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Dissertations / Theses on the topic 'Screenplays'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Abruzzi, Geoffrey. "Three screenplays." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2008. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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2

Passmore, Simon. "Screenplays : writing, discourse, and process." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/90094/.

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This thesis argues that screenplays have, throughout their history, been overlooked, undervalued, and misrepresented in ways that obscure them as works of creative writing. Restoring writing and creativity to the definition and analysis of screenplays, against metaphors that reduce them to industrial or technical documents, the thesis also contends with discourses that nominate screenwriting a lesser kind of writing than literary writing, writing that is not meant to be read; a formulaic mode of writing without agency, voice, complexity, or distinctiveness; a fixed and limited writing that is

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3

McEwan, Andrew. "Poetic play communities : bpNichol’s Fraggle Rock screenplays." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50180.

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This thesis analyzes the screenplays written by Canadian experimental poet bpNichol for the Jim Henson produced children’s television program Fraggle Rock between 1982 and 1986. Nichol’s Fraggle Rock writing represents a moment in his multi-genre oeuvre at which to observe his poetics and creative philosophies on display in a popular cultural setting. The ludic poetics exhibited in both the form and narratives of the screenplays display the ways in which playful engagement with language may create interactive communities of play. Through shared attitudes towards language, language games, nonse

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4

NUNES, RAQUEL PEREIRA ALBERTO. "BARRAVENTO(S): A COMPARATIVE ANALYSIS OF SCREENPLAYS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17896@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Busca-se analisar, comparativamente, dois olhares sobre o filme Barravento (1962): o primeiro de Luiz Paulino dos Santos, captado através de seu roteiro, e o segundo de Glauber Rocha, apreendido a partir de seu roteiro e filme. Ambas as perspectivas dialogam com concepções e tensões presentes no ambiente cultural brasileiro, particularmente na Bahia, em fins da década de 1950 e início dos anos 1960. Pretende-se, através dessa análise, uma reflexão sobre os diversificados olhares acerca da cultura popular, das religiões afro-brasi

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5

Connors, Melanie R. (Melanie Rose). "Chutzpah: A Screenplay." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501215/.

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CHUTZPAH is a romantic movie set in Manhattan. The events surrounding the death of a wealthy eccentric cumulate into a farcical search for the old man's fortune when it is stolen shortly after his funeral. Ellen, the protagonist, hires a detective to find out who stole her grandfather's money (a substantial sum of which was willed to her). As Mark, the detective, works on the case, a relationship between him and Ellen develops, and the search for the money becomes secondary. Ellen's charm and her relationship with her zany Yiddish relatives endear her to Mark while they together find chutzpah

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6

Hooper, Darrell, and n/a. "Bert the bold." University of Canberra. Creative Communication & Cultural Studies, 2000. http://erl.canberra.edu.au./public/adt-AUC20060726.151754.

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7

Price, Steven Trefor. "The plays and screenplays of David Mamet : a critical interpretation." Thesis, King's College London (University of London), 1991. https://kclpure.kcl.ac.uk/portal/en/theses/the-plays-and-screenplays-of-david-mamet--a-critical-interpretation(e2de0649-7244-436f-99b2-719f3c784f6a).html.

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8

Renton, Linda Denise. "From reel to real : Harold Pinter's screenplays and the object of desire." Thesis, Bath Spa University, 1999. http://researchspace.bathspa.ac.uk/1441/.

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Taking as a starting point Pinter's statement that The more acute the experience, the less articulate its expression', this thesis offers a theorisation of that essential point beyond representation, through Lacan's objet petit a, the focal point of the subject's desire. It is this small object, unarticulated in language, unrepresented in the visual field, that is most acute for the subject, and more real than external reality. It is a structure applicable to poetry, psychoanalysis and film, and it is through Pinter's screenplays that this approach is made. Using previously unpublished materia

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9

Steyn, Ronan. "Hench." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25533.

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Hench, by being set in the espionage genre, and following the henchman of an evil villain, offers a commentary on the modern working world by serving as a metaphor for the corporate workplace. The film follows a lowly henchman, Hank, who learns to challenge this corporate structure by achieving self-respect, thanks to an unlikely friendship with a James-Bond-esque agent. This creative explication explains how Hench achieves commentary on how large corporate structures operate to maintain control over employees, and the effects this has on individuals. It further highlights the tools and techni

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10

Ghosh, Suman. "The screenplays of Satyajit Ray : an analysis of their form, content and structure." Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536048.

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11

Wier, John W. (John William). "An Animated Screenplay Adaptation Based on John R. Erickson's Novel: The Adventures of Hank the Cowdog." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278417/.

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Screenplay for animated feature film. Story and characters are based on a short novel, The Adventures of Hank the Cowdog. first in a series. This adaptation aims to translate the humor and unique dog-centered perspective of the original source into the medium of film. Hank the Cowdog, head of security on an isolated ranch, works undercover inside a pack of coyotes to solve a series of chicken murders. To solve the case, Hank defends his ranch, sheep and chickens from a devious and powerful coyote leader, Scraunch. With help from a variety of friends and a change in attitude, Hank saves the ran

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12

Hatton, William 1972. "Disturbing the Peace." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279223/.

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Disturbing the Peace is a short, 16mm sync-sound fiction film. Alone one stormy night, a woman must contend with an intruder breaking into her home. The intruder turns out to be a teenage boy. He claims to have broken in only to retrieve a family heirloom he hid there when he and his parents lived in the same house years ago. When the boy finds the heirloom, the woman begins to believe his story, and soon realizes he doesn't have a good home life. The boy asks permission to stay until the storm breaks. She agrees. Should the boy be trusted, or is he telling one lie after another? The police ar

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13

McDonald, Caitlin Elizabeth. "Exile, authorship, and 'the good German' : a reconsideration of the screenplays and novels of Emeric Pressburger." Thesis, University of Dundee, 2018. https://discovery.dundee.ac.uk/en/studentTheses/91a2c05b-c5ac-40b7-baae-9a2a5836ea51.

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Despite being an equal in the most significant partnership in British cinema, Emeric Pressburger has largely been overshadowed by his long term collaborator Michael Powell in both critical and academic studies. While there have been countless books on Powell and Pressburger as a team, those who have sought to separate the partnership have, until now, focussed almost exclusively on Powell. This thesis will attempt to redress the balance within Powell and Pressburger scholarship and attempt to break away from director-centric film studies. It will aim to examine Pressburger’s morally ambiguous c

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14

Gillespie, Dana M. (Dana Marie). "Leni: A Screenplay Based on the Career of Leni Riefenstahl." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500269/.

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This screenplay dramatizes the controversial career of German film maker Leni Riefenstahl during ten years of her association with the Nazi Party. Beginning with the premiere of her first film in 1932, this account chronicles her rise as a film director of such films as Triumph of the Will and Olympia to her arrest after World War II on charges that she had been a Nazi sympathizer. Besides delineating the character and talents of Leni Riefenstahl, this screenplay addresses the difficult question of the relationship between politics and art.

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15

Chiasson, Basil Alexander Eugene. "Harold Pinter and the performance of power : considerations of affect in select plays, screenplays and films, poetry and political speeches." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/4620/.

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This thesis looks at selections of Harold Pinter's work across multiple media: written dramatic texts, screenplays and poetry, activity in theatrical and film production and his political activism. It has been argued that Pinter's dramatic medium is exceeded by movements, intensities and forces that operate on and circulate within the corporeal bodies of Pinter's 'audiences'. However, approaches to Pinter to date remain overly focused on representation and hermeneutics and tied to a decidedly idealist conception of being, perception and knowledge. I argue that in order to appreciate the politi

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Dória, Lílian Maria Fleury. "A criação da voz autoral no processo de transcriação da literatura para o cinema : O homem da cela 1846, roteiro cinematográfico livremente inspirado nas novelas A senhoria e memórias do subsolo de Fiódor Dostoiévski." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284569.

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Orientador: Antonio Fernando da Conceição Passos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-21T10:01:24Z (GMT). No. of bitstreams: 1 Doria_LilianMariaFleury_D.pdf: 5513665 bytes, checksum: 09e243869a94ef5b799a0230730349f5 (MD5) Previous issue date: 2012<br>Resumo: Esta tese é o resultado de um processo de pesquisa e criação de um roteiro cinematográfico autoral a partir do diálogo com a literatura de Fiódor Mikháilovitch Dostoiévski (1821-1881) e na perspectiva da proposta de transcrição da literatura para o cinema. Refl

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17

Ndounou, Monica White. "The color of Hollywood the cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000 /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180535612.

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Ndounou, Monica. "The color of Hollywood: The cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180535612.

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19

Watson, Todd Lincoln. "Turnabout : A Screenplay." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278696/.

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Turnabout, a feature-length screenplay with an accompanying critical essay, is the story of Michael Houston, a successful stockbroker in his late twenties whose unlikely romantic rendezvous with a bohemian art dealer leads him to realize that finding love often begins with a soul-searching journey into oneself.

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20

Glenn, Elsa Marguerite Henriette. "Screenplay: Schedule 7." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/20057.

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This creative project and essay for a Masters degree in Media Theory and Practice is focused around the design of a South African TV series called 'Schedule 7' which is set in Cape Town's south peninsula in a (fictional) non-governmental, psychiatric clinic. The premise is that a troubled handful of patients' perspectives on life change after they encounter what they believe to be God's salvation when they accidentally almost burn themselves to death. The format follows their endeavours to follow and serve God, who they term 'GOGO' (God of Goodness Only), with mixed results. The format is an h

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21

Buchholz, Robert Henry. "Triathlon: an Original Screenplay." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc504205/.

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A young man, out of college and work, sets out to make his mark on the world, by winning the endurance sport of the eighties: the Hawaiian Ironman Triathlon. As he eats, sleeps and breaths "Ironman," he shuts others out of his life because he feels that he must do it alone for the victory to be genuine; a philosophy that has been dogging him all his life.

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22

Su, Xinxin. "Genesis : a feature screenplay /." Online version of thesis, 2009. http://hdl.handle.net/1850/8692.

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Fawns, Kathleen Mary. "Mater Hill : a screenplay." Thesis, Queensland University of Technology, 1999.

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Mater Hill is loosely based on a true story. Liz has always craved and been denied her mother's love. After several years of trauma caused by losing her mother in a boarding house fire, she discovers that arson was involved and investigates, seeking justice. When she mediates with her mother's killer, she effects an emotional substitution. They fall in love and she persuades him to help her convict the main culprit. Even before the trial fails, she begins to reject him, psychologically completing the process of her own separation and individuation. Once Liz has this stronger sense of self, she

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Ritchie, Brendan. "CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/456.

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This thesis in Creative Writing consists of an original feature-length screenplay and an essay examining the function of setting within the screenwriting discourse. The screenplay, titled 'Cooper Street', is set in future Perth where rumors of an alien presence threaten to disrupt the state's lucrative mining industry. Setting plays a key role within 'Cooper Street'. Scenes are set across giant sweeps of desert, inside sea containers converted to inner-city housing, and within raging sporting crowds to create a believable projection of life in future Western Australia. These characteristics fa

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Igelström, Ann. "Narration in the screenplay text." Thesis, Bangor University, 2014. https://research.bangor.ac.uk/portal/en/theses/narration-in-the-screenplay-text(616fca70-d82f-4ce8-b93b-ab8cfbb2da2e).html.

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This thesis examines the narration in screenplay texts. The aim is to explore how the screenwriter, through the screenplay text, communicates the potential film to the reader. The thesis thus situates the screenplay in a communicational context, and argues that the screenplay text is a means of communication. In many cases, the screenplay text is the writer's only means of communicating with a potential investor, thus determining whether the screenplay will fulfil its purpose of becoming a film. Using a communicational approach enables a close examination of the different extratextual and intr

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Nelmes, Jill. "The screenplay and the screenwriter." Thesis, University of East London, 2016. http://roar.uel.ac.uk/5173/.

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This critical appraisal is based on an overview of my published research on the subject of the screenplay between 2007 and 2014 when my most recent monograph, The Screenplay in British Cinema (BFI, 2014) was produced. The aim of my research has been twofold: to bring to academic attention the depth and breadth of screenplay writing as a written form, particularly within British Cinema, and to argue that the screenplay can be studied as a literary text.

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Limberger, Roberto. "Abordagens do problema isoperimétrico." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/306603.

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Orientador: Sueli Irene Rodrigues Costa<br>Dissertação (mestrado profissional) - Universidade Estadual de Campinas, Instituto de Matemática, Estatística e Computação Científica<br>Made available in DSpace on 2018-08-17T21:17:14Z (GMT). No. of bitstreams: 1 Limberger_Roberto_M.pdf: 2247337 bytes, checksum: b1a97b81860de8b0d8d254e3a4f702d0 (MD5) Previous issue date: 2011<br>Resumo: Neste trabalho são apresentadas abordagens do problema isoperimétrico que podem ser utilizadas no ensino médio ou ensino universitário. Estas incluem: i) aspectos históricos, ii) deduções formais do problema (dentre

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Cousins, Robert James. "The child star syndrome, a screenplay." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0019/MQ49139.pdf.

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Hemann, Melissa. "The west Dallas gang a screenplay /." [Ames, Iowa : Iowa State University], 2008.

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30

Cousins, Robert James, and University of Lethbridge Faculty of Arts and Science. "The child star syndrome : a screenplay." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2000, 2000. http://hdl.handle.net/10133/97.

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31

Morrison, Bruce William. "Men who march away: A screenplay." Thesis, University of Canterbury. Languages and Cultures, 2008. http://hdl.handle.net/10092/1896.

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Men Who March Away is a story about men and war, an ancient narrative recipe. In particular, two men who share some traits in common with their fellows but in other respects are unique. King and country mean little or nothing to them. They don’t fight in defence of the hearth-fire as popular myth would have us believe. The First World War just coincided with the prime years of their life and appeared to them as a refuge from the torments in their personal lives. One of them, Richard Travis, is a taciturn, troubled loner, who assimilates easily into the Army and finds self-fulfilment on the b

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Oey, Jennifer. "Practicing adaptation : one screenplay, five films." Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/59196/.

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In this thesis I examine the relationship between a screenplay and the films made from it. I test the hypothesis that a film based on an original (not adapted from an existing text) screenplay is an adaptation of this screenplay. In order to investigate the potential range of adaptations that occur during the process of film production, I commissioned a short screenplay which was made into a film five times, by five different production teams, each entirely independent of one another. Utilising these films as my primary set of data, I engage in comparative analysis of the screenplay to the fiv

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Lyon, Alicia B. "The Offering : writing a historical screenplay /." View online ; access limited to URI, 2003. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/31115633.

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Nannicelli, Theodore. "Towards a philosophy of the screenplay." Thesis, University of Kent, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544078.

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Beck, Nathan. "Carbonville : excerpts from a novel and screenplay /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1456294761&sid=10&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Saunders, Shahzneen Spencer. "From process to product : structuring the screenplay." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/36332/1/36332_Saunders_1999.pdf.

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The aim of this thesis is to make practical use of film narrative studies and script writing theory in order to research a method of constructing my own film screenplay. This thesis is divided into two major sections, the Process (Section I) and the Product (Section II) . The Process examines historical models of narrative, identifying characteristics of the western narrative construct, and how they relate to film storytelling and contemporary screenwriting. The theoretical underpinnings draw upon the branch of film theory known as narratology. The work undertaken in this section is

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37

Armanno, Venero. "Three screenplay adaptations and the ownership effect." Thesis, Queensland University of Technology, 2003.

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This PhD consists of three screenplays adapted from my novels and an exegesis which explores the involvement and influences producers have had on the eventual screenplay outcomes. In developing a first draft of original screenplays writers often work alone and without critical feedback, development assistance or encouragement from third parties. The writing process can continue in this way for some time, through many drafts, until the writer either abandons the project or finds some development assistance either from government film support agencies, producers, or both. At that stage, the writ

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Davison, Brad William. "The Narrative of Flippy Johnson: The Three Act Structure - Criticisms and Alternatives Script and Script Analysis." The University of Waikato, 2006. http://hdl.handle.net/10289/2454.

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In this feature screenplay, I have incorporated the complexities of an intertwining multi-strand narrative, while manipulating the materials of time and space. This has enabled me to begin my exploration into finding a suitable structure in which to tell a story that features a number of characters, all of whom are intended to represent some of human nature's darkest emotions. I have attempted to distinguish my script from the standard three-act structure. However, I do believe it is a fundamental requirement to know all the rules of a classical three-act structure in order to subvert its conv

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Inderbitzin, Kurt. "Suicide." ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/224.

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A woman, who believes she is terminally ill, hires a man to kill her, believing that's the only way for her to escape a drawn-out, painful death while still allowing her husband to collect on life insurance. But soon after hiring the man, she realizes she's not dying, that she's been set-up.

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Hong, Ki Myung. "Exegesis and screenplay for a film entitled: White Magnolia." Click here to access this resource online, 2009. http://hdl.handle.net/10292/790.

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Most new migrants choose New Zealand as their second home country because New Zealand provides peaceful, safe and relaxed life style and also quality education compared to their homelands. However, for most migrants, settling down in New Zealand is one of the most dynamic and complex processes in their lives. Many migrants are struggling to adjust to New Zealand because the expression of cultural values is different in New Zealand than in their cultures. As migrants adjust to the new culture, their traditional cultural values are increasingly challenged by New Zealand cultural values leading t

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Snead, Nicholas DeVan. "Fabulistic: Examination and application of narratology and screenplay craft." CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.

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This project contains a literature review, a discussion, and an original feature length screenplay. The review of literature examines the various structuralist-inspired theories of narratology and the three-act structure method of screenplay construction.

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42

Bachmann, Holger. "Arthur Schnitzler's Der junge Medardus as drama, screenplay and film." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627305.

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43

Croasmun, Jean M. (Jean Marie). "Trapped in the Body of a Cheerleader: an Original Screenplay." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc500608/.

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Trapped in the Body of a Cheerleader is a feature-length comedic screenplay using juvenile witticisms and black-comedy to tell the story of a teenaged girl accepting her own identity. The introduction, a personal essay, offers the author's personal views towards screen writing, teen-oriented films, and contemporary screen comedy.

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Mims, Sarah E. "The first adventure of Raspberry and Lime : a futuristic screenplay /." View online, 2009. http://repository.eiu.edu/theses/docs/32211131559243.pdf.

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Zolliecoffer, James. "The Oracle." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/129.

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46

Ma, XiaoLu. "The Last Foreign Nuns in China Screenplay: An Exegesis to ‘The Last Foreign Nuns in China’ Screenplay: the Significance of Lost History, Docudrama and Co-production." Thesis, Griffith University, 2012. http://hdl.handle.net/10072/366574.

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This is an exegesis of the docudrama screenplay of The Last Foreign Nuns in China. It introduces the historical background of this screenplay, emphasises the significance of docudrama and analyses the pros and cons of film co-production. With the exception of the introduction and the conclusion, there are three parts to this exegesis. Part one, Chapter 2 focuses on the literature and history review. It examines the history and literature of the Catholic Church in China and the background of the incidents. It not only highlights the relationship between the Chinese government and foreign missi

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Neal, Sarah Jane, and sarahneal@myplace net au. "Structuring the Thrill in the True Crime Story: An Analysis of how the substructures of the classic screenplay operate in the Thriller film." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080514.095721.

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The research undertaken as the requirements of the degree is an analysis, evaluation and application of the usefulness of the substructures contained in the classic Thriller screenplay. The research identifies tools and techniques that the screenwriter can apply to the construction of a classically structured Thriller. These tools and techniques have been applied to the creation of an original feature length screenplay entitled Magnetic Fields. The substructures explored in this exegesis are those identified by screen theorist Dr Lisa Dethridge as being essential to the screenplay form,

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Likomanova, Yvonne. "The Dock." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1406.

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Moye, James Allan. "Signs following." ScholarWorks@UNO, 2002. http://louisdl.louislibraries.org/u?/NOD,19.

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Thesis (M.F.A.)--University of New Orleans, 2002.<br>Title from electronic submission form. Vita. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Drama/Communications"--Thesis t.p.

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Crittenden, Nicholas. "The generative image : visual screenwriting and the substance of screenplay structure." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368359.

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