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Books on the topic 'Screen types'

Author: Grafiati

Published: 30 June 2021

Last updated: 29 July 2025

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1

Malone, Peter. Mirror, mirror on the screen: Type and movies. Type Resources, 1996.

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2

Mills, Kyle. Smoke screen. Thorndike Press, 2003.

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3

Mills, Kyle. Smoke screen. Hodder & Stoughton, 2003.

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4

Mills, Kyle. Smoke screen. G.P. Putnam's Sons, 2003.

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5

B, Parker Robert. Blue Screen. Penguin Group USA, Inc., 2008.

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6

Sandra, Brown. Smoke screen. Thorndike Press, 2008.

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7

Sandra, Brown. Smoke Screen. Simon & Schuster, 2008.

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8

Sandra, Brown. Smoke screen. Simon & Schuster, 2008.

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9

Sandra, Brown. Smoke screen. Simon & Schuster, 2008.

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10

Sandra, Brown. Smoke screen. Hodder & Stoughton, 2008.

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11

Sandra, Brown. Smoke screen. Simon & Schuster, 2008.

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12

Sandra, Brown. Smoke screen. Pocket Books, 2009.

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13

E, Turkel, and Lewis Research Center, eds. High-accuracy compact MacCormack-type schemes for computational aeroacoustics. National Aeronautics and Space Administration, Lewis Research Center, 1998.

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14

E, Turkel, and Lewis Research Center, eds. High-accuracy compact MacCormack-type schemes for computational aeroacoustics. National Aeronautics and Space Administration, Lewis Research Center, 1998.

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15

E, Turkel, and Lewis Research Center, eds. High-accuracy compact MacCormack-type schemes for computational aeroacoustics. National Aeronautics and Space Administration, Lewis Research Center, 1998.

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16

Caplan, Thomas. The spy who jumped off the screen. Thorndike Press, 2012.

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17

Woodward, Ian. Audrey Hepburn: Fair lady of the screen. Chivers Press, 1994.

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18

Windeler, Robert. Julie Andrews: A life on stage and screen. Carol Pub., 1997.

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19

Edelman, Rob. AngelaLansbury: A life on stage and screen. Carol Publishing Group, 1996.

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20

Edelman, Rob. Angela Lansbury: A life on stage and screen. Carol Pub. Group, 1997.

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21

Edelman, Rob. Angela Lansbury: A life on stage and screen. G. K. Hall & Co., 1996.

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22

Edelman, Rob. Angela Lansbury: A life on stage and screen. Carol Pub. Group, 1996.

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23

Edelman, Rob. Angela Lansbury: A life on stage and screen. G. K. Hall & Co., 1996.

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24

Zindel, Paul. The scream museum. Hyperion, 2001.

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25

Fury, David. Kings of the jungle: An illustrated guide to "Tarzan" on screen and television. McFarland, 2008.

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26

O'Brien, Kevin. One last scream. Pinnacle Books, 2008.

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27

Daheim, Mary. Silver Scream. HarperCollins, 2007.

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28

Michael, Collins. The silent scream. JOHN CURLEY, 1988.

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29

Leonard, Elmore. The switch: Brought to the big screen as life of crime. Phoenix, 2014.

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30

Strout, Elizabeth. Olive Kitteridge. Random House, 2008.

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31

Churchill, Jill. A midsummer night's scream: A Jane Jeffry mystery. Thorndike Press, 2005.

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32

Borelli, Melissa Blanco, ed. The Oxford Handbook of Dance and the Popular Screen. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.001.0001.

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This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple choreographies of identity such as race, gender, sexuality, class, and nation. It also considers the types of bodies that are associated with specific d

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33

Preventing Childhood Obesity in Early Care and Education Programs. 2nd ed. American Academy of Pediatrics, 2012. http://dx.doi.org/10.1542/9781581107739.

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Updated set of national standards describing evidence-based best practices in nutrition, physical activity, and screen time for early care and education programs. The new Preventing Childhood Obesity in Early Care and Education, 2nd ed. is the new set of national standards describing evidence-based best practices in nutrition, physical activity, and screen time for early care and education programs. The standards are for all types of early care and education settings - centers and family child care homes. These updated standards will be a part of the new comprehensive Caring for Our Children:

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34

Plantinga, Carl. Engagement and Estrangement. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867133.003.0006.

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Suppose that we accept the view that screen stories are rhetorically powerful. How should ethical critics respond? In this chapter I identify two contrasting types of response. One I call “estrangement theory” and the other “engagement theory.” It will be the purpose of this second part of the book to argue that, while some basic tenets of estrangement theory are useful, others are counterproductive. Overall, I will argue, an ethics of engagement can incorporate the insights of estrangement theory, and through its more complete understanding of the nature of emotion in the viewer’s experience,

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35

Shaoqiang, Wang. Typography for Screen. Flamant, 2020.

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36

Franceschi, Silvia, Hashem B. El-Serag, David Forman, Robert Newton, and Martyn Plummer. Infectious Agents. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190238667.003.0024.

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Eleven infectious agents (seven viruses, three parasites, and one bacterium) have been classified by the International Agency for Research on Cancer as carcinogenic to humans for one or more cancer sites: hepatitis B virus; hepatitis C virus; thirteen types of human papillomavirus (HPV); human immunodeficiency virus type 1 (HIV-1); human T-cell leukemia virus type 1; Epstein-Barr virus; Kaposi sarcoma herpesvirus; Helicobacter pylori; Opisthorchis viverrini; Clonorchis sinensis; and Schistosoma haematobium. Other infectious agents, such as Merkel cell polyomavirus, Plasmodium falciparum, and c

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37

Color & Type for the Screen (Digital Media Design Series). Rotovision, 1998.

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38

Rainey, Buck. Strong, Silent Type: Over 100 Screen Cowboys, 1903-1930. McFarland & Company, Incorporated Publishers, 2014.

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39

Mills, Kyle. Smoke Screen. Hodder & Stoughton, 2004.

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40

Mills, Kyle. Smoke Screen. Penguin Publishing Group, 2004.

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41

Mills, Kyle. Smoke Screen. Ulverscroft Large Print Books, 2004.

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42

Mills, Kyle. Smoke Screen. Hodder & Stoughton, 2004.

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43

Ingham, Mike. Popular Song and Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.18.

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Popular song is a genre that is characterized by adaptation and appropriation practices, in much the same way that other creative media and literary and screen genres are. In arguing that the relationship between the economically and socially significant creative song industry and adaptation theory and practice has not been sufficiently recognized hitherto, Chapter 18 introduces a framework for exploring both intramedial and intermedial varieties of adaptation. Taking off from American song composer Ned Rorem’s provocative designation of the song form as “a bastard,” the essay propounds a taxo

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44

Smoke Screen. Pocket Books, 2009.

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45

Smoke Screen. Pocket Books, 2009.

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46

The strong, silent type: Over 100 screen cowboys, 1903-1930. McFarland, 2004.

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47

Rainey, Buck. The Strong, Silent Type: Over 100 Screen Cowboys, 1903-1930. McFarland & Company, 2003.

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48

Smoke Screen. Thorndike | Windsor | Paragon, 2008.

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49

Smoke Screen. Hodder, 2008.

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50

Smoke Screen. Pocket Books, 2009.

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