romantiques entre des jeunes gens pauvres et des "flappers" frivoles aux moeurs revolutionnaires. Nous nous proposons de demontrer que son ecriture romanesque depasse largement une simple peinture de societe et l'evocation metaphorique de la mort du reve americain. A travers une ecriture de la violence dissimulee derriere un verni social police, il dit non seulement la fracture d'une societe qui culmine dans l'affrontement entre les sexes, m
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5

Hamri, Rachid El. "Étude stylistique des quatre romans de Francis Scott Fitzgerald." Paris 10, 1994. http://www.theses.fr/1994PA100162.

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Le but de cette thèse est d'étudier le style de Francis Scott Fitzgerald à travers ses quatre principaux romans. La première partie - intitulée "langue" - concerne la rhétorique, c'est-à-dire l'expression d'une "conscience littéraire" qui se dévoile à travers les jeux de l'écriture. De nombreuses oppositions peuvent être établies entre les langages poétique et ironique ; le point de vue interne et externe. Cette analyse sert à décrire une éthique sociale propre à l'Amérique des années vingt et trente, admirablement exprimée dans the Great Gatsby. La seconde partie, consacrée a la "structure",
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6

Wickstrom, Kathy J. "The life of F. Scott Fitzgerald as reflected in chosen short stories." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1990. http://www.kutztown.edu/library/services/remote_access.asp.

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7

Kuxdorf, Stephanie. "Love in a machine age : gender relationships in the novels and short stories of F. Scott Fitzgerald." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59896.

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The primary purpose of this study is to examine the effects of the social and cultural revolution in post-World War One American society on gender relationships in F. Scott Fitzgerald's novels and a selection of his short stories. In his fictional works, Fitzgerald becomes a kind of social and cultural historian, reflecting the fundamental changes that began to occur in the 1920s. There were many factors that contributed to this Jazz-Age revolution in "manners and morals": the emancipation of women, giving rise to the American New Woman; the influence of Freud and his psychoanalytic theories o
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8

Meurer, José Luiz. "Economic relationships inf F. Scott Fitzgerald's life and novels." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106051.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1978.<br>Made available in DSpace on 2013-12-05T19:00:30Z (GMT). No. of bitstreams: 0Bitstream added on 2016-01-08T13:24:24Z : No. of bitstreams: 1 321743.pdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
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Viscardi, Roberta Fabbri. "A posição do narrador em The Great Gatsby de F. Scott Fitzgerald." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14072011-144245/.

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O objetivo desta dissertação é analisar como a contradição presente na narração do romance The Great Gatsby de F. Scott Fitzgerald expõe as tensões sociais e históricas dos Estados Unidos dos anos 1920. Tal contradição, revelada na linguagem e no conteúdo da obra, exige uma leitura atenta do descompasso entre o ponto de vista do narrador memorialista e os valores morais que ele apresenta no início do romance. Exploraremos de que forma o movimento reflexivo da narração de Nick Carraway demonstra a tentativa de construção de entendimento dos fatos por meio da reconstrução das memórias, e como es
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10

Powell, Lisa Anne. "Cutting back the mask : character and coiffure in fiction by F. Scott Fitzgerald, Ernest Hemingway, and Robert Penn Warren /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131499123.pdf.

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11

Antolin-Pirès, Pascale. "Le discours des objets dans l'oeuvre de F. S. Fitzgerald." Bordeaux 3, 1997. http://www.theses.fr/1997BOR30069.

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L'objet fitzgeraldien, omnipresent dans l'oeuvre du romancier, est porteur d'une "parole" eminemment subjective. C'est a la fois un objet mimetique, descendant direct de l'objet realiste, et un objet poetique, qui expose un nouveau projet de communication, fonde sur l'equivocite ou la mutabilite modernistes. La focalisation constante sur l'objet de communication (machine notamment ou techne) designe d'emblee la double referentialite du texte. L'etude de l'objet narratif met en evidence le role a la fois strategique et critique de cet objet-signe dans l'espace diegetique comme dans l'espace tex
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12

Fonseca, Jassyara Conrado Lira da [UNESP]. "Figuras carnavalizadas na 'Cena Trimalchionis', de Petrônio e em Trimalchio, de F. Scott Fitzgerald." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151127.

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Juras, Uwe. "Pleasing to the "I" : the culture of personality and its representations in Theodore Dreiser and F. Scott Fitzgerald /." Frankfurt am Main : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb40044350n.

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Fonseca, Jassyara Conrado Lyra da. "Figuras carnavalizadas na 'Cena Trimalchionis', de Petrônio e em Trimalchio, de F. Scott Fitzgerald /." Araraquara, 2017. http://hdl.handle.net/11449/151127.

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Orientador: Márcio Thamos<br>Banca: Maria Clara Bonetti Paro<br>Banca: Cláudio Aquati<br>Banca: Álvaro Luiz Hattnher<br>Banca: Elaine Cristina Prado dos Santos<br>Resumo: Esta pesquisa desenvolve-se em torno da análise comparada das obras "Cena Trimalchionis" - ou "O Banquete de Trimalquião" - episódio inserido no Satyricon, de Petrônio (? -65d. C.) e Trimalchio, uma primeira versão da obra The Great Gatsby, de F. Scott Fitzgerald (1896-1940). A aproximação dos textos é feita pelo narrador de Trimalchio que compara Gatsby a Trimalquião, e acentua-se no título dado à versão publicada em 2000, q
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15

Turner, Helen M. "Gender, Madness and the Search for Identity in selected works of F. Scott Fitzgerald." Thesis, University of Essex, 2015. http://repository.essex.ac.uk/16820/.

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In this thesis I engage with the subject of identity and how it is formed and undermined in the work of F. Scott Fitzgerald. In many of the novels and short stories a tension exists between two opposing forces. The first is the pursuit of a social identity which values inherited wealth and familial connections, mirroring in the values of the Old European World. In opposition to this is the protagonists’ personal identity that is not dependent on these long established connections to others. In characters such as Jay Gatsby and Dick Diver the latter is sacrificed in order to pursue the former.
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16

Leck, Robin Whitney. "Gatsby's Gorgeous Car: Objects and the Outsider in F. Scott Fitzgerald's Fiction." Thesis, Boston College, 2004. http://hdl.handle.net/2345/443.

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Thesis advisor: Christopher P. Wilson<br>Growing up F. Scott Fitzgerald longed to be a part of the leisure class with whom he socialized and was educated. However, born into a middle class family and destined to be a writer, he never achieved that goal. This preoccupation with the leisure class continued into adulthood and was reflected in his works of fiction. In his writing he repeatedly depicts the outsider, a middle class character who by the means of monetary wealth hopes to rise in society. Through his relationship with the object, this outsider attempts to become a part of the elite and
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17

Teixeira, Pedro Ferreira. "As relações de poder e sexualidade no romance O grande Gatsby, de Francis Scott Fitzgerald." Universidade Federal do Amazonas, 2016. http://tede.ufam.edu.br/handle/tede/5253.

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18

Stundytė, Simona. "The Moral Values in Novels by Francis Scott Fitzgerald, Vladimir Nabokov, John Barth: The Comparative Aspect." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_092323-46286.

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The object of the research is the theme of moral values in the novels by Francis Scott Fitzgerald, John Barth and Vladimir Nabokov. The moral values as a phenomenon are shown very variously in the mentioned works. In one book it is easy to identify moral, its values and its problems and in other it is difficult to identify the moral values. The aim of the research is to analyze the theme of moral values in the novels of Francis Scott Fitzgerald The Great Gatsby, John Barth The End of the Road and Vladimir Nabokov Lolita. The comparative aspect is used while analysing the novels.<br>Darbo tyrim
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19

Sanders, J'aimé L. "The art of existentialism: F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition." Scholar Commons, 2007. http://scholarcommons.usf.edu/etd/2350.

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The purpose of my research is to examine the philosophic influences on three literary works: F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's Death in the Afternoon, and Norman Mailer's An American Dream. Through an investigation of biographical, historical, cultural, and textual evidence, I will argue for the influence of several European philosophers---Friedrich Nietzsche, Søren Kierkegaard, and Martin Heidegger---on these authors and on the structures and messages of their works. I will discuss how the specific works I have selected not only reveal each author's apt understanding
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20

Sanders, J'aimé L. "The art of existentialism : F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002224.

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21

McDonald, Jarom Lyle. "Sport, status, narrative, and nation sport culture as social analysis in the fiction of F. Scott Fitzgerald /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2607.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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22

Ali, Assadi Jamal. "The world as stage : acting and actors in selected novels by F. Scott Fitzgerald and Saul Bellow." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327245.

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23

Viscardi, Roberta Fabbri. "Narração e processo social em O Grande Gatsby e Suave É a Noite de F. Scott Fitzgerald." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-29112018-111907/.

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A obra literária de F. Scott Fitzgerald pode ser entendida como um enfrentamento do paradoxo da narração apontado por Theodor Adorno, decorrente da desintegração do sentido da experiência e da consequente impossibilidade de sua articulação objetiva por parte de quem a experiencia. A figuração que Fitzgerald faz da sociedade norte-americana da década de 1920 é formalizada em O Grande Gatsby (1925) e Suave É a Noite (1934) por meio da incorporação da tradição literária que antecede sua obra, bem como de técnicas do cinema mudo e sonoro e do modernismo europeu. Com isso, Fitzgerald visa evidencia
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Bledsoe, Paul Walker. "Beyond the femme fatale and flapper : the roles of women in selected stories of F. Scott Fitzgerald." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1277980522.

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25

Fälth, Sebastian. "Social Class and Status in Fitzgerald's The Great Gatsby." Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-24020.

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Uppsatsen syftar till att analysera påverkan av social klass och status i F. Scott Fitzgeralds roman The Great Gatsby med Max Webers teori om klass och status som utgångspunkt. Detta sker genom analys av karaktärernas relationer och beteende ur ett perspektiv där klass och status är centralt. Resultatet visar hur klass och status påverkar karaktärernas beslut, relationer och liv. Det leder till ett oundvikligt slut för Jay Gatsbys och Daisy Buchanans kärleksaffär samtidigt som konsekvenserna av karaktärernas handlingar påverkas av deras klasstillhörighet.
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Fonseca, Jassyara Conrado Lira da [UNESP]. "Imagens da diferença: o espaço em The Great Gatsby." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/91510.

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Made available in DSpace on 2014-06-11T19:25:22Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-05-25Bitstream added on 2014-06-13T18:47:56Z : No. of bitstreams: 1 fonseca_jcl_me_arafcl.pdf: 753228 bytes, checksum: 7536aeb4b77e7a4dcc16b58eb1483f62 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O romance The Great Gatsby pode ser visto como uma crônica da década de 1920, por contar com diversas marcas desse momento da história norte-americana. Francis Scott Fitzgerald, seu autor, é
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Town, Caren Jamie. "The art of suspended compromise in American literature /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/9453.

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28

Noel, Nancy Weston. "The Effects of War as a Basis to Consider Six Novels by Ernest Hemingway and F. Scott Fitzgerald." VCU Scholars Compass, 1986. http://scholarscompass.vcu.edu/etd/4983.

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Curiously, the issue of war has never been considered a solid basis for examining the works of Ernest Hemingway and F. Scott Fitzgerald. Yet one common thread running through the body of their work is war. A study of the authors’ attitudes toward war and their characters’ responses to war in Hemingway’s A Farewell to Arms (1929), For Whom the Bell Tolls (1940), The Sun Also Rises (1926), and Fitzgerald’s This Side of Paradise (1920), The Great Gatsby (1925), and Tender Is the Night (1934), yields several conclusions. Hemingway’s and Fitzgerald’s works reveal two different types of human respon
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Wagner, Nathan. "Turning Back Time: Duration, Simultaneity, and the Timeless in Fitzgerald and Fincher's Benjamin Button." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/85.

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This MA thesis seeks to apply Henri Bergson’s theory of time to a reading of F. Scott Fitzgerald’s “The Curious Case of Benjamin Button,” and David Fincher’s film adaptation of the text, The Curious Case of Benjamin Button. By applying Bergson’s notions of durée and simultaneity, timeless moments will be seen to emerge in the text and the film. I place Fitzgerald’s text in context with other seminal modernist works in order to provide a study of the importance of the story within its time period. Through Deleuze’s application of Bergson to cinema, I analyze the evolution of the time-image with
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Rodríguez, Sieweke Lara María. "Text, Image, and Nostalgia in Two Versions of F. Scott Fitzgerald's "The Rich Boy"." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75937.

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Abstract This thesis attempts to contribute to both intermedial studies and F. Scott Fitzgerald scholarship by studying the text-illustration interplay in two versions of “The Rich Boy”. Intermediality, which pays close attention to media interactions, is a natural method to explore the word-image relations in these texts: the first version, published in Red Book Magazine in 1926, and an illustrated Spanish translation from 2012.             Lars Elleström’s definition of media as a combination of modes and modalities, plays a central role in the analysis, where I study how these interact in e
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Buechsel, Mark Peter Fulton Joe B. ""Sacramental Resistance" to pastoral dreams : the Midwestern land in the works of Sherwood Anderson and his contemporaries /." Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4892.

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Zaring, Meredith A. ""How Art Thou Lost": Reconsidering the Fall in Fitzgerald's Tender is the Night." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/127.

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In Tender Is the Night, F. Scott Fitzgerald retells the story of the Fall from Genesis through psychologist Dick Diver and his wife and patient Nicole, drawing poetic and thematic inspiration from John Milton’s Paradise Lost. This essay traces the progression of the Divers’ fall and ultimate separation through the novel’s three books and considers how the highly autobiographical foundation of the novel, which has drawn considerable critical attention, may in fact allow Fitzgerald to craft a work that aligns with and simultaneously expands upon Milton’s interpretation of the Fall.
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Luong, Merry B. "A Woman's Touch in F. Scott Fitzgerald's Tender is the Night: Pulling the Women Out of the Background." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/74.

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This is a critical study of F. Scott Fitzgerald‟s Tender Is the Night focusing primarily on the lack of examination and criticism surrounding the women characters. Included are reviews of Fitzgerald‟s personal and professional life from the publication of his critically acclaimed The Great Gatsby until the publication of his last complete novel, Tender Is the Night, discussion of the contemporary and current criticism of the novel, and a feminist reading of the novel in order to focus more significant critical attention upon the women characters in order to create a fuller understanding of Fit
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Guay-Weston, Jennifer Ann. "An American Eve : the construction of a modern revisionist heroine in Kate Chopin's "The awakening", Ernest Hemingway's "The sun also rises" and F. Scott Fitzgerald's "The great Gatsby"." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25518.

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Cette recherche a pour but d’identifier une personnalité féminine révisionniste dans le modernisme littéraire américain. Cette personnalité révisionniste a pour nom «American Eve» et défie le «American Adam» qui est un personnage mythique patriarcal de R.W.B. Lewis provenant du dix-neuvième siècle. Cette conceptualisation est accomplie à l’aide d’une analyse socio-critique et comparative des trois protagonistes féminins dans les romans modernes The Awakening (1899) de Kate Chopin, The Sun Also Rises (1926) d’Ernest Hemingway, et The Great Gatsby (1925) de F. Scott Fitzgerald. Ma construction d
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Kalpakidis, Charalabos. "Metaphors, Myths, and Archetypes: Equal Paradigmatic Functions in Human Cognition?" Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3284/.

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The overview of contributions to metaphor theory in Chapters 1 and 2, examined in reference to recent scholarship, suggests that the current theory of metaphor derives from long-standing traditions that regard metaphor as a crucial process of cognition. This overview calls to attention the necessity of a closer inspection of previous theories of metaphor. Chapter 3 takes initial steps in synthesizing views of domains of inquiry into cognitive processes of the human mind. It draws from cognitive models developed in linguistics and anthropology, taking into account hypotheses put forth by psycho
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Skogberg, Lundin Anja. "A Journey Greater Than You Think, Unknown in Its Details, But More Loving Than Nostalgia : -An Analysis of F. Scott Fitzgerald’s The Great Gatsby." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-31134.

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Abstract This essay is an analysis of F. Scott Fitzgerald’s The Great Gatsby and it explores how identity and ideology always exist in a context of time. The American 1920s society was influenced by theories brought by Marxism, Albert Einstein and Freud. This era was highly influenced by cultural influencers, individuals such as Fitzgerald who became one of the greatest to mould and describe the era he lived in. When reviewing Fitzgerald’s text almost a century later, and at the verge of entering the 2020s, it becomes clear that some fundamental features of culture remain ever-present in the A
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Yang, Caroline Hyo Jung. "Reconstruction's labor : the Asian worker in narratives of U.S. culture and history, 1890-1930 /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/9521.

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Wojnar, Magdalena. "“The bottle of whiskey – a second one – was now in constant demand by all present” : Alcohol Consumption as Cultural Capital and Part of Habitus in F. Scott Fitzgerald’s The Great Gatsby." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101165.

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This essay investigates the status of alcohol consumption in F. Scott Fitzgerald’s novel The Great Gatsby (1925). The analysis focuses on character study reading of Jay Gatsby, and Tom and Daisy Buchanan in conjunction with Pierre Bourdieu’s theory of habitus, by placing habitus in the specific historical context of the novel. The analysis focuses on the social structures of the alcohol-consuming upper-class Americans, and the reproduction of internalized practices during Prohibition. Drinking alcohol is seen as a valued, cultural capital among the elite society and used as a tool in a competi
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Farthing, Kemry H. "The Best Story: Zelda Sayre Fitzgerald's Return to the South Revealed Through the Analysis of her Articles and Fiction Published Between 1920 and 1932." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5411.

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This thesis examines Zelda Sayre Fitzgerald’s writing published between 1920 and 1932. To date, biographers and scholars have largely failed to carefully examine and understand Zelda’s publications. During this period Zelda critiques the materialism and generational lack of respect she finds in the North in her articles, while using her imagination to discuss the possibilities of the South in her short stories. All of her works during these years culminate in her novel, Save Me the Waltz, in which much of her life and return to the South is mirrored by her heroine, Alabama Knight. This thesis
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40

Brooks, Lesley. "From Flapper to Philosopher: F. Scott Fitzgerald’s Hidden Cultural Evaluations of American Society in “Bernice Bobs Her Hair,” “The Passionate Eskimo,” “May Day,” and “The Hotel Child”." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3366.

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This thesis examines the treatment of Native American and Jewish American characters in four of F. Scott Fitzgerald’s short stories: “Bernice Bobs Her Hair” (1920), “The Passionate Eskimo” (1935), “May Day” (1930), and “The Hotel Child” (1931). Little critical attention has been given to these stories even though they illustrate Fitzgerald’s awareness of the negative ramifications of culturally destructive views and an exploration of new culturally pluralistic ideas. In these stories, Fitzgerald undermines common ethnic stereotypes and demonstrates tension between the intolerance of the Americ
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Long, Kim Martin. "The American Eve: Gender, Tragedy, and the American Dream." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277633/.

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America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter, Moby-Dick, Adventures of Huckleberry Finn, The Great Gatsby, and The Sound and the Fury. To recreate the
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Hartley, Christopher. "Fear and greed : financial crisis in the novel since 1850." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:f10d11fd-916d-480f-ac24-0379b1a5a71b.

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The financial crisis of 2008 has been the most significant global economic phenomenon of the new century. Sudden and largely unanticipated, this crisis nonetheless marks the latest in a series of financial panics that forms a welldocumented feature of finance capitalism stretching back to the Dutch Tulip Bubble of 1637 and beyond, including such notorious crises as the South Sea Bubble of 1720, the Railway Shares panics of 1837 and 1847, the Wall Street Crash of 1929, and Black Monday in 1987. These and other crises have fostered a complex and diverse intellectual response - particularly since
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Andersson, Edén Therese. "The Shakespearean Stahr : Using Genette’s Theory of Intertextuality to Compare The Last Tycoon to Shakespeare’s Tragedies." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-62125.

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This essay uses Gerard Genette’s theory of intertextuality – in particular, architextuality - in order to establish the connection between Shakespearean tragedies and F. Scott Fitzgerald’s last novel, The Last Tycoon. The essay relies mainly on known Shakespeare critic A.C Bradley and the categories he uses in order to establish what makes a Shakespearean tragedy a Shakespearean tragedy. This framework will then be used to further elaborate upon the architextual connection between Shakespeare and Fitzgerald. The essay also compares the characters from The Last Tycoon directly to characters fro
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Lotun, Martina. "An Illusion of the American Dream : The Great Gatsby from a Feminist Perspective." Thesis, Högskolan i Gävle, Engelska, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35874.

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The Great Gatsby by F. Scott Fitzgerald encapsulates the Roaring Twenties, a period of social and political change. The economy is thriving, and the American Dream, with its promise of monetary wealth, happiness and upward mobility, is seemingly within reach. Females gain suffrage, and a New Woman emerges, the flapper, who can be seen challenging stereotypical gender roles with her short skirts and bobbed hair. Ostensibly enjoying increased freedom, she dances the night away at speakeasies, a cigarette in one hand and a drink in the other, defying Prohibition. This essay aims to evidence that
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Murphy, Kris Robert. "His Lost City: F Scott Fitzgerald's New York." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625818.

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Bardy, Gilles. "De la subtile folie du désespoir : étude des conditions psychologiques de production du texte." Paris 7, 1990. http://www.theses.fr/1990PA070098.

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Dans la première partie, théorique, c'est le processus de la découverte chez Freud qui est étudie: découverte, résistance, travail analytique, découverte, et ainsi de suite. Les trois autres parties (sur The Great Gatsby de Fitzgerald, The purloined letter de Poe et As I lay dying de Faulkner), au moyen de l'analyse des signifiants, j'essaie de découvrir le fantasme central, le désir. On peut voir que, dans ces écrits, le fantasme de symbiose est dissimule par le fantasme oedipien<br>In the first, and theoretical part, the processes of the freudian discovery are carefully analysed: discovery,
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Jensen, Sabina. "Rugged Individualism in F. Scott Fitzgerald's The Great Gatsby." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-31275.

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The aim of this essay is to analyze the concept of rugged individualism in F. Scott Fitzgerald's The Great Gatsby. This paper will also examine the American Dream since rugged individualism is related to the American Dream. Marxist criticism problematizes rugged individualism and the American Dream. The title character Jay Gatsby is portrayed as an exemplary rugged individualist. Gatsby shows several traits of rugged individualism and he can be used as a representative for both rugged individualism and the American Dream.
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Pinzone, Anthony F. "“Beyond the Gilded Cage:” Staged Performances and the Reconstruction of Gender Identity in Mrs. Dalloway and The Great Gatsby." Cleveland State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1559659966276508.

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Hyde, Marissa Cathryn. "Personage and Post-Adolescence in F. Scott Fitzgerald's This Side of Paradise." Cleveland State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=csu1611535243379139.

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Glennon, Jenny L. "American ways and their meaning : Edith Wharton's post-war fiction and American history, ideology, and national identity." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:59954615-29ff-4da4-8632-b9887c24c218.

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This thesis argues that Edith Wharton’s assessment of American ways and their meaning in her post-war fiction has been widely misread. Its title derives from French Ways and Their Meaning (1919), which she wrote to educate her countrymen about French culture and society. Making sense of America was as great a challenge to Wharton. Much of her later fiction was for a long time dismissed by critics on the grounds that she had failed to ‘make sense’ of America. Wharton was troubled by American materialism and optimism, yet she believed in a culturally significant future for her nation. She advoca
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