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Journal articles on the topic 'Scottish literature Literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kindrick, Robert L., and Marshall Walker. "Scottish Literature since 1707." World Literature Today 71, no. 4 (1997): 843. http://dx.doi.org/10.2307/40153454.

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2

Norquay, Glenda. "Review: Scottish Fantasy Literature." Scottish Affairs 10 (First Serie, no. 1 (1995): 136–40. http://dx.doi.org/10.3366/scot.1995.0014.

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3

Macaulay, Ronald, and John Corbett. "Language and Scottish Literature." Language 75, no. 3 (1999): 606. http://dx.doi.org/10.2307/417072.

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4

Young, Katharine, and David Buchan. "Scottish Tradition: A Collection of Scottish Folk Literature." Journal of American Folklore 99, no. 393 (1986): 341. http://dx.doi.org/10.2307/540825.

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5

Groundwater, A. "Literature and the Scottish Reformation." English Historical Review CXXV, no. 517 (2010): 1518–20. http://dx.doi.org/10.1093/ehr/ceq365.

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6

Sorensen, Janet. "Literature and the Scottish Enlightenment." Eighteenth-Century Life 43, no. 1 (2019): 125–30. http://dx.doi.org/10.1215/00982601-7280323.

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7

Idle, Jeremy. "McIlvanney, masculinity and Scottish literature." Scottish Affairs 2 (First Series, no. 1 (1993): 50–57. http://dx.doi.org/10.3366/scot.1993.0008.

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8

Samuel, Raphael. "SCOTTISH DIMENSIONS: History, Literature, Politics." History Workshop Journal 40, no. 1 (1995): 106–7. http://dx.doi.org/10.1093/hwj/40.1.106.

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9

Miller, Gavin. "Scottish science fiction: writing Scottish literature back into history." Études écossaises, no. 12 (April 30, 2009): 121–33. http://dx.doi.org/10.4000/etudesecossaises.197.

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10

Daly, Macdonald, and Robert Crawford. "The Scottish Invention of English Literature." Modern Language Review 95, no. 1 (2000): 203. http://dx.doi.org/10.2307/3736406.

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11

Dymock, Emma, and Kate L. Mathis. "Scottish Gaelic Studies: Language and Literature." Year’s Work in Modern Language Studies 79, no. 1 (2019): 515–31. http://dx.doi.org/10.1163/22224297-07901038.

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12

Parkinson, David J. "Some Recent Books on Scottish Literature." Florilegium 25, no. 1 (2008): 251–72. http://dx.doi.org/10.3138/flor.25.011.

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13

McClure, J. Derrick. "Scottish literature on the international scene: evidence from the National Library'sBibliography of Scottish Literature in Translation." Journal of Multilingual and Multicultural Development 32, no. 4 (2011): 387–403. http://dx.doi.org/10.1080/01434632.2011.566341.

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14

Campbell, Alexandra. "Extractive Poetics: Marine Energies in Scottish Literature." Humanities 8, no. 1 (2019): 16. http://dx.doi.org/10.3390/h8010016.

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Following the recent call to ‘put the ocean’s agitation and historicity back onto our mental maps and into the study of literature’ (Yaeger 2010), this article addresses the histories and cultures of marine energy extraction in modern Scottish literature. The burgeoning discipline of the Energy Humanities has recently turned its attentions towards Scottish literature as a valuable area of study when contemplating the relationships between energy and cultural production. Most recently, scholars have focused their analysis on the histories of North Sea oil and gas production and have worked to j

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15

Sampson, David. "Robert Burns: The Revival of Scottish Literature?" Modern Language Review 80, no. 1 (1985): 16. http://dx.doi.org/10.2307/3729366.

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16

Tijmstra, Sylvia A. R. "Uniquely Scottish? Placing Scottish Devolution in Theoretical Perspective." Environment and Planning C: Government and Policy 27, no. 4 (2009): 732–46. http://dx.doi.org/10.1068/c0849r.

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This existing literature on the Scottish devolution process tends to stress the unique aspects of the case. I make a contribution to this literature by placing the insights that have emerged in case-study research within the context of more general theorising. Combining concepts found in the literature on political legitimacy with intuitions derived from veto player theory, I provide a structured and theoretically grounded framework of devolution decisions and nondecisions. This approach helps to place the process that eventually led to the creation of a Scottish Parliament in a wider context.

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17

이수형. "Korean Modern Literature and Aesthetics of Scottish Enlightenment." Urimalgeul: The Korean Language and Literature 68, no. ll (2016): 383–407. http://dx.doi.org/10.18628/urimal.68..201603.383.

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18

Tulup, El'zara Refatovna. "HEROIC TOPOS OF THE EARLY MEDIEVAL SCOTTISH LITERATURE." Philological Sciences. Issues of Theory and Practice, no. 10-2 (October 2018): 268–72. http://dx.doi.org/10.30853/filnauki.2018-10-2.10.

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19

Kindrick, Robert L., and Cairns Craig. "The History of Scottish Literature. 4: Twentieth Century." World Literature Today 62, no. 4 (1988): 710. http://dx.doi.org/10.2307/40144736.

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20

Flynn, Caitlin. "Wingfield, The Trojan Legend in Medieval Scottish Literature." Scottish Historical Review 97, no. 2 (2018): 225–27. http://dx.doi.org/10.3366/shr.2018.0370.

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21

Dymock, Emma, and Kate L. Mathis. "Scottish Gaelic Studies: Language and Linguistics, and Literature." Year’s Work in Modern Language Studies 80, no. 1 (2020): 659–67. http://dx.doi.org/10.1163/22224297-08001039.

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22

Fielding, P. "Sentimental Literature and Anglo-Scottish Identity, 1745-1820." Modern Language Quarterly 73, no. 4 (2012): 609–12. http://dx.doi.org/10.1215/00267929-1723416.

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23

Barlow, Richard. "Subaltern ethics in contemporary Scottish and Irish literature." Irish Studies Review 22, no. 1 (2014): 123–24. http://dx.doi.org/10.1080/09670882.2013.872374.

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24

McCordick, David. "Scottish Literature in the Twentieth Century: An Anthology." English World-Wide 25, no. 1 (2004): 169–70. http://dx.doi.org/10.1075/eww.25.1.19mcc.

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25

Macdonald, Catriona M. M. "Imagining the Scottish Diaspora: Emigration and Transnational Literature in the Late Modern Period." Britain and the World 5, no. 1 (2012): 12–42. http://dx.doi.org/10.3366/brw.2012.0033.

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While recent historical scholarship has embraced the notion of a Scottish diaspora, this article subjects the term and its application to emigration from Scotland in the late-modern period to rigorous analysis, highlighting both its merits and its limitations. To date, research in this area has typically addressed associational culture within migrant Scottish communities and measured the influence of emigration in terms of numerical indices, the lives of successful migrants, and the impact of institutions such as clanship, the church and the armed forces. This article questions the extent to w

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26

Beveridge, Allan. "The presentation of mental disturbance in modern Scottish literature." Medical Humanities 43, no. 2 (2017): 81–85. http://dx.doi.org/10.1136/medhum-2016-011089.

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27

Wagner, Joseph. "Sandrock, Scottish Colonial Literature: Writing the Atlantic, 1603–1707." Scottish Historical Review 100, no. 2 (2021): 290–91. http://dx.doi.org/10.3366/shr.2021.0522.

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28

Riach, Alan. "Language, Poetry and Scotland: A Theory of Bi, Tri, Mono, Multi and Trans-language Literature." Tekstualia 3, no. 46 (2016): 101–10. http://dx.doi.org/10.5604/01.3001.0013.4207.

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Scottish literature is not characterized by having been written in a single, evolving language such as is familiar in a lineage of English literature, English being the common language, notwithstanding the writer’s nationality. Rather, Scottish literature is informed by the understanding that literary expression arises in more than one language and, in Scotland, is created by writers most often working in at least two languages, with new work being published in Gaelic, Scots and English. This essay concerns the issue of multilingualism in Scottish literature, particularly poetry, offering a re

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29

Bell, Barbara. "The National Drama." Theatre Research International 17, no. 2 (1992): 96–108. http://dx.doi.org/10.1017/s0307883300016205.

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The National Drama was a nineteenth-century dramatic genre unique to Scotland, dealing with Scottish characters in Scottish settings. It has been neglected this century by scholars of theatre and of Scottish history in general. This is a curious oversight given the importance of the National Drama in the development of the Scottish theatre and to the image of Scotland as a nation at home and abroad. The omission may have been the result of a too close association with Sir Walter Scott in the minds of many for whom the phrase ‘High Tory Romanticism’ summed up Scott's career and influence. But,

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30

Ivanenko, Viktoriia. "The Supporting “I”: Otherness and Doubles in Contemporary Scottish Literature." Pitannâ lìteraturoznavstva 96 (December 21, 2017): 116–35. http://dx.doi.org/10.31861/pytlit2017.96.116.

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31

Gifford, T. "Ecology and Modern Scottish Literature * Welsh Environments in Contemporary Poetry." Interdisciplinary Studies in Literature and Environment 16, no. 4 (2009): 871–73. http://dx.doi.org/10.1093/isle/isp078.

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32

McIlvanney, L. "Hugh Blair, Robert Burns, and the Invention of Scottish Literature." Eighteenth-Century Life 29, no. 2 (2005): 25–46. http://dx.doi.org/10.1215/00982601-29-2-25.

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33

Maley, Willy. "Beyond Scotland: New Contexts for Twentieth-Century Scottish Literature (review)." Comparative Critical Studies 3, no. 3 (2006): 415–19. http://dx.doi.org/10.1353/ccs.2007.0012.

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34

Macdonald, Graeme, and Carla Sassi. "Environment, Ecology, Climate and ‘Nature’ in 21st Century Scottish Literature." Humanities 10, no. 1 (2021): 34. http://dx.doi.org/10.3390/h10010034.

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35

Roy, G. Ross, and Harry Ritchie. "New Scottish Writing." World Literature Today 71, no. 3 (1997): 632. http://dx.doi.org/10.2307/40152973.

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36

Sharp, Sarah. "Exporting ‘The Cotter's Saturday Night’: Robert Burns, Scottish Romantic Nationalism and Colonial Settler Identity." Romanticism 25, no. 1 (2019): 81–89. http://dx.doi.org/10.3366/rom.2019.0403.

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A Scottish literary icon of the nineteenth century, Burns's ‘The Cotter's Saturday Night’ was a key component of the cultural baggage carried by emigrant Scots seeking a new life abroad. The myth of the thrifty, humble and pious Scottish cottager is a recurrent figure in Scottish colonial writing whether that cottage is situated in the South African veld or the Otago bush. This article examines the way in which Burns's cotter informed the myth of the self-sufficient Scottish peasant in the poetry of John Barr and Thomas Pringle. It will argue that, just as ‘The Cotter’ could be used to reinfor

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37

Lee, Yoon Sun. "Giants in the North: "Douglas", the Scottish Enlightenment, and Scott's "Redgauntlet"." Studies in Romanticism 40, no. 1 (2001): 109. http://dx.doi.org/10.2307/25601490.

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38

Henry, John. "Literature after Euclid: the geometric imagination in the long Scottish Enlightenment." Intellectual History Review 26, no. 4 (2016): 564–66. http://dx.doi.org/10.1080/17496977.2016.1225372.

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39

Burgess, Miranda. "Sentimental Literature and Anglo-Scottish Identity, 1745–1820 by Juliet Shields." Studies in Romanticism 52, no. 1 (2013): 161–65. http://dx.doi.org/10.1353/srm.2013.0047.

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40

CONNELL, L. "Modes of Marginality: Scottish Literature and the Uses of Postcolonial Theory." Comparative Studies of South Asia, Africa and the Middle East 23, no. 1-2 (2003): 41–53. http://dx.doi.org/10.1215/1089201x-23-1-2-41.

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41

Kindrick, Robert L., Isobel Murray, and Bob Tait. "Ten Modern Scottish Novels." World Literature Today 59, no. 4 (1985): 643. http://dx.doi.org/10.2307/40142135.

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42

Rudy, Jason R. "Scottish Sounds in Colonial South Africa." Nineteenth-Century Literature 71, no. 2 (2016): 197–214. http://dx.doi.org/10.1525/ncl.2016.71.2.197.

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Jason R. Rudy, “Scottish Sounds in Colonial South Africa: Thomas Pringle, Dialect, and the Overhearing of Ballad” (pp. 197–214) This essay uses Scottish ballads to think through the ways poems circulated in nineteenth-century emigrant communities. Dialect was a significant feature of colonial poetry, capturing the particular sounds of localities: the borderlands of Scotland, for example. Given the long association between dialect and oral culture, dialect in the context of ballad poetry signaled an especially communal form of identification. Scottish dialect poems in emigrant communities had a

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43

Dolan, Chris. "A Scottish Soldier." Critical Quarterly 39, no. 2 (1997): 75–79. http://dx.doi.org/10.1111/1467-8705.00087.

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44

Kurland, Stuart M. "Hamlet and the Scottish Succession?" Studies in English Literature, 1500-1900 34, no. 2 (1994): 279. http://dx.doi.org/10.2307/450902.

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45

Roy, G. Ross, and R. D. S. Jack. "Scottish Literature's Debt to Italy." World Literature Today 60, no. 4 (1986): 676. http://dx.doi.org/10.2307/40142945.

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46

McCall, Vikki. "Some Useful Sources." Social Policy and Society 8, no. 3 (2009): 431–36. http://dx.doi.org/10.1017/s1474746409004965.

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The following section provides a guide to sources on Scottish devolution. This includes key references from the larger UK-wide literature on devolution, which offer comparative analysis between Scotland, Wales, Northern Ireland and England. Regarding devolution sources, the literature available can go out of date very quickly but the list below aims to provide both the most up-to-date useful sources and earlier readings that are still relevant and offer a comprehensive look at Scottish devolution within a social policy context.

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47

Hoopes, James, and Susan Manning. "The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century." Journal of American History 78, no. 2 (1991): 673. http://dx.doi.org/10.2307/2079594.

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48

Martin, Terence, and Susan Manning. "The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century." American Literature 63, no. 3 (1991): 542. http://dx.doi.org/10.2307/2927252.

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49

Easingwood, Peter, and Susan Manning. "The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth Century." Modern Language Review 87, no. 2 (1992): 441. http://dx.doi.org/10.2307/3730694.

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50

Cowan, Edward J. "Patriotism, Public Opinion and the ‘People's Chair’ of Scottish History and Literature." Scottish Historical Review 93, no. 2 (2014): 177–94. http://dx.doi.org/10.3366/shr.2014.0215.

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