Academic literature on the topic 'Scott, Walter, Scott, Walter'

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Journal articles on the topic "Scott, Walter, Scott, Walter"

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Auer, Christian. "Walter Scott, Ivanhoe." Cahiers victoriens et édouardiens, no. 76 Automne (October 20, 2012): 149–51. http://dx.doi.org/10.4000/cve.532.

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Thorne, M. G. "George Walter Scott." BMJ 335, no. 7618 (September 6, 2007): 519.7. http://dx.doi.org/10.1136/bmj.39314.659294.be.

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CARNE-ROSS, D. S. "WALTER SCOTT TRAVESTI." Essays in Criticism XLVI, no. 4 (October 1, 1996): 359–66. http://dx.doi.org/10.1093/eic/xlvi.4.359.

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Camp, Austine I. "Sir Walter Scott." Journal of Education 51, no. 19 (May 1990): 293–94. http://dx.doi.org/10.1177/002205749005101905.

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Mercier, Christophe. "Redécouvrir Walter Scott." Commentaire Numéro 103, no. 3 (September 1, 2003): 732. http://dx.doi.org/10.3917/comm.103.0732.

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Tulloch, Graham. "Walter Scott and Waterloo." Romanticism 24, no. 3 (October 2018): 266–77. http://dx.doi.org/10.3366/rom.2018.0386.

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Walter Scott responded very quickly to the defeat of Napoleon at Waterloo and within a few weeks he was at the site of the battle. Even before he left Britain, publicity about his projected poem The Field of Waterloo had appeared in the British press and it was soon followed by publicity for his prose account, Paul's Letters to his Kinsfolk. Faced with a battle quite unlike anything he had written about before, Scott tried, with mixed success, to find a new way of writing about this new kind of warfare. Media coverage of the poem was extensive but most critics disliked the poem and believed he should stick to medieval topics. Paul's Letters were also covered extensively in the print media but were well received, partly because they looked forward to new ways of memorialising war which would dominate the remembering of Waterloo for the coming century.
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Sturman, Melvin J. "Dr. Walter Scott Brown." Plastic and Reconstructive Surgery 76, no. 6 (December 1985): 976–77. http://dx.doi.org/10.1097/00006534-198512000-00052.

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Fedorova, Tatyana Alexandrovna. "The historical novels of Sir Walter Scott - the substantial factor in the formation of Scottish national identity at the turn of XVIII-XIX centuries." Samara Journal of Science 6, no. 1 (March 1, 2017): 109–13. http://dx.doi.org/10.17816/snv201761205.

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The paper discusses the influence of Walter Scotts historical novels on the formation of national identity of Scotland at the turn of the eighteenth to early nineteenth centuries. In the current geopolitical situation, considering the growing wave of separatism, the relevance of the study of national identity formation process cannot be overemphasized. In the paper the author analyzes the historical preconditions of Scots national consciousness formation. The author also considers characteristics of historical and cultural development of the region. According to the author, James MacPherson and Bishop Percys works were equally important for national disunity overcoming in Scotland and Britain as a whole. Particular attention is drawn to the role of Sir Walter Scott in the process of national revival in Scotland. Such novels as Waverley, Puritans, and Rob Roy introduced the general public with the mental basis of the Scottish people. Having opened national character features and religious foundations of the Scottish worldview for a wide range of readers, the author awakened the interest of the British society to the heritage of Scotland, thereby laying the basis for a successful integration of the two peoples into a single nation. Sir Walter Scott managed to revive national prestige of Scotland that had fallen victim after the signing of Union in 1707.
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MacLachlan, Christopher. "Review Essay: Sir Walter Scott." Romanticism 16, no. 1 (April 2010): 94–99. http://dx.doi.org/10.3366/e1354991x10000899.

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Déruelle, Aude. "Le « singe de Walter Scott » ?" L'Année balzacienne 7, no. 1 (2006): 361. http://dx.doi.org/10.3917/balz.007.0361.

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Dissertations / Theses on the topic "Scott, Walter, Scott, Walter"

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Irvine, Robert P. "Walter Scott and feminine discourse." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/21317.

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This thesis examines the relation between Scott's fiction and the late eighteenth-century feminine domestic novel as it appears at the interlinked levels of discourse and plot in the Scottish Waverley novels themselves. Scott's fiction brought a new sort of realism to the novel in its enlightenment understanding of society and history as objects of knowledge, but the plots of the novels are not used to signify social or historical reality. Because social history has no ending, narrative closure is provided instead by extra-historical agents in the text. In Part One I examine how this autonomous agency is derived from the autonomy of young women characters in Waverley, Guy Mannering and The Black Dwarf, an autonomy they owe to their status as signifiers of the domestic fiction which dominated the novel in the decades before 1814. The language of the feminine domestic novel appears within the first half of each text in opposition to the realist discourse of the general narrator. This feminine discourse then disappears from the text, but remains as an other to its realist discourse in the form of an agency which can bring the plot to a proper ending as its realist discourse alone cannot. In the last two instances this agency is associated with folk-culture and the supernatural, and I suggest that its owes its survival within the text to its availability as an object of knowledge in that realist discourse, even while it owes its efficacy to the discourse of the domestic novel. Thus the plots of these novels suppress feminine discourse while ultimately depending on it for their closure. It might be, of course, that Scott is obliged to locate his new type of fiction in relation to this established genre in the early novels as a way of making his texts accessible to an as-yet unestablished readership.
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Fielding, Penelope A. "Walter Scott and eighteenth century thought." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292479.

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Garbin, Lidia. "Scott and Shakespeare." Thesis, University of Liverpool, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366840.

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Frattini, Paula Caldas. "Walter Scott e Balzac: romancistas da história." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-29112010-100912/.

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O nome de Walter Scott é repetidamente mencionado na obra de Balzac, sobretudo em seus textos críticos. Esta dissertação visa expor, para além da admiração patente do escritor, a penetração analítica de Balzac acerca do romance scottiano, o que lhe sugeriu um fundamento essencial para a formulação de sua Comédia Humana. Tendo como objeto de estudo a leitura dos textos críticos de Walter Scott e Balzac - seus prefácios principalmente -, procuramos demonstrar como o uso da História pelo romance tornou-se o elemento fundamental na aproximação entre os autores. Nossa intenção é deslindar, na fatura do romance, como se articula o entrecruzamento entre História e literatura.
Walter Scotts name is repeatedly mentioned in the works of Balzac, mostly in his critical writings. This dissertation aims to show, beyond the writers patent admiration, Balzacs penetrating criticism of the Scottian novel which disclosed to him a sound basis for the composition of his Comédie Humaine. Having Scotts and Balzacs critical writings as our object of study mainly their prefaces - we intend to demonstrate how the incorporation of History by the novel became the essential element in this comparative study of the two writers. Our purpose is to elucidate how this intersection between history and literature is articulated in the narrative.
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Turner, John R. "A bibliography of the Walter Scott Publishing House." Thesis, Aberystwyth University, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568776.

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Bautz, Annika. "The literary reputations of Jane Austen and Walter Scott." Thesis, University of Newcastle Upon Tyne, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417543.

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Dabbs, Donald Matheson. "Narrative experimentation in the novels of Sir Walter Scott." Thesis, University of Stirling, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321972.

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Cunningham, David Gordon McAlpine. "Scott-land : the role of his native landscape in the historical novels of Sir Walter Scott." Thesis, University of Glasgow, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320297.

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Sabiron, Céline. "Limites et frontières dans les romans écossais de Walter Scott." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040181.

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Cette monographie invite à une étude de la pensée de la frontière chez Walter Scott (1771-1832) à partir d’une analyse textuelle détaillée de ses romans écossais — dont l’intrigue se déroule en Écosse, près des Borders ou de la faille frontalière des Highlands, principalement aux XVIIe et XVIIIe siècles autour de l’Union des deux royaumes anglais et écossais. Elle découvre un ensemble d’interactions entre les concepts de limite et de frontière en s’appuyant sur une stratégie particulière, élaborée par l’auteur, fervent opposant à tout manichéisme. Ce dernier fixe les frontières envisagées comme des limites, des bornes immuables et infranchissables, pour ensuite les déconstruire, c’est-à-dire les traverser, les déplacer et les brouiller avant de les dissoudre dans le but d’atteindre un état d’entre-deux parfait où les contraires s’unissent harmonieusement. Cette thèse permet de dégager une voie du milieu scottienne faisant de Scott un écrivain d’avant-garde pour son époque, et qui reste très novateur aujourd’hui encore, car il annonce bien des préoccupations postmodernes
This monograph is dedicated to the question of limits and borders in Walter Scott (1771-1832)’s Scottish novels — thus called because the stories are set in the Borders or near the Highland line mostly in the 17th and 18th centuries at the time of the Union between the two kingdoms of England and Scotland. A very detailed analysis of the texts of the novels helps us to discover a series of interactions between the two concepts of limit and border which are grounded in a particular strategy developed by the author — a fervent opponent to Manichaeism. He sets boundaries, seen as fixed and impassable limits, and then deconstructs them, i.e. has them be crossed, moved, blurred before dissolving them in order to reach a perfect in-between state where all opposites mingle harmoniously. This thesis enables us to define a Scottian middle way, which makes Scott an avant-garde writer in his own time, and still nowadays since he paves the way for many a postmodern concern
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Nestor, Mary Catherine. "Adapting the great unknown : the evolving perception of Walter Scott." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230931.

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This thesis explores the legacy of Walter Scott through analysis of the adaptations of his works. It argues that remediations of Scott's novels and poetry have shaped the conception of those works in the popular imagination and resulted in an understanding of Scott's writing which overlooks it[s] complexities. In addition, it suggests that as a by-product of the process of adaptation a very small percentage of Scott's works have come to represent the whole. This thesis examines the development of the current gap between the critical rejuvenation of Scott's legacy by the scholarly community and his continued denigration in popular culture, contending that the popular remediation of Scott's works over the course of the last two centuries contributed to the formation of this gap in perception. It also poses [i.e. posits] that adaptation provided fodder for the popular notions that his writing glorifies tartanry, chivalry and pageantry, has imposed a false version of history and culture on the people of Scotland, and is best left in the category of 'boys' adventure tales'. Furthermore, this thesis interrogates claims that Scott has no relevance for contemporary readers and has become what memory theorist Ann Rigney terms the 'Great Unknown'. While adaptations from the nineteenth century have been reasonably well documented, this thesis explores not only early dramatisations of Scott's works but also a plethora of twentieth-century remediations, including film, television, comic book, mass-market science-fiction and children's adaptations, which demonstrate that popular engagement with Scott did not end with the start of the First World War. This thesis concludes that, while Scott's readership may indeed have declined from its peak in the late nineteenth century, he still maintains a place in popular consciousness and is not as greatly forgotten as some have argued.
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Books on the topic "Scott, Walter, Scott, Walter"

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Lauber, John. Sir Walter Scott. Boston: Twayne Publishers, 1989.

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Suhamy, Henri. Sir Walter Scott. Paris: Editions de Fallois, 1993.

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Walter Scott--Waverley. Cambridge [England]: Cambridge University Press, 1993.

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Sir Walter Scott. New York: Continuum, 1991.

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Hewitt, David. Walter Scott in Aberdeen. [S.l.]: [s.n.], 2002.

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Sutherland, J. A. The life of Walter Scott. Oxford: Blackwell Publishers, 1995.

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Gerrard, William A. Walter Scott: Frontier disciples evangelist. [Atlanta, Ga.]: [Disciples of Christ Historical Society], 1990.

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Walter Scott: An introductory essay. Edinburgh: Dunedin Academic Press, 2002.

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Bros, Maggs. Charles Dickens and Sir Walter Scott. London: Maggs Bros., 1990.

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Priesmeyer, Scottie. The cheaters: The Walter Scott murder. St. Louis: Tula Pub., 1996.

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Book chapters on the topic "Scott, Walter, Scott, Walter"

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Humphrey, Richard. "Sir Walter Scott." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 39–46. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_4.

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Müllenbrock, Heinz-Joachim. "Scott, Sir Walter." In Englischsprachige Autoren, 236–40. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_88.

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Benjamin, Ludy T. "Scott, Walter Dill." In Encyclopedia of psychology, Vol. 7., 195–96. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10522-081.

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"Walter Scott." In Poetry as an Occupation and an Art in Britain, 1760–1830, 136–81. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511519062.005.

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Lumsden, Alison. "Walter Scott." In The Cambridge Companion to English Novelists, 116–31. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521871198.008.

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Chase, Bob. "Walter Scott." In The Expansion of England, 91–128. Routledge, 2005. http://dx.doi.org/10.4324/9780203993187-5.

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Hazlitt, William. "Sir Walter Scott." In Scott, 5–16. Routledge, 2020. http://dx.doi.org/10.4324/9780429348242-3.

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"Unsigned review, British Lady’s Magazine." In Walter Scott, 104–5. Routledge, 2003. http://dx.doi.org/10.4324/9780203197714-16.

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"Unsigned review, Critical Review." In Walter Scott, 106–12. Routledge, 2003. http://dx.doi.org/10.4324/9780203197714-17.

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"Walter Scott: an unsigned review, Quarterly Review." In Walter Scott, 113–43. Routledge, 2003. http://dx.doi.org/10.4324/9780203197714-18.

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