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Books on the topic 'Scottish poem'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Hay, George Campbell. Seeker, reaper: Poem. Edinburgh: Saltire Society, 1988.

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2

Conran, Anthony. Castles: Variations on an original theme : a poem. Llandysul: Gomer, 1993.

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3

Poem, purpose, and place: Shaping identity in contemporary Scottish verse. Edinburgh: Polygon, 1992.

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4

Dalwura, the black bittern: A poem cycle. Nedlands, W.A: University of Western Australia, Centre for Studies in Australian Literature, 1988.

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5

ill, Wright Johanna, ed. Keep a pocket in your poem: Classic poems and playful parodies. Honesdale, Pennsylvania: WordSong, 2017.

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6

Henryson, Robert. The testament of Cresseid: A retelling of Robert Henryson's poem by Seamus Heaney, with images by Hughie O'Donoghue. London: Enitharmon Editions, 2004.

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7

Heddle, Donna. John Stewart of Baldynneis Roland Furious: A Scots poem in its European context. Leiden: Brill, 2008.

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8

Heddle, Donna. John Stewart of Baldynneis Roland Furious: A Scots poem in its European context. Leiden: Brill, 2008.

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9

Belfor, Clifton. Scottish poems. Bettyhill: C. Belfor, 1997.

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10

Belfor, Clifton. Scottish poems. Bettyhill): Clifton Belfor (Ardruim, Achine, Bettyhill KW14 7SG, 1997.

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11

Ransford, Tessa. Scottish selection: Poems. Kirkcaldy: Akros, 1998.

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12

Sime, Noreen. 'Hame made': A collection of inspired Scottish poems. Scone: Noreen Sime, 2004.

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13

Conn, Stewart. 100 favourite Scottish love poems. Edinburgh: Luath, 2008.

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14

Henryson, Robert. Selected poems. Manchester: Carcanet, 1991.

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15

Collected poems. Edinburgh, Scotland: G. Wright Pub., 1995.

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16

1920-, Morgan Edwin, Lochhead Liz 1947-, and Watson Roderick 1943-, eds. Three Scottish poets. Edinburgh: Canongate, 1992.

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17

The art of the Gawain-Poet. London: Athlone Press, 1991.

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18

Menzies, Linda. Into the light: Poems and short stories. Edinburgh: Workers' Educational Association, 2014.

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19

Scottish love poems: A personal anthology. Edinburgh: Canongate, 1988.

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20

Robert, Burns. Poems chiefly in the Scottish dialect. Oxford [England]: Woodstock Books, 1991.

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21

Burns, Robert. Poems, chiefly in the Scottish dialect. Paisley, Scotland: Gleniffer Press, 1988.

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22

Alexander, Pope. The rape of the lock: A heroicomical poem in five cantos ; and A key to the lock. London: Hesperus, 2004.

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23

New poems chiefly in the Scottish dialect. Edinburgh: Polygon, 2009.

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24

Crawford, Robert. New poems chiefly in the Scottish dialect. Edinburgh: Polygon, 2009.

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25

Glen, Duncan. Selected poems 1965-1990. Edinburgh: Akros, 1991.

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26

Fisher blue: A collection of North-east tales and poems. Tillicoultry: Printed by W.M. Bett, 1988.

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27

Society, Saltire, ed. Robert Burns: The poet. Edinburgh: Saltire Society, 1994.

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28

Robert, Burns. The classic poems. London: Arcturus, 2010.

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29

Mitchell, Jack. Scottish steel and Irish fire: More poems. Galway: Renate Mitchell, 1998.

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30

William, Dunbar. Selected poems. Manchester: Fyfield Books, 1999.

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31

Robert, Burns. The Kilmarnock poems: Poems, chiefly in the Scottish dialect, 1786. London: Dent, 1985.

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32

The collected shorter poems of Tom Scott. Edinburgh: Chapman, 1993.

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33

Robert, Burns. Robert Burns: Poems. London: Faber and Faber, 2001.

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34

Burns, Robert. Poems and songs. New York: Dover Publications, 1991.

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35

Shut the Door, a Musical! Lazy Bee Scripts, 2008.

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36

Narogin, Mudrooroo, Mudrooroo, and Colin Johnson. Dalwura, the Black Bittern: A Poem Cycle. University of Western Australia Press, 1996.

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37

Whisky Muse: Scotch Whisky in Poem and Song. Luath Press Limited, 2008.

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38

Brand new ancients: A poem. Bloomsbury USA, 2015.

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39

Robin, Laing, ed. The whisky muse: Scotch whisky in poem and song. Edinburgh: Luath, 2000.

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40

Scott, Walter. Marmion. Edited by Ainsley McIntosh. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474425193.001.0001.

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Marmion (1808) is the second of Walter Scott’s grand historical narrative poems. Its sixteenth-century romance tale is framed within six conversation poems, each addressed to one of Scott’s friends, and supplemented by substantial ethnographical and antiquarian notes. Scott here features as a topical poet, commemorating both national events and occasions, as well as the work of his contemporaries. His relations with aristocratic patrons, artists, and statesmen are also amply reflected in the dedicatory epistles. It was with the overwhelming success of Marmion (four editions and over 11,000 copies were produced in 1808 alone) that Scott’s poetic reputation was indisputably established, his entry in the world of commercial publishing confirmed, and his commitment to a literary life fully determined. This is the first scholarly edition of Marmion. Based on new archival research it provides critically edited text that incorporates lines omitted from previous editions of the poem and extensive annotations. The critical apparatus in this volume includes a detailed essay on the development of the text, a Historical Note, Explanatory Notes and a full glossary of Scots, foreign and archaic words.

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41

Scottish Poems. Macmillan Children's Books, 2001.

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42

Scottish Poems. Everyman, 2009.

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43

Rice, John. Scottish Poems. Macmillan Children's Books, 2007.

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44

Scottish Poems. Macmillan Children's Books, 2005.

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45

Gerard, Carruthers, ed. Scottish poems. New York: Alfred A. Knopf, 2009.

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46

Gerard, Carruthers, ed. Scottish poems. New York: Alfred A. Knopf, 2009.

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47

Scottish Poems. Macmillan Children's Books, 2002.

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48

Holmes, Richard. Bagpipes no Musick. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736233.003.0003.

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Allan Ramsay (1684–1758) is known chiefly as the promoter of a revival in Scots poetry. This has been seen as a form of nationalist, even Jacobite resistance to post-Union anglicization and Whiggism. Ramsay’s efforts were criticized by some for ‘barbarity’; ‘Bagpipes no Musick’ was the title of a typical attack. One of his defenders was James Arbuckle (1700-42), a Glasgow/Irish poet, a unionist Whig, whose Scottish poems included Glotta (Latin for Clyde), an extended meditation on post-Union Scotland. Arbuckle’s poems were in standard English and acknowledged the influence of Pope, Addison, and Dryden. Nevertheless Ramsay and Arbuckle exchanged friendly poetic epistles, which recognized a joint enterprise of Scottish literary improvement. This chapter considers Ramsay through his relationship with Arbuckle, exploring themes in post-Union Scots culture including the poetic use of Scots, attitudes to union, Augustanism, Horatianism, and the literary patronage of the Scottish Whigs.

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49

Twentieth Century Scottish Poems (Poet to Poet: An Essential Choice of Classic Verse). Faber & Faber Ltd, 2001.

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50

MacRae, Lindsay. Funny Scottish Poems. Pan Macmillan, 2003.

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