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Journal articles on the topic 'Scott, Walter, Scott, Walter'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Auer, Christian. "Walter Scott, Ivanhoe." Cahiers victoriens et édouardiens, no. 76 Automne (October 20, 2012): 149–51. http://dx.doi.org/10.4000/cve.532.

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2

Thorne, M. G. "George Walter Scott." BMJ 335, no. 7618 (September 6, 2007): 519.7. http://dx.doi.org/10.1136/bmj.39314.659294.be.

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3

CARNE-ROSS, D. S. "WALTER SCOTT TRAVESTI." Essays in Criticism XLVI, no. 4 (October 1, 1996): 359–66. http://dx.doi.org/10.1093/eic/xlvi.4.359.

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4

Camp, Austine I. "Sir Walter Scott." Journal of Education 51, no. 19 (May 1990): 293–94. http://dx.doi.org/10.1177/002205749005101905.

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5

Mercier, Christophe. "Redécouvrir Walter Scott." Commentaire Numéro 103, no. 3 (September 1, 2003): 732. http://dx.doi.org/10.3917/comm.103.0732.

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6

Tulloch, Graham. "Walter Scott and Waterloo." Romanticism 24, no. 3 (October 2018): 266–77. http://dx.doi.org/10.3366/rom.2018.0386.

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Walter Scott responded very quickly to the defeat of Napoleon at Waterloo and within a few weeks he was at the site of the battle. Even before he left Britain, publicity about his projected poem The Field of Waterloo had appeared in the British press and it was soon followed by publicity for his prose account, Paul's Letters to his Kinsfolk. Faced with a battle quite unlike anything he had written about before, Scott tried, with mixed success, to find a new way of writing about this new kind of warfare. Media coverage of the poem was extensive but most critics disliked the poem and believed he should stick to medieval topics. Paul's Letters were also covered extensively in the print media but were well received, partly because they looked forward to new ways of memorialising war which would dominate the remembering of Waterloo for the coming century.
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7

Sturman, Melvin J. "Dr. Walter Scott Brown." Plastic and Reconstructive Surgery 76, no. 6 (December 1985): 976–77. http://dx.doi.org/10.1097/00006534-198512000-00052.

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8

Fedorova, Tatyana Alexandrovna. "The historical novels of Sir Walter Scott - the substantial factor in the formation of Scottish national identity at the turn of XVIII-XIX centuries." Samara Journal of Science 6, no. 1 (March 1, 2017): 109–13. http://dx.doi.org/10.17816/snv201761205.

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The paper discusses the influence of Walter Scotts historical novels on the formation of national identity of Scotland at the turn of the eighteenth to early nineteenth centuries. In the current geopolitical situation, considering the growing wave of separatism, the relevance of the study of national identity formation process cannot be overemphasized. In the paper the author analyzes the historical preconditions of Scots national consciousness formation. The author also considers characteristics of historical and cultural development of the region. According to the author, James MacPherson and Bishop Percys works were equally important for national disunity overcoming in Scotland and Britain as a whole. Particular attention is drawn to the role of Sir Walter Scott in the process of national revival in Scotland. Such novels as Waverley, Puritans, and Rob Roy introduced the general public with the mental basis of the Scottish people. Having opened national character features and religious foundations of the Scottish worldview for a wide range of readers, the author awakened the interest of the British society to the heritage of Scotland, thereby laying the basis for a successful integration of the two peoples into a single nation. Sir Walter Scott managed to revive national prestige of Scotland that had fallen victim after the signing of Union in 1707.
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9

MacLachlan, Christopher. "Review Essay: Sir Walter Scott." Romanticism 16, no. 1 (April 2010): 94–99. http://dx.doi.org/10.3366/e1354991x10000899.

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10

Déruelle, Aude. "Le « singe de Walter Scott » ?" L'Année balzacienne 7, no. 1 (2006): 361. http://dx.doi.org/10.3917/balz.007.0361.

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11

Sarafianos, Stefan. "Remembering Professor Walter A. Scott." Viruses 6, no. 10 (October 20, 2014): 3873–74. http://dx.doi.org/10.3390/v6103873.

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12

Crawford, Robert. "Walter Scott and European Union." Studies in Romanticism 40, no. 1 (2001): 137. http://dx.doi.org/10.2307/25601492.

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13

Schramm, Gustav L. "Judge Walter Scott Crisswell, Editor." Juvenile Court Judges Journal 5, no. 3 (March 18, 2009): 2. http://dx.doi.org/10.1111/j.1755-6988.1954.tb00435.x.

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14

Brennan, Jo Xuereb, and Walter Scott. "Sir Walter Scott in Malta." Chesterton Review 40, no. 1 (2014): 247–48. http://dx.doi.org/10.5840/chesterton2014401/247.

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15

Duncan, Ian. ": The Black Dwarf. . Walter Scott, P. D. Garside. ; Kenilworth: A Romance. . Walter Scott, J. H. Alexander. ; The Tale of Old Mortality. . Walter Scott, Douglas Mack." Nineteenth-Century Literature 49, no. 3 (December 1994): 380–84. http://dx.doi.org/10.1525/ncl.1994.49.3.99p0098x.

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16

Herford, Oliver. "Henry James Reads Walter Scott Again." Humanities 10, no. 1 (February 27, 2021): 39. http://dx.doi.org/10.3390/h10010039.

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This article reassesses Henry James’s attitude to the historical novels of Walter Scott in light of James’s observation, made early on in the First World War, that the current global situation “makes Walter Scott, him only, readable again”. Scott’s novels were strongly associated for James with young readers and a juvenile, escapist mode of reading; and yet close attention to James’s comments on Scott in his criticism, notebooks and correspondence, and examination of a recurring image of children as readers and listeners to oral stories in the work of both authors, indicate that James engaged with Scott’s presentation of the historical and personal past more extensively and in more complex ways than have hitherto been suspected. Scott’s example as a novelist and editor notably informs James’s practice in several late works: the family memoir Notes of a Son and Brother (1914), the New York Edition of his novels and tales (1907–1909), and the unfinished, posthumously published novel The Sense of the Past (1917).
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17

Petrina, Alessandra. "Walter Scott of Buccleuch, Italian poet?" Renaissance Studies 24, no. 5 (February 25, 2010): 671–93. http://dx.doi.org/10.1111/j.1477-4658.2010.00646.x.

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18

Kolb, Gwin J. "Sir Walter Scott, "Editor" of "Rasselas"." Modern Philology 89, no. 4 (May 1992): 515–18. http://dx.doi.org/10.1086/392002.

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19

Cronin, Richard. "Walter Scott and Anti-Gallican Minstrelsy." ELH 66, no. 4 (1999): 863–83. http://dx.doi.org/10.1353/elh.1999.0033.

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20

Day, Alan. "Sir Walter Scott: the reference companion." Library Review 47, no. 7 (November 1998): 355–62. http://dx.doi.org/10.1108/00242539810233503.

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21

Cuperschmid, Ethel Mizrahy. "Eternamente estrangeiros: judeus na Inglaterra do século XI no romance de Walter Scott." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 4, no. 7 (October 30, 2010): 18–26. http://dx.doi.org/10.17851/1982-3053.4.7.18-26.

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O presente artigo discute a representação de personagens judeus do romance histórico Ivanhoé, de Walter Scott. Durante a Idade Média, a comunidade judaica na Inglaterra estava sob a proteção de nobres e também à mercê de taxações arbitrárias, bem como de leis discriminatórias. Até que ponto a obra de Walter Scott contribui para desvendar esse universo da diáspora? Sua narrativa reforça estereótipos ou apenas ilustra ficcionalmente uma realidade onde as diferenças eram sistematicamente marcadas?
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22

Lumsden, Alison. "Walter Scott and Blackwood's: Writing for the Adventurers." Romanticism 23, no. 3 (October 2017): 215–23. http://dx.doi.org/10.3366/rom.2017.0336.

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The significance of Scott as a literary and cultural critic is little understood. Yet Scott was a lively participant in journal culture and contributed to it throughout his publishing career, writing for Blackwood's from its inception in 1817 until near the end of his life in 1829. Scott established himself as one of the finest critics and reviewers of his day, offering pertinent remarks on, among others, Byron, Mary Shelley, and Austen. This article explores Scott's contributions to Blackwood’s, his reasons for publishing in this often combative space, and the ways in which it offers Scott an opportunity to explore new aspects of his creativity. It pays attention to Scott's pieces on Scottish gypsies and to his iconic review of Frankenstein. It also examines his forays into the genre of ‘tale’, the ways in which they facilitate the development of the short story, and how they contribute to the development of Scott's career.
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23

MacLachlan, Christopher. "Brown (ed.), Abbotsford and Sir Walter Scott." Scottish Historical Review 84, no. 2 (October 2005): 289–91. http://dx.doi.org/10.3366/shr.2005.84.2.289.

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24

Eremenko, E. D. "«American Walter Scott» in local book illustration." Vestnik of Saint Petersburg State University of Culture 1 (42) (2020): 23–28. http://dx.doi.org/10.30725/2619-0303-2020-1-23-28.

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25

Gehringer, Mary. "C. S. Lewis and Sir Walter Scott." Chesterton Review 34, no. 3 (2008): 728–39. http://dx.doi.org/10.5840/chesterton2008343/447.

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26

Wagenknecht, Edward, and Jane Millgate. "Walter Scott: The Making of the Novelist." Studies in Romanticism 25, no. 1 (1986): 159. http://dx.doi.org/10.2307/25600584.

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27

Alexander, J. H., and Alan Bold. "Sir Walter Scott: The Long-Forgotten Melody." Yearbook of English Studies 17 (1987): 306. http://dx.doi.org/10.2307/3507716.

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28

Alexander, J. H., and Judith Wilt. "Secret Leaves: The Novels of Walter Scott." Modern Language Review 83, no. 4 (October 1988): 971. http://dx.doi.org/10.2307/3730934.

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29

James, Kevin J. "Literary tourism, the Trossachs and Walter Scott." Journal of Tourism History 5, no. 1 (April 2013): 93–96. http://dx.doi.org/10.1080/1755182x.2012.758964.

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30

Fielding, Penny. "Under Construction: Walter Scott on Being Scottish." Cambridge Quarterly 35, no. 4 (October 1, 2006): 388–91. http://dx.doi.org/10.1093/camqtly/bfl023.

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31

PRESTON, TODD. "AN UNPUBLISHED LETTER OF SIR WALTER SCOTT." Notes and Queries 47, no. 3 (September 1, 2000): 299–301. http://dx.doi.org/10.1093/nq/47-3-299.

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32

PRESTON, TODD. "AN UNPUBLISHED LETTER OF SIR WALTER SCOTT." Notes and Queries 47, no. 3 (2000): 299–301. http://dx.doi.org/10.1093/nq/47.3.299.

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33

ASHE, A. H. "TWO LETTERS OF SIR WALTER SCOTT, 1812." Notes and Queries 40, no. 4 (December 1, 1993): 458—b—461. http://dx.doi.org/10.1093/nq/40-4-458b.

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34

Freire López, Ana María. "Un negocio editorial romántico (Aribau y Walter Scott)." Anales de Literatura Española, no. 18 (December 31, 2005): 163. http://dx.doi.org/10.14198/aleua.2005.18.12.

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A partir de la correspondencia inédita entre Aribau e Ignacio Sanponts, la autora ha investigado la empresa editorial en la que ambos estuvieron involucrados entre 1828 y 1830, y los motivos de su fracaso. Fue el primer proyecto de traducción de las obras de Walter Scott al castellano emprendido en suelo español, y en él también tomaron parte Juan Nicasio Gallego y Ramón López Soler. Las conclusiones de este trabajo invitan a cotejar las traducciones españolas de Walter Scott en el siglo XIX con los textos originales, a la vista de la enorme libertad con que actuaban traductores y editores, a fin de conseguir las licencias de impresión y de hacer más asequibles las obras a los lectores españoles.
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35

Gül, Sinan. "“Hospitality to the Exile and Broken Bones to the Tyrant”: Early Modernity in Walter Scott’s Waverley." Prague Journal of English Studies 7, no. 1 (July 1, 2018): 27–44. http://dx.doi.org/10.1515/pjes-2018-0002.

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Abstract Published anonymously in 1814, Waverley; Or ‘Tis Sixty Years Hence is a historical novel by Sir Walter Scott which unfolds the story of a young English soldier, Edward Waverley, and his journey to Scotland. Regarded as the first historical novel, it contains elements of modernity, heralding a new upcoming era in England. Scott obviously displays the concept of the modern/modernity differently from the perception that writers are conveying today, but he hints at the emergence of a society detached from feudal customs in several aspects through the issue of union between England and Scotland. Highlighting the modern characteristics of Walter Scott’s Waverley, this paper argues that Scott employs elements of modernity in his novel long before their disclosure in literature and politics.
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36

McKinstry, Sam, and Marie Fletcher. "THE PERSONAL ACCOUNT BOOKS OF SIR WALTER SCOTT." Accounting Historians Journal 29, no. 2 (December 1, 2002): 59–89. http://dx.doi.org/10.2308/0148-4184.29.2.59.

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This study examines the personal account books of Sir Walter Scott, the world-renowned Scottish author, a topic not explored before by Scott scholars or accounting historians. It sets the account books in the context of Scott's accounting education and experience, which took place at the time of the Scottish Enlightenment, an 18th century movement which saw a great flowering of writings on accountancy in Scotland as well as considerable progress in the arts and sciences. The style, layout and content of the account books is also studied from the point of view of elucidating Scott's domestic financial arrangements and expenditure patterns. These are seen as confirming the insights of Vickery [1998], who posits a liberated role for women such as Mrs Scott in ‘genteel’ households, which Scott's undoubtedly was. The study also establishes that Scott's personal expenditures, and indeed his accounting practices, otherwise conformed to the general patriarchal pattern identified by Davidoff and Hall [1987]. The final part of the article uses what has been discovered about Scott's personal accounting to revisit the question of his financial imprudence (or otherwise) in business. It concludes that Scott's risk-taking in business was not unreasonable, and was informed by his bookkeeping knowledge and practices.
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37

Wood, G. A. M., William B. Todd, and Ann Bowden. "Sir Walter Scott: A Bibliographical History, 1796-1832." Yearbook of English Studies 31 (2001): 264. http://dx.doi.org/10.2307/3509414.

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38

Alexander, J. H., and Donald Sultana. "The Journey of Sir Walter Scott to Malta." Yearbook of English Studies 19 (1989): 331. http://dx.doi.org/10.2307/3508081.

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39

Garside, Peter, and James Anderson. "Sir Walter Scott and History, with Other Papers." Yearbook of English Studies 15 (1985): 307. http://dx.doi.org/10.2307/3508598.

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40

McCracken-Flesher, Caroline. "Sir Walter Scott: Life-Writing as Anti-romance." Wordsworth Circle 46, no. 2 (March 2015): 102–8. http://dx.doi.org/10.1086/twc24888062.

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41

TURNER, John R. "Sir Walter Scott (1826–1910), Civil Engineering Contractor." Transactions of the Newcomen Society 64, no. 1 (January 1992): 1–19. http://dx.doi.org/10.1179/tns.1992.001.

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42

Robertson, F. "Sir Walter Scott: A Bibliographical History 1796-1832." Notes and Queries 49, no. 4 (December 1, 2002): 534–36. http://dx.doi.org/10.1093/nq/49.4.534.

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43

Robertson, Fiona. "Sir Walter Scott: A Bibliographical History 1796–1832." Notes and Queries 49, no. 4 (December 1, 2002): 534–36. http://dx.doi.org/10.1093/nq/490534.

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44

Michie, Elsie. "History After Waterloo: Margaret Oliphant Reads Walter Scott." ELH 80, no. 3 (2013): 897–916. http://dx.doi.org/10.1353/elh.2013.0034.

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45

Tessone, Natasha. "Walter Scott and Contemporary Theory by Evan Gottlieb." Studies in the Novel 46, no. 2 (2014): 267–69. http://dx.doi.org/10.1353/sdn.2014.0040.

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46

Lincoln, Andrew. "Walter Scott and the Birth of the Nation." Romanticism 8, no. 1 (April 2002): 1–17. http://dx.doi.org/10.3366/rom.2002.8.1.1.

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47

Weinstein, Mark A., and Donald Sultana. "The Journey of Sir Walter Scott to Malta." American Historical Review 93, no. 4 (October 1988): 1050. http://dx.doi.org/10.2307/1863590.

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48

Morère, Pierre. "Histoire et Récit dans Redgauntlet de Walter Scott." Caliban 28, no. 1 (1991): 25–35. http://dx.doi.org/10.3406/calib.1991.1251.

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49

Shields, Juliet. "Authorship of a Poem to Walter Scott Discovered." Notes and Queries 64, no. 4 (October 3, 2017): 611–13. http://dx.doi.org/10.1093/notesj/gjx161.

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50

Biddix, J. Patrick, and Robert A. Schwartz. "Walter Dill Scott and the Student Personnel Movement." Journal of Student Affairs Research and Practice 49, no. 3 (July 2012): 285–98. http://dx.doi.org/10.1515/jsarp-2012-6325.

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