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Relevant bibliographies by topics / Scott, Nick

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Academic literature on the topic 'Scott, Nick'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Scott, Nick"

1

Dekoven, Marianne. "Guest Column: Why Animals Now?" PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 361–69. http://dx.doi.org/10.1632/pmla.2009.124.2.361.

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Myrtle Wilson, Tom Buchanan's working-class lover in F. Scott Fitzgerald's The Great Gatsby, wants “one of those police dogs” as an ornament “for the apartment,” because “they are nice to have” (27). Tom, Myrtle, and our narrator, Nick Carraway, have just arrived at Penn Station and gotten into a taxi, in the novel's second chapter. Myrtle boarded the train in Queens, site of her home in the Eliotic “valley of ashes,” joining Nick and Tom on the rail commute from their respective class-bound Long Island Eggs, upper East and nouveau West, into the city that is “built with a wish out of non-olfa

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2

Bezerra da Silva, Ricelly Jáder. "The Great Gatsby e o personagem Nick Carraway como ser de fronteira." Revista Odisseia 4, no. 1 (2019): 34–54. http://dx.doi.org/10.21680/1983-2435.2019v4n1id16278.

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The Great Gatsby, de F. Scott Fitzgerald, publicado primeiramente em 1925, é um dos mais importantes romances do cânone literário estadunidense. Em seu texto, Fitzgerald apresenta relações socioculturais da década de 1920, nos EUA, período conhecido como a “era do jazz”, em que ocorreram mudanças socioculturais significativas. A narrativa é contada através da perspectiva do personagem Nick Carraway. Assim, o objetivo deste artigo é analisar a posição do referido personagem como um ser de fronteira, pois Carraway transita entre diferentes ambientes sociais sem pertencer a nenhum deles. Dessa fo

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3

Paül, Valerià. "Scott, Mark; Gallent, Nick i Gkartzios, Menelaos (ed.) (2019). The Routledge Companion to Rural Planning." Documents d'Anàlisi Geogràfica 66, no. 2 (2020): 465. http://dx.doi.org/10.5565/rev/dag.645.

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4

Coover, Roderick, David Jhave Johnston, and Scott Rettberg. "The Poetics of Combinatory Cinema: David Jhave Johnston interviews Roderick Coover and Scott Rettberg." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (2014): 108–29. http://dx.doi.org/10.7146/se.v4i1.20329.

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For the past several years filmmaker Roderick Coover and fiction writer Scott Rettberg have collaborated on a series of film and digital media projects that address climate change, environmental catastrophe, cross-cultural communication and combinatory poetics. Working between Philadelphia, USA, where Coover directs the graduate programme in Film and Media Arts at Temple University, and Bergen, Norway, where Rettberg is Professor of Digital Culture at the University of Bergen. Their projects, including The Last Volcano, Rats and Cats, Three Rails Live (with Nick Montfort) and Toxi•City, deal t

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5

Barrett, Laura, Ridie Ghezzi, and Jay Satterfield. "For Your Enrichment: Jay Gatsby Goes to College." Reference & User Services Quarterly 55, no. 1 (2015): 11. http://dx.doi.org/10.5860/rusq.55n1.11.

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Jay Gatsby, the main character in F. Scott Fitzgerald’s 1925 novel The Great Gatsby, is a self-made man. He entered St. Olaf College in Minnesota but then dropped out during his first term because of the humiliating circumstances of his poverty. Gatsby’s flight from college contrasts with the Ivy League education of Fitzgerald’s narrator, Nick Carraway, the Yale graduate better equipped to navigate East Egg’s social world. Gatsby’s experience is still relevant today: while the transition to higher education is often difficult for young people, it is especially so for first-generation students.

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6

Adkins, Monty. "Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback)." Organised Sound 20, no. 2 (2015): 273–75. http://dx.doi.org/10.1017/s1355771815000151.

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7

Bell, Emily. "Review of Nick Murphy (dir.), A Christmas Carol (TV Mini-Series). UK/USA: FX Productions, Scott Free Productions, Hardy Son & Baker, BBC, 2019." Victorian Popular Fictions Journal 2, no. 1 (2020): 116–19. http://dx.doi.org/10.46911/eylb6649.

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8

Gresik, E. W., R. M. Gubits, and T. Barka. "In situ localization of mRNA for epidermal growth factor in the submandibular gland of the mouse." Journal of Histochemistry & Cytochemistry 33, no. 12 (1985): 1235–40. http://dx.doi.org/10.1177/33.12.3877752.

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Epidermal growth factor (EGF) is a polypeptide originally isolated from the mouse submandibular gland, where it is localized immunocytochemically in cells of the granular convoluted tubules (GCT). cDNAs encoding the precursor of mouse submandibular EGF have been cloned (Scott et al. Science 221:236, 1983; Gray et al. Nature 303:722, 1983). A fragment of one of these clones, pmegf10, containing the EGF coding region, was tritium-labeled by nick-translation and used as a probe for in situ hybridization to EGF mRNA. A specific hybridization signal for EGF mRNA was seen only in mature or developin

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9

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 82, no. 1-2 (2008): 113–79. http://dx.doi.org/10.1163/13822373-90002468.

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David Scott; Conscripts of Modernity: The Tragedy of Colonial Enlightenment (Shalina Puri)Rebecca J. Scott; Degrees of Freedom: Louisiana and Cuba after Slavery (Olivia Maria Gomes da Cunha)Patrick Bellegarde-Smith (ed.); Fragments of Bone: Neo-African Religions in a New World (Dianne M. Stewart)Londa Schiebinger; Plants and Empire: Colonial Bioprospecting in the Atlantic World (J.D. La Fleur)F. Abiola Irele, Simon Gikandi (eds.);The Cambridge History of African and Caribbean Literature (A. James Arnold)Sean X. Goudie; Creole America: The West Indies and the Formation of Literature and Culture

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10

Hsu, Ho-Ling. "Interpretation of the Movie “Peaceful Warrior”." International Journal of Philosophical Practice 3, no. 4 (2015): 1–27. http://dx.doi.org/10.5840/ijpp2015341.

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The American movie, “Peaceful Warrior” (2006), starring Scott Mechlowicz and Nick Nolte, is a story about an outstanding athlete’s perplexities and anxieties. The main character in the movie, Dan Millman, aggressively pushes his performance in order to become a top athlete. As a result, he develops feelings of perplexity and anxiety, and suffers daily from these problems, leading to insomnia. The other character in the movie, Socrates, who works at a gas station, is like a philosopher. Socrates not only helps others to feel better, he can also help himself; in other words, he provides philosop

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Dissertations / Theses on the topic "Scott, Nick"

1

Danielsson, Bill. "We Need to Talk About Nick : Sexual Divergence, Characterization and the Hardcover Closet in F. Scott Fitzgerald's The Great Gatsby." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-47811.

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Criticism of F. Scott Fitzgerald’s, The Great Gatsby (1925) is often focused around its already evident focal points, such as its critique of capitalism, excess and greed. Therefore, this essay focuses on and discusses instances in The Great Gatsby of sexual divergence and homoeroticism. It is written with the purpose of giving the novel an alternative reading and perspective, coupled with expressing the need to look beyond a surface-level analysis of the novel. This is primarily accomplished by analyzing and highlighting the novel's narrator and central character, Nick Carraway. While this ki

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Books on the topic "Scott, Nick"

1

Great Britain. Parliament. House of Commons. Environmental Audit Committee. Sustainable development: Minutes of evidence, Tuesday 30 April 2002 : Mr Callum McCarthy, Mr John Neilson, Mr Nick Simpson and Mr John Scott. Stationery Office, 2002.

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2

Dr, Scott Nick, ed. Rude awakenings: Two Englishmen on foot in Buddhism's holy land. Wisdom Publications, 2006.

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3

Carter, Peyton F. Nice and easy does it all the time: The story of Mary Lillian Scott. Higginson Book Co., 2006.

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4

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. Edited by Walter Day and Mr Kelly R. Flewin. 1st World Publishing, 2007.

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5

Gray, Benjamin. Extinct. CSIRO Publishing, 2021. http://dx.doi.org/10.1071/9781486313723.

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Australia is home to an incredible diversity of native animals. While Australian animals are among the most unique in the world, they are also among the most endangered, with hundreds currently on the brink of extinction. We must act quickly if we are to save these species, as once gone, they are gone forever.  Extinct is a collection of artworks from established and emerging Australian fine artists, each depicting an Australian animal that has already, for various reasons, tumbled over the edge into extinction. Extinct laments their loss, but also celebrates their former existence

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6

Sucitto, Ajahn, and Nick Scott. Rude Awakenings: Two Englishmen on Foot in Buddhism's Holy Land. Wisdom Publications, 2005.

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7

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and

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8

Day, Walter. TWIN GALAXIES' OFFICIAL VIDEO GAME & PINBALLBOOK OF WORLD RECORDS; Arcade Volume, Second Edition. 2nd ed. 1st World Publishing, 2007.

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Book chapters on the topic "Scott, Nick"

1

Sandy, Mark. "Dissolving Subjectivities: Imagined Selves in F. Scott Fitzgerald and John Keats." In Transatlantic Transformations of Romanticism. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474421485.003.0003.

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This chapter argues that sympathetic ambivalence is the hallmark of F. Scott Fitzgerald’s mode of narration (for instance, exemplified in The Great Gatsby (1925) by Nick Carraway’s curious ambivalence towards the subject of his narration, Jay Gatsby). Paradoxically, Fitzgerald portrays subjectivity as involved in both an intimate immediacy from within and an incisive viewpoint marshalled from without. Fitzgerald’s narrative technique – one of empathetic engagement and critical distance – constitutes a form of Keats’s negatively capable poetics. Fitzgerald’s negatively capable poetics depict a process of self-dissolution which reconfigures the relationship between inner and outer identities, as well as the dynamics between self and world. Such fictions of the self, for Fitzgerald, are paradoxically a release from and an imposition on subjectivities (as played out through Dick Diver’s dilemma in Tender is the Night (1934)) and the environs they occupy.

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2

Ferraro, Thomas J. "The Carraway Confessional." In Transgression and Redemption in American Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0007.

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Chapter 6 argues that the holy grail of Gatsby’s idolatrous love for Daisy, in F. Scott Fitzgerald’s The Great Gatsby, presents a profound challenge to the prepped and Ivied Midwestern Protestantism of Nick Carraway, who turns out to be an emotional exhibitionist not just an emotional voyeur. In “Absolution,” the story first intended as the novel’s first chapter, Fitzgerald establishes the theo-ontology of the gorgeous radiant lie, which because of its occasioned theatricality (witness critics Mitchell Breitwieser and Tracy Fessenden) courts ineffability, catechetical casuistry notwithstanding. To Nick, Jay Gatsby manifests a radiance that co-exists, somehow, with everything for which he has “unaffected scorn,” including nouveau-riche vulgarity, gangster-derived upper-class brutality, and delusional, out-sized masculine desire—for it calls, again mysteriously, to his homo-eros and own precarious class positioning (mirrored variously by the three women) and manifests itself in the tension between a Protestant transcendental “symbolist aesthetics” and a Catholic material sacramentality that descends even more directly from Hawthorne. In Nick’s literary confessional, the witness he bears to Gatsby’s “romantic readiness” is in itself more outrageously romantic still: that is, it is the testament of a seducee-convert to the passional incarnation of incommensurable love, as Marian Catholicism concentrates it, in the face of linen so dirty it can’t be laundered. At the last, what Nick has to confess is not his own myriad sexual and social foibles but rather a love for (the idol of Gatsby) so outsized and imminently felt it it courts, manifests, and arguably sanctions “an ineffably gorgeous lie.”

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3

MacPharlain, Adam. "Nicki “Catherine Scott” Ladany: Chicago’s Empress of Fashion." In The Hidden History of American Fashion. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350000490.ch-009.

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4

Hubble, Nick. "Transformative Pastoral: Lewis Grassic Gibbon’s A Scots Quair." In Rural Modernity in Britain. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420952.003.0010.

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Beginning in the rural community of the first volume of the Scots Quair trilogy and progressing to the city setting of the third, Nick Hubble traces the entire arc of how modernization is experienced from a rural perspective. He challenges postwar criticism of Gibbon as being insufficiently aligned with the British Welfare State’s valuation of the urban and the industrial by arguing that Gibbon equates such values with the negative experience of war and patriarchal subjectivity. Focusing on the central female character, Chris Guthrie, and drawing on the work of feminist critics and William Empson’s concept of pastoral, the chapter investigates how Gibbon relates modern subjectivity and intersubjectivity to the ‘land’ in its broadest conception. Hubble argues that Gibbon moves beyond an oppositional account of rural and urban modernity to ‘compass and express’ the life of the Scottish nation in a way that had hitherto been impossible.

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