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Books on the topic 'Scottish vernacular'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Baoill, Colm Ó. Scottish Gaelic vernacular verse to 1730: A checklist. Aberdeen University, Dept. of Celtic, 2001.

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2

Scotland, Countryside Commission for, ed. Buildings of the Scottish countryside. V. Gollancz in association with P. Crawley, 1985.

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3

Leeds, John C. Renaissance syntax and subjectivity: Ideological contents of Latin and the vernacular in Scottish prose chronicles. Ashgate, 2009.

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4

Forland, William E. A glossary of Farnolese: Defining archaic, cant, colloquial, slang, Gypsy/Romany, Scottish/Gaelic, unusual and vernacular words used by Jeffery Farnol in his novels and short stories. Wemyss, 2009.

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5

Rayner, Lee Jeffrey. The poetry of Sedulius Scottus and the vernacular poetic tradition of Ireland. University of Birmingham, 1986.

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6

Innes, Michael. Lament For A Maker. House of Stratus, 2010.

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7

Innes, Michael. Lament fora maker. Gollancz, 1985.

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8

Scottish vernacular furniture. Thames & Hudson, 2008.

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9

T. F. (Thomas Finlayson) Henderson. Scottish Vernacular Literature: A Succinct History. Creative Media Partners, LLC, 2021.

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10

Scottish Vernacular Literature: A Succinct History. Legare Street Press, 2021.

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11

SCOTTISH ARCHITECTURE. THAMES & HUDSON, 2004.

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12

Mackechnie, Aonghus, and Miles Glendinning. Scottish Architecture (World of Art). Thames & Hudson, 2004.

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13

Giollagáin, Conchúr Ó. Gaelic Crisis in the Vernacular Community: A Comprehensive Sociolinguistic Survey of Scottish Gaelic. Aberdeen University Press, 2020.

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14

Buildings of the Scottish Countryside. Victor Gollancz, 1989.

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15

Leeds, John C. Renaissance Syntax and Subjectivity: Ideological Contents of Latin and the Vernacular in Scottish Prose Chronicles. Taylor & Francis Group, 2017.

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16

Leeds, John C. Renaissance Syntax and Subjectivity: Ideological Contents of Latin and the Vernacular in Scottish Prose Chronicles. Taylor & Francis Group, 2016.

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17

Leeds, John C. Renaissance Syntax and Subjectivity: Ideological Contents of Latin and the Vernacular in Scottish Prose Chronicles. Taylor & Francis Group, 2017.

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18

Renaissance syntax and subjectivity: Ideological contents of Latin and the vernacular in Scottish prose chronicles. Ashgate, 2009.

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19

Preston, Katherine K. The Renaissance of English-Language Opera in America. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371655.003.0003.

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This chapter examines the two most important English-language troupes active during the late 1860s and early 1870s. Caroline Richings, known as a “manageress” or “directress,” performed before, during, and after the Civil War. Her success shows conclusively that Americans of the immediate postwar period were still interested in English-language opera, even though most music critics believed that this style of performance was old-fashioned and passé. Many believed that Richings created the English-language-opera renaissance in America. The Scottish soprano Euphrosyne Parepa arrived in America i

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20

Innes, Michael. La Torre y La Muerte. Emece Editores, 2003.

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21

Innes, Michael. Lament for a Maker. Borgo Pr, 1990.

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22

Innes, Michael. Lament for a Maker. Open Road Integrated Media, Inc., 2024.

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23

Innes, Michael. Lament for a Maker. Open Road Integrated Media, Inc., 2023.

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24

Innes, Michael. Lament for a Maker. Ipso Books, 2017.

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25

Innes, Michael. Lament for a Maker (Inspector Appleby Mystery). House of Stratus, 2000.

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26

Innes, Michael. Lament for a Maker (Portway Large Print). G K Hall & Co, 1987.

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27

Innes, Michael. Requiem pour un poète. Editions 10/18, 1999.

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28

Innes, Michael. Lament for a Maker: A Sir John Appleby Mystery. Harpercollins, 1990.

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29

Innes, Michael. Klagelied auf einen Dichter. DUMONT Literatur und Kunst Verlag, 1999.

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30

Innes, Michael. Lament for a Maker: A Sir John Appleby Mystery. Harpercollins, 1990.

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